The Project Gutenberg EBook of The Village Uncle (From "Twice Told Tales"), by Nathaniel Hawthorne This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Village Uncle (From "Twice Told Tales") Author: Nathaniel Hawthorne Release Date: November, 2005 [EBook #9210] First Posted: August 23, 2003 Last Updated: April 2, 2013 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE VILLAGE UNCLE *** Produced by David Widger. HTML version by Al Haines and David Widger
Come! another log upon the hearth. True, our little parlor is comfortable, especially here, where the old man sits in his old arm-chair; but on Thanksgiving night the blaze should dance high up the chimney, and send a shower of sparks into the outer darkness. Toss on an armful of those dry oak chips, the last relics of the Mermaid's knee-timbers, the bones of your namesake, Susan. Higher yet, and clearer be the blaze, till our cottage windows glow the ruddiest in the village, and the light of our household mirth flash far across the bay to Nahant. And now, come, Susan, come, my children, draw your chairs round me, all of you. There is a dimness over your figures! You sit quivering indistinctly with each motion of the blaze, which eddies about you like a flood, so that you all have the look of visions, or people that dwell only in the fire light, and will vanish from existence, as completely as your own shadows, when the flame shall sink among the embers. Hark! let me listen for the swell of the surf; it should be audible a mile inland, on a night like this. Yes; there I catch the sound, but only an uncertain murmur, as if a good way down over the beach; though, by the almanac, it is high tide at eight o'clock, and the billows must now be dashing within thirty yards of our door. Ah! the old man's ears are failing him; and so is his eyesight, and perhaps his mind; else you would not all be so shadowy, in the blaze of his Thanksgiving fire.
How strangely the Past is peeping over the shoulders of the Present! To judge by my recollections, it is but a few moments since I sat in another room; yonder model of a vessel was not there, nor the old chest of drawers, nor Susan's profile and mine, in that gilt frame; nothing, in short, except this same fire, which glimmered on books, papers, and a picture, and half discovered my solitary figure in a looking-glass. But it was paler than my rugged old self, and younger, too, by almost half a century. Speak to me, Susan; speak, my beloved ones; for the scene is glimmering on my sight again, and as it brightens you fade away. O, I should be loath to lose my treasure of past happiness, and become once more what I was then; a hermit in the depths of my own mind; sometimes yawning over drowsy volumes, and anon a scribbler of wearier trash than what I read; a man who had wandered out of the real world and got into its shadow, where his troubles, joys, and vicissitudes were of such slight stuff, that he hardly knew whether he lived, or only dreamed of living. Thank Heaven, I am an old man now, and have done with all such vanities!
Still this dimness of mine eyes! Come nearer, Susan, and stand before the fullest blaze of the hearth. Now I behold you illuminated from head to foot, in your clean cap and decent gown, with the dear lock of gray hair across your forehead, and a quiet smile about your mouth, while the eyes alone are concealed, by the red gleam of the fire upon your spectacles. There, you made me tremble again! When the flame quivered, my sweet Susan, you quivered with it, and grew indistinct, as if melting into the warm light, that my last glimpse of you might be as visionary as the first was, full many a year since. Do you remember it? You stood on the little bridge, over the brook, that runs across King's Beach into the sea. It was twilight; the waves rolling in, the wind sweeping by, the crimson clouds fading in the west, and the silver moon brightening above the hill; and on the bridge were you, fluttering in the breeze like a sea-bird that might skim away at your pleasure. You seemed a daughter of the viewless wind, a creature of the ocean foam and the crimson light, whose merry life was spent in dancing on the crests of the billows, that threw up their spray to support your footsteps. As I drew nearer, I fancied you akin to the race of mermaids, and thought how pleasant it would be to dwell with you among the quiet coves, in the shadow of the cliffs, and to roam along secluded beaches of the purest sand, and when our northern shores grew bleak, to haunt the islands, green and lonely, far amid summer seas. And yet it gladdened me, after all this nonsense, to find you nothing but a pretty young girl, sadly perplexed with the rude behavior of the wind about your petticoats.
