The Project Gutenberg EBook of Poetical Works of Akenside, by Mark Akenside

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: Poetical Works of Akenside

Author: Mark Akenside

Editor: George Gilfillan

Posting Date: November 3, 2011 [EBook #9814]
Release Date: February, 2006
First Posted: October 20, 2003

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK POETICAL WORKS OF AKENSIDE ***




Produced by Jonathon Ingram, Robert Prince and the Online
Distribted Proofreading Team









THE

POETICAL WORKS

OF

MARK AKENSIDE.



REV. GEORGE GILFILLAN.


THE LIFE OF AKENSIDE.


Mark Akenside was born at Newcastle-upon-Tyne on the 9th of November
1721. His family were Presbyterian Dissenters, and on the 30th of
that month he was baptized in the meeting, then held in Hanover
Square, by a Mr. Benjamin Bennet. His father, Mark, was a butcher in
respectable circumstances--his mother's name was Mary Lumsden. There
may seem something grotesque in finding the author of the "Pleasures
of Imagination" born in a place usually thought so anti-poetical as
a butcher's shop. And yet similar anomalies abound in the histories
of men of genius. Henry Kirke White, too, was a butcher's son, and
for some time carried his father's basket. The late Thomas Atkinson,
a very clever _litterateur_ of the West of Scotland, was also what
the Scotch call a "flesher's" son. The case of Cardinal Wolsey is
well known. Indeed, we do not understand why any decent calling
should be inimical to the existence--however it may be to the
adequate development--of genius. That is a spark of supernal
inspiration, lighting where it pleases, often conforming, and always
striving to conform, circumstances to itself, and sometimes even
strengthened and purified by the contradictions it meets in life. Nay,
genius has sprung up in stranger quarters than in butcher's shops or
tailor's attics--it has lived and nourished in the dens of robbers,
and in the gross and fetid atmosphere of taverns. There was an
Allen-a-Dale in Robin Hood's gang; it was in the Bell Inn, at
Gloucester, that George Whitefield, the most gifted of popular
orators, was reared; and Bunyan's Muse found him at the
disrespectable trade of a tinker, and amidst the clatter of pots,
and pans, and vulgar curses, made her whisper audible in his ear,
"Come up hither to the Mount of Vision--to the summit of Mount Clear!"

It is said that Akenside was ashamed of his origin--and if so, he
deserved the perpetual recollection of it, produced by a life-long
lameness, originating in a cut from his father's cleaver. It is
fitting that men, and especially great men, should suffer through
their smallnesses of character. The boy was first sent to the
Free School of Newcastle, and thence to a private academy kept by
Mr. Wilson, a Dissenting minister of the place. He began rather early
to display a taste for poetry and verse-writing; and, in April 1737,
we find in the _Gentleman's Magazine_ a set of stanzas, entitled,
"The Virtuoso, in imitation of Spenser's style and stanza," prefaced
by a letter signed Marcus, in which the author, while requesting the
insertion of his piece, pleads the apology of his extreme youth. One
may see something of the future political zeal of the man in the
boy's selection of one of the names of Brutus. The _Gentleman's
Magazine_ was then rising toward that character of a readable medley
and agreeable _olla podrida_, which it long bore, although its
principal contributor--Johnson--did not join its staff till the next
year. Its old numbers will even still repay perusal--at least we
seldom enjoyed a greater treat than when in our boyhood we lighted
on and read some twenty of its brown-hued, stout-backed,
strong-bound volumes, filled with the debates in the Senate of
Lilliput--with Johnson's early Lives and Essays--with mediocre
poetry--interesting scraps of meteorological and scientific
information--ghost stories and fairy tales--alternating with timid
politics, and with sarcasms at the great, veiled under initials,
asterisks, and innuendoes; and even now many, we believe, feel it
quite a luxury to recur from the personalities and floridities of
modern periodicals to its quiet, cool, sober, and sensible pages. To
it Akenside contributed afterwards a fable, called "Ambition and
Content," a "Hymn to Science," and a few more poetical pieces
(written not, as commonly said, in Edinburgh, but in Newcastle, in
1739). It has been asserted that he composed his "Pleasures of
Imagination" while visiting some relations at Morpeth, when only
seventeen years of age; but although he himself assures us that he
spent many happy and inspired hours in that region,

                            "Led
  In silence by some powerful hand unseen,"

