The Project Gutenberg EBook of The History of Don Quixote, Vol. I., Part 2.
by Miguel de Cervantes

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: The History of Don Quixote, Vol. I., Part 2.

Author: Miguel de Cervantes Saavedra

Release Date: July 17, 2004 [EBook #5904]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 2. ***




Produced by David Widger





                           DON QUIXOTE

                     by Miguel de Cervantes

                    Translated by John Ormsby


                            Volume I.

                             Part 2.



CHAPTER IV.

OF WHAT HAPPENED TO OUR KNIGHT WHEN HE LEFT THE INN


Day was dawning when Don Quixote quitted the inn, so happy, so gay, so
exhilarated at finding himself now dubbed a knight, that his joy was like
to burst his horse-girths. However, recalling the advice of his host as
to the requisites he ought to carry with him, especially that referring
to money and shirts, he determined to go home and provide himself with
all, and also with a squire, for he reckoned upon securing a
farm-labourer, a neighbour of his, a poor man with a family, but very
well qualified for the office of squire to a knight. With this object he
turned his horse's head towards his village, and Rocinante, thus reminded
of his old quarters, stepped out so briskly that he hardly seemed to
tread the earth.

He had not gone far, when out of a thicket on his right there seemed to
come feeble cries as of some one in distress, and the instant he heard
them he exclaimed, "Thanks be to heaven for the favour it accords me,
that it so soon offers me an opportunity of fulfilling the obligation I
have undertaken, and gathering the fruit of my ambition. These cries, no
doubt, come from some man or woman in want of help, and needing my aid
and protection;" and wheeling, he turned Rocinante in the direction
whence the cries seemed to proceed. He had gone but a few paces into the
wood, when he saw a mare tied to an oak, and tied to another, and
stripped from the waist upwards, a youth of about fifteen years of age,
from whom the cries came. Nor were they without cause, for a lusty farmer
was flogging him with a belt and following up every blow with scoldings
and commands, repeating, "Your mouth shut and your eyes open!" while the
youth made answer, "I won't do it again, master mine; by God's passion I
won't do it again, and I'll take more care of the flock another time."

Seeing what was going on, Don Quixote said in an angry voice,
"Discourteous knight, it ill becomes you to assail one who cannot defend
himself; mount your steed and take your lance" (for there was a lance
leaning against the oak to which the mare was tied), "and I will make you
know that you are behaving as a coward." The farmer, seeing before him
this figure in full armour brandishing a lance over his head, gave
himself up for dead, and made answer meekly, "Sir Knight, this youth that
I am chastising is my servant, employed by me to watch a flock of sheep
that I have hard by, and he is so careless that I lose one every day, and
when I punish him for his carelessness and knavery he says I do it out of
niggardliness, to escape paying him the wages I owe him, and before God,
and on my soul, he lies."

"Lies before me, base clown!" said Don Quixote. "By the sun that shines
on us I have a mind to run you through with this lance. Pay him at once
without another word; if not, by the God that rules us I will make an end
of you, and annihilate you on the spot; release him instantly."




The farmer hung his head, and without a word untied his servant, of whom
Don Quixote asked how much his master owed him.

He replied, nine months at seven reals a month. Don Quixote added it up,
found that it came to sixty-three reals, and told the farmer to pay it
down immediately, if he did not want to die for it.

The trembling clown replied that as he lived and by the oath he had sworn
(though he had not sworn any) it was not so much; for there were to be
taken into account and deducted three pairs of shoes he had given him,
and a real for two blood-lettings when he was sick.

"All that is very well," said Don Quixote; "but let the shoes and the
blood-lettings stand as a setoff against the blows you have given him
without any cause; for if he spoiled the leather of the shoes you paid
for, you have damaged that of his body, and if the barber took blood from
him when he was sick, you have drawn it when he was sound; so on that
score he owes you nothing."

"The difficulty is, Sir Knight, that I have no money here; let Andres
come home with me, and I will pay him all, real by real."

