The Project Gutenberg EBook of Living Alone, by Stella Benson

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: Living Alone

Author: Stella Benson

Release Date: February 4, 2005 [EBook #14907]
[Date last updated: February 12, 2005]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK LIVING ALONE ***




Produced by Jonathan Ingram, Susan Skinner and the Online Distributed
Proofreading Team.








LIVING ALONE

BY

STELLA BENSON

AUTHOR OF "I POSE," "THIS IS THE END"

MACMILLAN AND CO., LIMITED
ST. MARTIN'S STREET, LONDON
1920





_First Edition 1919_
_Reprinted 1920 (twice)_




     This is not a real book. It does not deal with real people, nor
     should it be read by real people. But there are in the world so
     many real books already written for the benefit of real people, and
     there are still so many to be written, that I cannot believe that a
     little alien book such as this, written for the magically-inclined
     minority, can be considered too assertive a trespasser.




     I have to thank the Editor of the _Athenaeum_ for allowing me to
     reprint the poem "Detachment" and the first chapter of this book.
     The courtesy of the Editor of the _Pall Mall Gazette_ in permitting
     me to use again any of my contributions to his paper also enables
     me to include in the fifth chapter the tragic incident of the Mad
     'Bus.

     S.B.





CONTENTS


CHAPTER I

MAGIC COMES TO A COMMITTEE                                             1


CHAPTER II

THE COMMITTEE COMES TO MAGIC                                          19


CHAPTER III

THE EVERLASTING BOY                                                   53


CHAPTER IV

THE FORBIDDEN SANDWICH                                                75


CHAPTER V

AN AIR RAID SEEN FROM BELOW                                           97


CHAPTER VI

AN AIR RAID SEEN FROM ABOVE                                          129


CHAPTER VII

THE FAERY FARM                                                       155


CHAPTER VIII

THE REGRETTABLE WEDNESDAY                                            195


CHAPTER IX

THE HOUSE OF LIVING ALONE MOVES AWAY                                 221


CHAPTER X

THE DWELLER ALONE                                                    257




THE DWELLER ALONE

    My Self has grown too mad for me to master.
    Craven, beyond what comfort I can find,
    It cries: "_Oh, God, I am stricken with disaster_."
    Cries in the night: "_I am stricken, I am blind_...."
    I will divorce it. I will make my dwelling
    Far from my Self. Not through these hind'ring tears
    Will I see men's tears shed. Not with these ears
    Will I hear news that tortures in the telling.

    I will go seeking for my soul's remotest
    And stillest place. For oh, I starve and thirst
    To hear in quietness man's passionate protest
    Against the doom with which his world is cursed.
    Not my own wand'rings--not my own abidings--
    Shall give my search a bias and a bent.
    For me is no light moment of content,
    For me no friend, no teller of the tidings.

    The waves of endless time do sing and thunder
    Upon the cliffs of space. And on that sea
    I will sail forth, nor fear to sink thereunder,
    Immeasurable time supporting me:
    That sea--that mother of a million summers,
    Who bore, with melody, a million springs,
    Shall sing for my enchantment, as she sings
    To life's forsaken ones, and death's newcomers.

    Look, yonder stand the stars to banish anger,
    And there the immortal years do laugh at pain,
    And here is promise of a blessed languor
    To smooth at last the seas of time again.
    And all those mothers' sons who did recover
    From death, do cry aloud: "_Ah, cease to mourn us.
    To life and love you claimed that you had borne us,
    But we have found death kinder than a lover_."

    I will divorce my Self. Alone it searches
    Amid dark ruins for its yesterday;
    Beats with its hands upon the doors of churches,
    And, at their altars, finds it cannot pray.
    But I am free--I am free of indecision,
    Of blood, and weariness, and all things cruel.
    I have sold my Self for silence, for the jewel
    Of silence, and the shadow of a vision....




CHAPTER I

MAGIC COMES TO A COMMITTEE


There were six women, seven chairs, and a table in an otherwise
unfurnished room in an unfashionable part of London. Three of the women
were of the kind that has no life apart from committees. They need not
be mentioned in detail. The names of two others were Miss Meta Mostyn
Ford and Lady Arabel Higgins. Miss Ford was a good woman, as well as a
lady. Her hands were beautiful because they paid a manicurist to keep
them so, but she was too righteous to powder her nose. She was the sort
of person a man would like his best friend to marry. Lady Arabel was
older: she was virtuous to the same extent as Achilles was invulnerable.
In the beginning, when her soul was being soaked in virtue, the heel of
it was fortunately left dry. She had a husband, but no apparent tragedy
in her life. These two women were obviously not native to their
surroundings. Their eyelashes brought Bond Street--or at least
Kensington--to mind; their shoes were mudless; their gloves had not been
bought in the sales. Of the sixth woman the less said the better.

All six women were there because their country was at war, and because
they felt it to be their duty to assist it to remain at war for the
present. They were the nucleus of a committee on War Savings, and they
were waiting for their Chairman, who was the Mayor of the borough. He
was also a grocer.

Five of the members were discussing methods of persuading poor people to
save money. The sixth was making spots on the table with a pen.

They were interrupted, not by the expected Mayor, but by a young woman,
who came violently in by the street door, rushed into the middle of the
room, and got under the table. The members, in surprise, pushed back
their chairs and made ladylike noises of protest and inquiry.

"They're after me," panted the person under the table.

All seven listened to thumping silence for several seconds, and then, as
no pursuing outcry declared itself, the Stranger arose, without grace,
from her hiding-place.

To anybody except a member of a committee it would have been obvious
that the Stranger was of the Cinderella type, and bound to turn out a
heroine sooner or later. But perception goes out of committees. The more
committees you belong to, the less of ordinary life you will understand.
When your daily round becomes nothing more than a daily round of
committees you might as well be dead.

The Stranger was not pretty; she had a broad, curious face. Her clothes
were much too good to throw away. You would have enjoyed giving them to
a decayed gentlewoman.

"I stole this bun," she explained frankly. "There is an uninterned
German baker after me."

"And why did you steal it?" asked Miss Ford, pronouncing the H in "why"
with a haughty and terrifying sound of suction.

The Stranger sighed. "Because I couldn't afford to buy it."

"And why could you not afford to buy the bun?" asked Miss Ford. "A big
strong girl like you."

You will notice that she had had a good deal of experience in social
work.

The Stranger said: "Up till ten o'clock this morning I was of the
leisured classes like yourselves. I had a hundred pounds."

Lady Arabel was one of the kindest people in the world, but even she
quivered at the suggestion of a common leisure. The sort of clothes the
Stranger wore Lady Arabel would have called "too dretful." If one is
well dressed one is proud, and may look an angel in the eye. If one is
really shabby one is even prouder, one often goes out of one's way to
look angels in the eye. But if one wears a squirrel fur "set," and a
dyed dress that originally cost two and a half guineas, one is damned.

"You have squandered all that money?" pursued Miss Ford.

"Yes. In ten minutes."

A thrill ran through all six members. Several mouths watered.

"I am ashamed of you," said Miss Ford. "I hope the baker will catch
you. Don't you know that your country is engaged in the greatest
conflict in history? A hundred pounds ... you might have put it in the
War Loan."

"Yes," said the Stranger, "I did. That's how I squandered it."

Miss Ford seemed to be partially drowned by this reply. One could see
her wits fighting for air.

But Lady Arabel had not committed herself, and therefore escaped this
disaster. "You behaved foolishly," she said. "We are all too dretfully
anxious to subscribe what we can spare to the War Loan, of course. But
the State does not expect more than that of us."

"God bless it," said the Stranger loudly, so that everybody blushed. "Of
course it doesn't. But it is fun, don't you think, when you are giving a
present, to exceed expectations?"

"The State--" began Lady Arabel, but was nudged into silence by Miss
Ford. "Of course it's all untrue. Don't let her think we believe her."

The Stranger heard her. Such people do not only hear with their ears.
She laughed.

"You shall see the receipt," she said.

Out of her large pocket she dragged several things before she found what
she sought. The sixth member noticed several packets labelled MAGIC,
which the Stranger handled very carefully. "Frightfully explosive," she
said.

"I believe you're drunk," said Miss Ford, as she took the receipt. It
really was a War Loan receipt, and the name and address on it were:
"Miss Hazeline Snow, The Bindles, Pymley, Gloucestershire."

Lady Arabel smiled in a relieved way. She had not long been a social
worker, and had not yet acquired a taste for making fools of the
undeserving. "So this is your name and address," she said.

"No," said the Stranger simply.

"This is your name and address," said Lady Arabel more loudly.

"No," said the Stranger. "I made it up. Don't you think 'The Bindles,
Pymley,' is too darling?"

"Quite drunk," repeated Miss Ford. She had attended eight committee
meetings that week.

"S--s--s--sh, Meta," hissed Lady Arabel. She leaned forward, not
smiling, but pleasantly showing her teeth. "You gave a false name and
address. My dear, I wonder if I can guess why."

"I dare say you can," admitted the Stranger. "It's such fun, don't you
think, to get no thanks? Don't you sometimes amuse yourself by sending
postal orders to people whose addresses look pathetic in the telephone
book, or by forgetting to take away the parcels you have bought in poor
little shops? Or by standing and looking with ostentatious respect at
boy scouts on the march, always bearing in mind that these, in their own
eyes, are not little boys trotting behind a disguised curate, but
British Troops on the Move? Just two pleased eyes in a crowd, just a
hundred pounds dropped from heaven into poor Mr. Bonar Law's wistful
hand...."

Miss Ford began to laugh, a ladylike yet nasty laugh. "You amuse me,"
she said, but not in the kind of way that would make anybody wish to
amuse her often.

Miss Ford was the ideal member of committee, and a committee, of course,
exists for the purpose of damping enthusiasms.

The Stranger's manners were somehow hectic. Directly she heard that
laughter the tears came into her eyes. "Didn't you like what I was
saying?" she asked. Tears climbed down her cheekbones.

"Oh!" said Miss Ford. "You seem to be--if not drunk--suffering from some
form of hysteria."

"Do you think youth is a form of hysteria?" asked the Stranger. "Or
hunger? Or magic? Or--"

"Oh, don't recite any more lists, for the Dear Sake!" implored Miss
Ford, who had caught this rather pretty expression where she caught her
laugh and most of her thoughts--from contemporary fiction. She had a lot
of friends in the writing trade. She knew artists too, and an actress,
and a lot of people who talked. She very nearly did something clever
herself. She continued: "I wish you could see yourself, trying to be
uplifting between the munches of a stolen bun. You'd laugh too. But
perhaps you never laugh," she added, straightening her lips.

"How d'you mean--laugh?" asked the Stranger. "I didn't know that noise
was called laughing. I thought you were just saying 'Ha--ha.'"

At this moment the Mayor came in. As I told you, he was a grocer, and
the Chairman of the committee. He was a bad Chairman, but a good grocer.
Grocers generally wear white in the execution of their duty, and this
fancy, I think, reflects their pureness of heart. They spend their days
among soft substances most beautiful to touch; and sometimes they sell
honest-smelling soaps; and sometimes they chop cheeses, and thus reach
the glory of the butcher's calling, without its painfulness. Also they
handle shining tins, marvellously illustrated.

Mayors and grocers were of course nothing to Miss Ford, but Chairmen
were very important. She nodded curtly to the Mayor and grocer, but she
pushed the seventh chair towards the Chairman.

"May I just finish with this applicant?" she asked in her thin inclusive
committee voice, and then added in the direction of the Stranger: "It's
no use talking nonsense. We all see through you, you cannot deceive a
committee. But to a certain extent we believe your story, and are
willing, if the case proves satisfactory, to give you a helping hand. I
will take down a few particulars. First your name?"

"M--m," mused the Stranger. "Let me see, you didn't like Hazeline Snow
much, did you? What d'you think of Thelma ... Thelma Bennett Watkins?...
You know, the Rutlandshire Watkinses, the younger branch----"

Miss Ford balanced her pen helplessly. "But that isn't your real name."

"How d'you mean--real name?" asked the Stranger anxiously. "Won't that
do? What about Iris ... Hyde?... You see, the truth is, I was never
actually christened ... I was born a conscientious objector, and
also----"

"Oh, for the Dear Sake, be silent!" said Miss Ford, writing down "Thelma
Bennett Watkins," in self-defence. "This, I take it, is the name you
gave at the time of the National Registration."

"I forget," said the Stranger. "I remember that I put down my trade as
Magic, and they registered it on my card as 'Machinist.' Yet Magic, I
believe, is a starred profession."

"What is your trade really?" asked Miss Ford.

"I'll show you," replied the Stranger, unbuttoning once more the flap of
her pocket.

       *       *       *       *       *

She wrote a word upon the air with her finger, and made a flourish under
the word. So flowery was the flourish that it span her round, right
round upon her toes, and she faced her watchers again. The committee
jumped, for the blind ran up, and outside the window, at the end of a
strange perspective of street, the trees of some far square were as soft
as thistledown against a lemon-coloured sky. A sound came up the
street....

The forgotten April and the voices of lambs pealed like bells into the
room....

Oh, let us flee from April! We are but swimmers in seas of words, we
members of committees, and to the song of April there are no words. What
do we know, and what does London know, after all these years of
learning?

Old Mother London crouches, with her face buried in her hands; and she
is walled in with her fogs and her loud noises, and over her head are
the heavy beams of her dark roof, and she has the barred sun for a
skylight, and winds that are but hideous draughts rush under her door.
London knows much, and every moment she learns a new thing, but this she
shall never learn--that the sun shines all day and the moon all night on
the silver tiles of her dark house, and that the young months climb her
walls, and run singing in and out between her chimneys....

       *       *       *       *       *

Nothing else happened in that room. At least nothing more important than
the ordinary manifestations attendant upon magic. The lamp had
tremulously gone out. Coloured flames danced about the Stranger's head.
One felt the thrill of a purring cat against one's ankles, one saw its
green eyes glare. But these things hardly counted.

It was all over. The Mayor was heard cracking his fingers, and
whispering "Puss, Puss." The lamp relighted itself. Nobody had known
that it was so gifted.

The Mayor said: "Splendid, miss, quite splendid. You'd make a fortune on
the stage." His tongue, however, seemed to be talking by itself, without
the assistance of the Mayor himself. One could see that he was shaken
out of his usual grocerly calm, for his feverish hand was stroking a cat
where no cat was.

Black cats are only the showy properties of magic, easily materialised,
even by beginners, at will. It must be confusing for such an orderly
animal as the cat to exist in this intermittent way, never knowing, so
to speak, whether it is there or not there, from one moment to another.

The sixth member took a severely bitten pen from between her lips, and
said: "Now you mention it, I think I'll go down there again for the
week-end. I can pawn my ear-rings."

Nobody of course took any notice of her, yet in a way her remark was
logical. For that singing Spring that had for a moment trespassed in the
room had reminded her of very familiar things, and for a few seconds she
had stood upon a beloved hill, and had looked down between beech trees
on a far valley, like a promised land; and had seen in the valley a pale
river and a dark town, like milk and honey.

As for Miss Ford, she had become rather white. Although the blind had
now pulled itself down, and dismissed April, Miss Ford continued to look
at the window. But she cleared her throat and said hoarsely: "Will you
kindly answer my questions? I asked you what your trade was."

"It's too dretful of me to interrupt," said Lady Arabel suddenly. "But,
do you know, Meta, I feel we are wasting this committee's time. This
young person needs no assistance from us." She turned to the Stranger,
and added: "My dear, I am dretfully ashamed. You must meet my son
Rrchud.... My son Rrchud knows...."

She burst into tears.

The Stranger took her hand.

"I should like awfully to meet Rrchud, and to get to know you better,"
she said. She grew very red. "I say, I should be awfully pleased if you
would call me Angela."

It wasn't her name, but she had noticed that something of this sort is
always said when people become motherly and cry.

Then she went away.

"Lawdy," said the Mayor. "I didn't expect she'd go out by the door,
somehow. Look--she's left some sort of hardware over there in the
corner."

It was a broomstick.




CHAPTER II

THE COMMITTEE COMES TO MAGIC


I don't suppose for a moment that you know Mitten Island: it is a
difficult place to get to; you have to change 'buses seven times, going
from Kensington, and you have to cross the river by means of a ferry. On
Mitten Island there is a model village, consisting of several hundred
houses, two churches, and one shop.

It was the sixth member who discovered, after the committee meeting,
that the address on the forsaken broomstick's collar was: Number 100
Beautiful Way, Mitten Island, London.

The sixth member, although she was a member of committees, was neither a
real expert in, nor a real lover of, Doing Good. In Doing Good, I think,
we have got into bad habits. We try in groups to do good to the
individual, whereas, if good is to be done, it would seem more likely,
and more consonant with precedent, that the individual might do it to
the group. Without the smile of a Treasurer we cannot unloose our
purse-strings; without the sanction of a Chairman we have no courage;
without Minutes we have no memory. There is hardly one of us who would
dare to give a flannelette nightgown to a Factory Girl who had Stepped
Aside, without a committee to lay the blame on, should the Factory Girl,
fortified by the flannelette nightgown, take Further Steps Aside.

The sixth member was only too apt to put her trust in committees.
Herself she did not trust at all, though she thought herself quite a
good creature, as selves go. She had come to London two years ago, with
a little trunk and a lot of good intentions as her only possessions, and
she had paid the inevitable penalty for her earnestness. It is a sad
thing to see any one of naturally healthy and rebellious tendency stray
into the flat path of Charity. Gay heedless young people set their
unwary feet between the flowery borders of that path, the thin air of
resigned thanks breathed by the deserving poor mounts to their heads
like wine; committees lie in wait for them on every side; hostels and
settlements entice them fatally to break their journey at every mile;
they run rejoicing to their doom, and I think shall eventually find
themselves without escape, elected eternal life-members of the Committee
that sits around the glassy sea.

The sixth member was saved by a merciful inefficiency of temperament
from attaining the vortex of her whirlpool of charity. To be in the
vortex is, I believe, almost always to see less. The bull's eye is
generally blind.

The sixth member was a person who, where Social Work was concerned, did
more or less as she was told, without doing it particularly well. The
result, very properly, was that all the work which a committee
euphemistically calls "organising work" was left to her. Organising work
consists of sitting in 'buses bound for remote quarters of London, and
ringing the bells of people who are almost always found to be away for a
fortnight. The sixth member had been ordered to organise the return of
the broomstick to its owner.

Perhaps it would be more practical to call the sixth member Sarah Brown.

The bereaved owner of the broomstick was washing her hair at Number 100
Beautiful Way, Mitten Island. She was washing it behind the counter of
her shop. She was the manageress of the only shop on Mitten Island. It
was a general shop, but made a speciality of such goods as Happiness and
Magic. Unfortunately Happiness is rather difficult to get in war-time.
Sometimes there was quite a queue outside the shop when it opened, and
sometimes there was a card outside, saying politely: "Sorry, it's no use
waiting. I haven't any." Of course the shop also sold Sunlight Soap, and
it was with Sunlight Soap that the shop-lady was washing her hair,
because it was Sunday, and this was a comparatively cheap amusement. She
had no money. She had meant to go down to the offices of her employer
after breakfast, to borrow some of the salary that would be due to her
next week. But then she found that she had left her broomstick
somewhere. As a rule Harold--for that was the broomstick's name--was
fairly independent, and could find his way home alone, but when he got
mislaid and left in strange hands, and particularly when kindly finders
took him to Scotland Yard, he often lost his head. You, in your
innocence, are suggesting that his owner might have borrowed another
broomstick from stock. But you have no idea what arduous work it is,
breaking in a wild broomstick to the saddle. It sometimes takes days,
and is not really suitable work for a woman, even in war-time. Often the
brutes are savage, and always they are obstinate. The shop-lady could
not afford to go to the City by Tube, not to mention the ferry fare,
which was rather expensive and erratic, not being L.C.C. Of course a
flash of lightning is generally available for magic people. But it is
considered not only unpatriotic but bad form to use lightning in
war-time.

The shop was not expecting customers on Sunday, but its manageress had
hardly got her head well into the basin when somebody entered. She stood
up dripping.

"Is Miss Thelma Bennett Watkins at home?" asked Sarah Brown, after a
pause, during which she made her characteristic effort to remember what
she had come for.

"No," said the other. "But do take a seat. We met last night, you may
remember. Perhaps you wouldn't mind lending me one-and-twopence to buy
two chops for our luncheon. I've got an extra coupon. There's tinned
salmon in stock, but I don't advise it."

"I've only got sevenpence, just enough to take me home," answered Sarah
Brown. "But I can pawn my ear-rings."

I dare say you have never been in a position to notice that there is no
pawn-shop on Mitten Island. The inhabitants of model villages always
have assured incomes and pose as lilies of the field. Sarah Brown and
her hostess sat down on the counter without regret to a luncheon
consisting of one orange, found by the guest in her bag and divided, and
two thin captain biscuits from stock. They were both used to dissolving
visions of impossible chops, both were cheerfully familiar with the
feeling of light tragedy which invades you towards six o'clock P.M., if
you have not been able to afford a meal since breakfast.

"Now look here," said Sarah Brown, as she plunged her pocket-knife into
the orange. "Would you mind telling me--are you a fairy, or a
third-floor-back, or anything of that sort? I won't register it, or put
it on the case-paper, I promise, though if you are superhuman in any way
I shall be seriously tempted."

"I am a Witch," said the witch.

Now witches and wizards, as you perhaps know, are people who are born
for the first time. I suppose we have all passed through this fair
experience, we must all have had our chance of making magic. But to most
of us it came in the boring beginning of time, and we wasted our best
spells on plesiosauri, and protoplasms, and angels with flaming swords,
all of whom knew magic too, and were not impressed. Witches and wizards
are now rare, though not so rare as you think. Remembering nothing, they
know nothing, and are not bored. They have to learn everything from the
very beginning, except magic, which is the only really original sin. To
the magic eye, magic alone is commonplace, everything else is unknown,
unguessed, and undespised. Magic people are always obvious--so obvious
that we veteran souls can rarely understand them,--they are never
subtle, and though they are new, they are never Modern. You may tell
them in your cynical way that to-day is the only real day, and that
there is nothing more unmentionable than yesterday except the day
before. They will admire your cleverness very much, but the next moment
you will find the witch sobbing over Tennyson, or the wizard smiling at
the quaint fancies of Sir Edwin Landseer. You cannot really stir up
magic people with ordinary human people. You and I have climbed over our
thousand lives to a too dreadfully subtle eminence. In our day--in our
many days--we have adored everything conceivable, and now we have to
fall back on the inconceivable. We stand our idols on their heads, it is
newer to do so, and we think we prefer them upside down. Talking
constantly, we reel blindfold through eternity, and perhaps if we are
lucky, once or twice in a score of lives, the blindfolding handkerchief
slips, and we wriggle one eye free, and see gods like trees walking. By
Jove, that gives us enough to talk about for two or three lives! Witches
and wizards are not blinded by having a Point of View. They just look,
and are very much surprised and interested.

All witches and wizards are born strangely and die violently. They are
descended always from old mysterious breeds, from women who wrought
domestic magic and perished for its sake, and from men who wrought other
magic among lost causes and wars without gain, and fell and died, still
surprised, still interested, with their faces among flowers. All men who
die so are not wizards, nor are all martyred and adventuring women
witches, but all such bring a potential strain of magic into their line.

"A witch," said Sarah Brown. "Of course. I have been trying to remember
what broomsticks reminded me of. A witch, of course. I have always
wished to be friends with a witch."

The witch was unaware that the proper answer to this was: "Oh, my Dear,
_do_ let's. Do you know I had quite a _crush_ on you from the first
minute." She did not answer at all, and Sarah Brown, who was tired of
proper answers, was not sorry. Nevertheless the pause seemed a little
empty, so she filled it herself, saying pedantically: "Of course I don't
believe friendship is an end in itself. Only a means to an end."

"I don't know what you mean," said the witch, after wrestling
conscientiously with this remark for a minute. "Do tell me--do you know
yourself, or are you just saying it to see what it means?"

Sarah Brown was obviously damped by this, and the witch added kindly: "I
bet you twopence you don't know what this place is."

"A shop," said Sarah Brown, who was sitting on the counter.

"It is a sort of convent and monastery mixed," replied the witch. "I am
connected with it officially. I undertook to manage it, yet I forget
what the proper word for me is. Not undertaker, is it?"

"Superintendent or secretary," suggested Sarah Brown moodily.

"Superintendent, I think," said the witch. "At least I know Peony calls
me Soup. Do you live alone?"

"Yes."

"Then you ought to live here. This is the only place in the world of its
kind. The name of this house is Living Alone. I'll read you the
prospectus."

She fell suddenly upon her knees and began fighting with a drawer. The
drawer was evidently one of the many descendants of the Sword
Excalibur--none but the appointed hand could draw it forth. The witch,
after a struggle, passed this test, and produced a parchment covered
with large childish printing in red ink.

"My employer made up this," said the witch. "And the ferryman wrote it
out for us."

This is the prospectus:

     The name of this house is Living Alone.

     It is meant to provide for the needs of those who dislike hotels,
     clubs, settlements, hostels, boarding-houses, and lodgings only
     less than their own homes; who detest landladies, waiters,
     husbands and wives, charwomen, and all forms of lookers after. This
     house is a monastery and a convent for monks and nuns dedicated to
     unknown gods. Men and women who are tired of being laboriously kind
     to their bodies, who like to be a little uncomfortable and quite
     uncared for, who love to live from week to week without speaking,
     except to confide their destinations to 'bus-conductors, who are
     weary of woolly decorations, aspidistras, and the eternal two
     generations of roses which riot among blue ribbons on hireling
     wall-papers, who are ignorant of the science of tipping and
     thanking, who do not know how to cook yet hate to be cooked for,
     will here find the thing they have desired, and something else as
     well.