Thus I did with Susan as with most other things in my earlier days, dipping her image into my mind and coloring it of a thousand fantastic hues, before I could see her as she really was. Now, Susan, for a sober picture of our village! It was a small collection of dwellings that seemed to have been cast up by the sea, with the rock-weed and marine plants that it vomits after a storm, or to have come ashore among the pipe-staves and other lumber, which had been washed from the deck of an Eastern schooner. There was just space for the narrow and sandy street between the beach in front, and a precipitous hill that lifted its rocky forehead in the rear, among a waste of juniper-bushes and the wild growth of a broken pasture. The village was picturesque, in the variety of its edifices, though all were rude. Here stood a little old hovel, built, perhaps, of drift-wood, there a row of boat-houses, and beyond them a two-story dwelling, of dark and weather-beaten aspect, the whole intermixed with one or two snug cottages, painted white, a sufficiency of pigsties, and a shoemaker's shop. Two grocery-stores stand opposite each other, in the centre of the village. These were the places of resort, at their idle hours, of a hardy throng of fishermen, in red baize shirts, oilcloth trousers, and boots of brown leather covering the whole leg; true seven-league boots, but fitter to wade the ocean than walk the earth. The wearers seemed amphibious, as if they did but creep out of salt water to sun themselves; nor would it have been wonderful to see their lower limbs covered with clusters of little shellfish, such as cling to rocks and old ship-timber over which the tide ebbs and flows. When their fleet of boats was weather-bound, the butchers raised their price, and the spit was busier than the frying-pan; for this was a place of fish, and known as such, to all the country round about; the very air was fishy, being perfumed with dead sculpins, hardheads, and dogfish, strewn plentifully on the beach. You see, children, the village is but little changed, since your mother and I were young.
How like a dream it was, when I bent over a pool of water, one pleasant morning, and saw that the ocean had dashed its spray over me and made me a fisherman! There were the tarpauling, the baize shirt, the oil-cloth trousers and seven-league boots, and there my own features, but so reddened with sunburn and sea-breezes, that methought I had another face, and on other shoulders too. The sea-gulls and the loons, and I, had now all one trade; we skimmed the crested waves and sought our prey beneath them, the man with as keen enjoyment as the birds. Always, when the east grew purple, I launched my dory, my little flat-bottomed skiff, and rowed cross-handed to Point Ledge, the Middle Ledge, or, perhaps, beyond Egg Rock; often, too, did I anchor off Dread Ledge, a spot of peril to ships unpiloted; and sometimes spread an adventurous sail and tracked across the bay to South Shore, casting my lines in sight of Scituate. Ere nightfall, I hauled my skiff high and dry on the beach, laden with red rock-cod, or the white-bellied ones of deep water; haddock, bearing the black marks of St. Peter's fingers near the gills; the longbearded hake, whose liver holds oil enough for a midnight lamp; and now and then a mighty halibut, with a back broad as my boat. In the autumn, I trolled and caught those lovely fish, the mackerel. When the wind was high,—when the whale-boats, anchored off the Point, nodded their slender masts at each other, and the dories pitched and tossed in the surf,—when Nahant Beach was thundering three miles off, and the spray broke a hundred feet in air, round the distant base of Egg Rock,—when the brimful and boisterous sea threatened to tumble over the street of our village,—then I made a holiday on shore.
Many such a day did I sit snugly in Mr. Bartlett's store, attentive to the yarns of Uncle Parker; uncle to the whole village, by right of seniority, but of Southern blood, with no kindred in New England. His figure is before me now, enthroned upon a mackerel-barrel; a lean old man, of great height, but bent with years, and twisted into an uncouth shape by seven broken limbs; furrowed also, and weather-worn, as if every gale, for the better part of a century, had caught him somewhere on the sea. He looked like a harbinger of tempest, a shipmate of the Flying Dutchman. After innumerable voyages aboard men-of-war and merchant-men, fishing-schooners and chebacco-boats, the old salt had become master of a handcart, which he daily trundled about the vicinity, and sometimes blew his fish-horn through the streets of Salem. One of Uncle Parker's eyes had been blown out with gunpowder, and the other did but glimmer in its socket. Turning it upward as he spoke, it was his delight to tell of cruises against the French, and battles with his own shipmates, when he and an antagonist used to be seated astride of a sailor's chest, each fastened down by a spike-nail through his trousers, and there to fight it out. Sometimes he expatiated on the delicious flavor of the liagden, a greasy and goose-like fowl, which the sailors catch with hook and line on the Grand Banks. He dwelt with rapture on an interminable winter at the Isle of Sables, where he had gladdened himself, amid polar snows, with the rum and sugar saved from the wreck of a West India schooner. And wrathfully did he shake his fist, as he related how a party of Cape Cod men had robbed him and his companions of their lawful spoil, and sailed away with every keg of old Jamaica, leaving him not a drop to drown his sorrow. Villains they were, and of that wicked brotherhood who are said to tie lanterns to horses' tails, to mislead the mariner along the dangerous shores of the Cape.