there is no direct evidence that he then fixed his vague, tumultuous,
youthful impressions in verse. Indeed, the texture and style of the
"Pleasures" forbid the thought that it was a hasty improvisation.
When nearly eighteen years old, Akenside was sent to Edinburgh, to
commence his studies for the pulpit, and received some pecuniary
assistance from the Dissenters' Society. One winter, however, served
to disgust him with the prospects of the profession--which he
resigned for the pursuit of medicine, repaying the contribution he
had received from the society. We know a similar case in the present
day of a well-known, able _litterateur_--once the editor of the
_Westminster Review_--who had been educated at the expense of the
Congregational body in Scotland, but who, after a change of
religious view and of profession, honourably refunded the whole sum.
What were the special reasons why Akenside turned aside from the
Church we are not informed. Perhaps he had fallen into youthful
indiscretions or early scepticism; or perhaps he felt that the
business of a Dissenting pastor was not then, any more than it is now,
a very lucrative one. Presbyterian Dissent at that time, besides,
did not stand very high in England. The leading Dissenting divines
were Independents--and the Presbyterian body was fast sinking into
Unitarian or Arian heresy. On the other hand, the Church of England
was in the last state of lukewarmness; the Church of Scotland was
groaning under the load of patronage; and the Secession body was
newly formed, and as yet insignificant. In such circumstances we
cannot wonder that an ardent, ambitious mind like that of Akenside
should revolt from divinity as a study, and the pulpit as a goal,
although some may think it strange how the pursuit of medicine
should commend itself instead to a genial and poetic mind. Yet let
us remember that some eminent poets have been students or practisers
of the art of medicine. Such--to name only a few--were Armstrong,
Smollett, Crabbe, Darwin, Delta, Keats, and the two Thomas Browns,
the Knight of the "Religio Medici," and the Philosopher of the
"Lectures," both genuine poets, although their best poetry is in
prose. There are, besides, connected with medicine, some departments
of thought and study peculiarly exciting to the imagination. Such is
anatomy, with its sad yet instructive revelations of the structure
of the human frame--so "fearfully and wonderfully made"--wielding in
its hand a scalpel which at first seems ruthless and disenchanting
as the scythe of death, but which afterwards becomes a key to unlock
some of the deepest mysteries, and leads us down whole galleries of
wonder. There is botany, culling from every nook and corner of the
earth weeds which are flowers, and flowers of all hues, and every
plant, from the "cedar of Lebanon to the hyssop which springs out of
the wall," and finding a terrible and imaginative pleasure in
handling the fell family of poisons, and in deriving the means of
protracting life and healing sickness from the very blossoms of death.
And there is chemistry, most poetical save astronomy of all the
sciences, seeking to spiritualise the material--to hunt the atom to
the point where it trembles over the gulf of nonentity--to weigh
gases in scales, and the elements in a balance, and, in its more
transcendental and daring shape, trying to interchange one kind of
metal with another, and all kinds of forms with all, as in a
music-led and mystic dance. Hence we find that such men as Beddoes,
the author of the "Bride's Tragedy," have turned away from poetry to
physiology, and found in it a grander if also ghastlier stimulus to
their imaginative faculty. Hence Crabbe delighted to load himself
with grasses and duckweed, and Goethe to fill his carriage with
every variety of plant and mountain flower. Hence Davy, and the late
lamented Samuel Brown, analysed, in the spirit of poets as well as
of philosophers, and gave to the crucible what it had long lost,
something of the air of a weird cauldron, bubbling over with magical
foam, and shining, not so much in the severe light of science as in
the

  "Light that never was on sea or shore.
  The consecration and the poet's dream."

And hence, in the then state of Church matters, and of his own
effervescent soul, Akenside felt probably in medicine a deeper charm
than in theology, and imagined that it opened up a more congenial
field for his powers both of reason and of imagination.

In December 1740, Akenside was elected a member of the Edinburgh
Medical Society. This society held meetings for discussion, and
in them our poet set himself to shine as a speaker. His ambition,
it is said, at this time, was to be a member of Parliament; and
Dr. Robertson, then a student in the University, used to attend the
meetings of the society chiefly to hear the speeches of the young
and fiery Southron. Indeed, the rhetoric of the "Pleasures of
Imagination" is finer than its poetry; and none but an orator could
have painted Brutus rising "refulgent from the stroke" which slew
Caesar, when he

                  "Call'd on Tully's name,
  And bade the father of his country hail!"

Englishmen are naturally more eloquent than the Scotch; and once and
again has the Mark Akenside, the Joseph Gerald, or the George
Thompson overpowered and captivated even the sober and critical
children of the Modern Athens. While electrifying the Medical Society,
Akenside did not neglect, if he did not eminently excel in his
professional studies; and he continued to write sonorous verse, some
specimens of which, including an "Ode on the Winter Solstice," and
"Love, an Elegy," he is said to have printed for private distribution.

In Edinburgh he became acquainted with Jeremiah Dyson, a young
law-student of fortune, who was afterwards our poet's principal
patron. He seems to have returned to Newcastle in 1741; and we find
him dating a letter to Dyson thence on the 18th of August 1742, and
directing his correspondent to address his reply to him as "Surgeon,
in Newcastle-upon-Tyne." It is doubtful, however, if he had yet
begun to practise; and there is reason to believe that he was busily
occupied with his great poem. This he completed in the close of 1743.
He offered the manuscript to Dodsley for L150. The bookseller,
although a liberal and generous man, was disposed at first to
_boggle_ a little at such a price for a didactic poem by an
unknown man. He carried the "Pleasures of Imagination" to Pope, who
glanced at it, saw its merit, and advised Dodsley not to make a
niggardly offer--for "this was no everyday writer." It appeared in
January 1744, and, in spite of its faults, nay, perhaps, partly in
consequence of them, was received with loud applause; and the
author--only twenty-three years of age--"awoke one morning, and found
himself famous;" for although his name was not attached to the poem,
it soon transpired. One Rolt, an obscure scribbler, then in Ireland,
claimed the authorship, transcribed the poem with his own hand; nay,
according to Dr. Johnson, published an edition with his own name,
and was invited to the best tables as the ingenious Mr. Rolt. His
conversation did not indeed sparkle with poetic fire, nor was his
appearance that of a poet, but people remembered that both Dryden
and Addison were dull or silent in company till warmed with wine, and
that it was not uncommon for authors to have sold all their thoughts
to their booksellers. Akenside, hearing of this, was obliged to
vindicate his claims by printing the next edition with his name, and
then the bubble of the ingenious Mr. Rolt burst.