     There are six cells in this house, and no common sitting-room.
     Guests wishing to address each other must do so on the stairs, or
     in the shop. Each cell has whitewashed walls, and contains a small
     deal table, one wooden chair, a hard bed, a tin bath, and a little
     inconvenient fireplace. No guest may bring into the house more than
     can be carried out again in one large suit-case. Carpets, rugs,
     mirrors, and any single garment costing more than three guineas,
     are prohibited. Any guest proved to have made use of a taxi, or to
     have travelled anywhere first class, or to have bought cigarettes
     or sweets costing more than three shillings a hundred or
     eighteenpence a pound respectively, or to have paid more than three
     and sixpence (war-tax included) for a seat in any place of
     entertainment, will be instantly expelled. Dogs, cats, goldfish,
     and other superhuman companions are encouraged.

     Working guests are preferred, but if not at work, guests must spend
     at least eighteen hours out of the twenty-four entirely alone. No
     guest may entertain or be entertained except under special license
     obtainable from the Superintendent.

     There is a pump in the back yard. There is no telephone, no
     electric light, no hot water system, no attendance, and no modern
     comfort whatever. Tradesmen are forbidden to call. There is no
     charge for residence in this house.

"It certainly sounds an unusual place," admitted Sarah Brown. "Is the
house always full?"

"Never," said the witch. "A lot of people can swallow everything but the
last clause. We have at present one guest, called Peony."

She replaced the prospectus in the drawer, which she then tried to shut.
While she was engaged in this thundering endeavour, Sarah Brown noticed
that the drawer was full of the little paper packets which she had seen
the day before in the witch's possession.

"What do you do with your magic?" she asked.

"Oh, many things. Chiefly I use it as an ingredient for happiness,
sometimes to remind people, and sometimes to make them forget. It seems
to me that some people take happiness rather tragically."

"I find," said Sarah Brown, rather sententiously, "that I always owe my
happiness to earth, never to heaven."

"How d'you mean heaven?" said the witch. "I know nothing about heaven.
When I used to work in the City, I bought a little book about heaven to
read in the Tube every morning. I thought I should grow daily better.
But I couldn't see that I did."

Sarah Brown was naturally astonished to meet any one who did not know
all about heaven. But she continued the pursuit of her ideas on
happiness. Sarah Brown meant to write a book some day, if she could find
a really inspiring exercise-book to start in. She thought herself
rather good at ideas--poor Sarah Brown, she simply had to be confident
about something. She was only inwardly articulate, I think, not
outwardly at all, but sometimes she could talk about herself.

"Heaven has given me wretched health, but never gave me youth enough to
make the wretchedness adventurous," she went on. "Heaven gave me a thin
skin, but never gave me the natural and comforting affections. Heaven
probably meant to make a noble woman of me by encrusting me in
disabilities, but it left out the necessary nobility at the last moment;
it left out, in fact, all the compensations. But luckily I have found
the compensations for myself; I just had to find something. Men and
women have given me everything that such as I could expect. I have never
met with reasonless enmity, never met with meanness, never met with
anything more unbearable than natural indifference, from any man or
woman. I have been, I may say, a burden and a bore all over the world; I
have been an ill and fretful stranger within all men's gates; I have
asked much and given nothing; I have never been a friend. Nobody has
ever expected any return from me, yet nothing was grudged. Landladies,
policemen, chorus girls, social bounders, prostitutes, the natural
enemies, one would say, of such as I, have given me kindness, and often
much that they could not easily spare, and always amusement and
distraction...."

"Ah, how you interest and excite me," said the witch, whose attention
had been frankly wandering. "You are exactly the sort of person we want
in this house."

"But--ill?" said Sarah Brown pessimistically. "Oh, witch, I have been so
wearisome to every one, so constantly ill. The first thing I get to know
about a new hostess or a landlady is always the colour of her
dressing-gown by candlelight, or whether she has one."

"Illnesses are never bad here," said the witch. "I bet you twopence I've
got something in the shop that would make you well. Three fingers of
happiness, neat and hot, at night--"

"But, witch--oh, witch--this is the worst of all. My ears are failing
me--I think I am going deaf...."

"You can hear what I say," said the witch.

"Yes, I can hear what you say, but when most people talk I am like a
prisoner locked up; and every day there are more and more locked doors
between me and the world. You do not know how horrible it is."

"Oh, well," said the witch, "as long as you can hear magic you will not
lack a key to your prison. Sometimes it's better not to hear the other
things. You are the ideal guest for the House of Living Alone."

"I'll go and fetch David my Dog and Humphrey my Suit-case," said Sarah
Brown.

At that moment a taxi was heard to arrive at the other side of the
ferry, and the ferryman's voice was heard shouting: "All right, all
right, I'll be there in half a tick."

"I hope this isn't Peony in a taxi," said the witch. "I get so tired of
expelling guests. She's been drawing her money, which may have been
tempting."

They listened.

They heard someone alight from the ferry-boat, and the voice of Miss
Meta Mostyn Ford asking the ferryman: "Do you know anything about a
young woman of the name of Watkins, living at Number 100 Beautiful
Way----"

"No, he doesn't," shouted the witch, opening the shop door. "But do step
in. We met yesterday, you may remember. I'll ask the ferryman to get
half-a-dozen halfpenny buns for tea, if you will be so kind as to lend
me threepence. We don't bake ourselves."

"I have had tea, thank you," said Miss Ford. "I have just come from a
little gathering of friends on the other side of the river, and I
thought I would call here on my way home. I had noted your address----"

She started as she came in and saw Sarah Brown, and added in her
committee voice: "I had noted your address, because I never mind how
much trouble I take in following up a promising case."

Sarah Brown, on first hearing that trenchant voice, had lost her head
and begun to hide under the counter. But the biscuit-tins refused to
make room, so she drew herself up and smiled politely.

"How good of you to go to a little gathering of friends," said the
witch, obviously trying to behave like a real human person. "I never do,
except now and then by mistake. And even then I only stay when there are
grassy sandwiches to eat. Once there were grassy sandwiches mixed with
bits of hard-boiled egg, and then I stayed to supper. You didn't have
such luck, I see, or you would look happier."

"I don't go to my friends for their food, but for their ideas," said
Miss Ford.

Sarah Brown was gliding towards the door.

"Oh, don't go," said the witch, who did not recognise tact when she met
it. "I have sent Harold the Broomstick for your Dog David and your
Suit-case Humphrey. He is an excellent packer and very clean in his
person and work. Please, please, don't go. Do you know, I live in
constant dread of being left alone with a clever person."

"I must apologise for my intrusion, in that case," said Miss Ford, with
dignity. "I repeat, I only came because I saw yours was an exceptional
case."

There was a very long silence in the growing dusk. The moon could
already be seen through the glass door, rising, pushing vigorously aside
the thickets of the crowded sky. A crack across the corner of the glass
was lighted up, and looked like a little sprig of lightning, plucked
from a passing storm and preserved in the glass.

Miss Ford suddenly began to talk in a very quick and confused way. Any
sane hearer would have known that she was talking by mistake, that she
was possessed by some distressingly Anti-Ford spirit, and that nothing
she might say in parenthesis like this ought to be remembered against
her.

"Oh, God," said Miss Ford, "I have come because I am hungry, hungry for
what you spoke of last night, in the dark.... You spoke of an April
sea--clashing of cymbals was the expression you used, wasn't it? You
spoke of a shore of brown diamonds flat to the ruffled sea ... and
white sandhills under a thin veil of grass ... and tamarisks all blown
one way...."

"Well?" said the witch.

"Well," faltered Miss Ford. "I think I came to ask you ... whether you
knew of nice lodgings there ... plain wholesome bath ... respectable
cooking, hot and cold ..."

Her voice faded away pathetically.

There was a sudden shattering, as the door burst open, and a dog and a
suit-case were swept in by a brisk broomstick.

"I am so sorry, Miss Watkins," said Miss Ford stiffly. Her face was
scarlet--neat and formal again now, but scarlet.--"I am so sorry if I
have talked nonsense. I am rather run down, I think, too much work, four
important meetings yesterday. I sometimes think I shall break down. I
have such alarming nerve-storms."

She looked nervously at Sarah Brown. It is always tiresome to meet
fellow-members of committees in private life, especially if one is in a
mood for having nerve-storms. People may be excellent in a philanthropic
way, of course, and yet impossible socially.

But Sarah Brown had heard very little. She always found Miss Ford's
voice difficult. She was on her knees asking her dog David what it had
felt like, coming. But David was still too much dazed to say much.

"You must not think," said Miss Ford, "that because I am a practical
worker I have no understanding of Inner Meanings. On the contrary, I
have perhaps wasted too much of my time on spiritual matters. That is
why I take quite a personal and special interest in your case. I had a
great friend, now in the trenches, alas, who possessed Power. He used to
come to my Wednesdays--at least I used to invite him to come, but he was
dreamy like you and constantly mistook the date. He helped me
enormously, and I miss him.... Well, the truest charity should be
anything but formal, I think, and I saw at a glance that your case was
exceptional, and that you also were Occult----"

"How d'you mean--occult?" asked the witch. "Do you mean just knowing
magic?"

"A strange mixture," mused Miss Ford self-consciously. It is impossible
to muse aloud without self-consciousness. "A strange and rather
interesting mixture of naivete and power. The question is--power to what
extent? Miss Watkins, I want you to come to one of my Wednesdays to meet
one or two people who might possibly help you to a job--lecturing, you
know. Lectures on hypnotism or spiritualism, with experiments, are
always popular. You certainly have Power, you only want a little
advertisement to be a real help to many people."

"How d'you mean--advertisement?" asked the witch. "This new
advertisement stunt is one of the problems that tire my head. I am
awfully worried by problems. The world seems to be ruled by posters now.
People look to the hoardings for information about their duty. Why don't
we paste up the ten commandments on all the walls and all the 'buses,
and be done with it?"

"Now listen, Miss Watkins," persisted Miss Ford. "I want you to meet
Bernard Tovey, the painter, and Ivy MacBee, who founded the Aspiration
Club, and Frere, the editor of _I Wonder_, and several other regular
Wednesday friends of mine, all interested in the Occult. It would be a
real opportunity for you."

"I am afraid you will be very angry with me," said the witch presently
in a hollow voice. "If I was occult last night--I'm awfully sorry, but
it must have been a fluke. I seem to have said so much last night
without knowing it. I'm afraid I was showing off a little."

The painful tears of confession were in her eyes, but she added,
changing the subject: "Do you live alone?"

"Yes, absolutely," said Miss Ford. "My friends call me a perfect hermit.
I hardly ever have visitors in my spare room, it makes so much work for
my three maids."

"I suppose you wouldn't care to divorce your three maids and come and
live here," suggested the witch. "I could of course cure you of the
nerve-storms you speak of. Or rather I could help you to have
nerve-storms all the time, without any stagnant grown-upness in between.
Then you wouldn't notice the nerve-storms. This house is a sort of
nursing home and college combined. I'll read you the prospectus."

       *       *       *       *       *

"Very amusing," said Miss Ford, after waiting a minute to see if there
was any more of the prospectus. She had quite recovered herself, and was
wearing the brisk acute expression that deceived her into claiming a
sense of humour. "But why all those uncomfortable rules? And why that
discouragement of social intercourse? I am afraid the average person of
the class you cater for does not recognise the duty of social
intercourse."

"This house," replied the witch, "caters for people who are outside
averages. The ferryman says that people who are content to be average
are lowering the general standard. I wish you could have met Peony, the
only guest up to now, but she is out, and may be a teeny bit drunk when
she comes in. She has gone to draw her money."

"What sort of money?" asked Miss Ford, who was always interested in the
sources of income of the Poor.

"Soldier's allotment. Unmarried wife."

The expression of Miss Ford's face tactfully wiped away this bald
unfortunate statement from the surface of the conversation. "And how do
you make your boarding-house pay," she asked, "if there is no charge for
residence?"

"How d'you mean--pay?" asked the witch. "Pay whom? And what with? Look
here, if you will come and live here you shall have a little Wednesday
every week on the stairs, under license from me. Harold the Broomstick
is apt to shirk cleaning the stairs, but as it happens, he is keeping
company with an O-Cedar Mop in Kentish Town, and I've no doubt she would
come over and do the stairs thoroughly every Tuesday night. Besides, we
have overalls in stock at only two and eleven three----"

"Oh, I like your merry mood," said Miss Ford, laughing heartily. "You
must remember to talk like that when you come to my Wednesdays. Most of
my friends are utter Socialists, and believe in bridging as far as
possible the gulf between one class and another, so you needn't feel
shy or awkward."

The splashing of the ferry-boat was once more heard, and then the shop
quaked a little as a heavy foot alighted on the landing-stage. The
ferryman was heard saying: "I don't know any party of that name, but I
believe the young woman at the shop can help you."

Lady Arabel Higgins entered the shop.

"What, Meta, you here? And Sarah Brown? What a too dretfully funny
coincidence. Well, Angela dear, I made a note of your address yesterday,
and then lost the note--too dretfully like me. So I rang up the Mayor,
and he said he also had made a note, and he would come and show me the
way. But I didn't wait for him. I wanted to talk to you about----"

"Well, I must truly be going," interrupted Sarah Brown. "I'll just nip
across to the Brown Borough and find a pawn-shop, being hungry."

"There is no need for any one to move on my account," said Lady Arabel.
"You all heard what Angela said last night in her little address to the
committee in the dark. I don't know why she addressed her remarks
particularly at me, but as she did so, there is no secret in the matter.
Of course, just at first, it seemed dretful to me that any one should
know or speak about it. I cannot understand how you knew, Angela; I am
trying not to understand...."

She took up a thin captain biscuit and bit it absent-mindedly. It
trembled in her hand like a leaf.

"Yes, it is true that Rrchud isn't like other women's boys. You know it,
Meta. Angela evidently knows it, and--at least since yesterday--I know
that I know it. His not being able to read or write--I always knew in my
heart that my old worn-out tag--'We can't all be literary
geniuses'--didn't meet the case. His way of disappearing and never
explaining.... Do you know, I have only once seen him with other boys,
doing the same as other boys, and that was when I saw him marching with
hundreds of real boys ... in 1914.... It was the happiest day I ever
had, I thought after all that I had borne a real boy. Well, then, as
you know, he couldn't get a commission, couldn't even get his stripe,
poor darling. He deserted twice--pure absence of mind--it was always the
same from a child--'I wanted to see further,' he'd say, and of course
worse in the trenches. Why, you know it all, Angela dear--at least,
perhaps not quite all. I should like to tell you--because you said that
about the splendour of being the mother of Rrchud....

"Pinehurst--my husband, he is a doctor, you know--had that same passion
for seeing further. He was often ill in London. I said it was asthma,
but he said it was not being able to see far enough. We were in America
for Rrchud's birth, and Pinehurst insisted on going West. I took the
precaution of having a good nurse with me. Pinehurst said the East was
full of little obstacles, and people's eyes had sucked all the secrets
out of the horizon, he said. I like Cape Cod, but he said there was
always a wall of sea round those flat wet places. We stayed in a
blacksmith's spare room on the desert of Wyoming, but even that horizon
seemed a little higher than we, and one clear day, in a pink sunrise, we
saw something that might have been a dream, my dears, and might have
been the Rockies. Pinehurst couldn't stand that, we pushed west--so
tahsome. We climbed a little narrow track up a mountain, in a light
buggy that a goldminer lent us. Oh, of course, you'll think us mad,
Meta, but, do you know, we actually found the world's edge, a place with
no horizon; we looked between ragged pine trees, and saw over the
shoulders of great old violet mountains--we saw right down into the
stars for ever.... There was a tower of rocks--rose-red rocks in sloping
layers--sunny hot by day, my dears, and a great shelter by night. You
know, the little dark clouds walk alone upon the mountain tops at
sunset--as you said, Angela--they are like trees, and sometimes like
faces, and sometimes like the shadows of little bent gipsies.... I used
to look at the mountains and think: 'What am I about, to be so worried
and so small, in sight of such an enormous storm of mountains under a
gold sky?' I think of those rocks often at night, standing just as we
left them, all by themselves, under that unnatural moon,--it was an
unnatural moon on the edge of the world there,--all by themselves, with
no watching eyes to spoil them, as Pinehurst used to say, not even one's
own eyes.... You'll say that adventure--my one adventure--was
impossible, Meta. Yes, it was. Rrchud was an impossible boy, born on an
impossible day, in an impossible place. Ah, my poor Rrchud.... My dears,
I am talking dretful nonsense. We were mad. You'd have to know
Pinehurst, really, to understand it. Ah, we can never find our mountain
again. I can never forgive Pinehurst...."

"You can never repay Pinehurst," said the witch.

Lady Arabel did not seem to hear. For a long time there was nothing to
be heard but Sarah Brown, murmuring to her Dog David. You must excuse
her, and remember that she lived most utterly alone. She was locked
inside herself, and the solitary barred window in her prison wall
commanded only a view of the Dog David.

Rrchud's mother said at last: "I really came to tell you that Rrchud
came back on leave unexpectedly last night. Of course you must meet
him--"

"Rrchud home!" exclaimed Miss Ford. "How odd! I was just telling Miss
Watkins about his Power, and how strongly she reminded me of him. Do
tell him to keep Wednesday afternoon free."

Lady Arabel, ignoring Miss Ford by mistake, said to the witch: "Will you
come on Tuesday to tea or supper?"

"Supper, please," said the witch instantly. Tact, I repeat, was a
stranger to her, so she added: "I will bring Sarah Brown too. I bet you
twopence she hasn't had a decent meal for days."

And then the Mayor arrived. The witch saw at once that there was some
secret understanding between him and her that she did not understand.
Her magic escapades often left her in this position. However, she winked
back hopefully. But she was not a skilled winker. Everybody--even the
Dog David--saw her doing it, and Miss Ford looked a little offended.




CHAPTER III

THE EVERLASTING BOY


Mitten Island is a place of fine weather, its air is always like
stained glass between you and perfection. Always you will find in the
happy ways of Mitten Island a confidence that the worst is left behind,
and that even the worst was not so very bad. You can afford to remember
the winter, for even the winter was beautiful; you can smile in the sun
and think of the grey flush that used to overspread the island under its
urgent crises of snow, and it seems that always there was joy running
quickly behind the storms, joy looking with the sun through a tall
window in a cloud. Even the most dreadful curtain of a winter's day was
always drawn up at sunset; its straight edge rose slowly, disclosing
flaming space, and the dramatic figures of the two island churches,
exulting and undying martyrs in the midst of flames.

It is a place of fine weather, and this is a book of fine weather, a
book written in Spring. I will not remember the winter and the rain. It
was the Spring that brought Sarah Brown to Mitten Island, and the Spring
that first showed her magic. It was the Spring that awoke her on her
first morning in the House of Living Alone.

She awoke because it was so beautiful outside, and because there was a
beautiful day coming. You could see the day secretly making preparations
behind a shining mist. She heard a sound of breathless singing, and the
whipping of stirred grass in the garden, the sound of some one
unbearably happy, dancing. Now there is hardly anything but magic abroad
before seven o'clock in the morning. Only the disciples of magic like
getting their feet wet, and being furiously happy on an empty stomach.

Sarah Brown went to her window. The newborn trembling slants of smoke
went up from the houses of the island. There was a sky of that quiet
design which suffices half a day unchanged. A garden of quite a good
many yards lay behind the house; it contained no potatoes or anything
useful, only long, very green grass, and a may tree, and a witch
dancing. The extraordinary music to which she was dancing was partly the
braying of a neighbouring donkey, and partly her own erratic singing.
She danced, as you may imagine, in a very far from grown-up way, rather
like a baby that has thought of a new funny way of annoying its Nana;
and she sang, too, like a child that inadvertently bursts into loud
tuneless song, because it is morning and yet too early to get up. A
little wandering of the voice, a little wandering of the feet.... The
may tree in the middle of the garden seemed to be her partner. A small
blot moved up and down the chequered trunk of the tree, and that was the
shadow of a grey squirrel, watching the dancing. The squirrel wore the
same fur as the two-and-a-half-guinea young lady wears, and sometimes it
looked with a tilted head at the witch, and sometimes it buried its face
in its hands and sat for a while shaken with secret laughter. There was
certainly something more funny than beautiful about the witch's dancing.
She laughed herself most of the time. She was wearing a mackintosh,
which was in itself rather funny, but her feet were bare.

A voice broke in: "Good for you, cully."

It was Sarah Brown's fellow-lodger leaning from her window.

The squirrel rippled higher up the may tree.

The pleasure of the thing broke like an eggshell. Sarah Brown turned
back towards her bed. It was too early to get up. It was too late to go
to sleep again. Eunice, her hot-water bottle, she knew, lay cold as a
serpent to shock her feet if she returned. Besides, the Dog David was
asleep on the middle of the counterpane, and she was too good a mother
to wake him. There are a good many things to do when you find yourself
awake too early. It is said that some people sit up and darn their
stockings, but I refer now to ordinary people, not to angels. Utterly
resourceless people find themselves reduced to reading the penny stamps
on yesterday's letters. There is a good deal of food for thought on a
penny stamp, but nothing really uplifting. Some people I know employ
this morning leisure in scrubbing their consciences clean, thus
thriftily making room for the sins of the coming day. But Sarah Brown's
conscience was dreadfully receptive, almost magnetic; little sins like
smuts lay always deep upon it. There were a few regrettable seconds in
every minute she lived, I think, though she never enjoyed the
compensations attached to a really considerable sin. Anyway her
conscience would have been a case for pumice-stone, and when she was
happy she always tried to forget it. Yet she was not without a good many
very small and unessential resources for sleepless moments. Often she
wrote vague comments on matters with which she was not familiar, in an
exercise-book, always eventually mislaid. She would awake from dear and
unspeakable dreams full of hope, and tell herself stories about herself,
trying on various lives and deaths like clothes. The result was never
likely enough even to laugh at.

To-day she had watched magic dancing in a mackintosh, and she was at a
loss.

There was a knock upon her door, and a voice: "Hi, cocky, could you
oblige me with a loan of a few 'alfpence for the milkman. I 'aven't a
bean in me purse."

"Nor have I," said Sarah Brown, opening the door. "But I can pawn--"

"Ow, come awf it, Cuffbut," said the fellow-lodger. "This is a
respectable 'ouse, more or less, and you ain't goin' out to pawn nothink
in your py-jams. I'll owe it to the milkman again. Not but what I 'adn't
p'raps better pay 'im after all. I got me money paid yesterday, on'y I
'ad thought to put it away for Elbert."

"Are you Peony, the other lodger?"

"Thet's right, dearie."

Peony was not in her first youth, in fact she was comfortably into her
second. Her voice was so beautiful that it almost made one shy, but her
choice of language, tending as it did in the other direction, reassured
one. She had fine eyes of an absolute grey, and dark hair parted in the
middle and drawn down so as to make a triangle of a face which, left to
itself, would have been square. Her teeth spoilt her; the gaps among
them looked like the front row of the stalls during the first scene of
a revue, or the last scene of a play by Shakspere. On the whole, she
looked like the duckling of the story, serenely conscious of a secret
swanhood. She showed unnatural energy even in repose, and lived as
though she had a taxi waiting at the door.

"Who's Elbert?" asked Sarah Brown, and then wished she had not asked,
for even without Peony's flush she should have guessed.

"'Arf a mo, kiddie, till I get rid of the milkman. Come an' sit on the
stairs, an' I'll tell you a tale. I like no end tellin' this tale."

Harold the Broomstick was desultorily sweeping the stairs. He worked
harder when first conscious of being watched, but seeing that they
intended to stay there, on the top step, he made this the excuse to
disappear indolently, leaving little heaps of dust on several of the
lower steps.