Even now I seem to see the group of fishermen, with that old salt in the midst. One fellow sits on the counter, a second bestrides an oil-barrel, a third lolls at his length on a parcel of new cod-lines, and another has planted the tarry seat of his trousers on a heap of salt, which will shortly be sprinkled over a lot of fish. They are a likely set of men. Some have voyaged to the East Indies or the Pacific, and most of them have sailed in Marblehead schooners to Newfoundland; a few have been no farther than the Middle Banks, and one or two have always fished along the shore; but, as Uncle Parker used to say, they have all been christened in salt water, and know more than men ever learn in the bushes. A curious figure, by way of contrast, is a fish-dealer from farup country, listening with eyes wide open to narratives that might startle Sindbad the sailor. Be it well with you, my brethren! Ye are all gone, some to your graves ashore, and others to the depths of ocean; but my faith is strong that ye are happy; for whenever I behold your forms, whether in dream or vision, each departed friend is puffing his long-nine, and a mug of the right blackstrap goes round from lip to lip.
But where was the mermaid in those delightful times? At a certain window near the centre of the village appeared a pretty display of gingerbread men and horses, picture-books and ballads, small fish-hooks, pins, needles, sugar-plums, and brass thimbles, articles on which the young fishermen used to expend their money from pure gallantry. What a picture was Susan behind the counter! A slender maiden, though the child of rugged parents, she had the slimmest of all waists, brown hair curling on her neck, and a complexion rather pale, except when the sea-breeze flushed it. A few freckles became beauty-spots beneath her eyelids. How was it, Susan, that you talked and acted so carelessly, yet always for the best, doing whatever was right in your own eyes, and never once doing wrong in mine, nor shocked a taste that had been morbidly sensitive till now? And whence had you that happiest gift, of brightening every topic with an unsought gayety, quiet but irresistible, so that even loomy spirits felt your sunshine, and did not shrink from it? Nature wrought the charm. She made you a frank, simple, kind-hearted, sensible, and mirthful girl. Obeying nature, you did free things without indelicacy, displayed a maiden's thoughts to every eye, and proved yourself as innocent as naked Eve.
It was beautiful to observe, how her simple and happy nature mingled itself with mine. She kindled a domestic fire within my heart, and took up her dwelling there, even in that chill and lonesome cavern hung round with glittering icicles of fancy. She gave me warmth of feeling, while the influence of my mind made her contemplative. I taught her to love the moonlight hour, when the expanse of the encircled bay was smooth as a great mirror and slept in a transparent shadow; while beyond Nahant, the wind rippled the dim ocean into a dreamy brightness, which grew faint afar off, without becoming gloomier. I held her hand and pointed to the long surf wave, as it rolled calmly on the beach, in an unbroken line of silver; we were silent together, till its deep and peaceful murmur had swept by us. When the Sabbath sun shone down into the recesses of the cliffs, I led the mermaid thither, and told her that those huge, gray, shattered rocks, and her native sea, that raged forever like a storm against them, and her own slender beauty, in so stern a scene, were all combined into a strain of poetry. But on the Sabbath eve, when her mother had gone early to bed, and her gentle sister had smiled and left us, as we sat alone by the quiet hearth, with household things around, it was her turn to make me feel that here was a deeper poetry, and that this was the dearest hour of all. Thus went on our wooing, till I had shot wild-fowl enough to feather our bridal bed, and the Daughter of the Sea was mine.
I built a cottage for Susan and myself, and made a gateway in the form of a Gothic arch, by setting up a whale's jaw-bones. We bought a heifer with her first calf, and had a little garden on the hillside, to supply us with potatoes and green sauce for our fish. Our parlor small and neat, was ornamented with our two profiles in one gilt frame, and with shells and pretty pebbles on the mantel-piece, selected from the sea's treasury of such things, on Nahant Beach. On the desk, beneath the looking-glass, lay the Bible, which I had begun to read aloud at the Book of Genesis, and the singing-book that Susan used for her evening psalm. Except the almanac, we had no other literature. All that I heard of books, was when an Indian history, or tale of shipwreck, was sold by a peddler or wandering subscription-man, to some one in the village, and read through its owner's nose to a slumberous auditory. Like my brother fishermen, I grew into the belief that all human erudition was collected in our pedagogue, whose green spectacles and solemn phiz, as he passed to his little schoolhouse, amid a waste of sand, might have gained him a diploma from any college in New England. In truth I dreaded him. When our children were old enough to claim his care, you remember, Susan, how I frowned, though you were pleased, at this learned man's encomiums on their proficiency. I feared to trust them even with the alphabet; it was the key to a fatal treasure.