"I go with him!" said the youth. "Nay, God forbid! No, senor, not for the
world; for once alone with me, he would ray me like a Saint Bartholomew."

"He will do nothing of the kind," said Don Quixote; "I have only to
command, and he will obey me; and as he has sworn to me by the order of
knighthood which he has received, I leave him free, and I guarantee the
payment."

"Consider what you are saying, senor," said the youth; "this master of
mine is not a knight, nor has he received any order of knighthood; for he
is Juan Haldudo the Rich, of Quintanar."

"That matters little," replied Don Quixote; "there may be Haldudos
knights; moreover, everyone is the son of his works."

"That is true," said Andres; "but this master of mine--of what works is
he the son, when he refuses me the wages of my sweat and labour?"

"I do not refuse, brother Andres," said the farmer, "be good enough to
come along with me, and I swear by all the orders of knighthood there are
in the world to pay you as I have agreed, real by real, and perfumed."

"For the perfumery I excuse you," said Don Quixote; "give it to him in
reals, and I shall be satisfied; and see that you do as you have sworn;
if not, by the same oath I swear to come back and hunt you out and punish
you; and I shall find you though you should lie closer than a lizard. And
if you desire to know who it is lays this command upon you, that you be
more firmly bound to obey it, know that I am the valorous Don Quixote of
La Mancha, the undoer of wrongs and injustices; and so, God be with you,
and keep in mind what you have promised and sworn under those penalties
that have been already declared to you."

So saying, he gave Rocinante the spur and was soon out of reach. The
farmer followed him with his eyes, and when he saw that he had cleared
the wood and was no longer in sight, he turned to his boy Andres, and
said, "Come here, my son, I want to pay you what I owe you, as that
undoer of wrongs has commanded me."

"My oath on it," said Andres, "your worship will be well advised to obey
the command of that good knight--may he live a thousand years--for, as he
is a valiant and just judge, by Roque, if you do not pay me, he will come
back and do as he said."

"My oath on it, too," said the farmer; "but as I have a strong affection
for you, I want to add to the debt in order to add to the payment;" and
seizing him by the arm, he tied him up again, and gave him such a
flogging that he left him for dead.

"Now, Master Andres," said the farmer, "call on the undoer of wrongs; you
will find he won't undo that, though I am not sure that I have quite done
with you, for I have a good mind to flay you alive." But at last he
untied him, and gave him leave to go look for his judge in order to put
the sentence pronounced into execution.

Andres went off rather down in the mouth, swearing he would go to look
for the valiant Don Quixote of La Mancha and tell him exactly what had
happened, and that all would have to be repaid him sevenfold; but for all
that, he went off weeping, while his master stood laughing.

Thus did the valiant Don Quixote right that wrong, and, thoroughly
satisfied with what had taken place, as he considered he had made a very
happy and noble beginning with his knighthood, he took the road towards
his village in perfect self-content, saying in a low voice, "Well mayest
thou this day call thyself fortunate above all on earth, O Dulcinea del
Toboso, fairest of the fair! since it has fallen to thy lot to hold
subject and submissive to thy full will and pleasure a knight so renowned
as is and will be Don Quixote of La Mancha, who, as all the world knows,
yesterday received the order of knighthood, and hath to-day righted the
greatest wrong and grievance that ever injustice conceived and cruelty
perpetrated: who hath to-day plucked the rod from the hand of yonder
ruthless oppressor so wantonly lashing that tender child."

He now came to a road branching in four directions, and immediately he
was reminded of those cross-roads where knights-errant used to stop to
consider which road they should take. In imitation of them he halted for
a while, and after having deeply considered it, he gave Rocinante his
head, submitting his own will to that of his hack, who followed out his
first intention, which was to make straight for his own stable. After he
had gone about two miles Don Quixote perceived a large party of people,
who, as afterwards appeared, were some Toledo traders, on their way to
buy silk at Murcia. There were six of them coming along under their
sunshades, with four servants mounted, and three muleteers on foot.
Scarcely had Don Quixote descried them when the fancy possessed him that
this must be some new adventure; and to help him to imitate as far as he
could those passages he had read of in his books, here seemed to come one
made on purpose, which he resolved to attempt. So with a lofty bearing
and determination he fixed himself firmly in his stirrups, got his lance
ready, brought his buckler before his breast, and planting himself in the
middle of the road, stood waiting the approach of these knights-errant,
for such he now considered and held them to be; and when they had come
near enough to see and hear, he exclaimed with a haughty gesture, "All
the world stand, unless all the world confess that in all the world there
is no maiden fairer than the Empress of La Mancha, the peerless Dulcinea
del Toboso."