All fame, and especially all sudden fame, has its drawbacks. Gray
read the poem, and wrote of it to his friends, in a style thought at
the time depreciatory, although it comes pretty near the truth. He
says, "It seems to me above the middling, and now and then for a
little while rises even to the best, particularly in description. It
is often obscure and even unintelligible. In short, its great fault
is, that it was published at least nine years too early." Gray,
however, had not as yet himself emerged as a poet, and his word had
chiefly weight with his friends. Warburton was a more formidable
opponent. This divine acted then a good deal in the style of a
gigantic Church-bully, and seemed disposed to knock down all and
sundry who differed from him either on great or small theological
matters; and Humes, Churchills, Jortins, Middletons, Lowths,
Shaftesburys, Wesleys, Whitefields, and Akensides all felt the fury
of his onset, and the force of the "punishment" inflicted by his
strong fists. Akenside, in his poem, and in one of his notes, had
defended Shaftesbury's ridiculous notion that ridicule is the test
of truth, and for this Warburton assailed him in the preface to
"Remarks in Answer to Dr. Middleton." In this, while indirectly
disparaging the poem, he accuses the poet of infidelity, atheism,
and insulting the clergy. The preface appeared in March 1744, and in
the following May (Akenside being then in Holland) came forth a reply,
in "An Epistle to the Rev. Mr. Warburton, occasioned by his
Treatment of the Author of the Pleasures of Imagination," which had
been concocted between Dyson and our poet. This pamphlet was written
with considerable spirit; and although it left the question where it
found it, it augured no little courage on the part of the young
physician and the young lawyer mating themselves against the matured
author of the "Divine Legation of Moses." As to the question in
dispute, Johnson disposes of it satisfactorily in a single sentence.
"If ridicule be applied to any position as the test of truth, it
will then become a question whether such ridicule be just, and this
can only be decided by the application of truth as the test of
ridicule." How easy to make any subject or any person ridiculous! To
hold that ridicule is paramount to the discovery or attestation of
truth, is to exalt the ape-element in man above the human and the
angelic principles, which also belong to his nature, and to enthrone
a Voltaire over a Newton or a Milton. Those who laugh proverbially
do not always win, nor do they always deserve to win. Do we think
less of "Paradise Lost," and Shakspeare, because Cobbett has derided
both, or of the Old and New Testaments, because Paine has subjected
parts of them to his clumsy satire? When we find, indeed, a system
such as Jesuitism blasted by the ridicule of Pascal, we conclude
that it was not true,--but why? not merely because ridicule assailed
it, for ridicule has assailed ten thousand systems which never even
shook in the storm, but because, in the view of all candid and
liberal thinkers, the ridicule _prevailed_. Should it be said that
the question still recurs, How are we to be certain of the candour
and liberality of the men who think that Pascal's satire damaged
Jesuitism? we simply say, that it is not ridicule, but some stricter
and more satisfactory method that can determine _this_ inquiry. It
is remarkable that Akenside modified his statements on this subject
in his after revision of his poem.

In April 1744 we find our bard in Leyden, and Mr. Dyce has published
some interesting letters dated thence to Mr. Dyson. He does not seem
to have admired Holland much, whether in its scenery, manners, taste,
or genius. On the 16th of May, he took his degree of Doctor of
Physic at Leyden, the subject of his Dissertation (which, according
to the usual custom, he published) being the "Origin and Growth of
the Human Foetus," in which he is reported to have opposed the views
then prevalent, and to have maintained the theory which is now
generally held. As soon as he received his diploma he returned to
England, signalising his departure by an "Ode to Holland," as dull
as any ditch in that country itself. In June he settled as a
physician in Northampton, where the eminent Doddridge was at the
time labouring. With him he is said to have held a friendly contest
about the opinions of the old heathens in reference to a future state,
Akenside, in keeping with the whole tenor of his intellectual history,
supporting the side of the ancients. Indeed, he never appears to
have had much religion, except that of the Pagan philosophy, Plato
being his Paul, and Socrates his Christ; and most cordially would he
have joined in Thorwaldsen's famous toast (announced at an evening
party in Rome, while the planet Jupiter was shining in great glory),
"Here's in honour of the ancient gods." In Northampton, partly owing
to the overbearing influence of Dr. Stonehouse, a long-established
practitioner, and partly to his violent political zeal, he did not
prosper. While residing there he produced his manly and spirited
"Epistle to Curio." Curio was Pulteney, who had been a flaming
patriot, but who, like the majority of such characters, had, for the
sake of a title--the earldom of Bath--subsided into a courtier. Him
Akenside lashes with unsparing energy. He committed afterwards an
egregious blunder in reference to this production. He frittered it
down into a stupid ode. Indeed, he had always an injudicious
trick--whether springing from fastidiousness or undue ambition--of
tinkering and tampering with his very best poems.

In March 1745 he collected his odes into a quarto tract. It appeared
at a time when lyrical poetry was all but extinct. Dryden was gone;
Collins and Gray had not yet published their odes; and hence, and
partly too from the prestige of his former poem, Akenside's odes,
poor as they now seem, met with considerable acceptance, although
they did not reach a new edition till 1760. In 1747 his friend Dyson,
having been elected clerk to the House of Commons, took Akenside with
him to his house at Northend, Hampstead. Here, however, he felt
himself out of place, and in fine, in 1748, he settled down in
Bloomsbury Square, London, where Dyson very generously allowed him
L300 a-year, which, being equal to the value of twice that sum now,
enabled him to keep a chariot, and live like a gentleman. During the
years 1746, 1747, 1748, he composed a number of pieces, both in
prose and verse--his "Hymn to the Naiads," his "Ode to the Evening
Star," and several essays in _Dodsley's Museum_; such as these,
"On Correctness;" "The Table of Modern Fame, a Vision;" "Letter from
a Swiss Gentleman on English Liberty;" and "The Balance of Poets;"
besides an ode to Caleb Hardinge, M. D., and another to the Earl of
Huntingdon, which has been esteemed one of his best lyric poems. In
London he did not attain rapidly a good practice, nor was it ever
extensive. But for Mr. Dyson's aid he might have written a chapter on
"Early Struggles," nearly as rich and interesting as that famous one
in Warren's "Diary of a late Physician." Even his poetical name was
adverse to his prospects. His manners, too, were unconciliating and
haughty. At Tom's Coffeehouse, in Devereux Court, night after night,
appeared the author of the "Pleasures of Imagination," full of
knowledge, dogmatism, and a love of self-display; eager for talk,
fond of arguing--especially on politics and literature--and sometimes
narrowly escaping duels and other misadventures springing from his
hot and imperious temper. In sick chambers he was stiff, formal, and
reserved, carrying a frown about with him, which itself damped the
spirits and accelerated the pulse of his patients. It was only among
intimate friends that he descended to familiarity, and even then it
was with