But I loved to lead them by their little hands along the beach, and point to nature in the vast and the minute, the sky, the sea, the green earth, the pebbles, and the shells. Then did I discourse of the mighty works and coextensive goodness of the Deity, with the simple wisdom of a man whose mind had profited by lonely days upon the deep, and his heart by the strong and pure affections of his evening home. Sometimes my voice lost itself in a tremulous depth; for I felt His eye upon me as I spoke. Once, while my wife and all of us were gazing at ourselves, in the mirror left by the tide in a hollow of the sand, I pointed to the pictured heaven below, and bade her observe how religion was strewn everywhere in our path; since even a casual pool of water recalled the idea of that home whither we were travelling, to rest forever with our children. Suddenly, your image, Susan, and all the little faces made up of yours and mine, seemed to fade away and vanish around me, leaving a pale visage like my own of former days within the frame of a large looking-glass. Strange illusion!
My life glided on, the past appearing to mingle with the present and absorb the future, till the whole lies before me at a glance. My manhood has long been waning with a stanch decay; my earlier contemporaries, after lives of unbroken health, are all at rest, without having known the weariness of later age; and now, with a wrinkled forehead and thin white hair as badges of my dignity, I have become the patriarch, the Uncle of the village. I love that name; it widens the circle of my sympathies; it joins all the youthful to my household, in the kindred of affection.
Like Uncle Parker, whose rheumatic bones were dashed against Egg Rock, full forty years ago, I am a spinner of long yarns. Seated on the gunwale of a dory, or on the sunny side of a boat-house, where the warmth is grateful to my limbs, or by my own hearth, when a friend or two are there, I overflow with talk, and yet am never tedious. With a broken voice I give utterance to much wisdom. Such, Heaven be praised! is the vigor of my faculties, that many a forgotten usage, and traditions ancient in my youth, and early adventures of myself or others, hitherto effaced by things more recent, acquire new distinctness in my memory. I remember the happy days when the haddock were more numerous on all the fishing-grounds than sculpins in the surf; when the deepwater cod swain close in shore, and the dogfish, with his poisonous horn, had not learned to take the hook. I can number every equinoctial storm, in which the sea has overwhelmed the street, flooded the cellars of the village, and hissed upon our kitchen hearth. I give the history of the great whale that was landed on Whale Beach, and whose jaws, being now my gateway, will last for ages after my coffin shall have passed beneath them. Thence it is an easy digression to the halibut, scarcely smaller than the whale, which ran out six cod-lines, and hauled my dory to the mouth of Boston Harbor, before I could touch him with the gaff.
If melancholy accidents be the theme of conversation, I tell how a friend of mine was taken out of his boat by an enormous shark; and the sad, true tale of a young man on the eve of marriage, who had been nine days missing, when his drowned body floated into the very pathway, on Marblehead Neck, that had often led him to the dwelling of his bride; as if the dripping corpse would have come where the mourner was. With such awful fidelity did that lover return to fulfil his vows! Another favorite story is of a crazy maiden, who conversed with angels and had the gift of prophecy, and whom all the village loved and pitied, though she went from door to door accusing us of sin, exhorting to repentance, and foretelling our destruction by flood or earthquake. If the young men boast their knowledge of the ledges and sunken rocks, I speak of pilots, who knew the wind by its scent and the wave by its taste, and could have steered blindfold to any port between Boston and Mount Desert, guided only by the rote of the shore; the peculiar sound of the surf on each island, beach, and line of rocks, along the coast. Thus do I talk, and all my auditors grow wise, while they deem it pastime.
I recollect no happier portion of my life, than this, my calm old age. It is like the sunny and sheltered slope of a valley, where, late in the autumn, the grass is greener than in August, and intermixed with golden dandelions, that have not been seen till now, since the first warmth of the year. But with me, the verdure and the flowers are not frostbitten in the midst of winter. A playfulness has revisited my mind; a sympathy with the young and gay; an unpainful interest in the business of others; a light and wandering curiosity; arising, perhaps, from the sense that my toil on earth is ended, and the brief hour till bedtime may be spent in play. Still, I have fancied that there is a depth of feeling and reflection, under this superficial levity, peculiar to one who has lived long, and is soon to die.