The traders halted at the sound of this language and the sight of the
strange figure that uttered it, and from both figure and language at once
guessed the craze of their owner; they wished, however, to learn quietly
what was the object of this confession that was demanded of them, and one
of them, who was rather fond of a joke and was very sharp-witted, said to
him, "Sir Knight, we do not know who this good lady is that you speak of;
show her to us, for, if she be of such beauty as you suggest, with all
our hearts and without any pressure we will confess the truth that is on
your part required of us."

"If I were to show her to you," replied Don Quixote, "what merit would
you have in confessing a truth so manifest? The essential point is that
without seeing her you must believe, confess, affirm, swear, and defend
it; else ye have to do with me in battle, ill-conditioned, arrogant
rabble that ye are; and come ye on, one by one as the order of knighthood
requires, or all together as is the custom and vile usage of your breed,
here do I bide and await you relying on the justice of the cause I
maintain."

"Sir Knight," replied the trader, "I entreat your worship in the name of
this present company of princes, that, to save us from charging our
consciences with the confession of a thing we have never seen or heard
of, and one moreover so much to the prejudice of the Empresses and Queens
of the Alcarria and Estremadura, your worship will be pleased to show us
some portrait of this lady, though it be no bigger than a grain of wheat;
for by the thread one gets at the ball, and in this way we shall be
satisfied and easy, and you will be content and pleased; nay, I believe
we are already so far agreed with you that even though her portrait
should show her blind of one eye, and distilling vermilion and sulphur
from the other, we would nevertheless, to gratify your worship, say all
in her favour that you desire."

"She distils nothing of the kind, vile rabble," said Don Quixote, burning
with rage, "nothing of the kind, I say, only ambergris and civet in
cotton; nor is she one-eyed or humpbacked, but straighter than a
Guadarrama spindle: but ye must pay for the blasphemy ye have uttered
against beauty like that of my lady."

And so saying, he charged with levelled lance against the one who had
spoken, with such fury and fierceness that, if luck had not contrived
that Rocinante should stumble midway and come down, it would have gone
hard with the rash trader. Down went Rocinante, and over went his master,
rolling along the ground for some distance; and when he tried to rise he
was unable, so encumbered was he with lance, buckler, spurs, helmet, and
the weight of his old armour; and all the while he was struggling to get
up he kept saying, "Fly not, cowards and caitiffs! stay, for not by my
fault, but my horse's, am I stretched here."




One of the muleteers in attendance, who could not have had much good
nature in him, hearing the poor prostrate man blustering in this style,
was unable to refrain from giving him an answer on his ribs; and coming
up to him he seized his lance, and having broken it in pieces, with one
of them he began so to belabour our Don Quixote that, notwithstanding and
in spite of his armour, he milled him like a measure of wheat. His
masters called out not to lay on so hard and to leave him alone, but the
muleteers blood was up, and he did not care to drop the game until he had
vented the rest of his wrath, and gathering up the remaining fragments of
the lance he finished with a discharge upon the unhappy victim, who all
through the storm of sticks that rained on him never ceased threatening
heaven, and earth, and the brigands, for such they seemed to him. At last
the muleteer was tired, and the traders continued their journey, taking
with them matter for talk about the poor fellow who had been cudgelled.
He when he found himself alone made another effort to rise; but if he was
unable when whole and sound, how was he to rise after having been
thrashed and well-nigh knocked to pieces? And yet he esteemed himself
fortunate, as it seemed to him that this was a regular knight-errant's
mishap, and entirely, he considered, the fault of his horse. However,
battered in body as he was, to rise was beyond his power.