  "Compulsion and laborious flight."

One of these intimates for a while was Charles Townshend, a man
whose name now lives chiefly in the glowing encomium of Burke, a
part of which we may quote:--"Before this splendid orb (Lord Chatham)
was entirely set, and while the western horizon was in a blaze with
his descending glory, on the opposite quarter of the heavens arose
another luminary, and for his hour became lord of the ascendant.
Townshend was the delight and ornament of this House, and the charm
of every private society which he honoured with his presence.
Perhaps there never arose in this country, nor in any country, a man
of more pointed and finished wit, and of a more refined, exquisite,
and penetrating judgment. He stated his matter skilfully and
powerfully. He particularly excelled in a most luminous explanation
and display of the subject. His style of argument was neither trite
and vulgar, nor subtle and abstruse. He hit the House between wind
and water. He had no failings which were not owing to a noble cause,
to an ardent, generous, perhaps an immoderate passion for fame; a
passion which is the instinct of all great souls. He worshipped that
goddess wheresoever she appeared: but he paid his particular
devotions to her in her favourite habitation, in her chosen temple,
the House of Commons." With this distinguished man Akenside was for
some time on friendly terms, but for causes not well known, their
friendship came to an abrupt termination; it might have been owing
to Townshend's rapid rise, or to Akenside's presumptuous and
overbearing disposition. Two odes, addressed by the latter to the
former, immortalise this incomplete and abortive amity.

The years 1750 and 1751 were only signalised in Akenside's history
by one or two dull odes from his pen. But if not witty at that time
himself, he gave occasion to wit in others. Smollett, provoked, it
is said, by some aspersions Akenside had in conversation cast on
Scotland, and at all times prone to bitter and sarcastic views of
men and manners, fell foul of him in "Peregrine Pickle." If our
readers care for wading through that filthy novel--the most
disagreeable, although not the dullest of Smollett's fictions--they
will find a caricature of our poet in the character of the "Doctor,"
who talks nonsense about liberty, quotes and praises his own poetry,
and invites his friends to an entertainment in the manner of the
ancients--a feast hideously accurate in its imitation of antique
cookery, and forming, if not an "entertainment" to the guests, a very
rich one to the readers of the tale. How Akenside bore this we are
not particularly informed. Probably he writhed in secret, but was
too proud to acknowledge his feelings. In 1753 he was consoled by
receiving a doctor's degree from Cambridge, and by being elected
Fellow of the Royal Society. The next year he became Fellow of the
College of Physicians.

In June 1755 he read the Galstonian lectures in anatomy before the
College of Physicians, and in the next year the Croonian lectures
before the same institution. The subject of the latter course was
the "History of the Revival of Letters," which some of the learned
Thebans thought not germane to the matter; and, consequently, after
he had delivered three lectures, he desisted in disgust. This fact
seems somewhat to contradict Dr. Johnson's assertion, that "Akenside
appears not to have been wanting to his own success, and placed
himself in view by all the common methods." Had he been a thoroughly
self-seeking man, he never would have committed the blunder of
choosing literature as a subject of predilection to men who were
probably most of them materialists, or at least destitute of
literary taste. The Doctor says also, "He very eagerly forced
himself into notice, by an ambitious ostentation of elegance and
literature." But surely the author of such a popular poem as the
"Pleasures of Imagination" had no need to claim notice by an
ostentatious display of his parts, and had too much good sense to
imagine that such a vain display would conciliate any acute and
sensible person. Johnson, in fact, throughout his cursory and
careless "Life of Akenside," is manifestly labouring under deep
prejudice against the poet--prejudice founded chiefly on Akenside's
political sentiments.

In 1759 our poet was appointed physician to St. Thomas's Hospital,
and afterwards to Christ's Hospital. Here he ruled the patients and
the under officials with a rod of iron. Dr. Lettsom became a
surgeon's dresser in St. Thomas's Hospital. He was an admirer of
poetry, especially of the "Pleasures of Imagination," and
anticipated much delight from intercourse with the author. He was
disappointed first of all with his personal appearance. He found him
a stiff-limbed, starched personage, with a lame foot, a pale
strumous face, a long sword, and a large white wig. Worse than this,
he was cruel, almost barbarous, to the patients, particularly to
females. Owing to an early love-disappointment, he had contracted a
disgust and aversion to the sex, and chose to express it in a
callous and cowardly harshness to those under his charge. It is
possible, however, that Lettsom might be influenced by some private
pique. Nothing is more common than for the hero-worshipper,
disenchanted of his early idolatry, to rush to the opposite extreme,
and to become the hero-hater; and the fault is as frequently
his own as that of his idol. And it must be granted that an
hospital--especially of that age--was no congenial atmosphere for a
poet so Platonic and ideal as Akenside.