"I come across Elbert first when I was about eight an' twenty," said
Peony, when Sarah Brown, in rather a loud dressing-gown, had taken her
seat on the stairs beside her. "Elbert was the ideel kid, an'
me--nothing to speak of. Nothin' more than a lump o' mud, I use to say.
All my life, if you'll believe me, cully, I've lived in mud--an' kep' me
eye on the moon, so to say. I worked in a factory all day, makin' mud,
as it were, for muddy Jews, an' every Saturday night I took 'ome twelve
shillin's-worth o' mud to keep meself alive in a city o' mud until the
Saturday after. But o' nights there was the moon, or else the stars, or
else the sunset, an' anyway all the air between to look at. I 'ad a back
room, 'igh up, and o' nights I use to sit an' breave there, an' look at
the sky. Believe me, dearie, I was mad about breavin'--it was me only
recreation, so to say. By Gawd, it's a fair wonder 'ow the sky an' the
air keeps on above the mud, and 'ow we looks at it, an' breaves it, an'
never pays no rent for it, when all's said an' done. There ain't never a
penny put in the slot for the moonlight, when you come to think of it,
yet still it all goes on. Well, in those days, I never spoke to a soul,
an' 'ated everybody, an' I got very queer, queerer nor many as is
locked up in Claybury this minute. I got to thinkin' as 'ow there was a
debt 'anging over us all, some'ow the sky seemed like a sort of upper
floor to all our 'ouses, with the stars an' the moon for windows, an' it
seemed like as if there did oughter be some rent to pay, though the
Landlord was a reel gent and never pressed for it. There might be people
'oo lived among flowers in the sunlight, an', so to say, rented the
parlour floor, but not me. I 'ad the upper floor, an' breaved the light
o' the moon. As for flowers--bless you, I'd never 'ardly seen a flower
stuck proper to the ground until a year ago. Well, dearie, I use to make
believe as 'ow we'd all get a charnce, all to ourselves, to pay what we
owed. Some people, I thought, runs away from the debt, an' some pays it
in bad money, but, I ses to meself, if ever my charnce come, I'll pay it
the very best I can. Lawd, 'ow I 'ated everybody in those days. It
seemed like people was all rotten, an' as if all the churches an' all
the cherities was the rottenest of all the lot. Well, then, dearie,
Elbert blew in. You know what kids is mostly like in the Brown Borough,
but Elbert--'e never was. Straight legs 'e 'ad, an' never a chilblain
nor a sore, an' a small up-lookin' face, an' yallery 'air--what you
could see of it, for of course I always made 'im keep it nicely cropped
to the pink. You never see sich a clean boy, you never see 'im but what
'e seemed to 'ave sponged 'is collar that minute, an' the little seat to
'is breeks always patched in the right colour, an' all. Yet 'e wasn't
one of them choir-boy kinds, 'e could 'ave 'is little game with the best
of 'em, an' often kicked up no end of a row when we was playin'
pretendin' games of a wet Sunday. 'E 'ad one little game 'e loved best
of all--not marbles, it wasn't, nor peg-tops--but there, I won't tell
you what it was, for you'd laugh like the gal at the shop did when I
spoke of it. I don't often get talkin', but I'd 'ad a nip of brandy at
the time. Laugh fit to bust, she did--'avin' 'ad a nip of the same
'erself--an' as't if Elbert wasn't blind as well, an' if 'e wore any
clothes besides wings.... The funny thing was thet Elbert did 'ave bad
sight, it always seemed odd to me thet with 'is weak eyes 'e should
choose to play the little game 'e did. I use to take 'im to the 'Eath of
a summer Sunday, an' 'e use to stand on them little ridges below the
Spaniards Road, with 'is eyes shut against the sun, never botherin' to
take no aim. I can see 'im now, a-pulling of the string of 'is bow--it
'ad an 'igh note, like the beginnin' of a bit o' music--an' then awf
'e'd go like a rebbit, to see where the arrer fell. It was always a
marvel to me 'e didn't put somebody's eye out, but I didn't mind--I
'ated everybody. 'E didn't live with me, 'e just came in an' out. 'E
never tol' me 'is name was Elbert--I just called 'im thet, the prettiest
name I knew. 'E never tol' me 'oo 'is people were; I shouldn't think
they could 'ave bin Brown Borough people, for Elbert seemed to 'ave bin
about a lot, seen mountains an' oceans an' sichlike, an' come acrost a
lot of furriners--even Germans. 'E talked a lot about people--as good as
a novelette 'is stories was, but bloody 'igh-flavoured. Children knows a
lot in the Brown Borough. 'Ow 'e'd noticed the things 'e 'ad with them
blindish eyes of 'is, I don't know. I got to count on that boy no end.
Fair drunk with satisfaction, I use to feel. Call me a fool if you like,
cully, but it was three or four year before I got the idee that there
was anythink funny about Elbert. It was when it begun to look as if the
War 'ad come to stop, an' one couldn't look at any boy without countin'
up to see 'ow long 'e 'ad before the Army copped 'im. An' then I
calc'lated that Elbert should be rising fourteen now, an' I saw then
thet 'e 'adn't grown an inch since I first see 'im, nor 'e hadn't
changed 'is ways, but still 'e run about laughin', playin' 'is little
kiddy-game, with 'is face to the sun. An' then I remembered 'ow often
'e'd tol' me things thet seemed too 'istorical for sich as 'im to come
by honest, tales about blokes in 'istory--nanecdotes 'e'd use to pass
acrost about Admiral Nelson, or Queen Bess--she use to make 'im chuckle,
she did--an' a chap called Shilly or Shally, 'oo was drownded. An' I got
struck all of an 'eap, to think 'e was some sort of an everlasting boy,
an' p'raps 'e was a devil, I thought, an' p'raps I'd sold me soul
without knowin' it. I never took much stock of me soul, but I always
'ad that debt o' mine in me mind, an' I wanted to pay it clean. For them
London mists agin the sky in the Spring, an' for the moonlight, an' for
the sky just before a thunderstorm--all them things seemed to 'ave come
out of the same box, like, an' I didn't like feelin' as 'ow they was all
jest charity.... 'Owever, I got this idee about Elbert, an' I didn't
sleep a wink thet night, an' couldn't enjoy me starlight. In the mornin'
'e come as usual, with 'is pretty blind smile, an' I ses to 'im:
'Elbert,' I ses, 'You ain't a crool boy, are you? You wouldn't do
anythink to 'urt me?' Lookin' at 'im, I couldn't believe it. ''Urt you?'
'e ses quite 'appily; 'an' why wouldn't I 'urt you? I'd as lief send you
to the Devil as not,' 'e ses. Well, cocky, I don't mind tellin' you I
lost me 'ead at that. I run awiy--run awiy from my Elbert--Oh, Gosh! I
bin an' give up me bits o' sticks to a neighbour, an' got a place, an'
went into service. I sneaked out one night, when Elbert 'ad gone 'ome. I
got a place up Kilburn way, an ol' couple, retired from the pawnbrokin'
line. The ol' man 'ad softening in 'is brain, an' said one thing all the
blessed time, murmurin' like a bee. The ol' woman never spoke, never did
no work, lef' it all to me. She was always a-readin' of 'er postcard
album, shiftin' the cards about--she 'ad thousands, besides one 'ole
book full of seaside comics. A beautiful collection. Well, I was dishin'
up the tea one night in the kitchen, an' I 'eard a laugh--Elbert's
laugh, like three little bells--an' there was Elbert lookin' in at the
window. I run after 'im--there wasn't nobody there. When I come back the
tripe was burnt an' I lef' it on the fire an' run away, thet minute.
They owed me wages, but I didn't stop for nothink. I was frightened. I
got a place afterwards up Islington, three ol' sisters, kep' a fancy
shop, fought with each other every minute of their lives. I 'adn't bin
there two days before Elbert walked in, jest as laughin' an' lovin' as
ever. I see then it was no use, good or bad 'e'd got me. I let 'im sit
in my kitchen, an' give 'im some sugar-bread. An' one of the ol'
cat-sisters come in. ''Oo's this?' she ses. 'A young friend o' mine,' I
ses. 'You're a liar,' she ses, 'I seed from the first minute as you
wasn't no respectable gal,' she ses, 'an' now per'aps me sisters'll
believe me. So out I 'ad to go, an' I wasn't sorry. It seemed like there
wasn't nothink in the world mattered but Elbert, like as if damnation
was worth while. 'Ow, Elbert,' I ses, 'I'd go to the Devil for you, an'
smile all the way.' 'E laughed an' laughed. 'Come on,' 'e ses, 'to-day's
an 'oliday.' Though it wasn't, it was a Tuesday in August. 'Come on,' 'e
ses, 'get yer best 'at on,' an' 'e gives me a yaller rose, for me
button-'ole. A year ago come August, thet was. I follered Elbert at a
run all up the City Road, an' near the Angel we took a taxi. 'Tell 'im
Euston Station,' ses Elbert, an' so I did. You know the 'uge top o' thet
station from the 'ill by the Angel--well, kid, I tell you I saw a reel
mountain for the first time, when I saw thet. It was the 'eat mist, an'
a sort o' pink light made a reel 'ighland landscape out of it. I paid
the taxi-man over 'alf of all the money I 'ad, an' we went to the
ticket-awfice. 'Elbert,' I ses, 'where shell we book to,' I ses, like
that, though I 'adn't 'ardly a bloody oat in me purse. 'Take a platform
ticket,' 'e ses, an' so I did. But 'e run on to the platform without no
ticket, an' begun dancin' up an' down among the people like a mad thing,
but nobody seemed to mind 'im. I set down on a seat to watch 'im. I
thought: 'Blimey,' I thought, 'if I ain't under thet blinkin' mountain
now, an' all these people,' I ses, 'is the Little People they tell of,
that lives inside 'ills, an' on'y comes out under the moon.' I
remembered thet moonlight debt o' mine, an' I thought--'I'm done with
the mud now, I'm comin' alive now,' I ses, 'and this'll be my charnce.'
Presently Elbert come back to me, an' 'e was draggin' a soldier by the
'and. 'This is a magic man,' ses Elbert, 'come back from livin' under
the sky. Can't you feel the magic?' 'e ses.

"Well, dearie, take it 'ow you will, thet's 'ow I met my Sherrie. A
magic man 'e was, for 'e 'ad my ticket taken, an' never seemed
surprised. Ten days leave 'e 'ad, an' we spent it at an inn in a village
on a moor, jest a mile out o' sound of the sea. The moor an' the sea,
touchin' each other. ... Oh Gawd!... The sea was like my sky at night
come nearer--come near enough to know better, like. In between the moor
an' the sea there was the beach--it looked like a blessed boundary road
between two countries, an' it led away to where you couldn't see nothing
more except a little white town, sort of built 'igh upon a mist, more
like a star.... Oh Gawd!...

"Anyway, Cuffbut, thet was me charnce, an' thet's 'ow I come to know 'ow
my debt was goin' to be paid. Sherrie understood all thet. 'E was a
magic man, 'e was. At least, 'e was mostly magic, but some of 'im was
nothin' but a fool when all's said an' done--like any other man. I
couldn't 'ave done with an all-magic bloke. Ow, 'e was a fool.... All
the things 'e might 'ave bin able to do, like polishin' 'is equipment,
or findin' 'is clean socks, 'e use to forever be askin' me to do. I
loved doin' it. But all the things 'e couldn't do at all, like drawin'
me likeness, or cuttin' out a blouse for me, 'e was forever tryin' to
do."

She spoke of Sherrie as a naturalist would speak of a new animal,
gradually finding out the pretty and amusing ways of the creature.

"I called 'im Sherrie because thet's what 'e called me. A French word it
was, 'e ses, meaning 'dearie,' as it were. 'E was a reel gent, was
Sherrie. I as't 'im once why 'e took up with a woman like me, instead of
with a reel young lady. 'E ses as 'ow 'e'd never met before anybody 'oo
seed themselves from outside an' yet was fairly honest. I know what 'e
meant, for I was always more two people than one, an' I watch meself
sometimes as if I was a play. I wouldn't be tellin' you this story,
else. Well, dearie, Elbert was always in an' out, an' always a-hollerin'
an' a-laughin' an' a-playin' 'is game. 'E stayed with us all them ten
days, an' 'e come with me to Victoria, to see Sherrie off to France.
It's Sherrie's allotted money what I fetch every week. But I won't touch
it, I puts it away for Elbert. I don't want to owe nothin' to nobody,
for I'm payin' sich a big debt. Elbert, when 'e comes back to me, 'e's
going to be my payment to the world, an' it's got to be good money. For
Elbert left me after Sherrie went. 'E said as 'ow 'e was going 'ome, an'
as 'ow 'e would come back to me in the Spring, an' stay with me always.
It wasn't like partin', e' ses, 'im an' me could never do thet. I know
what 'e meant, now...."

"And what about Sherrie?" asked Sarah Brown.

"Oh, Sherrie, 'e never writes to me. But 'e promised too to come back in
the Spring, an' so 'e will, for there ain't no Boche bullet that can 'it
a magic man."

"It's springtime now," said Sarah Brown.

"It's springtime now," repeated Peony. "Ow, it's wonderful, seems like
as if I was gettin' too much given me, so as I can never repay. But I'm
keepin' count, I'm not forgettin'. It ain't long now before I'll pay my
debt. Come the middle o' May...."




CHAPTER IV

THE FORBIDDEN SANDWICH


While Sarah Brown's unenviable leisure was spent in acting as slave to
committees, she had at the same time a half-time profession which, when
she was well enough to follow it, brought twenty shillings a week to her
pocket. She was in the habit of sitting every morning in a small office,
collecting evidence from charitable spies about the Naughty Poor, and,
after wrapping the evidence in mysterious ciphers, writing it down very
beautifully upon little cards, so that the next spy might have the
benefit of all his forerunners' experience. Sarah Brown never thought
about the theory of this work, because the different coloured inks and
the beautiful writing pleased her so.

There are people to whom a ream of virgin paper is an inspiration, who
find the first sharpening of a pencil the most lovable of all labours,
who see something almost holy in the dedication of green and red
penholders to their appropriate inks, in whose ears and before whose
eyes the alphabet is like a poem or a prayer. Touch on stationery and
you touched an insane spot in Sarah Brown's mind. Her dream of a perfect
old age was staged in a stationer's shop in a quiet brown street; there
she would spend twilit days in stroking thick blotting-paper, in drawing
dogs--all looking one way--with new pen-nibs, in giving advice in a
hushed voice to connoisseur customers, who should come to buy a diary or
a book-plate or a fountain-pen with the same reverence as they now show
who come to buy old wine.

Therefore Sarah Brown's hand had found ideal employment on a charity
register. As for her mind, it usually shut its eye during office hours.
Her Dog David liked the work too, as the hearth-rug was a comfortable
one, and Charity, though it may suffer long in other directions, is
rather particular about its firing.

On the Monday after her change of home, Sarah Brown found that the
glory had gone out of the varied inks, and even a new consignment of
index-cards, exquisitely unspotted from the world, failed to arouse her
enthusiasm. This was partly because the first name in the index that she
looked up was that of Watkins, Thelma Bennett, single, machinist. The
ciphers informed the initiated that Watkins had called on the War
Association, to ask for Help and Advice, See Full Report. Sarah Brown
felt sad and clumsy, and made two blots, one in green on the Watkins
card, and the other in ordinary Stephens-colour on the card of one Tonk,
chocolate-box-maker, single, to whom a certain charity was obstinately
giving a half-pint of milk daily, regardless of the fact that last month
she had received a shilling's-worth of groceries from the Parish.

The air of that office rang with the name of Tonk that morning. Hardly
had the industrious Sarah Brown finished turning the blot upon her card
into the silhouette of a dromedary by a few ingenious strokes of the
pen, when the lady representing the obstinate charity came in, her lips
shaped to the word Tonk.

"Tonk," she said. "Late of Mud Street. She has changed her address. I am
the Guild of Happy Hearts. She still comes to fetch her half-pint of
milk daily, and only yesterday I learnt from a neighbour that she had
left Mud Street three weeks ago. It really is disgraceful the way these
poor people conceal important facts from us. Have you her new address?"

"Our last address for Tonk was 12 Mud Street," answered Sarah Brown
coldly. "But we have already notified you three times that the woman is
not entitled to milk from the Happy Hearts, as she has been having
parish relief, as well as an allotment."

"Tonk is--hm--hm," said the Happy Heart delicately in an undertone, so
that the blushing masculine ear of the Dog David might be spared. "After
Baby Week, you know, we feel bound to help all hm--hm women as far as we
can, regardless of other considerations--"

"Really you oughtn't to. Tonk is posing as a single
chocolate-box-maker." Sarah Brown was rapidly becoming exasperated with
everybody concerned, but not least with the evidently camouflaging Tonk.

"She has a soldier at the Front," said the Happy Heart. "I am sorry to
say that she will not promise to marry him, even if he does come home.
But even so--"

Sarah Brown wrote down on Miss Tonk's card the small purple cipher that
stood for hm--hm. "I will make enquiries about her address," she said.

But that was not the last of Tonk. Presently the red face of the
Relieving Officer loomed over the index.

"In the case of Plummett--" he began loudly.

"In the case of Tonk--" interrupted Sarah Brown, to whom, in her present
mood, Plummett could only have been a last straw. She hated the
Relieving Officer unjustly, because he knew she was deaf and raised his
voice, with the best intentions, to such a degree that the case papers
on the index were occasionally blown away. "We have already notified you
three times that Tonk is having a half-pint of milk daily from the
Happy Hearts, as well as an allotment from a soldier."

"We stopped the groceries," roared the Relieving Officer. "But in the
case of Plummett--"

"In the case of Tonk--" persisted Sarah Brown. "She has moved from Mud
Street, can you tell me her last address?"

"She is living in a sort of private charitable institution, somewhere on
the outskirts of the district--Mitten Island, I fancy. I don't know the
exact address, because we have stopped the groceries, she paying no rent
now. In the case of Plummett, I thought you might be interested to know
that she got a month this morning for assaulting the Sanitary
Inspector--pulling his nose, I hear. She told the magistrate it struck
her as being a useless nose if it didn't notice anything wrong with her
drains. The children came into the House this morning."

"What is Tonk's Christian name?" asked Sarah Brown, who had been a
changed woman since Mitten Island was mentioned.

"I forget. Some flower name, I think. Probably Lily or Ivy. In the case
of M'Clubbin, the woman is said to have fallen through a hole in the
floor of the room she and her three children slept in. She was admitted
into the Infirmary last night, and her furniture will be sold to pay her
rent--"

"It begins with P," said Sarah Brown. "P. Tonk, unmarried wife, of
Mitten Island...."

The Relieving Officer went away, for it was dinner-time. Sarah Brown
absently unwrapped the little dinner which she had brought hanging by a
thin string from a strangled finger. Mustard sandwiches with just a
flavouring of ham, and a painfully orthodox 1918-model bun, made of
stubble. Sarah Brown almost always forgot the necessity of food until
she was irrevocably in the 'bus on her way to work. But this morning, as
she had taken her seat with David in the bouncing ferry-boat, there had
been a panting rustling noise behind her, and Harold the Broomstick had
swept a little packet of sandwiches into her lap. He had disappeared
before she had been able to do more than turn over in her mind the
question whether or no broomsticks ever expect to be tipped.

Now I could not say with certainty whether the witch, in making up this
packet of sandwiches, had included the contents of one of her own little
packets of magic. Sarah Brown would have been very susceptible to such a
drug; her mind was always on the brink of innocent intoxication. Perhaps
she was only half a woman, so that half a joy could make her heart reel
and sing, and half a sorrow break it. She was defenceless against
impressions, and too many impressions make the heart very tired.
Therefore, I think, she was a predestined victim of magic, and it seems
unlikely that the witch should have missed such an opportunity to
dispense spells.

After the first bite at the first sandwich, Sarah Brown was conscious of
a Joke somewhere. This feeling in itself was akin to delirium, for there
are no two facts so remote as a Joke and a Charity Society. The office
table confronted Sarah Brown, and she wondered that she could ever have
seen it as anything but a butt. She wondered how she had been able to
sit daily in front of that stout and earnest index without poking it in
the ribs and making a fool of it. The office clock, alone among clocks,
had never played a practical joke. The sad fire below it, conscious of a
Mission, was overloaded with coal and responsibility.

The second bite, ten minutes later, caused Sarah Brown to be tired and
distrustful of a room that had no smile. Her eyes turned to seek the
hidden Joke beyond the limits of that lamentable room. There was a
spring-coloured tree in the school-ground opposite, and above the tree a
rough blue and silver sky contradicted all the doctrines preached in
offices. There was in the wind something of the old raw simplicity and
mirth that always haunts the sea, and penetrates inland only on rare
spring days. The high white clouds crossed the sky like galleons, like
old stories out of the innocent Eden-like past of the sea, before she
learnt the ways of steam and secret killing. Old names of ships came to
Sarah Brown's mind ... Castle-of-Comfort ... Cloud-i'-the-Sun....

"I am doing wrong," said Sarah Brown. She took a third bite.

And then she felt the spirit of the Naughty Poor in the room; there was
laughter, as of the registered, in the ears of the Registrar. It is not
really permissible for the Naughty Poor to invade offices which exist to
do them good. The way of charity lies through suspicion, but the
suspicion of course must be all on one side. We have to judge the
criminal unheard; if we called him as a witness in his case we might
become sentimental. The Charity Society may be imagined as keeping two
lists of crimes, a short one for Registrars and Workers, and a very long
one for the registered. High on the list of crimes possible to
Registrars and Workers is Sentimentality. It is sentimental to feel
personal affection for a Case, or to give a child of the Naughty Poor a
penny without full enquiry, or to say "A-goo" to a grey pensive baby
eating dirt on the pavement, or to acknowledge the right of a Case to
ask questions sometimes instead of answering them, or to disapprove of
spying and tale-bearing, or to believe any statement made by any one
without an assured income, or to quote any part of the New Testament, or
in fact to confuse in any way the ideas of charity and love. Christ,
who, by the way, unfortunately omitted to join any reputable
philanthropic society, commanded seekers of salvation to be poor and to
despise themselves. But this was sentimental, and the Charity Society
decrees that only the prosperous and the self-respectful shall deserve a
hearing.

"I am sentimental," said Sarah Brown to her Dog David in a broken voice.
She turned again to her enchanted sandwich.

There was increased laughter in the air, and through it she heard the
hoarse and happy shouting of the sparrows in the spring-coloured tree
opposite. Sparrows are the ideal Naughty Poor, the begging friars, the
gypsies of the air, they claim alms as a right and as a seal of
friendship; with their mouths full of your crumbs they share with you
their innocent and vulgar wit, they give you in return no I.O.U., and no
particulars for your case-paper. When they have got from you all that
you will give, they wink and giggle and shake the dust of your
window-sill from off their feet.

Sarah Brown opened the office window, and the air of the office began at
once to dance with life and the noise of children and birds. She thought
perhaps these were magic noises, for she heard them so clearly. She
broke her second sandwich upon the window-sill, and the sparrows crossed
the street and stood on the area railing in a row below her, all
speaking at once in an effort to convey to her the fact that a retreat
on her part would be tactful.

The sparrow obviously buys all his clothes ready-made, probably at
Jumble Sales, and he always seems to choose clothes made for a stouter
bird. There is no reason why he should never look chic; he has a slimmer
figure than the bullfinch, for instance, who always manages to look so
well-tailored. It is just arrogance, pure Londonism, on the part of the
sparrow, just that impudent socialistic spirit that makes it so
difficult for us to reform the Naughty Poor.

Sarah Brown retreated one step. "I'm not going farther away. Either you
eat that sandwich with me looking on, or you leave it."

The sparrows whispered together for a moment, saying to each other, "You
go first." They obviously knew that it was a charity window-sill, and
were afraid Sarah Brown might intend to rebuke them for not shutting
their beaks while chewing, or for neglecting to put any crumbs into the
Savings Bank. But after a minute one sparrow moistened his beak and
came.... He ate, they all ate, and did not seek to escape as the door of
the office opened and the witch came in. She went straight to the window
and picked up from among the stooping sparrows a piece of the broken
sandwich, and ate it. The Dog David was making sure that there was no
surviving crumb on the floor to tell the tale of his mother's
sentimental weakness. Almost instantly, therefore, that sandwich was but
a memory, a fading taste in about twenty beaks and two mouths. But still
the window stood open, and the air danced, and the white reflections of
the ship-like clouds lay on the oilcloth floor.

Sarah Brown in the meanwhile, disregarding the witch, had returned to
the index, and had taken from its drawer a notification form. In the
space given for Name of Case she had written in her irreproachable
printing hand:

"CHARITY, Cautionary Case, 12 Pan Street, Brown Borough. With reference
to the above case, I have to report that it seems unsatisfactory. There
are indeed grave suspicions that the above name is only an alias, the
address being also probably false, for the genuine Charity's place of
origin is said to be the home rather than the office. The present
registrar is at a loss to identify with certainty this case. It would
seem to be one of the Habits that haunt the world, collecting Kudos
under assumed names...."

"It puzzles me," said the witch, looking out of the window, "why one
never sees two birds collide. If there were as many witches in the air
as there are birds, I bet you twopence there would be constant
accidents. Do you think they have any sort of a rule of the road, or do
they indicate with their beaks--"

"Witch," said Sarah Brown, "I have got to say something."

"Oh, have you?" said the witch, a little disappointed at being
interrupted. "Oh, well, I can sympathise, I know what that feels like.
Get on and say it."

The Dog David, who was really a good and attentive son to Sarah Brown,
came and laid his chin, with an exaggerated look of interest, on her
knee-cap.

"Is it any use," said Sarah Brown, "fighting against the Habits in the
world, there are so many. Who set these strange and senseless deceivers
at large? Religion which has forgotten ecstasy.... Law which has
forgotten justice.... Charity which has forgotten love.... Surely magic
has suffered at the stake for saner ideals than these?"

"Why, of course," said the witch impatiently. "Magic generally suffered
_because_ it was so sane. I thought everybody knew that."

"All habits. All habits," chanted Sarah Brown. "What is this Charity,
this clinking of money between strangers, and when did Charity cease to
be a comforting and secret thing between one friend and another? Does
Love make her voice heard through a committee, does Love employ an
almoner to convey her message to her neighbour?"

"Not that I know of," sighed the witch. "Sarah Brown, how long do you
want me to keep quiet, while you say things that everybody surely
knows?"

But Sarah Brown went on. "The real Love knows her neighbour face to
face, and laughs with him and weeps with him, and eats and drinks with
him, so that at last, when his black day dawns, she may share with him,
not what she can spare, but all that she has."

The Dog David grunted a little, by way of rather dubious applause. Sarah
Brown, with her own voice printed loud and stark upon the retina of her
hearing, felt a little abashed. But presently she added in a whisper:
"Listen. I am a spy. I am a lover of specially recommended neighbours
only. I am here to help to give the black cloud Tyranny a rather dirty
silver lining. I am the False Steward, in the interest of the
Superfluously Comfortable. My Masters sit upon the King's Highway,
taking toll in bitterness and humiliation from every traveller along
that road. For surely comfort is every man's heritage, surely the happy
years should come to every man--not doled out, not meanly dependent on
his moral orthodoxy, but as his right. The fat philanthropist is a
debtor, but he behaves like a creditor; he distributes obligations with
his gold, yet he has no right to the gold he gives. He makes his brother
beg upon his knees for the life and the health and the dear opportunity
that should have been that brother's birthright."

"You are possessed, dear Sarah Brown," said the witch. "Don't be
frightened, it will soon pass off. I knew a girl who had an attack very
much like this; while she was under its influence she made up a psalm
pretty nearly as good as one of David's. Her mother was much alarmed
about her. But she recovered quite quickly, except that she left her job
as typist in a mind-improving institute and went to sea as a
stewardess."

Sarah Brown talked on, louder and louder. "Too long I have been a
servant in the house of this stranger, this greedy Charity; too long
have I sat--a silly proxy for the Too-Fortunate--in this narrow
stiff-backed judgement-seat from ten till three daily. There is Love and
April outside the window, there is too much wind and laughter outside to
allow of the forming of Habits. I have seen Love and the Spring only
through the glass of a charity office window, the rude voices of
children and sparrows and other inheritors of opportunity have been
dulled for me by grey panes. The white ships ... Castle-of-Comfort ...
Cloud-i'-the-Sun have sailed into port from the open sky without a cargo
for me...."