CHAPTER V.

IN WHICH THE NARRATIVE OF OUR KNIGHT'S MISHAP IS CONTINUED


Finding, then, that, in fact he could not move, he thought himself of
having recourse to his usual remedy, which was to think of some passage
in his books, and his craze brought to his mind that about Baldwin and
the Marquis of Mantua, when Carloto left him wounded on the mountain
side, a story known by heart by the children, not forgotten by the young
men, and lauded and even believed by the old folk; and for all that not a
whit truer than the miracles of Mahomet. This seemed to him to fit
exactly the case in which he found himself, so, making a show of severe
suffering, he began to roll on the ground and with feeble breath repeat
the very words which the wounded knight of the wood is said to have
uttered:

Where art thou, lady mine, that thou
  My sorrow dost not rue?
Thou canst not know it, lady mine,
  Or else thou art untrue.

And so he went on with the ballad as far as the lines:

O noble Marquis of Mantua,
  My Uncle and liege lord!

As chance would have it, when he had got to this line there happened to
come by a peasant from his own village, a neighbour of his, who had been
with a load of wheat to the mill, and he, seeing the man stretched there,
came up to him and asked him who he was and what was the matter with him
that he complained so dolefully.

Don Quixote was firmly persuaded that this was the Marquis of Mantua, his
uncle, so the only answer he made was to go on with his ballad, in which
he told the tale of his misfortune, and of the loves of the Emperor's son
and his wife all exactly as the ballad sings it.

The peasant stood amazed at hearing such nonsense, and relieving him of
the visor, already battered to pieces by blows, he wiped his face, which
was covered with dust, and as soon as he had done so he recognised him
and said, "Senor Quixada" (for so he appears to have been called when he
was in his senses and had not yet changed from a quiet country gentleman
into a knight-errant), "who has brought your worship to this pass?" But
to all questions the other only went on with his ballad.

Seeing this, the good man removed as well as he could his breastplate and
backpiece to see if he had any wound, but he could perceive no blood nor
any mark whatever. He then contrived to raise him from the ground, and
with no little difficulty hoisted him upon his ass, which seemed to him
to be the easiest mount for him; and collecting the arms, even to the
splinters of the lance, he tied them on Rocinante, and leading him by the
bridle and the ass by the halter he took the road for the village, very
sad to hear what absurd stuff Don Quixote was talking.

Nor was Don Quixote less so, for what with blows and bruises he could not
sit upright on the ass, and from time to time he sent up sighs to heaven,
so that once more he drove the peasant to ask what ailed him. And it
could have been only the devil himself that put into his head tales to
match his own adventures, for now, forgetting Baldwin, he bethought
himself of the Moor Abindarraez, when the Alcaide of Antequera, Rodrigo
de Narvaez, took him prisoner and carried him away to his castle; so that
when the peasant again asked him how he was and what ailed him, he gave
him for reply the same words and phrases that the captive Abindarraez
gave to Rodrigo de Narvaez, just as he had read the story in the "Diana"
of Jorge de Montemayor where it is written, applying it to his own case
so aptly that the peasant went along cursing his fate that he had to
listen to such a lot of nonsense; from which, however, he came to the
conclusion that his neighbour was mad, and so made all haste to reach the
village to escape the wearisomeness of this harangue of Don Quixote's;
who, at the end of it, said, "Senor Don Rodrigo de Narvaez, your worship
must know that this fair Xarifa I have mentioned is now the lovely
Dulcinea del Toboso, for whom I have done, am doing, and will do the most
famous deeds of chivalry that in this world have been seen, are to be
seen, or ever shall be seen."

To this the peasant answered, "Senor--sinner that I am!--cannot your
worship see that I am not Don Rodrigo de Narvaez nor the Marquis of
Mantua, but Pedro Alonso your neighbour, and that your worship is neither
Baldwin nor Abindarraez, but the worthy gentleman Senor Quixada?"