In October 1759 he delivered the Harveian oration before the College
of Physicians, and by their order it was published the next year. In
1761 Mr. T. Hollis presented him with a bed which had once belonged
to Milton, on the condition that he would write an ode to the memory
of that great poet. Akenside joyfully accepted the bed, had it set
up in his house, and, we suppose, slept in it; but the muse forgot
to visit _his_ "slumbers nightly," and no ode was ever produced.
We think that Akenside had sympathy enough with Milton's politics and
poetry to have written a fine blank-verse tribute to his memory,
resembling that of Thomson to Sir Isaac Newton; but odes of much
merit he could not produce, and yet at odes he was always sweltering

  "With labour dire and weary woe."

In 1760, George the Third mounted the throne, and the author of the
"Epistle to Curio" began to follow the precise path of Pulteney. In
this he was preceded by Dyson, who became suddenly a supporter of
Lord Bute, and drew his friend in his train. By Dyson's influence
Akenside was appointed, in 1761, physician to the Queen. His
secession from the Whig ranks cost him a great deal of obloquy.
Dr. Hardinge had told the two turncoats long before "that, like a
couple of idiots, they did not leave themselves a loophole--they
could not _sidle away_ into the opposite creed." He never, however,
became a violent Tory partisan. It is singular how Johnson, with all
his aversion to Akenside, has no allusion to his apostasy, in which
we might have _a priori_ expected him to glory, as a proof of the
poet's inconsistency, if not corruption.

In one point Akenside differed from the majority of his tuneful
brethren, before, then, or since. He was a warm and wide-hearted
commender of the works of other poets. Most of our sweet singers
rather resemble birds of prey than nightingales or doves, and are at
least as strong in their talons as they are musical in their tongues.
And hence the groves of Parnassus have in all ages rung with the
screams of wrath and contest, frightfully mingling with the melodies
of song. Akenside, by a felicitous conjunction of elements, which
you could not have expected from other parts of his character, was
entirely exempted from this defect, and not only warmly admired Pope,
Young, Thomson, and Dyer, whose "Fleece" he corrected, but had kind
words to spare for even such "small deer" as Welsted and Fenton.

In 1763, he read a paper before the Royal Society, on the "Effects
of a Blow on the Heart," which was published in the _Philosophical
Transactions_ of the year. And, in 1764 he established his character
as a medical writer by an elegant and elaborate treatise on
"The Dysentery," still, we believe, consulted for its information,
and studied for the purity and precision of its Latin style. About
this time, too, he commenced a recasting of his "Pleasures of
Imagination," which he did not live to finish; and in which, on the
whole, there is more of laborious alteration than of felicitous
improvement. In 1766, Warburton, his old foe, who had now been made a
bishop, reprinted, in a new edition of his "Divine Legation of Moses,"
his attack on Akenside's notions about ridicule, without deigning to
take any notice of the explanations he had given in his reply. This
renewal of hostilities, coming, especially as it did, from the
vantage ground of the Episcopal bench, enraged our poet, and, by way
of rejoinder, he issued a lyrical satire which he had had lying past
him in pickle for fifteen years, and which nothing but a fresh
provocation would have induced him to publish. It was entitled
"An Ode to the late Thomas Edwards, Esq." Edwards had opposed
Warburton ably in a book entitled "Canons of Criticism," and was
himself a poet. The real sting of this attack lay in Akenside's
production of a letter from Warburton to Concanen, dated 2d January
1726, which had fallen accidentally into the hands of our poet; and
in which Warburton had accused Addison of plagiarism, and said that
when "Pope borrows it is from want of genius." Concanen was one of
the "Dunces," and it was, of course, Akenside's purpose to shew
Warburton's inconsistency in the different opinions he had expressed
at different times of them and of their great adversary. We know not
if the sturdy bishop took any notice of this ode. Even his Briarean
arms were sometimes too full of the controversial work which his
overbearing temper and fierce passions were constantly giving him.

In 1766, Akenside received the thanks of the College of Physicians
for an edition of Harvey's works, which he prepared for the press,
and to which he had prefixed a preface. In June 1767 he read before
the College two papers, one on "Cancers and Asthmas," and the other
on "White Swelling of the Joints," both of which were published the
next year in the first volume of the _Medical Transactions_. In the
same year, one Archibald Campbell, a Scotchman, a purser in the navy,
and called, from his ungainly countenance, "horrible Campbell,"
produced a small _jeu d'esprit_, entitled "Lexiphanes, imitated from
Lucian, and suited to the present times," in which he tries to
ridicule Johnson's prose and Akenside's poetry. His object was
probably to attract their notice, but both passed over this grin of
the "Grim Feature" in silent contempt. Akenside was still busy with
the revisal of his poem, had finished two books, "made considerable
progress with the third, and written a fragment of the fourth;" but
death stepped in and blighted his prospects, both as a physician,
with increasing practice and reputation, and as a poet, whose
favourite work was approaching what he deemed perfection. He was
seized with putrid fever; and, after a short illness, died on the 23
d June 1770 at an age when many men are in their very prime, both of
body and mind--that of 49. He died in his house in Burlington Street,
and was buried on the 28th in St. James's Church.

Akenside had been, notwithstanding his many acquaintances and friends,
on the whole, a lonely man; without domestic connexions, and having,
so far as we are informed, either no surviving relations or no
intercourse with those who might be still alive. He was not
especially loved in society; he wanted humour and good-humour both,
and had little of that frank cordiality which, according to Sidney
Smith, "warms and cheers more than meat or wine." He had far less
geniality than genius. Yet, in certain select circles, his mind,
which was richly stored with all knowledge, opened delightfully, and
men felt that he _was_ the author of his splendid poem. One of his
biographers gives him the palm for learning, next to Ben Jonson,
Milton, and Gray (he might perhaps have also excepted Landor and
Coleridge), over all our English poets.