"Good God!" said Sarah Brown, pushing David from her. "What has happened
to me? I have become sentimental."

The room seemed to her wild imagination to be full of the spirits of
parsons and social workers with flaming swords, pointing at the door.

"Well, that's the end of that job," said the witch. "I'll tell you what,
let's go and sit on the Swing-leg Seat on the Heath. The air there and
the look of Harrow church steeple'll do you good."

"I am damned. I am a Cautionary Case," cried Sarah Brown, and she slunk
behind the witch through the frowning gate of her Eden of fair inks and
smooth white surfaces. She had shared with David the remains of her
Sandwich of Knowledge; she had left on the table her puny paper
defiance. David, except that he had required but little temptation, had
played Adam's part very creditably in the affair. For him Eden had been
a soft warm place, and he was anxious to blame somebody--the woman for
choice--for the loss of his comfort. He followed her out into the cold,
to become, as you shall hear, like Adam, a tiller of the soil.




CHAPTER V

AN AIR RAID SEEN FROM BELOW


Magic is a disconcerting travelling companion. While seldom actually
conspicuous, it seems to have a mysterious and varying effect on the
surrounding public. I have met travellers by Tube who tell of strange
doings in those regions, when the conductor of one compartment fell
suddenly in love with the conductress of the next, and they ran to each
other and met in the middle of the car. As nobody opened the gates or
rang the bells, the bewildered train stood for hours at Mornington
Crescent before any member of the watching public could find the heart
to interrupt the pretty scene. It is patent that a magic person must
have been the more or less deliberate cause of this episode. Then again,
there is the story of the 'bus that went mad, just as it was leaving its
burrow at Dalston. It got the idea that the kindly public was its
enemy. You should have seen the astonishment of Liverpool Street and
the Bank as it rushed by them. Old ladies about to ask it whether it
went to Clapham--its label said it was bound for Barnes--stood aghast,
and their questions died on their lips. Policemen put up their hands
against it,--it ran over them. It even learned the trick of avoiding the
nimble business man by a cunning little skid just as he thought he had
caught it. You will hardly believe me, but that 'bus ran seven times
round Trafalgar Square, until the lions' tails twisted for giddiness,
and Nelson reeled where he stood. I don't know where it went to that
day, certainly not to Barnes, but late in the evening it burst into
another 'bus's burrow at Tooting, its sides heaving, its tyres worn to
the quick, its windows streaming with perspiration, and a great bruise
on its forehead where a chance bomb had struck it. I believe the poor
thing had to be put out of its misery in the end. And what was the
reason of all this? It was found that a wizard, called Innocent, of
Stoke Newington, had been asleep on the top all the time, having
forgotten to alight the night before, on his return from the City.

Sarah Brown, on the night of Lady Arabel's supper party, was unaware of
the risk she ran in entering a public conveyance in company with a
witch. But she was spared to a merciful extent, for nothing happened on
any of the 'buses they boarded, except that, as they crossed the Canal,
a cloud of sea-gulls swooped and swirled into the 'bus, resting awhile
on the passengers' willing shoulders before disappearing again. Also the
passengers on the Baker Street stretch sang part-songs, all the way down
to Selfridge's. The conductor turned out to have rather a pleasing tenor
voice.

The witch and Sarah Brown knocked at the Higgins' door five minutes
before supper-time. Lady Arabel herself opened it.

"My dears, isn't it too dretful. All our servants are gone. It's an
extraordinary thing, they never can stand Rrchud and his ways."

The tactful Sarah Brown nudged the witch. "Better not stay," she
murmured.

"Of course we'll stay," replied the witch loudly. "I'm horribly hungry,
and there's sure to be some supper."

"Certainly there is," added Lady Arabel. "I cooked it myself. Do you
know, I've never seen a cookery book before, and the little pictures of
animals with the names of joints written all over them shocked me
dretfully. I feel I could have a too deliciously intimate conversation
with a bullock now."

The house of Higgins had an enormous hall to which a large number of
high windows gave the impression of a squint. I should think two small
Zeppelins could have danced a minuet under its dome. Sarah Brown and the
witch put on their cathedral look at once, by mistake, and propping
their chins upon their umbrellas gazed reverently upward.

"Too dretful, a house of this size without servants," said Lady Arabel.
"The fourth footman was the last to go. He said even the Army would be
better than this. He liked spooks, he said, at second hand, but not
otherwise. Too funny how people take dear Rrchud seriously. I'm glad to
say the orchestra has stayed with us. Come into Rrchud's study, won't
you, while I just go and help the first violin to dish up the soup."

Sarah Brown and the witch were left in a small room that opened on to
the great hall. It was furnished rather like a lodging-house parlour.
There was a thermometer elaborately disguised as a model of the
Eddystone Lighthouse on the mantelpiece, flanked on each side by a china
boot in pink, with real bootlaces, and a pig looking out of the top of
each. There were pictures on the walls, mostly representing young
ladies, more or less obviously in love, supported by rustic properties.
I have noticed that the girl's first love is the monopoly of the
Victorian painter, whereas the boy's is that of the novelist, but I do
not know the reason of this.

There was a slight clap of thunder and Richard entered. He would have
been very obviously a wizard even without the thunder, and seemed much
less innocent about his magic than the witch. He had pale hair, a pale
face, and eyes that did not open wide without a certain effort on the
part of the brows.

"You are despising my ornaments," he said to Sarah Brown. "I admire them
awfully. I don't like really clever art. Do you know, it makes me
sneeze."

Directly he spoke, one saw that he was making the usual effort of magic
to appear real. Witches and wizards lead difficult lives because they
have no ancestry working within them to prompt them in the little
details. Whenever you see a person being unusually grown-up, suspect
them of magic. You can always notice witches and wizards, for instance,
after eight o'clock at night, pretending that they are not proud of
sitting up late. It is all nonsense about witches being night birds;
they often fly about at night, indeed, but only because they are like
permanent children gloriously escaped for ever from their Nanas.

"This picture," added Richard, "seems to me very beautiful." The picture
might have cost a shilling originally, framed, or it might have been
attached to a calendar once. It was a landscape so thick in colouring
and so lightless that it failed to give an outdoor impression at all.
There was a river and waterfall like well-combed hair in the middle, and
a dozen leaden mountains lying about
with--apparently--pocket-handkerchiefs on their tops, and a
dropsical-looking stag drinking. "I can't imagine," insisted Richard,
"that there could be a more beautiful picture than that, but perhaps it
appeals to me specially because father and mother and I so often talk
about the place together--the place like that, near to the mountain
where I was born. That was in the Rockies, you know, and just below our
mountain I am sure there was a canyon like that--I dream of it--with
milky-green water running under and over and round the most
extraordinary shapes of ice, and cactuses like green hedgehogs in the
crevices of the rocks, and great untidy pine-trees clinging to an ounce
of earth on an inch of flat surface. And the rocks are a most splendid
rose-red, and lie in steep layers, and break out into shapes that are so
deliberate, they look as if they must mean something. Indeed they
do...."

A stave played by a 'cello called them to supper, and, as they returned
to the hall, a burst of earnest music from the whole orchestra partially
drowned the clap of thunder that again marked Richard's passage through
the door. Sarah Brown felt sure that Lady Arabel arranged this on
purpose. The wizard's mother obviously had great difficulty in not
noticing the phenomena connected with her son, and she wore a striving
smile and a look of glassy and well-bred unconsciousness whenever
anything magic happened.

At the end of the hall the orchestra, arranged neatly in a crescent, was
busily employing its violins in a unanimous melody of so rude and
destructive a nature that it seemed as if every string must be broken.
This mania spread until even the outlying bassoons, triangles, and
celestas were infected. A piercing note of command, however, from a
clarinet caused a devastating dumbness to fall suddenly on every
instrument except the piano, which continued self-consciously alone. The
pianist looked at the ceiling mostly, but one note seemed to be an
especial favourite with him, and whenever he played it he looked closely
and paternally at it, almost indeed applying his nose to it. All at
once, just as Sarah Brown was beginning to imagine that she could catch
the tune and the time, the music ceased, apparently in the middle of a
bar. Richard sneezed once or twice. That unsophisticated wizard was
evidently enjoying himself in the practice of his art. One felt that
magic was not encouraged in the Army, and that the supernatural orgy in
which he was now indulging was the accumulated reaction after long
self-control. Strange noises of unnatural laughter, for instance,
proceeded from distant corners of the hall, and each of the electric
lights in turn winked facetiously. The string of the double bass broke
loudly, and the new string which its devotee laboriously inserted also
broke at once. The performer looked appealingly at Lady Arabel, but she
refrained from meeting his eye. A blizzard of butterflies enveloped the
table. This was evidently rather a difficult trick, for the spell
collapsed repeatedly, and from one second to another Sarah Brown was
never quite sure whether there were really Purple Admirals drowning in
her soup or not.

"You are so lucky," sighed the witch, "plenty of room and every
facility. I myself am so dreadfully cramped and hampered. I often have
to boil my incantations over a spirit lamp, and even that is becoming
difficult--no methylated."

"Not really lucky," said Richard. "In France the smallest pinch of magic
seems to make the N.C.O. sick, and that's why I never got my stripe. To
keep my hand in, I once did a little stunt with the sergeant's
cigarette: it grew suddenly longer as he struck a match to light it, and
went on growing till he had to ask me to light it for him, and then it
shrank up and burnt his nose. Of course he couldn't really bring the
thing home to me, but somehow--well, as I say, I never got my stripe."

To this discussion, and indeed to all the enchantments, Lady Arabel paid
no attention, but continued to talk a little nervously on very insipid
subjects. Her eyes had the pathetic look often seen in stupid people's
eyes, the "Don't-listen-to-me" look, "I am not saying what I should like
to say. The real Me is better than this."

Finally Richard indulged in a trick that was evidently a stock joke
among magic people, for the witch laughed directly it began. Just as the
hostess, with poised fork and spoon, was about to distribute the
whitebait, the round table began to spin, and the whitebait were whisked
away from her. The table continued to spin for a moment, with a deep
thrilling organ sound, and when it stopped, the whitebait were found to
have assembled opposite to Richard's place. He distributed them gravely.
Lady Arabel turned scarlet, and murmured to Sarah Brown: "So dretfully
ingenious, and so merry."

Sarah Brown took pity on her, and began talking at random. The orchestra
was busy again, and to the tune of a loud elusive rag-time, she shouted:
"Do you know, I gave my job the sack this morning. I shall be on the
brink of starvation in three and a half days' time. That's counting a
box of Oxo Cubes I have by me. You don't happen to know of a suitable
job. I can't cook, and if I sew a button on it comes off quicker than if
I hadn't. But I once learnt to play the big drum."

"My dear," said Lady Arabel, instantly motherly. "How too dretful. I
wish I knew of something suitable. But--war-time you know,--I'm afraid I
shan't be justified in keeping on the orchestra, certainly not in adding
to it. Besides, of course, although women are simply too splendid
nowadays, don't you think the big drum--just a wee bit unwomanly, my
dear. However----"

"Are you clever?" asked Richard.

"Yes, she is," said the witch proudly. "She writes Minor Poetry. I saw a
bit by her in a magazine that had no pictures,--the bit of poetry was
between an article on Tariff Reform and a statement of the Coal
Situation, and it began 'Oh my beloved....' I thought it was a very
beautiful bit of Minor Poetry, but somehow I couldn't make it fit in
with the two articles. That worried me a little."

"If you'd try your best not to be clever I'd give you a job," said
Richard, who with a rather tiresome persistence was now levitating the
chicken, so that, invisibly suspended at a height of eighteen inches
above the middle of the table, it dripped gravy into a bowl of
daffodils. "In fact I will give you a job. I have a farm called Higgins
Farm, just about half-way between sea-level and sky-level. You can be a
Hand, if you like, at sixpence an hour. You can get there from Mitten
Island every day quite easily, and I'll tell you how. It's just the
other side of the Parish of Faery, on your right as you reach the
mainland from Mitten Island. You follow the Green Ride through the
Enchanted Forest, until you come to the Castle where the Youngest
Prince--who rescued one of the Fetherstonhaugh girls from a giant and
married her--used to live. The Castle's to let now; she is an ambulance
driver in Salonika, and he a gunner--just got his battery, I believe.
Below the outer wall of the Castle you will see the Daisified Path, and
that leads you straight to the gate of Higgins Farm, under a clipped box
archway."

"I haven't got a land outfit," said Sarah Brown. "But I saw a pair
called Mesopotamian Officer's Model, with laces and real white buckskin
collision mats between the knees, that would fit me, and I can pawn
my----"

At that moment there was a loud report. Every one looked at the double
bass, but all his strings were for the moment intact.

"A maroon," said the witch.

"My dears," exclaimed Lady Arabel, much relieved to hear that this new
sensation was not supernatural. "How too dretfully tahsome with the
sweet and the savoury still to come. Do you know, I promised
Pinehurst--my husband--never to remain in this house during an air-raid.
It was his own fault, the dear thing; he had a craze for windows; this
house has more glass space than wall, I think, and Pinehurst, in his
spare time, used always to be making plans for squeezing in more
windows. Our room is like a conservatory--so dretfully embarrassing. So
I always take my knitting across the road to the crypt of St.
Sebastian's, and I'm sure you won't mind coming too. You might have
brought a box of spellicans, or a set of table croquet, but I'm afraid
the Vicar wouldn't like it. A nice man but dretfully particular. We must
wait for the end of this piece, the first violin is so touchy."

They all waited patiently while the piece continued. It was a plain
uneventful piece, composed by a Higgins relative and therefore admired
in the household.

"A thing that puzzles me," said the witch, taking advantage of an
emotional pause while one violin was wheezing a very long small note by
itself, "is why only ugly songs are really persistent. Haven't you
noticed, for instance, that a peacock, or a cat on the wall, or a baby
with a tin trumpet, will give their services most generously for hours
on end, while a robin on a snowy tree, or a nightingale, or a fairy----"

She was interrupted by a scuffling sound in the umbrella-stand, and
Harold the Broomstick, after a moment's rather embarrassing entanglement
with a butterfly net, approached, panting.

"I must go," said the witch. "I bet you twopence we shall have some fun
to-night. Sarah Brown, I'll come back and fetch you when it's all
over."

Lady Arabel and Sarah Brown crossed the road to the church, Richard
following a few yards behind.

"I'm afraid my little dinner-party wasn't a great success," said Lady
Arabel confidentially. "Rrchud and Angela didn't get that good talk on
occult subjects as Meta Ford said they would. Of course Rrchud, as you
noticed, was dretfully restless and lighthearted; all boys are like that
for the first few hours of their leave. He is naturally of a quiet
disposition, though you wouldn't think it from to-night."

There was a distant blot of gunfire on the air, just as they reached the
door of the crypt. The very stout dog of the Vicar (are not all reverend
dogs fat?) was waiting there with a bored look.

"The Vicar allows no animals inside the crypt. So hard on Mrs. Perry's
canary which has fits. I was here once when the Vicar's youngest son
brought in a rabbit under his coat. A dretful scene, my dear."

That district of London happened to be rather a courageous one. The
inhabitants felt that if the War had to be brought home to them, common
politeness dictated that it should find them at home. There were not
more than a dozen people in the crypt therefore. Most of them were old
ladies from the district's less respectable quarter, knitting. The Vicar
was trying to press comfort upon them, but without much success, for
they were all quite content, discussing the deaths in their families.

The noise of gunfire was coming nearer, shaking the ground like the
uneven tread of a drunken giant. Sarah Brown concentrated on an evening
newspaper, busily reading again and again one of those columns of
confidential man-to-man advertisement, which everybody reads with
avidity while determining the more never to buy the article advertised.
But presently the fidgeting hands of Richard caught her eye, and she
looked at him. He was sitting next to his mother on a stone step. He
seemed to be in a quieter mood and attempted no manifestation. Sarah
Brown thought he was suppressing excitement, however, and indeed he
presently said: "I say, won't it be fun lying about all this to
posterity and Americans, and other defenceless innocents."

Opposite to them, on two campstools, sat a young bridling mother of
fifty, with her old hard daughter of sixteen or so. Hard was that
daughter in every way; you would have counted her age in winters, not in
summers, so obviously untender were her years. An iron plait of hair lay
for about six inches down her spine; her feet and ankles made the
campstool on which she sat, looking pathetically ethereal. Of such stuff
as this is the backbone of England made, which is perhaps why the
backbone of England sometimes seems so sadly inflexible.

There was a screeching noise outside, followed by an incredible crash.
It seemed to cleave a bottomless abyss between one second and the next,
so that one seemed to be conscious for the first time in an astonished
and astonishing world.

Lady Arabel said: "Boys will be boys, of course I know, but really this
is going a little too far. Pinehurst's one hobby was his windows."

The campstooled mother gave a luxurious little shriek as soon as the
crash was safely over. "The villains," she said kittenishly. "Aiming at
places of worship as usual. I am absolutely paralysed with terror. Mary,
darling, I don't believe you turned a hair."

"Pas un cheval," replied her firm daughter, in not unnatural error. One
could easily see that she was beloved at home, and one wondered why.

The sound of the guns seemed only a negative form of sound after the
bomb, and clearly above the firing could be heard a howl. The Vicar's
dog, still howling, ran into the crypt.

"RUPERT!" said the Vicar, in a terrible voice, interrupting himself in
the middle of a cheering platitude. But he had no time to say anything
more, for behind Rupert came a procession of perhaps a dozen people, all
dressed in sheets. Everybody saw at one pitiful glance that these were
unfortunate householders, so suddenly roused from oblivion as to forget
all their ordinary suburban dignity, probably barely escaping from
ruined homes with their lives and a sheet each. There was a very old
man, a middle-aged spinster, and then an enormous group of children of
ages varying from two months to twenty years, followed by their parents,
teachers, or guardians.

A nearer gun began to fire, and one of the old ladies on the other side
of the crypt suddenly threw down her knitting and began confessing her
sins. "Ow, I shall go to 'ell," she shouted dramatically. "I bin sich a
wicked ol' woman. I nearly done in me first ol' man by biffin' the
chopper at 'is nob, and Lawd, the lies I bin an' tol' me second only
yesterday."

"This is indeed a solemn moment," said the sheeted spinster sitting down
beside Lady Arabel. "I hope I am meeting it in a proper spirit, but of
course one is still only human, and naturally nervous. I have learned my
statement by heart."

"What statement?" asked Lady Arabel, who was rather deeply engrossed in
turning the heel of the sock she was knitting.

"The statement I shall make when the sheep are divided from the goats."

"Oh, come, come," said kind Lady Arabel. "Things are not so bad as
that, surely. You must not be so dretfully pessimistic."

"You mistake me," said the sheeted lady, bridling. "There is, I am
confident, no cause whatever for pessimism on my part. I have no
misgivings as to the verdict. But not being used to courts of law, I
thought it best to learn my statement, as I say, by heart."

The old knitter had been rather annoyed to find her confession
interrupted. "A wicked ol' woman I may be," she said with more dignity.
"But I'll never regret givin' that bloody speshul a bit o' me mind this
mornin' when 'e turned saucy to the sugar queue. I ses to 'im----"

"We all have our faults," Lady Arabel's neighbour broke in. "But I
think, at this solemn moment, I may feel thankful that hastiness of
recrimination was never one of mine. All my life I have made it an
unalterable rule never to make a statement without first asking myself:
Is it _TRUE_? Is it _JUST_? Is it _KIND_?"

"You may well say so," replied Lady Arabel pleasantly. "I only wish the
younger generation would follow your example. Nowadays it is much more
likely to be: Is it true? No. Is it just? No. Is it kind? No. Is it
_FUNNY_? Yes. And out it comes."

"Be that as it may," said the ladylike creature. (One could see she was
a Real Lady even through the sheet. Obviously she read the _Morning
Post_ daily.) "Be that as it may, perhaps you can help me in one little
matter which is intriguing me slightly even at this solemn moment. Do
you suppose the sheep will be allowed to hear the trial of the goats, or
will the court be cleared? I must say I should be so interested to hear
the defence of the late churchwarden who eloped with----"

"Ah, please, please," said Lady Arabel, "don't talk in that dretful way.
Don't let your mind dwell on the worst. I assure you that you will be
all right."

"Of course I shall be all right, as you put it," said the elderly lady,
coldly drawing herself up. "Everybody can be my witness that I have kept
my candle burning in my small corner----"

"Good gracious," shrieked the kittenish mother. "A candle burning
to-night. And probably unshaded. Don't you know that those fiends in the
sky are always on the watch for the slightest illumination?"

"Fiends in the sky!" exclaimed the sheeted lady. "Do you mean to say
they are abroad even at this solemn moment?"

"Oh, don't talk such rot," implored the hard flapper. "Who the dickens
do you suppose was responsible for that crash?"

"Responsible for the crash!" said the other, whose tones were becoming
more and more alive with exclamation marks. "Is then the solemn work of
summoning us entrusted to the minions of the Evil One?"

A series of crashes interrupted her, the work of the adjacent gun. The
earth shook, and each report was followed by the curious ethereal wail
of shells on their way.

"What, again?" exclaimed Lady Arabel's sheeted neighbour. "I should have
thought one would have been ample. But still, one cannot be too careful,
and some people are heavy sleepers. I heard the first myself without any
possibility of mistake, and rose at once, though the slab lay heavy on
my chest----"

"Most unwise," said Lady Arabel, "to touch that sort of thing late at
night. I always have a little Benger myself."

Sarah Brown happened to look at Richard. His eyes were shut, but he was
smiling very broadly with tight lips, and his face was turned towards
the ceiling. His fingers were very tense and busy on his lap, as though
he were still fidgeting with magic. But her study of him was interrupted
by the loud denouncing voice of the very venerable man who had led the
procession of late-comers.

"A dog in this hallowed place," he said, pointing at the deeply
disconcerted Rupert who was weaving himself nervously in and out of his
master's legs. "Never in all the forty years of my ministration here
have I allowed such an outrage----"

"Gently, gently, my dear sir," protested the Vicar, a little roused. "I
am the minister of this church, and the dog is mine. I was indeed about
to turn it out when you entered, after which I lost sight of it for a
moment. Rupert, go home."

Rupert howled again, and lay down as if about to faint.

"Forty years have I been Vicar of this parish," said the veteran, "and
never----"

"What?" interrupted the Vicar, "Forty years Vicar of this parish. Then
you must be Canon Burstley-Ripp. How very extraordinary, I always
understood that he passed away quite ten years ago."

He approached the old man and strove to button-hole him. The sheet at
first foiled him in this intention, but he presently contented himself
with seizing a little corner of it, by which he led his aged brother
vicar into a corner. There they could be heard for some time
misunderstanding each other in low earnest tones.

"Ow, what a wicked ol' woman I bin an' bin," suddenly burst forth again
the repentant knitter. "I bin an' stole 'arf a pound o' sugar off of the
Eelite 'Atshop where I does a bit o' cleanin'. Ef I get out o' this
alive, I swear I'll repay it an 'undredfold--that is ef I can get that
much awf me sugar card...."

Sarah Brown was becoming sleepy. A blankness was invading her mind, and
the talk in the crypt seemed to lose its meaning, and to consist chiefly
of S's. She pondered idly on the family of children with their elders,
all of whom were now studying each other with a certain look of
disillusionment. It was a group whose relationships were difficult to
make out, the ages of many of the children being unnaturally
approximate. There seemed to be at least seven children under three
years old, and yet they all bore a strong and regrettable family
likeness. Several of the babies would hardly have been given credit for
having reached walking age, yet none had been carried in. The woman who
seemed to imagine herself the mother of this rabble was distributing
what looked like hurried final words of advice. The father with a
pensive eye was obviously trying to remember their names, and at
intervals whispering to a man apparently twenty years his senior, whom
he addressed as Sonny. It was all very confusing.

A long dim stretch of time seemed to have passed when suddenly the note
of a bugle sprang out across space. Somehow the air at once felt cooler
and more wholesome, the sound of the All-clear had something akin to the
sight of the sun after a thunderstorm, lighting up a crouching whipped
world.

"The Trump at last," said Lady Arabel's garrulous neighbour, rising with
alacrity, and twitching her sheet into more becoming folds. "I was just
wondering----"

But at that moment the two Vicars approached, and the elder one,
including both the spinster and the mysterious family in one glance,
spoke in a clerical yet embarrassed voice.

"Dear friends, a slight but inconvenient mistake has occurred, and I am
afraid I must ask you to submit blindly to my guidance in a matter
strangely difficult to explain, even as I--myself in much confusion--bow
to the advice of my reverend friend here. It would be out of place----"

The spinster interrupted, and, by the way she did it, one saw that she
was Chapel. "Excuse me, Canon," she said acidly, "but is not all
discussion out of place at this solemn moment?"

"Believe me, madam," replied the aged Burstley-Ripp. "You overrate the
solemnity of the moment. I must earnestly ask you all to return with me
to the places whence--labouring under an extraordinary error--we came
to-night. I see that Mrs. Parachute trusts me, and is prepared to lead
her little flock to rest again. You, madam----"

"Where Mrs. Parachute leads, far be it from me to seem behindhand," said
the other, much ruffled, as she gathered her sheet about her. By the way
she said it, one saw that she and Mrs. Parachute did not call. She bowed
to Lady Arabel, and became satirical, even arch. "Good afternoon,
Mrs.--er--, I am assured that the moment is not solemn, and therefore
solemn it shall not be. To turn to lighter subjects, I hope I shall have
the pleasure of meeting you and your delightful son and daughter again
at no distant date, the moment then being genuinely solemn. I fear I
have no visiting card on me, but--er--perhaps my slab just outside--very
superior granite--would do as a substitute...."

The pale party filed out of the crypt and disappeared. The remaining
Vicar smote his brow, and addressed the now calm Rupert in a low voice,
but with such unaccountable warmth that that harassed animal disappeared
precipitately in the direction of his home.