"I know who I am," replied Don Quixote, "and I know that I may be not
only those I have named, but all the Twelve Peers of France and even all
the Nine Worthies, since my achievements surpass all that they have done
all together and each of them on his own account."

With this talk and more of the same kind they reached the village just as
night was beginning to fall, but the peasant waited until it was a little
later that the belaboured gentleman might not be seen riding in such a
miserable trim. When it was what seemed to him the proper time he entered
the village and went to Don Quixote's house, which he found all in
confusion, and there were the curate and the village barber, who were
great friends of Don Quixote, and his housekeeper was saying to them in a
loud voice, "What does your worship think can have befallen my master,
Senor Licentiate Pero Perez?" for so the curate was called; "it is three
days now since anything has been seen of him, or the hack, or the
buckler, lance, or armour. Miserable me! I am certain of it, and it is as
true as that I was born to die, that these accursed books of chivalry he
has, and has got into the way of reading so constantly, have upset his
reason; for now I remember having often heard him saying to himself that
he would turn knight-errant and go all over the world in quest of
adventures. To the devil and Barabbas with such books, that have brought
to ruin in this way the finest understanding there was in all La Mancha!"

The niece said the same, and, more: "You must know, Master Nicholas"--for
that was the name of the barber--"it was often my uncle's way to stay two
days and nights together poring over these unholy books of misventures,
after which he would fling the book away and snatch up his sword and fall
to slashing the walls; and when he was tired out he would say he had
killed four giants like four towers; and the sweat that flowed from him
when he was weary he said was the blood of the wounds he had received in
battle; and then he would drink a great jug of cold water and become calm
and quiet, saying that this water was a most precious potion which the
sage Esquife, a great magician and friend of his, had brought him. But I
take all the blame upon myself for never having told your worships of my
uncle's vagaries, that you might put a stop to them before things had
come to this pass, and burn all these accursed books--for he has a great
number--that richly deserve to be burned like heretics."

"So say I too," said the curate, "and by my faith to-morrow shall not
pass without public judgment upon them, and may they be condemned to the
flames lest they lead those that read to behave as my good friend seems
to have behaved."

All this the peasant heard, and from it he understood at last what was
the matter with his neighbour, so he began calling aloud, "Open, your
worships, to Senor Baldwin and to Senor the Marquis of Mantua, who comes
badly wounded, and to Senor Abindarraez, the Moor, whom the valiant
Rodrigo de Narvaez, the Alcaide of Antequera, brings captive."

At these words they all hurried out, and when they recognised their
friend, master, and uncle, who had not yet dismounted from the ass
because he could not, they ran to embrace him.

"Hold!" said he, "for I am badly wounded through my horse's fault; carry
me to bed, and if possible send for the wise Urganda to cure and see to
my wounds."

"See there! plague on it!" cried the housekeeper at this: "did not my
heart tell the truth as to which foot my master went lame of? To bed with
your worship at once, and we will contrive to cure you here without
fetching that Hurgada. A curse I say once more, and a hundred times more,
on those books of chivalry that have brought your worship to such a
pass."

They carried him to bed at once, and after searching for his wounds could
find none, but he said they were all bruises from having had a severe
fall with his horse Rocinante when in combat with ten giants, the biggest
and the boldest to be found on earth.

"So, so!" said the curate, "are there giants in the dance? By the sign of
the Cross I will burn them to-morrow before the day over."

They put a host of questions to Don Quixote, but his only answer to all
was--give him something to eat, and leave him to sleep, for that was what
he needed most. They did so, and the curate questioned the peasant at
great length as to how he had found Don Quixote. He told him, and the
nonsense he had talked when found and on the way home, all which made the
licentiate the more eager to do what he did the next day, which was to
summon his friend the barber, Master Nicholas, and go with him to Don
Quixote's house.





End of the Project Gutenberg EBook of The History of Don Quixote, Vol. I.,
Part 2., by Miguel de Cervantes

*** END OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 2. ***

***** This file should be named 5904.txt or 5904.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.net/5/9/0/5904/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.