In 1772, Mr. Dyson published an edition of his friend's poems,
containing the original form of the "Pleasures of Imagination," as
well as its half-finished second shape; his "Odes," "Inscriptions,"
"Hymn to the Naiads," etc., omitting, however, his poem to Curio in
its first and best version, and some of his smaller pieces. This
edition, too, contained an account of Akenside's life by his friend,
so short and so cold as either to say little for Dyson's heart, or a
great deal for his modesty and reticence. His uniform and munificent
kindness to the poet during his lifetime, however, determines us in
favour of the latter side of the alternative.

Of Akenside, as a man, our previous remarks have perhaps indicated
our opinion. He was rather a scholar somewhat out of his element,
and unreconciled to the world, than a thorough gentleman; irritable,
vehement, and proud--his finer traits were only known to his
intimates, who probably felt that in Wordsworth's words,

  "You must love him ere to you
  He doth, seem worthy of your love."

In religion his opinions seem to have been rather unsettled; but, of
whatever doubts he had, he gave the benefit latterly to the
Christian side--at least he was ever ready to rebuke noisy and
dogmatic infidelity. It is said that he intended to have included
the doctrine of immortality in his later version of the "Pleasures
of Imagination"--and even as the poem is, it contains some transient
allusions to that great object of human hope, although none, it must
be admitted, to its special Christian grounds.

We have now a very few sentences to enounce about his poetry, or,
more properly speaking, about his two or three good poems, for we
must dismiss the most of his odes, in their deep-sounding dulness,
as nearly unworthy of their author's genius. Up to the days of
Keats' "Endymion" and "Hyperion," Akenside's "Hymn to the Naiads"
was thought one of the best attempts to reproduce the classical
spirit and ideas. It now takes a secondary place; and at no time
could be compared to an actual hymn of Callimachus or Pindar, any
more than Smollett's "Supper after the Manner of the Ancients" was
equal to a real Roman Coena, the ideal of which Croly has so
superbly described in "Salathiel." His "Epistle to Curio" is a
masterpiece of vigorous composition, terse sentiment, and glowing
invective. It gathers around Pulteney as a ring of fire round the
scorpion, and leaves him writhing and shrivelled. Out of Dryden and
Pope, it is perhaps the best satiric piece in our poetry.

Of the "Pleasures of Imagination," it is not necessary to say a
great deal. A poem that has been so widely circulated, so warmly
praised, so frequently quoted and imitated--the whole of which
nearly a man like Thomas Brown has quoted in the course of his
lectures--must possess no ordinary merit. Its great beauty is its
richness of description and language--its great fault is its
obscurity; a beauty and a fault closely connected together, even as
the luxuriance of a tropical forest implies intricacy, and its
lavish loveliness creates a gloom. His attempt to express Plato's
philosophy in blank verse is not always successful. Perhaps prose
might better have answered his purpose in expressing the awfully
sublime thought of the "archetypes of all things existing in God."
We know that in certain objects of nature--in certain rocks, for
instance (such as Coleridge describes in his "Wanderings of Cain")--
there lie silent prefigurations and aboriginal types of artificial
objects, such as ships, temples, and other orders of architecture;
and it is so also in certain shells, woods, and even in clouds. How
interesting and beautiful those painted prophecies of nature, those
quiet hieroglyphics of God, those mystic letters, which, unlike
those on the Babylonian wall, do _not_,

           "Careering shake,
  And blaze IMPATIENT to be read,"

but bide calmly the time when their artificial archetypes shall
appear, and the "wisdom" in them shall be "justified" in these its
children! So, according to Plato, comparing great to small things,
there lay in the Divine mind the archetypes of all that was to be
created, with this important difference, that they lay in God
_spiritually_ and consciously. How poetical and how solemn to
approach, under the guidance of this thought, and gaze on the mind
of God as on an ancient awful mirror; and even as in a clear lake we
behold the forms of the surrounding scenery reflected from the white
strip of pebbled shore up to the gray scalp of the mountain summit,
and tremble as we look down on the "skies of a far nether world," on
an inverted sun, and on snow unmelted amidst the water; so to see
the entire history of man, from the first glance of life in the eye
of Adam, down to the last sparkle of the last ember of the general
conflagration, lying silently and inverted there--how sublime, but
at the same time how bewildering and how appalling! Our readers will
find, in the "Pleasures of Imagination," an expansion--perhaps they
may think it a dilution--of this Platonic idea.

They will find there, too, the germ of the famous theory of Alison
and Jeffrey about Beauty. These theorists held 'that beauty resides
not so much in the object as in the mind; that we receive but what
we give; that our own soul is the urn whence beauty is showered over
the universe; that flower and star are lovely because the mind has
breathed on them; that the imagination and the heart of man are the
twin beautifiers of creation; that the dwelling of beauty is not in
the light of setting suns, nor in the beams of morning stars, nor in
the waves of summer seas, but in the human spirit; that sublimity
tabernacles not in the palaces of the thunder, walks not on the
wings of the wind, rides not on the forked lightning, but that it is
the soul which is lifted up there; that it is the soul which, in its
high aspirings,'

  "Yokes with whirlwinds and the northern blast,
   and scatters grandeur around it on its way."

All this seems anticipated, and, as it were, coiled up in the words
of our poet:--

  "Mind, mind alone (bear witness earth and heaven!)
  The living fountains in itself contains
  Of beauteous and sublime."