Lady Arabel, Sarah Brown, and Richard crossed the churchyard together.

"Oh, my dears, look," said Lady Arabel. "How too too dretful, that bomb
fell quite close to us. Do look how it has disturbed the graves...."




CHAPTER VI

AN AIR RAID SEEN FROM ABOVE


The moonlight lay like cream upon the pavement when the witch and
Harold her broomstick left the Higgins' doorstep. London was a still
Switzerland in silver and star-grey, unblotted by people. There was a
hint of pale green about the moonlight, and the lamps with their dim
light downcast were like daffodils in faery fields.

The witch mounted. Harold, who was every inch a thoroughbred and very
highly strung, trembled beneath her, but not with fear. They reached
Piccadilly Circus with supernatural speed, and flashed across it. The
sound of people singing desultorily while taking shelter in the Tube
floated up to them. Here the witch said "Yoop" to Harold, and he reared
and shot upwards, narrowly missing the statue of One In A Bus-catching
Attitude, which marks the middle of the Circus.

As soon as the witch had out-distanced the noise of expectant London,
she heard quite distinctly the approach of London's guests. They came
with a chorus of many notes, all deep and dangerous.

There were a few clouds wandering about among the stars, and to one of
these the witch and her faithful Harold repaired. A cloud gives quite
reasonable support to magic people, and most witches and wizards have
discovered the delight of paddling knee-deep about those quicksilver
continents. They wander along shining and changing valleys under a most
ardent sky; they climb the purple thunderclouds, or launch the first
snowflake of a blizzard; they spring from pink stepping-stone to pink
stepping-stone of clouds each no bigger than a baby's hand, across great
sunsets. Often when in London I am battling with a barrage of rain, or
falling over unseen strangers into gutters during fogs, I think happily
of the sunlit roof of cloud above my head, and of the witches and
wizards, lying on their backs with their coats off, among cloud-meadows
in a glory of perfect summer and sun.

The witch, with one soothing hand on the bristling mane of her Harold,
lay on her front on the cloud she had chosen, and looked down through a
little hole in it. It was practically the only cloud present that would
have afforded reasonable cover; the others were mere wisps of sky-weed
floating in the moonlight.

There was a greater chorus of aeroplanes below her now; the whole sky
was ringing with it. The witch could hear a deep bass-voiced machine, a
baritone, a quavering tenor, and--thin and sharp as a pin--a little
treble sound that made Harold rear and struggle to be free.

"Another witch," said the witch. "I was wondering why the Huns hadn't
got their magic organised by now." She mounted her Harold and slipped
off the cloud.

The guns were shouting now, and the shells wailed and burst not so very
far below them, but Harold trembled no longer. More quickly than a
falling star he swooped, and in a second the alien witch was in sight,
an unwieldy figure whose broomstick sounded rather broken-winded,
probably owing to the long-distance flight and to the fourteen stone of
Teutonic magic on its back. There was a wicked-looking apparatus
attached to the collar of the German broomstick, obviously designed to
squirt unpleasant enchantments downward. This contrivance was apparently
giving some trouble, for the German was so busy attending to it that at
first she did not see or hear the approach of Harold and his rider. She
was aroused to her danger by a heavy chunk of magic which struck and
nearly unseated her. In a second, however, she was ready with a parrying
enchantment, and the fight began. The two broomsticks reared and circled
round each other, and over and under each other. From their riders'
finger-tips magic of the most explosive kind crackled, and incantations
of such potency were exchanged that, I am told, the tiles and
chimney-pots of the streets below suffered a good deal. Round and round
and over and under whirled the broomsticks, till the very spaces went
mad, and London seemed to rush down nightmare slopes into a stormy sky,
while its lights swung from pole to pole and were entangled with the
stars.

Both broomsticks were by now so uproariously excited that neither witch
was able to aim her magic missiles very carefully, and indeed it was not
long before Harold passed entirely beyond control. After bucking
violently once or twice, he gave a wild high cry that was like the wind
howling through the fierce forest past of his race, and fell upon the
other broomstick, fixing his bristles into its throat. The shock of the
collision was too much for both witches. Our witch--if I may call her
so--was shot over Harold's head, and landed on the ample breast of her
adversary, who, in consequence, lost her balance. They fell together
into space.

"Oh, lost, lost, ..." cried our witch, and thoughts rushed through her
mind of green safe places, and old safe years, and the little hut in a
pale bluebell wood, where she was born. She had time to remember the
blue ground, dimpled and starred with sunlight, and the way the bees
pulled over the bluebells and swung on them to the tune of cuckoos in a
May mist; she had time to think of the green globe ghosts of the
bluebells that haunted the wood after the spring was dead. Bluebells and
being young were in all her thoughts, and it was some time before she
noticed how slowly she and her enemy were falling.

For they were locked together. And the enemy witch's cloak, an orthodox
witch cloak except for its colour, which was German field-grey instead
of red, was spread out like a parachute, and was supporting them upon
their peaceful and almost affectionate descent.

For all I know they might have alighted gently in the Strand, and the
authorities might by now be regretting the capture of a most
embarrassing and unaccountable prisoner. But something intervened. The
cloud, like a sheep suffering from the lack of other sheep to follow,
had not yet quitted the scene. The witches' battle had tended upward,
and it had ended several hundred feet above the level of the cloud,
which was apparently sinking. The downward course of the combatants'
fall was therefore arrested, and they found themselves still
interlocked, prostrate and embedded, with their eyes and mouths full of
woolly wisps of cloud.

Our witch was the first to recover herself. She stood up and brushed
herself, remarking: "By jove, that parachute cloak of yours is a great
dodge. I wish I'd thought of it. I always keep my full-dress togs put
away, like the ass that I am. A stitch or two, and a few lengths of
whalebone would have done the trick."

The German was an older woman, and less adaptable to the strange chances
of War. She was silent for a few minutes, seated in the small crater
made in the cloud by her fall. She was not exactly ugly. She had the
sort of face about which one could not help feeling that one could have
done it better oneself, or at least that one could have taken more
trouble. It seemed moulded--even kneaded--carelessly, in very soft
material. Beneath her open cloak her dress was of the ordinary German
_Reform-Kleid_ type, and her figure had the rather jelloid appearance of
those who affect this style. Her regulation witch's hat was by now,
probably, in the Serpentine, and her round head was therefore disclosed,
with two stout sand-coloured plaits pursuing each other round it.

The witches faced each other for some seconds. A long way away they
could hear the spitting and crackling sound of the two broomsticks
fighting. Looking up, they could see the combatants, like black comets
in collision. Our witch, who had good sight, saw that the enemy
broomstick was upper-most, and that the writhing Harold was being shaken
like a mouse. Their bristles were interlocked. One twig floated down
between the witches, and our witch recognised it as coming from her poor
Harold's mane. As, for this purpose, she brought her eyes to her
immediate surroundings, it seemed to her suddenly that the sky was
growing larger, and then she realised that this was because their refuge
was growing smaller. The edges of the cloud were dissolving. She saw at
last her peril and her disadvantage. If Harold should be killed or
disabled she could never reach the earth again, except by means of a
fatal fall of several thousand feet. The enemy witch, with her
ingenious cloak contrivance strapped securely about her, stood a
reasonable chance of escape. But our witch was an amateur in War, she
was without support, forlornly dressed in her faithful blue serge
three-year-old, and her little squirrel tippet.

Magic, as you know, has limitations. Fire is of course a plaything in
magic hands. Water has its docile moments, the earth herself may be
tampered with, and an incantation may call man or any of his possessions
to attention. But space is too great a thing, space is the inconceivable
Hand, holding aloft this fragile delusion that is our world. There is no
power that can mock at space, there is no enchantment that is not lost
between us and the moon, and all magic people know--and tremble to
know--that in a breath, between one second and another, that Hand may
close, and the shell of time first crack and then be crushed, and magic
be one with nothingness and death and all other delusions. This is why
magic, which treats the other elements as its servants, bows before
space, and has to call such a purely independent contrivance as a
broomstick to its help in the matter of air-travel.

The witches faced each other on their little unstable sanctuary in the
kingdom of space. Our witch felt secretly sick, and at the same time she
tore fear from her mind, and knew that death was but an imperfectly kept
secret, and that not an evil one. After all, we have condemned it
unheard.

Both witches could talk a magic tongue, and make themselves mutually
understood. Neither knew the other's natural tongue. But when our witch
noticed several large ferocious tears rolling down her opponent's
cheeks, she was able, by means of magic, to say: "Great Scott, my good
person, what are you crying for?"

"I am not crying," replied the German witch. "I would not allow one tear
of mine to fall upon and water one possible grain of wheat in this
accursed country of yours. Certainly I am not crying."

"Accursed country?" echoed the astounded English witch. "How d'you
mean--accursed? This is England, you know. England hasn't done anything
accursed. Aren't you muddling it up with Germany?"

"England is the World Enemy," said the German, evidently pleased to meet
someone to whom this information was fresh. "Throughout the ages she has
been the Robber State, crushing the weaker nations, adding to her own
wealth by treachery, and now forcing this war of aggression upon her
peace-loving neighbours."

Our witch laughed. She was forgetting her danger. "This is really rather
funny," she said. "Do you know what's happened? You've been reading the
_Daily Mail_ and misunderstanding it. The whole of that quotation
applied to Germany, not England. It's Germany that's being naughty. You
made a mistake, but never mind, I won't repeat it."

The German took no notice of this. The past three years had made her an
adept in taking no notice.

"And now," she added. "After all these weary months of hoping, and
long-distance broomstick practice, and of parachute practice, and of
conflict with narrow officialdom, I have come--and this is the result. I
am separated from my broomstick, which has all the germ-bombs hanging
from its collar--the germs are those of dissension and riot--I am
marooned upon an English cloud, with no enemy at my mercy but a paltry
and treacherous non-combatant----"

"At your mercy," breathed our witch, remembering. She looked up. The
broomsticks were closer now, and through the breathless air, amidst the
dream-like firing of the guns below, she could hear the difficult
gasping of the hard-pressed Harold, still fighting bravely but with
hardly a twig on his head.

The tide of space was coming in. The edge of the cloud was barely six
inches from her hand. Our witch's mind overflowed with the thought of
invasions and the coming in of tides. It seemed that all her life she
had been living on a narrowing shore. She remembered all her dawns as
precarious footholds of peace on a threatened rock, and all her evenings
as golden sands sloping down into encroaching sleep. She realised
Everything as a little hopeless garrison against the army of Nothing.

She clutched a pinch of cloud nervously, and it broke off in her hand.
She recalled her senses with a devastating effort.

"Do you mean to say," she said, after a moment, "that poor dear Germany
really believes that she is right and we are wrong? I suppose, when you
come to think of it, a man-eating tiger feels the same way. It fights
with a high heart, and a hot reproach, just as we do----"

"We are Crusaders," said the German. "Crusaders at War with Evil."

"Why, how funny--so are we," said our witch. "But then how very peculiar
that two Crusaders should apparently be fighting each other. Where then
is the Evil? In No Man's Land?"

"We are fighting," recited the German glibly, "because England is the
World Enemy. Throughout the ages she has been the Rob----"

There was a violent explosion quite close to them, and the cloud reeled
and shook. About a foot of the German end of it broke off and was
dissolved.

"We're within range of our guns," said our witch, looking down. "This
cloud must be sinking."

"It will never sink enough to save you," said the German, trying to
conceal the nervousness with which she rearranged her rigid-looking
cloak round her. She seemed to be sinking herself to a certain extent;
perhaps the warmth of her emotions was melting the cloud beneath her.
Certainly she now sat, apparently squat as an idol, her figure submerged
in cloud to the waist.

The English witch looked down, singing a little to keep up her _morale_.
London looked exactly like the maps you buy for sixpence from
sad-looking gentlemen in the Strand, only it was sown with a thin crop
of lights, and was chiefly designed in grey and darker grey, and the
Tubes did not show so indecently. With surprising clearness the rhythmic
whispering of the trains and the scanty traffic could be heard, and once
even the shrill characteristic voice of an ambulance. Somehow space did
not seem disturbed by these sounds; its quietness pressed upon the
listeners' minds like a heavy dream, and there was no real believing in
anything but space. Our witch felt she could have smudged London off the
face of space with her finger, and the thought of seven million lives
involved in the fate of that sliding chart carried no conviction to her.
She forced into her mind the realisation of humanity, and of little
lives lived in little rooms.

"As one Crusader to another," she said, "do you find it does much good
in the war against Evil to drop bombs on people in their homes? After
all, every baby is good in bed, and even soldiers when on leave are
anti-militarist."

"It always does good to exterminate vermin in their lair," said the
German, trying restlessly to raise herself more to the level of her
lighter companion, who was still perched on the surface of the cloud.
"It is at home that Evil is originated, it is at home that English women
conceive and bear a new generation of enemies of the Right, it is at
home that English children are bred up in their marauding ways. It is
on the home, the vital place of Evil, that the scourge should fall."

"Oh, but surely not," said our witch eagerly. "It is at home that people
are kindly and think what they will have for supper, and bathe their
babies. Men come home when they are hurt or hungry, and women when they
are lonely or tired. Nobody is taught anything stupid or international
at home. You can bring death to a home, but never a righteous scourge.
Nobody feels scourged or instructed by a bomb in their parlour, they
just feel dead, and dead without a reason."

The cloud was very small now. The filmy edges of it were faintly rising
and falling like the seaweed frill of a rock in the sea. The witch kept
her eyes on her opponent's face, because to look anywhere else gave her
a white feeling in her head.

"Crusades of the high explosive kind," she said, "can work only on
battle-fields. Indeed, even on battle-fields--ah, what are we about,
what are we about? We are neither of us killing Evil, we are killing
youth...."

"I know, I know," wept the German witch. "My wizard fell at Vimy
Ridge...."

"You are talking magic at last," said our witch. "Dear witch, why don't
you go home and ask how it can be a good plan for one Crusader against
Evil to blow up another? How can two people be righteously scourging
each other at the same time? It is like the old problem of two serpents
eating each other, starting at the tail. There must be some
misunderstanding somewhere. Or else some real Evil somewhere."

"There is," said the German, recovering herself. "England is Evil.
England is the World Enemy. Throughout the ages she has been the Robber
State, crushing----"

But she had little luck. Once more she was interrupted by an explosion,
a much louder one, directly above them. Our witch hardly heard the
noise; she seemed suddenly to have found the climax of her life, and the
climax was pain. There was pain and a feeling of terrible change all
over her, smothering her, and a super-pain in her shoulder. After a
second or two as long as death, she realised dimly that she was all
tensely strung to an attitude, like a marionette. Her hands were up
trying to shield her head, her chin was pressed down to her drawn-up
knees. Her blue serge shoulder was extraordinarily wet and immovable.
She looked along the cloud. Her enemy was not there. There was a round
hole in the cloud, and as she leaned painfully towards it, she could see
a few of the lights of London, and something falling spasmodically
towards them.

The cloud had been shaken to its foundations by the two explosions, and
the German witch, who had been seated perhaps on a seam in the material,
or at any rate on one of the less stable parts of the fabric, had fallen
through. Her parachute cloak, in passing through the hole in the cloud,
had been turned inside out above her head, and rendered useless. Over
and about her falling figure her broomstick darted helplessly, uttering
curious sad cries, like a seagull's.

Even as the English witch watched her enemy's disaster, the larger part
of the cloud, weakened by all the shock and movement, broke away with a
hissing sound. The witch's feet hung now over space, she dared not move;
she had difficulty in steadying herself with her unwounded arm, for her
hand could find only a quicksand of dissolving cloud to lean on. She had
no thoughts left but thoughts of danger and of pain.

But Harold the Broomstick came back. The witch heard a rustling sound
close to her, and it startled her more than all the noise of the guns,
which had come, as it seemed, from the forgotten other side of eternity.
The rough head of Harold appeared over the cloud's edge, and insinuated
itself pathetically under her arm. Very carefully and very painfully the
witch reached a kneeling position, damaging her refuge with every
movement in spite of her care. She gasped with pain, and Harold tried to
look very strong and hopeful to comfort her. He straightened his back,
and she crawled into the saddle. The tremor of their launching split the
cloud into several parts, which disintegrated. There was no more
foot-hold on it; the tide had come up and submerged it.

Harold the Broomstick was crippled, he stumbled as he flew, sometimes he
dropped a score of feet, and span. He did stunts by mistake.

They had not strength enough between them to get home. They made a
forced landing in the silver loneliness of Kensington Gardens. It was a
fortunate place, for there is much magic there. Wherever there are
children who pretend, there grows a little magic in the air, and
therefore the wind of Kensington Gardens thrills with enchantment, and
the Round Pond, full of much pretence of great Armadas, crossed and
re-crossed with the abiding wakes of ships full of treasure and romance,
is a blessed lake to magic people.

The witch bathed Harold, her broomstick, in the Round Pond. He evidently
felt its healing quality at once, for after the first minute of
immersion, he swam about exultantly, and shook drops full of moonlight
out of his mane.

The bugles sounded All-clear in many keys all round the ear's horizon;
their sound matched the waning moonlight.

The witch bathed her shoulder, and then she found her way to a little
quiet place she knew of, where no park-keeper ever looks, a place where
secret and ungardened daffodils grow in springtime, a place where all
the mice and birds play unafraid, because no cat can find the way
thither. You can see the Serpentine from that place, and the bronze
shadows under its bridge, but no houses, and no railways, and no signs
of London.

Here the witch made a little fire, and leaned three sticks together over
it; she lighted the fire with her finger-tip and hung over it the little
patent folding cauldron, which she always carried on a chatelaine
swinging from her belt. And she made a charm of daisy-heads, and
spring-smelling grasses, and the roots of unappreciated weeds, and the
mosses that cover the tiny faery cliffs of the Serpentine. Over the
mixture she shook out the contents of one of her little paper packets of
magic. All this she boiled over her fire for many hours, sitting beside
it in the silver darkness, with her knees drawn up and her hands clasped
in front of them. The trees sprang up into the moonlight like dark
fountains from the pools of their own shadows. Little shreds of cloud
flowed wonderfully across the sky. There was no sound except the sound
of the water, like an uncertain player upon a little instrument. The
charm was still unfinished when the dawn passed over London, and the sun
came up, the seed of another day, sown in a rich red soil. The trees of
the Gardens remembered their daylight shadows again, and forgot their
mystery. The water-birds, after examining their shoulder-blades with
minute care for some moments, launched themselves upon a lake of
diamonds. There seemed a veil of mist and bird-song over the world. The
sudden song of the birds was like finding the hearing of one's heart
restored, after long deafness.

The witch anointed her shoulder with the charm, after having first made
a drop of potion out of the bubbles in it. This potion she drank, and
was healed of her wound and her weariness, and of all desires except a
desire to sleep with her face among the daffodils. She was the most
beautifully alone person in the world that morning; nobody could have
found her. A thin string of very blue smoke went up from her faint fire
and was tangled among the boughs of a flowering tree, but the coarse eye
of a park-keeper could never have seen it. She had escaped from the net
of the cruel hours; for her the stained world was washed clean; for her
all horror held its breath; for her there was absolute spring, and an
innocent sun, and the shadows of daffodils upon closed eyes....




CHAPTER VII

THE FAERY FARM


Sarah Brown, finding herself unfetched by the witch, went home alone
as soon as the 'buses began putting out to sea after the storm. She
expected to find the witch at home, but only the Dog David and Peony
were in the House of Living Alone. David lay on Peony's bed, and Peony
under it. Sarah Brown saw them as she passed their open door.

"Ow Marmaduke!" said Peony, "is it all over? Are you sure? Them 'uns is
so bloody deceitful you never know but what they might go an' blow a
bugle or two to mike believe they'd done, an' then drops bombs on us
just as we was comin' 'appily out from under our beds."

Peony, with a touching faith in the combined protective powers of twelve
inches of mattress and nine inches of dog, had been reading a little
paper book called _Love in Society_ by the light of an electric torch.

"It's all truly over," said Sarah Brown, who had come home through a
roar of rumour. "They say we've brought down at least one Boche. In fact
the ferryman says his aunt telephoned that the special on her corner
says a female Boche was brought down. But that hardly sounds likely.
Hasn't the witch come home yet?"

"Lawd no," replied Peony. "The dear ol' Soup never comes 'ome of a
moonlight night. It's my belief she goes to Maiden'ead among the Jews,
to keep out of the wiy, and 'oo's to blime 'er?"

"Well, that's all right," said Sarah Brown. "For now I shall be able to
buy--without pawning anything for the moment--a little land outfit from
stock. I know she has some."

The night was by then far from young, in fact it was well into its
second childhood. But Sarah Brown and the Dog David sought and tried on
land outfits for several hours.

The shop was divided into three horizontal departments. Nearest the
floor were the foodstuffs; biscuit tins buttressed the counter on every
side; regiments of Grape-nuts, officered by an occasional Quaker Oat,
stood in review order all round the lower shelves. On the counter little
castles of tinned fruit were built, while bins beneath it held the
varied grain, cereal, and magic stock. About on a level with one's head
the hardware department began: frying-pans lolled with tin coffee-pots
over racks, dust-pans divorced from their brushes were platonically
attached to flat-irons or pie-dishes, Stephen's Inks were allied with
penny mugs or tins of boot polish in an invasion of the middle shelves,
and a wreath of sponges crowned the champion of a row of kettles in
shining armour. Against the ceiling the drapery section was found.
Overalls, ready-made breeches, babies' socks, and pink flannelette
mysteries hung doubled up as if in pain over strings nailed to the
rafters. From this department Sarah Brown, balanced upon three large
biscuit tins placed on the counter, chose her outfit with vanity and
care. The general effect was not good, but she did not know this, for
she studied the parts separately in a six-inch mirror. She was filled
with a simple pleasure. For she was always absurdly moved by little
excitements, and by any prospect of a changed to-morrow. She was not
really used to being alive at all, and that is what made her take to
magic so kindly.

"In six hours," she said, "I shall be on my way to something utterly
new."

And in six hours she was on her way, whistling, across the Parish of
Faery. The Dog David ran in front of her among the daisies. The rabbits
can never be caught in this land of happy animals, but they give good
sport and always play fair.

David Blessing Brown, a dog of independent yet loving habit, had spent
about four-fifths of his life in the Brown family. He was three years
old, and though ineligible for military service, made a point of wearing
khaki about his face, and in a symmetrical heart-shaped spot near his
tail. To Sarah Brown he was the Question and the Answer, his presence
was a constant playtime for her mind; so well was he loved that he
seemed to her to move in a little mist and clamour of love. With every
one else she held but lame intercourse, but her Dog David and she
withheld no passing thought from each other. They could often be heard
by unmattering landladies and passers-by exchanging views in the strong
Suffolk accent that was a sort of standing joke between them. I believe
that Sarah Brown had loved the Dog David so much that she had given him
a soul. Certainly other dogs did not care for him. David said that they
had found out that his second name was Blessing, and that they laughed
at him for it. His face was seamed with the scars of their laughing. But
I know that the enmity had a more fundamental reason than that. I know
that when men speak with the tongues of angels they are shunned and
hated by men, and so I think that when dogs approach humanity too nearly
they are banished from the love of their own kind.

Sarah Brown was not altogether unfamiliar with the Parish of Faery, but
she never failed to be surprised by the enchantment of the Enchanted
Forest. The Green Ride runs straight through it, so incredibly straight
that as you walk along it the end of it is at the end of your sight, and
is like a star in a green sky. There is a dream that binds your mind as
you cross the forest; it is like an imitation of eternity, so that, as
you pass into the forest's shade, time passes from before you, and, as
you pass out of it, you seem to have lived a thousand quiet and utterly
forgotten lives. Clocks and calendars have no meaning in the forest; the
seasons and the hours haunt it at their will, and abide by no law. Just
as the sun upon a stormy day makes golden a moving and elusive acre in
our human woods, so the night in the Enchanted Forest comes and goes
like a ghost upon the sight of lovers of the night. For there you may
step, unastonished, from the end of a day into its beginning; there the
summer and the winter may dodge each other round one tree; there you may
see at one glance a spring hoar frost and an autumn trembling of airs, a
wild cherry tree blossoming beside a tawny maple. The forest is so deep
and so thick that it provides its own sky, and can enjoy its own
impulses, and its own quiet anarchy. There you forget that sky of ours
across whose face some tyrant drives our few docile seasons in
conventional order.

I think the Dog David in his own way shared the dream that leads
wayfarers through the Enchanted Forest. When he came out with Sarah
Brown under the tasselled arch of Travellers' Joy that crosses the end
of the Green Ride, he was all shining and dewy with adventure, and his
tail was upright, as though he were pretending that it carried a flag.

On an abrupt hill in the middle of an enormous green meadow a Castle
stood, just as Richard had predicted. It was To Let, and was not looking
its best. Some man of enterprise, taking advantage of its forlorn
condition, had glued an advertisement upon its donjon keep. You could
almost have measured that advertisement in acres; it recommended a face
cream, and represented a lady with a face of horrible size, whose
naturally immaculate complexion was marred by the rivets and loopholes
of the donjon keep itself, which protruded in rather a distressing way.

Oak trees stood round the foot of that pale hill, and the general effect
was rather that of parsley round a ham.

Between two oaks Sarah Brown, following directions, found the beginning
of the Daisified Path. There were not only daisies all over the path but
real violets on either side of it. The daisies looked one in the face,
but the violets did not, because they had morbidly bad manners. Still of
course manners are very small change and count for very little; the
violet, being an artist, is entitled to any manners it likes, while the
daisy has no temperament whatever, and no excuse for eccentricity.
Grasshoppers tatted industriously and impartially among the daisies and
the violets.

Here outside the forest there was weather again, and the weather was
more promising than generous. It continued to promise all day without
exactly explaining what its promise was, and without achieving any
special fulfilment. Fine silver lines of sunlight were ruled at a steep
angle across a grey slate view.