Show me anything that would make an infant smile, and you shall behold a gleam of mirth over the hoary ruin of my visage. I can spend a pleasant hour in the sun, watching the sports of the village children, on the edge of the surf; now they chase the retreating wave far down over the wet sand; now it steals softly up to kiss their naked feet; now it comes onward with threatening front, and roars after the laughing crew, as they scamper beyond its reach. Why should not an old man be merry too, when the great sea is at play with those little children? I delight, also, to follow in the wake of a pleasure-party of young men and girls, strolling along the beach after an early supper at the Point. Here, with hand kerchiefs at nose, they bend over a heap of eel-grass, entangled in which is a dead skate, so oddly accoutred with two legs and a long tail, that they mistake him for a drowned animal. A few steps farther, the ladies scream, and the gentlemen make ready to protect them against a young shark of the dogfish kind, rolling with a life-like motion in the tide that has thrown him up. Next, they are smit with wonder at the black shells of a wagon-load of live lobsters, packed in rock-weed for the country market. And when they reach the fleet of dories, just hauled ashore after the day's fishing, how do I laugh in my sleeve, and sometimes roar outright, at the simplicity of these young folks and the sly humor of the fishermen! In winter, when our village is thrown into a bustle by the arrival of perhaps a score of country dealers, bargaining for frozen fish, to be transported hundreds of miles, and eaten fresh in Vermont or Canada, I am a pleased but idle spectator in the throng. For I launch my boat no more.
When the shore was solitary, I have found a pleasure that seemed even to exalt my mind, in observing the sports or contentions of two gulls, as they wheeled and hovered about each other, with hoarse screams, one moment flapping on the foam of the wave, and then soaring aloft, till their white bosoms melted into the upper sunshine. In the calm of the summer sunset, I drag my aged limbs, with a little ostentation of activity, because I am so old, up to the rocky brow of the hill. There I see the white sails of many a vessel, outward bound or homeward from afar, and the black trail of a vapor behind the eastern steamboat; there, too, is the sun, going down, but not in gloom, and there the illimitable ocean mingling with the sky, to remind me of eternity.
But sweetest of all is the hour of cheerful musing and pleasant talk, that comes between the dusk and the lighted candle, by my glowing fireside. And never, even on the first Thanksgiving night, when Susan and I sat alone with our hopes, nor the second, when a stranger had been sent to gladden us, and be the visible image of our affection, did I feel such joy as now. All that belong to me are here; Death has taken none, nor Disease kept them away, nor Strife divided them from their parents or each other; with neither poverty nor riches to disturb them, nor the misery of desires beyond their lot, they have kept New England's festival round the patriarch's board. For I am a patriarch! Here I sit among my descendants, in my old arm-chair and immemorial corner, while the firelight throws an appropriate glory round my venerable frame. Susan! My children! Something whispers me, that this happiest hour must be the final one, and that nothing remains but to bless you all, and depart with a treasure of recollected joys to heaven. Will you meet me there? Alas! your figures grow indistinct, fading into pictures on the air, and now to fainter outlines, while the fire is glimmering on the walls of a familiar room, and shows the book that I flung down, and the sheet that I left half written, some fifty years ago. I lift my eyes to the looking-glass, and perceive myself alone, unless those be the mermaid's features, retiring into the depths of the mirror, with a tender and melancholy smile.
All! one feels a chillness, not bodily, but about the heart, and, moreover, a foolish dread of looking behind him, after these pastimes. I can imagine precisely how a magician would sit down in gloom and terror, after dismissing the shadows that had personated dead or distant people, and stripping his cavern of the unreal splendor which had changed it to a palace. And now for a moral to my revery. Shall it be, that, since fancy can create so bright a dream of happiness, it were better to dream on from youth to age, than to awake and strive doubtfully for something real! O, the slight tissue of a dream can no more preserve us from the stern reality of misfortune, than a robe of cobweb could repel the wintry blast. Be this the moral, then. In chaste and warm affections, humble wishes, and honest toil for some useful end, there is health for the mind, and quiet for the heart, the prospect of a happy life, and the fairest hope of heaven.
End of the Project Gutenberg EBook of The Village Uncle (From "Twice Told Tales"), by Nathaniel Hawthorne *** END OF THIS PROJECT GUTENBERG EBOOK THE VILLAGE UNCLE *** ***** This file should be named 9210-h.htm or 9210-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/9/2/1/9210/ Produced by David Widger. HTML version by Al Haines and David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.net), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.net This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.