That Akenside was a real poet many expressions in his "Pleasures of
Imagination" prove, such as that just quoted--

  "Yoked with whirlwinds and the northern blast
  Sweeps the long tract of day;"

but, taking his poem as a whole, it is rather a tissue of eloquence
and philosophical declamation than of imagination. He deals rather
in sheet lightning than in forked flashes. As a didactic poem it has
a high, but not the highest place. It must not be named beside the
"De Rerum Natura" of Lucretius, or the "Georgics" of Virgil, or the
"Night Thoughts" of Young; and in poetry, yields even to the
"Queen Mab" of Shelley. It ranks high, however, amongst that fine
class of works which have called themselves, by no misnomer,
"Pleasures;" and to recount all the names of which were to give an
"enumeration of sweets" as delightful as that in "Don Juan." How
cheering to think of that beautiful bead-roll--of which the
"Pleasures of Memory," "Pleasures of Hope," "Pleasures of Melancholy,"
"Pleasures of Imagination," are only a few! We may class, too, with
them, Addison's essays on the "Pleasures of Imagination" in _The
Spectator_, which, although in prose, glow throughout with the
mildest and truest spirit of poetry; and if inferior to Akenside in
richness and swelling pomp of words, and in dashing rhetorical force,
far excel him in clearness, in chastened beauty, and in those
inimitable touches and unconscious felicities of thought and
expression which drop down, like ripe apples falling suddenly across
your path from a laden bough, and which could only have proceeded
from Addison's exquisite genius.




CONTENTS.


THE PLEASURES OF IMAGINATION.

  Book I.

  Book II.

  Book III.

  Notes to Book I.

  Notes to Book II.

  Notes to Book III.


THE PLEASURES OF THE IMAGINATION.

  Book I.

  Book II.

  Book III.

  Book IV.


ODES ON SEVERAL SUBJECTS:--

  Book I.--

  Ode I. Preface.

  Ode II. On the Winter-solstice, 1740.

  Ode II. For the Winter-solstice, December 11, 1740.
     As originally written.

  Ode III. To a Friend, Unsuccessful in Love.

  Ode IV. Affected Indifference. To the same.

  Ode V. Against Suspicion.

  Ode VI. Hymn to Cheerfulness.

  Ode VII. On the Use of Poetry.

  Ode VIII. On leaving Holland.

  Ode IX. To Curio.

  Ode X. To the Muse.

  Ode XI. On Love. To a Friend.

  Ode XII. To Sir Francis Henry Drake, Baronet.

  Ode XIII. On Lyric Poetry.

  Ode XIV. To the Honourable Charles Townshend; from the
  Country.

  Ode XV. To the Evening Star.

  Ode XVI. To Caleb Hardinge, M. D.

  Ode XVII. On a Sermon against Glory.

  Ode XVIII. To the Right Honourable Francis, Earl of Huntingdon.



Book II.--

  Ode I. The Remonstrance of Shakspeare.

  Ode II. To Sleep.

  Ode III. To the Cuckoo.

  Ode IV. To the Honourable Charles Townshend; in the Country.

  Ode V. On Love of Praise.

  Ode VI. To William Hall, Esquire; with the Works of
  Chaulieu.

  Ode VII. To the Right Reverend Benjamin, Lord Bishop of
  Winchester.

  Ode VIII.

  Ode IX. At Study.

  Ode X. To Thomas Edwards, Esq.; on the late Edition
      of Mr. Pope's Works.

  Ode XI. To the Country Gentlemen of England.

  Ode XII. On Recovering from a Fit of Sickness; in the
  Country.

  Ode XIII. To the Author of Memoirs of the House of Brandenburg.

  Ode XIV. The Complaint.

  Ode XV. On Domestic Manners.

  Notes to Book I.

  Notes to Book II.


  HYMN TO THE NAIADS.

  Notes.




INSCRIPTIONS:--

  I. For a Grotto.

  II. For a Statue of Chaucer at Woodstock.

  III.

  IV.

  V.

  VI. For a Column at Runnymede.

  VII. The Wood Nymph.

  VIII.

  IX.


AN EPISTLE TO CURIO.

THE VIRTUOSO.

AMBITION AND CONTENT. A FABLE.

THE POET. A RHAPSODY.

A BRITISH PHILIPPIC.

HYMN TO SCIENCE.

LOVE. AN ELEGY.

TO CORDELIA.

SONG.





AKENSIDE'S POETICAL WORKS.


THE PLEASURES OF IMAGINATION.

    A POEM, IN THREE BOOKS.

   [Greek: 'Asebous men 'estin 'anthropou tas para tou theou
     charitas 'atimazein.]
           EPICT. apud Arrian. II. 23.


THE DESIGN.

There are certain powers in human nature which seem to hold a middle
place between the organs of bodily sense and the faculties of moral
perception: they have been called by a very general name, the Powers
of Imagination. Like the external senses, they relate to matter and
motion; and, at the same time, give the mind ideas analogous to
those of moral approbation and dislike. As they are the inlets of
some of the most exquisite pleasures with which we are acquainted,
it has naturally happened that men of warm and sensible tempers have
sought means to recall the delightful perceptions which they afford,
independent of the objects which originally produced them. This gave
rise to the imitative or designing arts; some of which, as painting
and sculpture, directly copy the external appearances which were
admired in nature; others, as music and poetry, bring them back to
remembrance by signs universally established and understood.