At the gate of Higgins Farm, Sarah Brown was a little disconcerted to
find a small dragon. It was coiled round a tree beside the clipped box
archway. It was not a very fine specimen, being of a brownish-green
colour, and having lost the tip of one wing. Its spine was serrated,
especially deeply between its shoulder blades, where it could raise a
sort of crest if angered or excited. But at present it was asleep, its
saturnine and rather wistful face rested upon one scaly paw.

Sarah Brown was uncertain what to do, but the Dog David took the matter
into his own paws by mistake. He had just met one of the castle dogs,
one of those tremulous-tailed creatures who spend themselves in a rather
pathetic effort to sustain an imaginary reputation for humour. David
retorted to this dog's first facetious onslaught with a kindly quip,
they trod on each other once or twice with extravagant gestures, and
then parted hysterically, each supposing himself to be pursued by the
other. It was then that David tripped over the dragon's barbed tail.
David squeaked, and the dragon awoke. It uncoiled itself suddenly like
a broken spring.

"Gosh," it said. "Asleep again! I was waiting for you, and the sun on my
back always makes me sleepy. I am the foreman. Higgins telephoned that
you were coming."

It preceded her through the little green archway that led to the farm.
The sight reminded Sarah Brown of watching from Golders Green Tube
Station the train one has just missed dive into the tunnel. She
followed.

On the other side of the archway the whole view of the plain called
Higgins Farm met the adventurer. The farm-buildings were heaped
graciously together on a little wave in the sea of ploughed fields.
Except for two pale ricks in their midst, they exactly matched their
surroundings, they were plastered dark red, and thatched with very old
green and brown thatch. Beyond the buildings was a little wood, its
interior lighted up with bluebells, and this wood merged into an
orchard, where a white pony and an auburn pig strove apparently to eat
the same blade of grass. The various sections of the farm land lay
mapped out in different intensities of brown, very young green, and
maturer green, and each section was dotted with people. They seemed
small people even from a distance, and, as Sarah Brown advanced at the
tail of the dragon, she saw that the workers were all indeed under
ordinary human size. The tallest, a man guiding a miniature plough
behind a tall horse, might have reached Sarah Brown's shoulder. None of
them seemed hard at work, they stood talking in little groups. One group
as they passed it was trafficking in cigarette cards. "I want to get my
Gold Scale set of English Kings complete," a voice was saying
tragically. "Has nobody got Edward the Confessor?" None of them took any
notice of the foreman.

"I'm afraid I haven't got the gift of discipline," sighed the dragon.
"And fairies are of course abnormally undisciplined creatures. Still, we
simply can't get any one else, and Higgins will not apply for a few
German prisoners. Get on with your work, you people, do. There, you see,
they defy me to an extent. Ever since the cowmen dipped me in the
horse-pond my authority's gone--gone where the good niggers go."

I find that there are quite a lot of people who cannot say the word
"gone" without adding the clause about the good niggers. These people
have vague minds, sown like an allotment with phrases in grooves.
Directly the dragon said "to an extent" without qualifying the extent,
one saw why it had no gift of discipline.

"I wouldn't attempt this job," it continued, winding breathlessly along
the rutty road, "only I am under a great obligation to Richard Higgins.
I am a _protidgy_ of his, you know, he rescued me from a lot of
mischievous knights who were persecuting me. One of them had tied his
tin hat to my tail, I remember, and the rest were trying to stick their
nasty spears between my scales. Really, you know, it was quite
dangerous. I have known a fellow's eye put out that way. I am not very
good at fighting, though I might have tackled one at a time. Richard
Higgins rode right into the midst of them, knocking them right and
left. Gosh, he gave them a talking to, and they slank away. He took my
case up after that, made enquiries, and gave me this job. We scrape
along somehow, but I'm afraid I'm not really suited for it."

They reached a part of a field in which broad beans were enjoying an
innocent childhood among white butterflies.

"If you wouldn't mind," said the dragon shyly, "I should like you to hoe
between the rows of these beans. You will find a hoe against the big
stack. This is your row, I reserved it for you."

All the other rows were occupied by fairy women with their skirts tucked
up--for only your amateur land-woman wears breeches. They all had hoes,
but were not using them much. They were singing curious old round songs
like summer dreams; you could hear strange fragments of phrases passing
from voice to voice. They took no notice of Sarah Brown, and she began
to work.

"Oh, my One," she said to David. "How happy this is. No wonder they
sing. Any one must sing working like this in great fields. Why, I even
remember that the Shropshire Lad whistled once by mistake, while
ploughing, on his own admission, until a fatalistic blackbird recalled
him to his usual tragic mind."

David sat uncomfortably on a broad bean, protesting against this new
mania. For a moment he had thought that she was seeking for a mouse with
some patent mouse-finding implement. He had even tried to help her, and
turned over a clod with a critical paw, but one sniff had showed him the
empty futility of the thing.

Sarah Brown hoed rather happily for a couple of hours, and then she
began to count the beans still waiting trustfully in the queue, waiting
to be attended to and freed from their embarrassments. There were
ninety-six, she decided, standing up ostensibly to greet an aeroplane.
She became very glad of the occasional aeroplanes that crossed above her
field, and gave her an excuse for standing with a straight back to watch
them. Aeroplanes, crossing singly or in wild-bird formations, are so
common in the sky of Faery that every one in those parts, while turning
his own eyes inevitably upwards, secretly thinks his neighbour
lamentably rustic and unsophisticated for looking at them.

Every aeroplane that crosses Faery feels, I suppose, the reflected magic
from the land below, for there is never one with the barest minute to
spare that does not pause and try to be clever over Higgins Farm. You
may see one industriously climbing the clouds over the Enchanted Forest,
evidently trying hard to be intent on its destination. You may see it
falter, struggling with its sense of duty, and then break weakly into a
mild figure eight. The ragged rooks of Faery at once hurry into the air
to show their laborious imitator how this should be done. The spirit of
frivolous competition enters into the aeroplane, its duty is flung to
the winds. It flaunts itself up and down once or twice, as if to say:
"Now look, everybody, I'm going to be clever." Then it goes mad. It
leaps upon imaginary Boches, it stands upon its head and falls downward
until the very butterflies begin to take cover, it stands upon its tail
and falls upward, it writes messages in a flowing hand across the sky
and returns to cross the t's. It circles impertinently round your head,
fixing its bold tricolour eye upon you until you begin to think there
must be something wrong with your appearance. It bounds upon a field of
onions and rebounds in the same breath from the topmost cloud of heaven.
The rooks return disconsolately to their nests.

Then you may see the erring machine suddenly remember itself, and check
itself in the act of some new paroxysm. It remembers the European War
that gave it birth; it thinks of its mates scanning the sky for its
coming; its frivolity ebbs suddenly. The eastern sky becomes once more
its highway instead of its trapeze. It collects its wits, emits a few
contrite bubbles of smoke, and leaps beyond sight.

Whenever this happened, the female fairies behaved in a very plebeian
and forward manner, waving their hoes at each machine, encouraging it by
brazen gestures to further extravagances, and striving to reach its
hearing with loud shrill cries. There was very little difference
between these fairies and other lady war-workers. In fact they were only
distinguishable by their stature and by the empty and innocent
expression of their faces. Also perhaps by their tuneful singing, and by
a habit of breaking out suddenly into country dances between the
bean-rows.

Sarah Brown, who worked a great deal more industriously than any one
else in sight, soon overtook them, and while conscious of that touch of
interested scorn always felt by the One towards the Herd, found relief
in watching their vagaries, and presently in speaking to them.

For she needed relief, poor Sarah Brown, her disabilities were catching
her up; a hoarse contralto cough was reminding her of many doctors'
warnings against manual work. She could feel, so to speak, the distant
approaching tramp of that pain in her side under whose threat she had
lived all her life. But there were seventy-five beans yet.

The note of her hoe, a high note not quite true pitched, clamoured
monotonously upon her brain. Three blisters and a half were persecuting
her hands.

"Let them blist," she said defiantly. "This row of beans was given me to
hoe, and Death itself shall not take it from me."

She could almost imagine she saw Death, waiting for her tactfully beyond
the last bean. She had no sense of proportion. She was so very weary of
having her life interrupted by her weakness that anything that she had
begun to do always seemed to her worth finishing, even under torture. To
finish every task, in spite of all hindrance, was her only ambition, but
it was almost always frustrated.

Seventy more beans. "Three score and ten," thought Sarah Brown. "What's
that? Only a lifetime." She bent to her work.

A great clump of buttercups bestrode her bean row, and as after a
struggle she dragged its protesting roots from the earth, something fell
from it.

"Oh, a nest," she gasped. "Look, I have hoed up a nest."

"Good gracious," exclaimed a fairy. "Look what she's done. It's
Clement's nest, poor chap, he only married in February. Say, girls,
here's Clement's semi-detached gone up."

Cries of consternation were heard from every bean-row.

Clement's nest was really almost more than semi-detached. It had been
but lightly wedged between two buttercup stalks. The two eggs in it were
at once unseated, and one was broken. Sarah Brown was deeply distressed.

"What a blind fool I am," she said, trying helplessly to replace the
nest. "Won't Clement ever come back?"

"Mrs. Clement won't," said the nearest fairy. "She is almost hysterical
about the sanctity of the home, and all that. She'll probably get a
divorce now."

"Oh, poor Clement, poor Clement," said Sarah Brown. "Will he be terribly
cut up?"

"There he is," replied the fairy, pointing upward. "He's watching you.
That's Clement's voice you hear."

"Clement's voice," exclaimed Sarah Brown. "Singing like that? Why, he
sounds perfectly happy."

"Perfectly happy," mocked the fairy. "His family only sings like that
when it's upset. Perfectly happy indeed! Can't you understand tragedy
when you hear it?"

Sarah Brown with despairing care tucked the nest up under a bean, and
replaced the unbroken egg.

"Do you mean to tell me, then," she said, after a busy painful pause,
"that Shelley probably misunderstood that lark he wrote a poem about? He
called it a blithe spirit, you know, because it sang. Do you suppose it
wasn't one?"

"Certainly not," said the fairy. "I don't know the actual facts of the
case, but without a doubt your friend Shelley was standing on the
unfortunate bird's nest all the time he was writing his poem."

Sarah Brown, with a deep sigh, began hoeing again.

Fifty beans yet.

She had altogether ceased to find pleasure in the day. Pain is an
extinguisher that can put out the sun. She had ceased to find pleasure
in the singing of the birds, the voice of the pigeon sounded to her no
more than an unbeautiful falsetto growl. She was irritated by the fact
that the cuckoo had only one song to sing. She tried not to hoe in time
to that song, but the monotony of it possessed her. Her row of beans
stretched in front of her right across the world; every time she looked
along it the end seemed farther away. Every time she raised her hoe the
sword of pain slipped under her guard.

The Dog David, impatient of her unnatural taste in occupations, had
forsaken her. She could trace his course by a moving ripple across the
potato patch, just as a shark's movement seams the sea.

Forty beans.

Time wears a strangely different guise out of doors. Under the sun time
stands almost still. Only when every minute is a physical effort do you
discover that there really are sixty minutes in an hour, and that one
hour is very little nearer to the evening than another. People who work
indoors under the government of clocks never meet time face to face.
Their quick seconds are dismissed by the clicking of typewriters, and
when their typewriters fall silent, their day is over. We of Out of
Doors have a daily eternity to contend with during which only our hands
are busy; our minds may grow old and young again between sunrise and
sunset; the future may be remade in an hour, hope killed and reborn
before a blackbird's song is over. We know the length of days. And after
many slow months of stress we come back again, old and bewildered with
much silence and much wondering, to our friends in offices, and find
them unchanged, floating innocently on the surface of time.

Sarah Brown dropped her hoe and fell upon her knees.

"I can't hoe any more," she said. "There are twenty-five more beans, but
I can't hoe them."

"Why should you?" asked the nearest fairy indifferently. "The foreman
never notices if we shirk. We always do."

"I said I would hoe this row," said Sarah Brown. "But I am accursed. It
is a good thing at least to know one's limitations."

Even in affliction she was prosy.

"I would advise you to go and have your dinner," another fairy said.
"Only that I ate your sandwiches as I passed just now. But I left a
little lemonade in your bottle. Go under the trees and drink it."

"I can't move," said Sarah Brown.

"Sit there then," said the fairies, and passed on, tickling but not
uprooting the weeds in their rows. Fairies are never ill. They have
immortal bodies, but no souls. If they see you in pain, they simply
think you are flaunting your superiority and your immortal soul in their
faces.

The dragon undulated up the field. "Very nicely hoed," he said, looking
vaguely at Sarah Brown's row. "Much better than the other rows. Having
your dinner? Quite right too."

He never noticed the twenty-five unhoed beans.

Sarah Brown sat on the edge of a shore of green shadow, and a sea of sun
speckled with buttercups was before her. David Blessing came and leaned
against her. His first intentions were good, he kissed her hurriedly on
the chin, but after that he kissed the sandwich bag.

Sarah Brown wondered whether she could cut her throat with a hoe.

"Suicide while of sound mind," she said. "The said mind being entirely
sick of its unsound body."

If she sat absolutely still and upright the pain was bearable. But even
to think of movement brought tears of pain to her eyes. She detached her
mind from her predicament, and sank into a warm tropical sea of thought.
She was no real thinker, but she thought much about thinking, and was
passionately interested in watching her own mind at work. Thought was
like sleep to her, she sank deeply into it without reaching anything
profound, nothing resulted but useless dreams, and a certain comforting
and defiant intimacy with herself.

She thought of Richard, and wished that she could have hoed a blessing
into every bean of his that she had hoed. She noted half-consciously and
without surprise that the thought of him was beautiful to her. She
could not conjure up his face before her mind, because she always forgot
realities, and only remembered dreams. She could not imagine the sound
of his voice, she could not recall anything that he had said. Yet she
felt again the magic feeling of meeting him, and dreamt of all the
things that might have happened, and that might yet happen, yet never
would happen, between him and her. All the best things that she
remembered had only happened in her dreams, her imagination no sooner
sipped the first sip of an experience than it conjured up for her great
absurd satisfying draughts of nectar, for which the waking Sarah Brown
might thirst in vain. But there was no waking Sarah Brown. Her life was
only a sleep-walking; only very rarely did she awake for a moment and
feel ashamed to see how alert was the world about her.

So she thought of Richard, not of Richard's Richard, but of some pale
private Richard of her own.

The approach of Richard upon a white horse for some time seemed only an
extension of her dream. It was only when she realised that he was riding
up her bean-row, and partially undoing the work of her hoe, that she
awoke suddenly with a start, and caught and tore her breath upon a pin
of pain.

It seemed that the afternoon had now long possessed the fields, it had
wakened into a live and electric blue the Enchanted Forest which she had
last noticed shimmering in its noon green.

All the workers at the approach of Richard were working busily, bent
ostentatiously in the form of hairpins up and down their rows. The
dragon was rippling anxiously along at the heels of the white horse; a
helpless hoping for the best expressed itself in every spike along his
spine.

"I don't really know why she's idling like that," Sarah Brown heard him
say in his breathy pathetic voice. "I left her hard at work. They're all
the same when my back's turned. A fellow needs to have eyes at the tip
of his tail."

"Are you suffering from that Leverhulme six-hour-working-day sort of
feeling?" asked Richard politely of Sarah Brown, in the manner of an
advertisement of a cure for indigestion, as he approached. "I think it's
just splendid how receptive and progressive working people are in these
days."

"I was meditating suicide," replied Sarah Brown candidly, if faintly. "I
am a stricken and useless parasite on the face of your fine earth. But
my hoe is too blunt."

"I have a pocket-knife with three blades I could lend you," said
Richard, slapping himself enquiringly over several pockets. "Or would
you rather try a natty little spell I thought of this morning while I
was shaving. I think any one stricken might find it rather useful."

"Ah, give it to me. Give it to me," said Sarah Brown.

The pain was like a wave breaking upon her, carrying her away from her
safe shore of shadow, to be lost in seething and suffocating seas
without rest. Her eyes felt dried up with fever, and whenever she shut
them, the darkness was filled with a jumble of nauseating squares in
blue upon a mustard-coloured background. The smell of beans was
terrible.

Richard fumbled with something very badly folded up in newspaper. He
also tried ineffectively to light a match by wiping it helplessly
against his riding breeches. He seemed to have none of the small skill
in details that comes to most people before they grow up. He did
everything as if he were doing it for the first time.

"I had nothing but the _Morning Post_ to wrap it in," he murmured. "I'm
afraid that may have spoilt the magic a little."

It was the dragon finally who produced the necessary light. After
watching Richard with the anxious sympathy of one ineffectual for
another, it said: "Let me," and kindly breathed out a little flame,
which set the packet aflare for a moment.

The ashes fluttered down from Richard's hand among the beans, and a thin
violet stalk of smoke went up.

Sarah Brown smelt the unmistakable sour smell of magic, and saw
soundless words moving Richard's little khaki moustache. Then she found
that she had disappeared.

She had never done this before, she had always been present to disturb
and interrupt herself. She had never seen the world before, except
through the little glazed peepholes, called eyes, through which her
everyday self rather wistfully believed that it could see. Now, of
course, she knew what seeing was, and for the first time she was aware
of the real sizes of things. Poor man measures all things by the size of
his own foot. He looks complacently at the print of his boot in the mud,
and notices that the ant which he crushed was not nearly as big as his
foot, therefore the ant does not matter to him. He also notices that
those same feet of his would not be able to walk to the moon within a
reasonable time, therefore the moon does not matter to him.

But Sarah Brown had disappeared, and therefore could not measure
anything. The spider strode from hill to hill, with the wind rushing
through the hair on his back. The blue sky was just a lampshade, clipped
on to the earth to shield it from the glare of the gods, beyond it was a
mere roof of eternity, pricked with a few billion stars to keep it well
ventilated.

Sarah Brown had for a while all the fun of being a god. She was nowhere
and she was everywhere. She could have counted the hairs on David's
head. The world waved like a flower upon a thin purple stalk of
smoke....

Her eyes began to see again. She was aware, of the hollowed tired eyes
of Richard fixed upon her. The dragon dawned once more upon her sight,
it was inquisitively watching developments, while pretending to claw a
weed or two out of a neighbouring bean-row.

The horizon was rusty with a rather heavy sunset. The fields were full
of twilight and empty of fairies.

Sarah Brown came to herself with a start, she was shocked to find that
she had opened her mouth to say something absolutely impossible to
Richard. David's chin was resting on her hand. Her side felt frozen and
dangerous but not painful.

"It didn't altogether answer," said Richard. "I'm afraid the wrapping
was a mistake. A spell of that strength ought to have set you dancing
in three minutes. I'll take you home on my horse. His name is Vivian."

The Horse Vivian, who was so white as to be almost phosphorescent in the
dusk, was now further illuminated by a little red light on his breast,
and a little green light on his tail. Richard was fond of making
elaborate and unnecessary arrangements like this, while neglecting to
acquire skill in the more usual handicrafts.

Sarah Brown, a person of little weight, was placed astride on the back
of the Horse Vivian. Richard walked beside. The dragon nodded good-bye,
and disappeared into its home, a low tunnel-like barn, evidently built
specially for it, with a door at each end, and a conveniently placed
chimney which enabled it to breathe enough fire to cook its meals
without suffocating itself.

Sarah Brown never saw the dragon again, but it stayed always in her
memory as a puzzled soul born tragically out of its time, a shorn lamb,
so to speak, to whom the wind had not been sufficiently tempered.

Now this ride home, through the Enchanted Forest, on a tall horse, with
Richard walking beside her, was the most perfect hour of Sarah Brown's
life.

The Enchanted Forest is only an accumulation of dreams, and from every
traveller through it it exacts toll in the shape of a dream. By way of
receipt, to every traveller it gives a darling memory that neither death
nor hell nor paradise can efface.

Sarah Brown knew that her dream and Richard's could never meet. The fact
that he was thinking of some one else all the way home was not hidden
from her. But she was a person used to living alone, she could enjoy
quite lonely romances, and never even envy real women, whose romances
were always made for two. She was not a real woman, she was morbidly
bodiless. Strange though it may seem, the kind, awkward, absent-minded
touch of Richard as he had lifted her on to the Horse Vivian's back had
been for her the one flaw in that enchanted ride. She could not bear
touch. She had no pleasure in seeing or feeling the skin and homespun
that encloses men and women. She hated to watch people feeding
themselves, or to see her own thin body in the mirror. She ought really
to have been born a poplar tree; a human body was a gift wasted on her.

As they passed along the Green Ride, the red light from the Horse
Vivian's neck made a sort of heralding ghost before them on the grass.
Bats darted above them for a few yards at a time, and were twitched
aside as though by a string or a reminding conscience. The telegraph
wires, bound for the post office of Faery, run through the Enchanted
Forest, and the poles in the faint light were like tall crucifixes. A
long way off, through the opening at the end of the Forest, were the
little lights of Mitten Island.

"Do you know," said Richard--and this is unfortunately the sort of thing
that young men do say at silent and enchanted moments--"that if all the
magic in this Forest were collected together and compressed into a
liquid form, it would be enough to stop the War in one moment?"

"My hat!" said Sarah Brown. "In one moment?"

"In one moment."

"My hat!" said Sarah Brown.

"The powers of magic haven't been anything like thoroughly estimated
even yet," said Richard.

"I suppose the War was made by black magic," suggested Sarah Brown,
trying to talk intelligently and to be faithful to her own thoughts at
the same time.

"Good Lord, no," replied Richard. "The worst of this war is that it has
nothing whatever to do with magic of any sort. It was made and is
supported by men who had forgotten magic, it is the result of the coming
to an end of a spell. Haven't you noticed that a spell came to an end at
the beginning of the last century? Why, doesn't almost every one see
something lacking about the Victorian age?"

"Something certainly died with Keats and Shelley," sighed Sarah Brown.

"Oh well," said Richard, "I don't know about books. I can't read, you
know. But obviously what was wrong with the last century was just that
it didn't believe in fairies."

"Does this century believe in fairies? If the spell came to an end, how
is it that we are so magic now?"

"This century knows that it doesn't know everything," said Richard. "And
as for spells--we have started a new spell. That's the curious part of
this War. So gross and so impossible and so unmagic was its cause, that
magic, which had been virtually dead, rose again to meet it. The worse a
world grows, the greater will magic grow to save it. Magic only dies in
a tepid world. I think there is now more magic in the world than ever
before. The soil of France is alive with it, and as for Belgium--when
Belgium gets back home at last she will find her desecrated house
enchanted.... And the same applies to all the thresholds in the world
which fighting-men have crossed and will never cross again, except in
the dreams of their friends. That sort of austere and secret magic, like
a word known by all and spoken by none, is pretty nearly all that is
left to keep the world alive now...."

Richard seemed to be becoming less and less of a man and more and more
of a wizard the farther he penetrated into the Enchanted Forest. He was
saying things that would have embarrassed him very much had they been
said in the Piccadilly Restaurant, even after three glasses of
champagne. For this reason, although the borders of the Enchanted Forest
are said to be widening, it is to be hoped that they will not encroach
beyond the confines of the Parish of Faery. What would happen if its
trees began to seed themselves in the Strand? Imagine the Stock Exchange
under the shadow of an enchanted oak, and the consequent disastrous
wearing thin of the metal casing in which all good business men keep
their souls.

Sarah Brown thought if rather a curious coincidence that so soon after
they had spoken of the dead Keats they should see him alive. They saw
him framed in a little pale aisle of the Forest, a faintly defined
fragile ghost, crouched against the trunk of a tree, bent awkwardly into
an attitude of pain forgotten and ecstatic attention. It was his dearest
moment that they saw, a moment without death. For he was a prisoner in
a perfect spell; he was utterly entangled in the looped and ensnaring
song of a nightingale. The song was like beaten gold wire. Never again
in her life did Sarah Brown profane with her poor voice the words that a
perfect singer begot in a marriage with a perfect song. But in
unhappiness, and in the horrible nights, the song came to her,
always....

The travellers were approaching the end of the Green Ride, but that did
not matter to Sarah Brown, for there had been nothing lacking all the
way.

"Love----," began Richard in a loud exalted voice, and then suddenly a
searchlight glared diagonally across the end of the Ride, over Mitten
Island, and quenched the magic of the moment.

"Sorry," said Richard. "I thought I was talking to my True Love."

"I'm sorry you weren't," said Sarah Brown, as they emerged from the
Forest. "I mean, I'm sorry it was only me you were talking to."




CHAPTER VIII

THE REGRETTABLE WEDNESDAY


"What a very singular thing," said the Mayor, meeting the witch
towards three o'clock in the afternoon, as she came down the Broad Walk
towards Kensington, having slept invisibly among the daffodils for
nearly twelve hours. "A really very singular thing. 'Tisn't once in five
years I visit these parts, and now I'm here I meet the very person I was
thinkin' about." He winked.

"It's almost like magic, isn't it," said the witch, winking busily in
return.

"Well, I've done what you told me to," said the Mayor.

"What was that?"

"You will 'ave your joke," he retorted indulgently. "Pretending not to
know, indeed. I've done what you told me the other day when you came to
that committee with your cat. I thought it over--I'm not a proud man,
never above takin' a hint,--and I admitted to meself that what you
said was fair about makin' money. Some'ow I never thought but what money
was the first thing to make in business. To tell you the truth, I always
thought it rather a feather in my cap that I never took advantage of
Brown Borough customers in selling adulterated goods, for--Lawdy--they'd
swallow anythink. It's different with your business, bein' in an
'igher-class locality. 'Igh prices, I thought, was only natural. Make
'ay while the sun shines was my motter, and I says to meself there was
no reason why this war should make _everyone_ un'appy. As for lookin' at
the grocery business as a trust from God, like you said, I never dremp
of such a thing, although I've bin to Chapel regular for ten years. But
I see now there was a lot in what you said, and when I come to think of
it, there was no need to make such a terrible lot of extra hay, 'owever
much the sun might be shinin'. When you put it like that, I couldn't say
why I was so set on more money, 'aving quite enough. Well, I says to
meself, after shutting meself up to think it out, like you said, 'ere
am I giving up all my life an' all my jolly days an' 'olidays, an' I'm
damned if I know what for. For money,--just money stewin' in its own
juice in a bank,--not money I can use. Well, everybody's trained so, I'm
thinkin'. Anyway I took it friendly of you to put it so delicate, so
fanciful as you did, so as them charity ladies didn't smell a rat. I
appreciated that, an' thought the more of what you said. I'm not a proud
man."

"You're just proud enough," said the witch. "You're a darling. If ever I
can help you in a business way, let me know. If you want to start a side
line, for instance, in Happiness, I can give you a tip where to get it
wholesale, within limits. It'd go like wildfire in the Brown Borough, if
you put in an ounce or two, gratis of course, with every order."

"You will 'ave your joke," murmured the Mayor. "But I like it in you.
I'm a man that never takes a joke amiss. Let's go for a walk together."

"No," said the witch. "I am so hungry that my ribs are beginning to bend
inwards. I must go and have sausages and mash and two apple dumplings."

They found themselves presently seated at the marble-topped table of an
A.B.C. After an interval that could hardly be accurately described as
presently, sausages and mash dawned on the horizon, and the witch waved
her fork rudely at it as it approached.

"Mashed is splendid stuff to sculp with," she said, roughing in a ground
plan upon her plate with the sure carelessness of the artist. "This is
going to be an ivory castle built upon a rock in a glassy sea. The
sausage is the dragon guarding it, and this little crumb of bread is the
emprisoned princess, a dull but sterling creature----"

"Look 'ere, Miss Watkins," interrupted the Mayor. "I'm not as a rule an
impulsive man, and I don't want to startle you----"

"How d'you mean startle me?" asked the witch. "You haven't startled me
at all. But the fact is, I never have been much of a person for getting
married, thank you very much. I'm an awful bad house-keeper. And I _do_
so much enjoy having no money."

"Well, I'm blessed," exclaimed the Mayor. "You're a perfect witch, I
declare." He laid a large meat-like hand upon hers. "But you know, you
can't put the lid on me so easy as that. Ever since you came into that
old committee room I saw there was something particular about you,
something that you an' me 'ad in common. I'm not speakin' so much of us
bein' in the same line of business. Some'ow--oh, 'ang it all, let's get
out of this and take a taxi. I'm not a kissing man, but----"

He seemed very persistent in applying negatived adjectives to himself.
It was not his fault if the world failed to grasp exactly what he was,
or rather exactly what he was not.

"I have often wondered," interrupted the witch, "talking of
kissing--what would happen if two snipes wanted to kiss each other? It
would have to be at such awfully long range, wouldn't it. Or----"

"Come off it," ordered the Mayor irritably. "What about gettin' out of
this and----"

"Don't you think this is becoming rather a tiresome scene?" said the
witch. "Somehow over luscious, don't you think? I wish those apple
dumplings would hurry up."

"'Ere, miss," said the Mayor ungraciously to a passing whirlwind. "'Urry
them dumplings."

"'Urry them dumplings," echoed the whirlwind to a little hole in the
wall.

The witch had a silly vision of two distressed dumplings, like dilatory
chorus girls, mad with the nightmare feeling of not being dressed in
time, hearing their cue called in a heartless voice from the inexorable
sky, desperately applying the last dab of flour to their imperfect
complexions. But the witch found no fault with them when they came. She
gave them her whole attention for some minutes.

"Well, well," she said, laying down her fork and spoon, "that's good. I
feel awfully grown-up, having had a proposal. When real girls ask me now
how many I've had, I shall be able to say One. But I met a girl the
other day who had had six. She had six photographs, but she called them
scalps. If you would give me your photograph I could label it A Scalp,
and hang it in the Shop. That would be very grown-up, wouldn't it?"

"You will 'ave your joke," said the Mayor in a hollow voice. "I never
met such a gurl as you for a bit of fun. I don't believe you've got any
'eart."

There, of course, he was right. A heart is a sort of degree conferred by
Providence on those who have passed a certain examination. Magic people
are only freshmen in our college, and it is useless for us--secure in
the possession of many learned letters after our names--to despise them.
They will become sophisticated in due course.

"How d'you mean--heart?" asked the witch therefore. "I've still got an
awful hunger inside me, if that's anything to do with it. I'll tell you
what. It's Wednesday. Let's go and call on Miss Ford. She might have
grassy sandwiches."

There was a most abrupt and disturbing draught in Miss Ford's sleek and
decorous flat as the witch and the Mayor entered it. The serenity of the
night and the morning had been suddenly obliterated, and Kensington
suffered a gust or two of gritty wind which blew the babies home from
the Gardens, and kept all the window-gazers in the High Street on the
alert with their fingers on the triggers of their umbrellas.

But no rain fell. Rain cannot fall in this book of fine weather.

The draught that intruded into the flat ruffled the neat hair of five
persons, Miss Ford herself, Lady Arabel Higgins, Miss Ivy MacBee, Mr.
Bernard Tovey, and Mr. Darnby Frere.

Miss MacBee always seemed to be seated on tenterhooks, even in the most
comfortable of chairs. Her Spartan spine never consented graciously to
the curves of cushions. She had smooth padded hair and smooth padded
manners, and her eyes were magnified by thick pince-nez to a cow-like
size. Most people, especially most women, were instinctively sorry for
her, because she always looked a little clever and very uncomfortable.

Mr. Bernard Tovey was a blunt-nosed beaming person. He leaned forward
abruptly whenever he spoke, thereby swinging a lock of hair into his
right eye. He agreed so heartily with everything that was said that
people who addressed him were left with the happy impression that they
had said something Rather Good. This habit, combined with the fact that
he never launched an independent remark, had given him the reputation of
being one of the best talkers in Kensington.

Mr. Darnby Frere was the editor of an advanced religious paper called _I
Wonder_, but he never wondered really. He knew almost everything, and
therefore, while despising the public for knowing so little, he
encouraged it to continue wondering, so that he might continue despising
and instructing it.

Now it was an almost unprecedented thing for two members of the small
trades-man class to come into Miss Ford's drawing-room, especially on a
Wednesday. The utmost social mingling of the classes that those walls
had ever seen was the moment when Miss Ford asked the electric light man
what he thought of the war. The electric light man's reply had been
quoted in the dialect on two or three of the following Wednesdays, as a
proof of Miss Ford's daring intimacy with men in Another Station of
Life. Really it would have been simpler, though of course not so
picturesque, to have quoted it direct from its original source, _John
Bull_, the electric light man's Bible.

The entrance of the witch and the Mayor was to a certain extent a
crisis, but Miss Ford kept her head, and her three friends, though
grasping at once the extraordinary situation, did not give way to panic.

"Well, well, well," said the Mayor, looking round and breathing very
loudly. "This is a cosy little nook you've got 'ere."

He was not at all at his ease, but being a business man, and being also
blessed with a peculiarly inexpressive face, he was successfully
dissembling his discomfort.

For it had happened that the lift had been one of those lifts that can
do no wrong, the kind that the public is indulgently allowed to work by
itself. And the Mayor, looking upon this fact as specially planned by a
propitious god of love, had tried to kiss the witch as they shot up the
darkened shaft. If I remind you that the witch was still accompanied by
her broomstick, Harold, a creature of unreasoning fidelity, I need
hardly describe the scene further. The Mayor stepped out of the lift
with a tingling scraped face, and if he had possessed enough hair on his
head, it would have been on end. As it was, when the lift stopped, he
retrieved his hat from the floor with a frank oath, and, as the witch
had at once rung the bell of Miss Ford's flat, he instinctively followed
her across that threshold.

She looked round in the hall, and said with a friendly smile: "I'm
afraid Harold gets a bit irritable sometimes. I often tell him to count
ten before he lets himself go, but he forgets. Did he hurt you?"

I am afraid the angry Mayor did not give Harold credit for much
initiative.

"Kissing is such a funny habit, isn't it," said the witch briskly as she
shook Miss Ford's hand. "I wonder who decided in the first place which
forms of contact should express which forms of emotion. I wonder----"

She interrupted herself as her eyes fell on some green sandwiches which
were occupying the third floor of a wicker Eiffel Tower beside Miss
Ford. "Oh how gorgeous," she said. "Do you know, I've only had two meals
in the last two days."

Nobody present had ever been obliged to miss a meal, so this statement
seemed to every one to be a message from another world.

"You must tell us about all your experiences, my dear Miss Watkins,"
said Miss Ford, leading the witch towards a chair by the fire. The witch
sat down suddenly cross-legged on the hearth-rug, leaving her rather
embarrassed hostess in the air, so to speak, towering rigidly above her.

"How d'you mean--experiences?" said the witch, after eating one sandwich
in silent ecstasy. "I was up in the sky last night, talking to a German.
Was that an experience?"

"The sky last night was surely no place for a lady," said Mr. Frere with
rather sour joviality.

"Oh, I know what she means," said Miss MacBee earnestly. "I was up in
the sky last night too----"

"Great Scott," exclaimed the witch. "But----"

"Yes, I was," persisted Miss MacBee. "I lay on the hammock which I have
had slung in my cellar, and shut my eyes, and loosed my spirit, and it
shot upward like a lark released. It detached itself from the common
trammels of the body, yes, my spirit, in shining armour, fought with the
false, cruel spirits of murderers."

"I hadn't got any shining armour," sighed the witch, who had been
looking a little puzzled. "But I had the hell of a wrangle with a Boche
witch who came over. We fought till we fell off our broomsticks, and
then she quoted the _Daily Mail_ at me, and then she fell through a hole
and broke her back over the cross on St. Paul's."

It was Miss MacBee's turn to look puzzled, but she said to Miss Ford:
"My dear, you have brought us a real mystic."

Mr. Frere, though emitting an applauding murmur, leaned back and fixed
his face in the ambiguous expression of one who, while listening with
interest to the conversation of liars, is determined not to appear
deceived.

"How d'you mean--mystic?" asked the witch. "I don't think I can have
made myself clear. Excuse me," she added to Miss Ford, "but this room
smells awfully clever to any one coming in from outside. Do you mind if
I dance a little, to move the air about?"

"We shall be delighted," said Miss Ford indulgently. "Shall I play for
you?"

The witch did not answer; she rose, and as she rose she threw a little
white paper packet into the fire. She danced round the sofa and the
chairs. The floor shook a little, and all her watchers twisted their
necks gravely, like lizards watching an active fly.

The parlour-maid, by appearing in the doorway with an inaudible
announcement, diverted their attention, though she did not interrupt the
witch's exercises.

A very respectable-looking man came in. Darnby Frere, who was a student
of Henry James's works, and therefore constantly made elaborate guesses
on matters that did not concern him, and then forgot them
because--unlike Mr. James's guesses--they were always wrong, gave the
newcomer credit for being perhaps a shopwalker, or perhaps a
South-Eastern and Chatham ticket-collector, but surely a chapel-goer.

At any rate the stranger looked ill at ease, and especially disconcerted
by the sight of the dancing witch.

Miss Ford realised by now that her Wednesday had for some reason gone
mad. She had lost her hold on the reins of that usually dignified
equipage; there was nothing now for her to do but to grip tight and keep
her head.

She therefore concealed her ignorance of her newest guest's identity,
she stiffened her lips and poured out another cup of tea with a
nerveless hand. The stranger took the cup of tea with some relief, and
said: "Thenk you, meddem."

The witch stopped dancing, and stood in front of the newcomer's chair.

"I think yours must be a discouraging job," she said to him. "Getting
people punished for doing things you'd love to do yourself. Oh, awfully
discouraging. And do tell me, there's a little problem that's been on my
mind ever since the war started. I hear that Hindenburg says the German
Army intends to march through London the moment it can brush away the
obstacles in front of it. Have you considered what will happen to the
traffic, because you know Germans on principle march on the wrong side
of the street--indeed everybody in the world does, except the
conscientious British. Think of the knotted convulsions of traffic at
the Bank, with a hundred thousand Boches goose-stepping on the wrong
side of the road--think of poor thin Fleet Street, and the dam that
would occur in Piccadilly Circus. What do you policemen intend to do
about it?"

"I don't know I'm sure, miss," said the newcomer coldly. "It's a long
time since I was on point duty. I'm a plain clothes man, meddem," he
added to Miss Ford. "I'm afraid I'm intruding on your tea-party, owing
to your maid misunderstanding my business. But being 'ere, I 'ope you'll
excuse me stating what I've come for."

"Oh certainly, certainly," said Miss Ford, who was staring vaguely into
the fireplace. A rather fascinating thread of lilac smoke was spinning
itself out of the ashes of the little white paper packet.

"The names of the Mayor of the Brown Borough, Miss Meter Mostyn Ford,
and Lady A. 'Iggins--all of 'oom I understand from the maid are
present--'ave been mentioned as being presoomably willing to give
information likely to be 'elpful in the search for a suspicious
cherecter 'oo is believed to 'ave intruded on a cheritable meeting, at
which you were present last Seturday, in order to escape arrest, 'aving
just perpetrated a petty theft from a baker, 'Ermann Schwab. The
cherecter is charged now with a more important offence, being in
possession of an armed flying machine, in defiance of the Defence of the
Realm Act, and interfering with the work of 'Is Majesty's Forces during
enemy attack. The cherecter is believed to be a man in female disguise,
but enquiry up to date 'as failed to get any useful description. You
ladies and gents, I understand, should be able to 'elp the Law in this
metter."

There was a stunned silence in the room, broken only by the pastoral
sound of the witch eating grassy sandwiches. After a moment Miss Ford,
the Mayor, and Lady Arabel all began speaking at once, and each stopped
with a look of relief on hearing that some one else was ready to take
the responsibility of speaking.

Then the witch began with her mouth full: "You know----," but Lady
Arabel interrupted her.

"Angela dear, be silent. This does not concern you. Of course,
inspector, we're all only too dretfully anxious to do anything to help
the Law, but you must specify the occasion more exactly. Our committee
sees so many applicants."

"You are Lady A. 'Iggins, I believe," said the policeman impassively.
"Well, my lady, may I ask you whether you are aware thet the cherecter
in question was seen to leave your 'ouse last night, at nine forty-five
P.M., after the warning of approaching enemy atteck was given, and to
disappear in an easterly direction, on a miniature 'eavier than air
machine, make and number unknown?"

The threads of curious smoke in the fireplace were increasing. They
shivered as though with laughter, and flowed like crimped hair up the
chimney.

"I had a dinner-party last night certainly," stammered Lady Arabel. A
trembling seized the sock she was knitting. She had turned the heel some
time ago, but in the present stress had forgotten all about the toe. The
prolonged sock grew every minute more and more like a drain-pipe with a
bend in it. "Why yes, of course I had a dinner-party; why shouldn't I?
My son Rrchud, a private in the London Rifles, this young lady, Miss
Angela--er--, and her friend--such a good quiet creature...."

"And 'oo else was in the 'ouse?" asked the policeman, glancing haughtily
at the witch.

"Oh nobody, nobody. The servants all gave notice and left--too dretfully
tahsome how they can't stand Rrchud and his ways. Of course there was
the orchestra--twenty-five pieces--but _so_ dependable."

"Dependable," said the witch, "is a mystery word to me. I can't think
how it got into the English language without being right. Surely
Depend-on-able----"

"Your son 'as peculiar ways, you say, my lady," interrupted the
policeman.

"Oh, nothing to speak of," answered Lady Arabel, wincing. "Merely
lighthearted ... too dretfully Bohemian ... ingenious, you know, in
making experiments ... magnetism...."

"Experiments in Magnetism," spelt the policeman aloud into his notebook.
"And 'oo left your 'ouse at nine forty-five P.M. last night?"

"I did," said the witch.

The policeman withered her once more with a glance.

"Lady 'Iggins, did you say your son left your 'ouse at nine forty-five
P.M. last night?"

"Yes, but----"

"Thenk you, my lady."

"You seem to me dretfully impertinent," said Lady Arabel. "This is not a
court of law. My son Rrchud left the house with me and our guest to seek
shelter from the raid."

"Thenk you, my lady," repeated the policeman coldly, and turned to Miss
Ford.

"Could you identify the cherecter 'oo came into your committee room last
Seturday?" he asked of her.

"No," she replied.

"Couldn't you say whether it seemed like a male or a female in disguise?
Couldn't you mention any physical pecooliarity that struck you?"

"No," said Miss Ford.

"'Ave you no memory of last Seturday night?"

"No," said Miss Ford.

"I have," said the witch.

The policeman bridled. "I was addressing this 'ere lady, Miss M.M. Ford.
Can you at least tell me, meddem, 'ow long you and the 'Iggins family
'ave been acquainted?"

"No," said Miss Ford.

"Eighteen years," said Lady Arabel.

The fumes from the fireplace were very strong indeed, but nobody called
attention to them.

"I'm sorry, ..." said Miss Ford presently, very slowly, "that ... I ...
can't help you. I have ... been having ... nerve-storms ... since ...
last ... Saturday...."

The policeman fixed his ominous gaze upon her for quite a minute before
he wrote something in his notebook.

"Is Private Richard 'Iggins in town to-night?" he asked of Lady Arabel
in a casual voice.

"I suppose so," she replied. "But he has such a dretful habit of
disappearing...."

The policeman turned to the Mayor.

"Now, sir," he said. "Could you help me at all in----"

"Look here," said the witch, rising. "If you would only come along to my
house in Mitten Island I can truly give you all the information you
need. In fact, won't you come to supper with me? If some one will kindly
lend me half-a-crown I will go on ahead and cook something."

Mr. Tovey mechanically produced a coin.

"Here, Harold," called the witch, and holding Harold's collar she
stepped out on to the balcony, mounted, and flew away.

She left a room full of noise behind her.

The policeman, who was intoxicated with the strange fumes, said: "Hell.
Hell. Hell."

Lady Arabel called in vain: "Angela, Angela, don't be so dretfully
rash."

Mr. Tovey, now afflicted with a lock of hair in each eye, seized the
policeman by the shoulder thinking to prevent him from jumping out of
the window. "You fool," he shouted.

The Mayor slapped his thigh with a loud report. "Lawdy," he yelled.
"She's a sport. She will 'ave 'er joke."

Miss MacBee laughed hysterically and very loudly.

Mr. Darnby Frere said "My word" rather cautiously several times, and
rubbed the bridge of his nose. He rather thought everybody was pulling
his leg, but could not be sure.

Only Miss Ford sat silent.




CHAPTER IX

THE HOUSE OF LIVING ALONE MOVES AWAY


When Sarah Brown and Richard, followed by the Dog David, reached the
Mitten Island Ferry, after travelling slowly by moonlight, they were
surprised to see a great crowd of people banked up on the Island, and
one man in the uniform of a policeman, standing alone on the mainland.
About ten yards from land the ferryman sat in his boat, rowing gently to
keep himself stationary in the current.

"You'll 'ave to come to shore now," said the policeman, in the tone of
one exhausted by long argument. "'Ere's some more parties wanting to
cross." He turned to Richard. "Look 'ere, mate," he said. "I'm 'ere in
the discharge of my dooty, and this ferryman is obstructin' me."

"Deah, deah," said Richard.

The ferryman said: "If the King of England--why, if the two ghosts of
Queen Victoria and Albert the Good--was waiting to cross now, I
wouldn't come in for them, not if it was going to give you a chance to
set foot on Mitten Island."

The crowd across the river, divining that a climax of defiance was being
reached, shouted: "Yah, yah," in unison.

"Is either of you parties an 'ouse'older on Mitten Island?" asked the
policeman of Sarah Brown and Richard.

"I am," said Richard, to his companion's surprise.

"Can you give me any information regarding the whereabouts of a
cherecter known under any of these names: Iris 'Yde, T.B. Watkins,
Hangela the Witch, possibly a male in female disguise, believed to
conduct a general shop and boardin' 'ouse on Mitten Island?"

"There is only one shop on Mitten Island," said Richard. "And one
boarding house. All in one. I own it. I can recite you the prospectus if
you like. I have a superintendent there. I have known her all my life. I
did not know she was believed to be a male in female disguise. I did not
know she had any name at all, let alone half-a-dozen."

The policeman seemed to be troubled all the time by mosquitoes. He
slapped his face and his ears and the back of his neck. He succeeded in
killing one insect upon the bridge of his nose, and left it there by
mistake, a strangely ignoble corpse. Sarah Brown suspected Richard of
some responsibility for this untimely persecution.

"That party is charged with an offence against the Defence of the Realm
Act," said the policeman,--"with being, although a civilian, in
possession of a flying machine, and--er--obstructin' 'Is Majesty's
enemies in the performance of their dooty."

"Oh deah, deah," said Richard. "Deah, deah, deah...."

"Do either of you know the present whereabouts of the party?" persisted
the policeman. Attacked on every side by insects, he was becoming rather
pathetic in his discomfort and indignity. His small eyes, set in red
fat, stared with uncomprehending protest; his fat busy hands were not
agile enough to defend him. He felt unsuccessful and foolish, and very
near the ground. He wished quite disproportionately to be at home with
his admiring wife in Acton.

Sarah Brown shook her head in reply, and Richard could say nothing but
"Oh deah, deah...."

"May I take your name and 'ome address, and regimental number, please,
young man," said the policeman, after a baffled pause.

"Now my address," said Richard, with genuine shame, "is a thing I
honestly can never remember. I know I've heard it; I've tried and tried
to learn it at my mother's knee. It begins with an H, I think. That's
the worst of not being able to read or write. I can describe the place
to you exactly, a house with a lot of windows, that sees a long way. If
you turn your back on the Marble Arch, and go on till you get to a big
poster saying Eat Less Meat, and then turn to your right--(pointing to
the left)--or again, if you go by air as the crow flies--or rather as
the witch flies----"

"You shall 'ear of this foolery, my fine feller," said the distressed
policeman, almost with a break in his voice. "Seein' as 'ow you refuse
information, an' this ferryman thinks fit to defy the law, I 'ave no
course open but to whistle for my mate, and leave 'im 'ere while I
telephone for a police-boat."

He raised his whistle to his lips, but before he could blow it, the
climax of this the least successful evening of his life, overwhelmed
him. A shadow swept over the party, a large flying substance caught him
full on the back of the neck and knocked him off the landing-stage into
the river.

The witch on Harold her Broomstick landed on the spot vacated by the
policeman.

"Oh, look what I've done, look what I've done ..." she exclaimed in an
ecstasy of vexation. There was no need to tell anybody to look. Five
hundred odd people were already doing so with enthusiasm. "Oh, what a
dreadfully bad landing! Oh, Harold, how could you be so careless?"

She took the cringing Harold by the mane and slapped him violently once
or twice. Richard stretched out his riding-crop to the splashing
policeman, murmuring: "Oh deah, deah...."

"Don't be frightened," said the witch to the policeman. "We'll soon get
you out, and the water's so shallow you can't sink. Talking of sinking,
Richard, there's a question that puzzles me rather. If a rat got on to a
submarine, how would it behave? A submarine, you see, is a sinking ship,
and rats pride themselves so on knowing when to----"

Sarah Brown seized the witch by the shoulder. "Go away, witch," she
said.

"How d'you mean--go away?" asked the witch. "I've only just this minute
come."

"Go away, go away," was all that Sarah Brown could manage to repeat.

"Oh, very well," said the witch in her offended grown-up voice. "I can
take a hint, I suppose, as well as anybody. I'm going."

She seated herself with an irritable flouncing movement on Harold's
saddle, and flew away.

The policeman climbed out of the water, looking like an enraged seal.
Peals of laughter from the other side of the moonlit river robbed him of
adequate words.

"Not ser fast, my fine feller," he roared, seeing Richard kissing the
Horse Vivian on the nose, preparatory to riding away. "Don't you think
for a minute I don't know 'oo's at the bottom of this."

"You don't know how tired I am of loud noises," said Richard, lifting
one foot with dignity to the stirrup. "You don't know how bitterly I
long to be still and hear things very far off ... but always there is an
angry voice or the angry noise of guns in the way...."

He twined one finger negligently into the mane on the Horse Vivian's
neck, and pulled himself slowly into the saddle. The policeman stood
mysteriously impotent. Water dripped loudly from his clothes and
punctuated Richard's quiet speech.

"Dear policeman," continued Richard. "I believe you have talked so much
to-night that you haven't heard what a quiet night it is. You are
smaller than a star, and yet you make more noise than all the stars
together. You are not so cold as the moon, and yet your teeth chatter
more loudly than hers. The heat of your wrath is less than the heat of
the sun, and yet, while he is silent and departed, you fill the air with
clamour, and--if I may say so--seem to be outstaying your welcome. Oh,
dear policeman, listen.... Do you know, if there were no London on this
side and no War on that, the silence would be deep enough to fill all
the seas of all the worlds...."

He shook the reins, and the Horse Vivian moved, treading quietly on the
strip of grass that borders the path to the ferry.

"I am going to talk to my True Love now," said Richard, his voice fading
away as he rode. "My True Love's voice is the only voice that is a
little more beautiful to me than silence...."

For a moment he looked every inch a wizard. Every button on his uniform
and every buckle on the Horse Vivian's harness caught the moonlight, and
changed into faery spangles as he turned and waved his hand before
disappearing.

The policeman seemed quieted, as he looked at Sarah Brown sitting, white
and haggard with pain, on the river bank, with her arm round the
shivering David.

"In a minute, in a minute, my One," she was saying to David. "We are
nearly home now. We shall soon be quiet now."

There was always something startlingly inoffensive about Sarah Brown's
appearance.

"I'd like to know 'oo was responsible for this houtrage, all the same,"
said the policeman.

Sarah Brown did not hear him, but she said: "Oh, I am so very sorry it
happened. It was a pure accident, of course, but it is so terrible to
see any one have an accident to his dignity. You must forget it quickly,
you must run and find someone who knows you at your best, you must tell
her a fine revised version of the incident, and then you will feel
better."

The ferryman shouted: "I don't mind coming in now to fetch this young
woman. You can come too now if you like, Mr. Pompous-in-the-Pond, for
the party you're looking for is not at home, and I've no doubt but what
that crowd over there will give you a gay welcome."

"I'll look into the metter to-morrer," said the policeman. "You 'aven't
'eard the last of this, none of you 'aven't, not by a long chalk. I've a
good mind to get the Mayor to read the Riot Act at you."

As Sarah Brown landed on Mitten Island she could not distinguish the
faces of the waiting crowd, but she heard sharp anxious voices.

"They ain't goin' to get 'er, not if I knows it."

"She never speaks but kindness, the dear lamb."

"She's more of a saint than any in the Calendar."

"She gave my Danny a room in 'er house, and put 'eart into 'im after 'e
lost 'is sight in the War."

"She's the good fairy of the Island."

"She grew all them Sweet Williams in my garden in one night, when I
first come 'ere and was 'omesick for Devon."

"The law's always after saints and fairies, always 'as bin."

"But the law can't catch 'er."

"The law has driven her away," said Sarah Brown. "There is no magic now
on Mitten Island."

She staggered through the open door of the Shop. "This is Richard's
house," she said to herself as she entered, and felt doubly alone
because Richard was far away, riding to his True Love. She struck her
last match, lit the lantern, and looked round. There was no sound in the
house of Living Alone, she thought there would never again be any magic
sound there to penetrate to her imprisoned hearing. The aprons hanging
from the ceiling near the door flapped in the cold wind, and she thought
they were like grey bats in a cave. The breeze blew out the open
lantern. Ah, how desolate, how desolate....

A piece of paper was impaled upon the counter by means of a headless
hatpin. There was something very largely and badly written on it. Sarah
Brown read: "Well Soup it looks like my Night's come and what dyou think
Sherry's come too. Im an me as gone off to a place e knows that's a fine
place for such a boy as Elbert to be born in so no more at present from
your true Peony."

Sarah Brown climbed up the short stairway, painful step by painful step,
to her cell. She sat on her bed holding her throbbing side, and
breathing with fearful caution. She looked at the empty grate. She put a
cigarette in her mouth, the unconscious and futile answer of the Dweller
Alone to that blind hunger for comfort. But she had no matches, and
presently, dimly conscious that her groping for comfort had lacked
result, she absently put another cigarette into her mouth, and then felt
a fool.

She stared at the cold window. The sky seemed to be nailed carelessly to
it by means of a crooked star or two.

These are the terrible nights of Living Alone, when you have fever and
sometimes think that your beloved stands in the doorway to bring you
comfort, and sometimes think that you have no beloved, and that there is
no one left in all the world, no word, no warmth, nor ever a kindly
candle to be lighted in that spotted darkness that walls up your hot
sight. Again on those nights you dream that you have already done those
genial things your body cries for, or perhaps That Other has done them.
The fire is built and alight at last, a cup of something cool and
beautifully sour stands ready to your hand, you can hear the delicious
rattle of china on a tray in the passage--someone coming with food you
would love to look at, and presently perhaps to eat ... when you feel
better. But again and again your eyes open on the cold dumb darkness,
and there is nothing but the wind and strange sinister emptiness
creaking on the stair.

These are the terrible nights of Living Alone, yet no real lover of that
house and of that state would ever exchange one of those haunted and
desert nights for a night spent watched, in soft warm places.

Sarah Brown was not long left alone that night to look at the strip of
moonlight on the cold ashes of her fireplace. The Shop below shook
suddenly with many footfalls, and the metallic officious barking of the
Dog David rent the still air of her cell.

A man's voice at the foot of the stairs said: "I can hear a dog
barking." And a woman's voice followed it: "Angela, dear, is that you?"

Sarah Brown was only aware of a vague and irksome disturbance. She
groped to her door, opened it, and shouted miserably: "Go away,
policeman, go away. She is not here."

Lady Arabel came up, flashing an electric torch.

"My dear, you look dretfully ill. Why look, you are trembling. Why look,
your little dog is making your counterpane muddy. Don't be afraid for
Angela, we are all here to try and help her."

"All here?"

"Yes, Meta and the Mayor and Mr. Tovey and Mr. Frere. Let me help you
into bed, and then you shall tell me what you know of her. You have had
a dretfully trying time."

"I am well," said Sarah Brown ungraciously. "You are none of you going
to help the witch without me."

"Ah, this is all very dretful," sighed Lady Arabel. "Most foolish of us
to come here all together like this, after the policeman took our names
and addresses, and was dretfully impertinent and suspicious. But Meta
insisted. I quite expect to spend the next twenty-four hours in gaol, or
else to be shot for Offence of the Realm. In fact, speaking as a
ratepayer, I think the police ought to have done it before. Still, Meta
thought we might perhaps be able to help Angela.... Meta has many
friends who seem influential ... but _so_ talkative, my dear."

She led the way downstairs. Mr. Tovey and the Mayor were talking at the
foot of the stairs, Mr. Frere was listening sardonically. As Sarah Brown
went past them into the Shop, she smelt the unflower-like scent that
always denoted the presence of Miss Ford. Sarah Brown herself was
accompanied by nothing more seductive than a faint smell of gasoline,
showing that her clothes had lately been home-cleaned. In the darkness
of the Shop she saw Miss Ford stooping, trying to shut the big difficult
drawer in which the witch kept her magic.

"It is frightfully explosive," said Sarah Brown.

Miss Ford started and straightened her back. "Ah, Miss Brown.... I was
just looking about...."

Sarah Brown sat gasping on the counter, and the rest of the party
re-entered the Shop, bringing the lantern.

"How very absurd all this is," said Miss Ford nervously,--"taking such a
great deal of trouble about a necessitous case."

"America is in my mind," said Lady Arabel. "If we could get her there.
Anybody who has done anything silly goes to America. Indeed, if I
remember rightly, America is entirely populated with fugitives from
somewhere else. So dretfully confusing for the Red Indians. They say the
story of the Tower of Babel was only a prophecy about the Woolworth
Building--"

"You couldn't get a passport," said Mr. Darnby Frere, who was the only
person present really conscious of sanity. "Only a miracle could produce
a passport in these days, especially for a fugitive from justice."

"Only a miracle--or magic," said Sarah Brown.

Miss Ford moved instinctively behind the counter towards the open drawer
full of ingredients for happiness.

"We must remember," added Mr. Frere, "that, after all, she did break the
law. In fact I cannot for the life of me imagine why on earth we are
all--"

"Oh, Darnby, do be sensible," said Miss Ford. "Of course we know it is
wrong to break the law, but in this case--well, I myself should be the
last to blame her."

"No, not the last," said Sarah Brown.

"What do you mean?"

"Certainly not the last. Probably not even the penultimate one. You
flatter yourself."

"Why, surely some of you ladies, movin' in the 'ighest circles, knows of
gentlemen in the Foreign Office that would do a little shut-eye job, for
old times' sake," suggested the Mayor.

This was a challenge to Miss Ford. She ceased to gaze haughtily on Sarah
Brown. "Men from three departments of the Foreign Office are fairly
regular Wednesday friends of mine," she said. "But I could hardly
trouble any of them on--er--so trivial a matter."

There was silence, while Miss Ford toyed gingerly with one of the paper
packets out of the witch's drawer. Presently she said: "What about
Richard?"

Lady Arabel showed sudden irritation. "There you go again, Meta; I have
spoken to you of it again and again. It's Rrchud this and Rrchud that
whenever anything in the least tahsome or out of the way happens. One
would think you considered the poor boy a wizard."

"You needn't lose your temper, Arabel," said Miss Ford coldly. "I only
meant that Richard might be useful, having so many friends, and such
skill in ... chemistry...." As if unconsciously she tore off one corner
of the packet of magic she held before adding: "And besides, as I have
often told you, I believe Richard to have real Occult Power, which would
give him a special interest in this case."

Sarah Brown, who was burying her face in her hands and missing much of
the conversation, caught the name of Richard, and said: "Richard has
gone to his True Love."

A tempest of restrained embarrassment arose.

"She's feverish," murmured Miss Ford, turning scarlet.

"My dear Sarah," said Lady Arabel tartly. "You are quite mistaken, and I
must beg of you to be careful how you repeat idle gossip about my son.
Rrchud is at his office. You know it is only open at night--one of
Rrchud's quaint fancies."

"I will ring up his office," said Miss Ford, deciding to ignore Sarah
Brown both now and in future. "Where is the telephone?"

"There is none," replied Sarah Brown. "This is the House of Living
Alone."

Miss Ford was pouring a grain or two of the magic into her palm. "How
very credulous people are," she said with a self-conscious smile. "If
Thelma Bennett Watkins were here she would credit this powder with--"

She stopped, for an astonishing sharp smell filled the Shop. Almost
immediately a curious wheezy sound, punctuated by taps, proceeded from
the corner. It was Mr. Bernard Tovey trying to sing, "Mon coeur s'ouvr'
a ta voix," and beating time by swinging his heels against the counter
on which he sat.

Sarah Brown felt suddenly well. She trembled but was well. She jumped
off the counter. "I will run across, if you like," she said, "and ring
up Richard from the ferryman's house. He may have left his True Love
now. I am not deaf on the telephone, and the ferryman won't admit
strangers."

As she left, the smell of magic was getting stronger and stronger. Mr.
Tovey, still impersonating Delilah in the corner, was approaching the
more excitable passages of the song. Miss Ford was saying, "Really,
Bernard...." Sarah Brown felt a slight misgiving.

A warm and rather dramatic-looking light was shining behind the red
curtain of the ferryman's lattice window, as Sarah Brown crossed the
moonlit road. She delighted, after her recent black hours, to think of
all those people in the world who were sitting stuffily and pleasantly
in little ugly rooms that they loved, doing quiet careful things that
pleased them. And she told herself that the thought of Richard's little
office, alone and alight in the deserted City every night, would comfort
her often in the darkness.

The ferryman opened his door, and invited her genially to his telephone.
He had been sitting at his table, surrounded by the snakes that for him
took the place of a family. On the table was a bowl of milk from which a
large bull-snake, in a gay Turkey-carpet design, was drinking. A yellow
and black python lay coiled in several figures of eight in the armchair,
and an intelligent-looking small dust-coloured snake with a broad nose
and an active tongue leaned out of the ferryman's breast pocket.

"Aren't they beautiful?" he said, with shy and paternal pride, as Sarah
Brown tried to find a place on which the python would like to be tickled
or scratched. Somehow the python has a barren figure, from a caresser's
point of view. The ferryman went on: "There is something about the grip
and spring in a snake's body that makes me feel giddy with pleasure.
Snakes to me, you know, are just a drug, sold by the yard instead of in
bottles. My brain is getting every day colder and quieter, and all
through loving snakes so."

Sarah Brown rang up Richard's office, and the over-refined voice of a
young gentleman clerk answered her.

Mr. Higgins was not in the office.

Mr. Higgins had left particular word that if any one wanted him they
were to be told that he had--er--gone to his True Love.

But any minor business matter connected with magic could be attended to
in his absence. Mr. Higgins spending so much of his time on the
battlefield at present, a good deal of the routine work had to be done
in any case by the speaker, his confidential clerk.

Passports to America? Perfectly simple. The office had simply to issue
blank sheets treated in a certain way, and every official to whom the
sheet should be presented would read upon it what he would want. But
Mr. Higgins would have to affix his mark and seal. Mr. Higgins would be
in the office sometime to-night, probably within the hour.

How many passports?

"Two," said Sarah Brown. "One for my friend and one for me. A dog
doesn't need one, does he--a British dog? I will book the berths
to-morrow. I can pawn my--or rather, I can sell my War Loan."

As she hung up the receiver, the ferryman asked: "Are you having a party
up at the Shop, in the superintendent's absence?"

"Not intentionally," replied Sarah Brown. "Why?"

"Well, I just wondered. There's a noise like a thousand mad gramophones
playing backwards, coming from there."

Sarah Brown's misgivings returned like a clap of thunder. She rushed
back to the Shop.

The lantern was standing in the middle of the floor, its glass was
shattered, and out of each of its eight panels streamed a great flame
six or seven feet high, like the petal of an enormous flower. Facing
these flames stood Miss Ford and Mr. Tovey, hand in hand, each singing a
different song very earnestly. Lady Arabel had found somewhere a patent
fire extinguisher, and was putting on her glasses in order to read the
directions. Mr. Frere was hesitating in the background with a leaking
biscuit tin full of water. The Mayor was gone.

"Great Scott!" said Sarah Brown. You'll burn the place down. Look at
that row of petticoats up there, catching fire already. What have you
done with the Mayor?"

"We made him invisible by mistake," whispered Mr. Tovey. "But sh--sh, he
doesn't know it yet."

"Nothing matters," said Miss Ford. "We are all going to America." And
she continued her song, which was an extempore one about the sea.

"But that's no reason why you should burn the house down," said Sarah
Brown.

"That's what I thought," agreed Mr. Frere. "But water won't put out that
flame."

The singers fell silent. Only the voice of the invisible Mayor could be
heard, singing, "If those lips could only speak," in a loud tremulous
voice, to the accompaniment of his own unseen stamping feet.

"You've been putting magic into that flame," said Sarah Brown
distractedly. "I told you it was dangerous. Nothing will put magic out,
except more magic. What will the witch say?"

"It doesn't matter what anybody says," said Miss Ford. "We are all going
to America. No place and no person matters when I am not there. There
are no places and no people existing where I am not. I have suspected it
before, and now I am sure that everything is all a pretence, except me.
Look how easy it was to dismiss that gross grocer from sight. He was
just a bit of background. I have painted him out."

The drapery department on the ceiling was ablaze now, and flakes of ashy
petticoat, and the metal frames of buttons, showered to the floor.

"I will go and get help," said Sarah Brown, and hurried out of doors,
followed feverishly by David, who was not a very brave dog in moments
of crisis, and yet liked to appear busy and helpful. It was to the
ferryman's telephone that they returned. Sarah Brown knew that the fire
was a magic fire, and that an appeal to the L.C.C. Fire Brigade would
only bring defeat and unnecessary bewilderment upon a deserving
organisation.

Sarah Brown rang up Richard's office, and Richard, who had a heroic and
almost cinematic gift for being on hand at the right moments, answered
her himself.

"Come at once," said Sarah Brown. "The House of Living Alone is on fire.
Someone has been tampering with the magic drawer."

"Oh deah, deah," said Richard. "And this is such a busy night at the
office too. Do you think it is really important? It is my house, you
know."

"Well, I don't see what is to prevent Mitten Island from being burnt to
the water's edge. In fact I don't see why, being a magic fire, it should
stop at the water's edge. Not to mention that the Mayor----"

"Very well, I'll come," said Richard.

As she stepped out of the door he arrived.

"I came by flash of lightning," he explained, smoothing his hair and
readjusting his Bill Sykes service cap, in the manner of one who has
moved swiftly. "The lightning service is getting very bad. I was held up
for quite three-quarters of a second over Whitehall. There was some
wireless war-news coming in, and the lightning had to let it pass. Now,
what's all this fuss about, Sarah Brown?"

There was a crowd of delirious Mitten Islanders round the House of
Living Alone. While Sarah Brown and Richard were about fifty yards away,
a many-forked and enormous white flame suddenly wrapped the house about,
like a hand clutching and crushing it.

"The faggots round the stake are lighted," said Richard. "But the witch
has fled."

It seemed that the stars were devoured by the flame, so far did it
outshine them. The flame shrank in upon itself and collapsed. There was
no more House of Living Alone.

"Oh, Richard," said Sarah Brown. "Your mother and Miss Ford and----"

"Was mother in there?" asked Richard placidly. "Wonders will never
cease. Well, well, it is fortunate that no magic of any sort could ever
touch mother."

And indeed, as they pushed through the crowd, they saw all the recent
occupants of the Shop arguing at the front gate.

"I didn't blow it," Mr. Tovey was saying in an aggrieved voice. "I was
singing, not blowing."

"Well, all I know is that while you were on that high note something
seemed to scatter the flames, and the drawer full of explosives caught
fire," said Mr. Darnby Frere aggressively, flourishing his empty biscuit
tin.

"It doesn't matter," said Miss Ford calmly. "We are all going across the
sea to-morrow." She roused herself a little, and said to Mr. Frere with
a smile: "You know, I inherit the sea tradition. My father commanded
H.M.S. _Indigestible_ in '84."

"I wonder what put out the flame so suddenly?" asked Mr. Tovey, who was
still dreamily beating time to imaginary music with one hand.

"I put it out," said Richard.

"I wonder whose house it is?" added Mr. Tovey, turning vaguely to face
Richard.

"It is my house," said Richard.

They all discovered his presence.

"Your house, dear Rrchud?" exclaimed Lady Arabel. "Are you sure? I
didn't know the Higginses had any house property on Mitten Island."

"They haven't now," replied Richard. "But never mind. It has always
seemed to me that there were too many houses in the world. Most houses
are traps into which everything enters, and out of which nothing comes.
It always grieves me to see tradesmen pouring sustenance in at the back
door, and no result or justification coming out of the front door. I
often think that only the houses that men's bodies have deserted are
really inhabited."

"It was I who burnt your house down, Richard," said Miss Ford. "But it
doesn't matter. It wasn't a real house."

"You are right," said Richard. "To such as you, dear Meta, it was not a
real house. It was the House of Living Alone, and only to people who
live alone was it real. It is dark and deserted now, and levelled with
the cold ground; it is as though it were a tent, being moved from its
position to follow the fortunes of those dwellers alone who wander
continually in silence up and down the world...."

He looked at Sarah Brown.

"Talking of wandering," said Miss Ford. "We are all going to America,
Richard. Can you get us passports?"

"Certainly," agreed Richard. "To America, eh? A nice little trip for you
all. America, you know, would be entirely magic, if it weren't for the
Americans...."

"I have quite a circle of friends in New York," said Miss Ford, who
seemed to be recovering from her nerve-storm.

"Beware," said Richard, "lest you all forget the magic of to-night, and
change from adventurers to tourists."

"I am not going to America," said Lady Arabel. "I am going home. I never
heard such dretful nonsense. I was only in fun when I agreed to the
plan."

"I never agreed to the plan at all," said Mr. Frere. "I shall be truly
thankful to get to bed, and wake up to-morrow sober. I will never go out
to tea in Kensington again if this is the result."

"I am going to America," said Mr. Tovey, fixing his innocent eyes,
obscured by hair, upon Miss Ford.

"I am going to America," echoed the unseen Mayor from an unexpected
direction. Nobody had yet dared to tell him of the misfortune that had
overtaken him. "I'll give up this Mayor job to-morrer. Catch me stayin'
be'ind if--oh, by the way, that reminds me----"

"I didn't need reminding," interrupted Sarah Brown. "It seems to me that
everybody has forgotten why they came here. Please, Richard, do you know
of a spell to find a missing person?"

"Yes, several," answered Richard, who was always as eager as a
travelling salesman to recommend his wares. "There is an awfully
ingenious little spell I can show you, if you happen to have a
telephone book and a compass and a toad's heart and a hair from a black
goat's beard about you. Or again, if you stand on a sea-beach at low
tide on Christmas night with the moon at your back and a wax candle in
your left hand, and write upon the sand the name--by the way, who is it
you want to find?"

"The witch," answered Sarah Brown.

Richard's face fell. "Oh, only the witch?" he said. "I can tell you
where she is without any spell at all. She's with my True Love at
Higgins Farm, helping--oh, by the way, mother, I forgot to tell you. You
are a grandmother."

"RRCHUD!" said Lady Arabel. She sat down suddenly on the smooth grass
slope between the road and the garden hedge. "Ah, it is too cruel," she
cried, burying her face in her hands. "It is too cruel. Is this my son?
I meant so well, and all my life I did the things that other people did,
the natural things. Except just once. And for that once, I am so cruelly
punished.... I am given a son who is no son to me, who says only things
I mustn't understand ... who does only things I mustn't see...." She
paused, and, taking her hands from her face, looked round aghast at
Richard, who was sitting beside her on the bank, stroking her arm. "_A
faery son_ ..." she added in a terrified whisper, and then broke out
again crying: "Ah, it is too cruel...."

Richard continued to stroke her arm without comprehension. "Yes, mother,
and Peony, my True Love, insists on calling him Elbert," he said.
"Mother, listen, Elbert your faery grandson...."

But Lady Arabel still sobbed.




CHAPTER X

THE DWELLER ALONE


"Well, Sarah Brown, here we are," said the witch, her Byronic hair
flying as she sat perilously on the rail of the deck. The distant flying
buttresses of New York were supporting a shining sky, and north and east
lay the harbour and sea, and many ships moving with the glad gait of
home-comers after perilous voyaging.

Every minute upon the sea is a magic minute, but the voyage of the witch
and Sarah Brown had been unmarked by any supernatural activities on the
part of the witch. She had been more or less extinguished by the
presence of five hundred Americans, not one of whom had ever heard the
word "magic" used, except by advertisers in connection with their wares.

Miss Ford had been left behind, cured for ever of nerve-storms. She had
become unexpectedly engaged to Mr. Bernard Tovey while looking for a
porter on Lime Street Station, Liverpool, and had returned with him to
London to celebrate the event by means of a Super-Wednesday. The Mayor
also had failed to embark. Indeed the unfortunate man had not been
heard of since his seizure on the night of the fire, and I believe that
the London police are still trying to arrest him as a German spy.

"Here we are," said the witch to Sarah Brown. "At least, I suppose this
City on its Tiptoes is New York. Do you think I ought to call the
attention of the Captain to that largish lady on our left, who seems to
be marooned upon a rock, and signalling to us for help?"

"That is the Statue of Liberty," said three neighbouring Americans in
chorus.

"How d'you mean--Liberty?" asked the witch.

The three Americans froze her with three glances.

"America is the home of Liberty," they said all together.

"Oh yes, of course, how stupid of me," said the witch. "I ought to have
remembered that every country is the Home of Liberty. Such a pity that
Liberty never seems to begin at home. Every big shop in London, you
know, is labelled Patronised by Royalty, yet I have bought haberdashery
by the hour without running across a single queen. I suppose if you
didn't have this big label sticking up in your harbour, you Americans
might forget that America is the Home of Liberty. I know quite a lot
about America from a grey squirrel who rents my may-tree on Mitten
Island. It is a long time since he came over, but he still chitters with
a strong New England accent. He came away because he was a socialist. I
gather America is too full of Liberty to leave room for socialism, isn't
that so? My squirrel says there are only two parties in America,
Republicans and Sinners--at least I think that was what he said--and
anybody who belongs to neither of these parties is given penal servitude
for life. So I understood, but I may be wrong. I am not very good at
politics. Anyway, my squirrel had to leave the Home of Liberty and come
to England, so as to be able to say what he thought. I wish I were there
too. Sarah Brown, I don't yet know why you brought me here."

"I brought you here to escape the Law," said Sarah Brown.

"How d'you mean--escape the Law? Didn't you know that all magic lives
and thrives on the wrath of the Law? Have you forgotten our heroic
tradition of martyrdom and the stake? Isn't the world tame enough
already? What do you want Magic to become? A branch of the Civil
Service?"

"I spent all I had in bringing you here," said Sarah Brown. "I left all
I loved to bring you here. I am as if dead in England now. Nobody there
will ever think of me again, except as a thing that has been heard the
last of."

The witch looked kindly at her. "You know," she said, "when you first
told me to go away, after Harold made that bad landing on a policeman, I
thought perhaps you were a sort of cinema villainess, driving me away
from my house and heritage. At first I thought of arguing the matter,
but then I remembered that villains always have a rotten time, without
being bullied and persecuted by the rest of us. Besides solid things are
never worth fighting over. So I have been patient with you all this
time, and have fallen in courteously with all your fiendish plans--as I
thought--and now I am glad I was patient, for I see you meant well.
Dear Sarah Brown, you did mean well. How sad it is that people who have
once lived in the House of Living Alone can never make a success of
friendship. You say you left all you loved--what business have you with
love? Thank you, my dear, for meaning so well, and for these fair days
at sea. But I mustn't stay with you. I mustn't set foot on this land--I
can smell cleverness and un-magic even from here. I must go back to my
little Spring island, and my parish of Faery...."

"Ah, witch, don't leave me, don't leave me like this, ill and bewildered
and so far from home...."

"How can you ever be far from home, you, a dweller in the greatest home
of all. Did you think you had destroyed the House of Living Alone? Did
you think you could escape from it?"

Sarah Brown said nothing. She watched the witch call Harold her
Broomstick to her, and adjust the saddle and tighten the strap round his
middle. She watched her mount and embark upon the sunny air. The three
Americans were talking politics, and did not notice anything but each
other. The witch alighted for a moment on one spike of the crown of
Liberty, and climbing carefully down on to the lady's parting, was seen
by Sarah Brown to bend down till her head hung apoplectically upside
down, and gaze long and curiously into that impassive bronze eye.
Presently she remounted Harold, and, with a flippant and ambiguous
gesture of her foot, launched herself eastward. She disappeared without
looking back.

The dock was reached. Sarah Brown collected David her Dog, and Humphrey
her Suit-case. Hers was a very wieldy family. An official asked her
something, using one side of his mouth only to do so, in the alarming
manner of American officials.

"I cannot hear you," said Sarah Brown. "I am stone deaf."

And she stepped over the threshold of the greater House of Living Alone.

THE END


_Printed by_ R. & R. CLARK, LIMITED, _Edinburgh._






End of the Project Gutenberg EBook of Living Alone, by Stella Benson

*** END OF THIS PROJECT GUTENBERG EBOOK LIVING ALONE ***

***** This file should be named 14907.txt or 14907.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.net/1/4/9/0/14907/

Produced by Jonathan Ingram, Susan Skinner and the Online Distributed
Proofreading Team.


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.