But these arts, as they grew more correct and deliberate, were, of
course, led to extend their imitation beyond the peculiar objects of
the imaginative powers; especially poetry, which, making use of
language as the instrument by which it imitates, is consequently
become an unlimited representative of every species and mode of being.
Yet as their intention was only to express the objects of imagination,
and as they still abound chiefly in ideas of that class, they, of
course, retain their original character; and all the different
pleasures which they excite, are termed, in general, Pleasures of
Imagination.

The design of the following poem is to give a view of these in the
largest acceptation of the term; so that whatever our imagination
feels from the agreeable appearances of nature, and all the various
entertainment we meet with, either in poetry, painting, music, or
any of the elegant arts, might be deducible from one or other of
those principles in the constitution of the human mind which are
here established and explained.

In executing this general plan, it was necessary first of all to
distinguish the imagination from our other faculties; and in the
next place to characterise those original forms or properties of
being, about which it is conversant, and which are by nature adapted
to it, as light is to the eyes, or truth to the understanding. These
properties Mr. Addison had reduced to the three general classes of
greatness, novelty, and beauty; and into these we may analyse every
object, however complex, which, properly speaking, is delightful to
the imagination. But such an object may also include many other
sources of pleasure; and its beauty, or novelty, or grandeur, will
make a stronger impression by reason of this concurrence. Besides
which, the imitative arts, especially poetry, owe much of their
effect to a similar exhibition of properties quite foreign to the
imagination, insomuch that in every line of the most applauded poems,
we meet with either ideas drawn from the external senses, or truths
discovered to the understanding, or illustrations of contrivance and
final causes, or, above all the rest, with circumstances proper to
awaken and engage the passions. It was, therefore, necessary to
enumerate and exemplify these different species of pleasure;
especially that from the passions, which, as it is supreme in the
noblest work of human genius, so being in some particulars not a
little surprising, gave an opportunity to enliven the didactic turn
of the poem, by introducing an allegory to account for the appearance.

After these parts of the subject which hold chiefly of admiration,
or naturally warm and interest the mind, a pleasure of a very
different nature, that which arises from ridicule, came next to be
considered. As this is the foundation of the comic manner in all the
arts, and has been but very imperfectly treated by moral writers, it
was thought proper to give it a particular illustration, and to
distinguish the general sources from which the ridicule of
characters is derived. Here, too, a change of style became necessary;
such a one as might yet be consistent, if possible, with the general
taste of composition in the serious parts of the subject: nor is it
an easy task to give any tolerable force to images of this kind,
without running either into the gigantic expressions of the mock
heroic, or the familiar and poetical raillery of professed satire;
neither of which would have been proper here.

The materials of all imitation being thus laid open, nothing now
remained but to illustrate some particular pleasures which arise
either from the relations of different objects one to another, or
from the nature of imitation itself. Of the first kind is that
various and complicated resemblance existing between several parts
of the material and immaterial worlds, which is the foundation of
metaphor and wit. As it seems in a great measure to depend on the
early association of our ideas, and as this habit of associating is
the source of many pleasures and pains in life, and on that account
bears a great share in the influence of poetry and the other arts,
it is therefore mentioned here, and its effects described. Then
follows a general account of the production of these elegant arts,
and of the secondary pleasure, as it is called, arising from the
resemblance of their imitations to the original appearances of nature.
After which, the work concludes with some reflections on the general
conduct of the powers of imagination, and on their natural and moral
usefulness in life.

Concerning the manner or turn of composition which prevails in this
piece, little can be said with propriety by the author. He had two
models; that ancient and simple one of the first Grecian poets, as
it is refined by Virgil in the Georgics, and the familiar epistolary
way of Horace. This latter has several advantages. It admits of a
greater variety of style; it more readily engages the generality of
readers, as partaking more of the air of conversation; and,
especially with the assistance of rhyme, leads to a closer and more
concise expression. Add to this the example of the most perfect of
modern poets, who has so happily applied this manner to the noblest
parts of philosophy, that the public taste is in a great measure
formed to it alone. Yet, after all, the subject before us, tending
almost constantly to admiration and enthusiasm, seemed rather to
demand a more open, pathetic, and figured style. This, too, appeared
more natural, as the author's aim was not so much to give formal
precepts, or enter into the way of direct argumentation, as, by
exhibiting the most engaging prospects of nature, to enlarge and
harmonise the imagination, and by that means insensibly dispose the
minds of men to a similar taste and habit of thinking in religion,
morals, and civil life. 'Tis on this account that he is so careful
to point out the benevolent intention of the Author of Nature in
every principle of the human constitution here insisted on; and also
to unite the moral excellencies of life in the same point of view
with the mere external objects of good taste; thus recommending them
in common to our natural propensity for admiring what is beautiful
and lovely. The same views have also led him to introduce some
sentiments which may perhaps be looked upon as not quite direct to
the subject; but since they bear an obvious relation to it, the
authority of Virgil, the faultless model of didactic poetry, will
best support him in this particular. For the sentiments themselves
he makes no apology.




BOOK I.


ARGUMENT.

The subject proposed. Difficulty of treating it poetically. The
ideas of the Divine Mind the origin of every quality pleasing to the
imagination. The natural variety of constitution in the minds of men;
with its final cause. The idea of a fine imagination, and the state
of the mind in the enjoyment of those pleasures which it affords.
All the primary pleasures of the imagination result from the
perception of greatness, or wonderfulness, or beauty in objects. The
pleasure from greatness, with its final cause. Pleasure from novelty
or wonderfulness, with its final cause. Pleasure from beauty, with
its final cause. The connexion of beauty with truth and good,
applied to the conduct of life. Invitation to the study of moral
philosophy. The different degrees of beauty in different species of
objects; colour, shape, natural concretes, vegetables, animals, the
mind. The sublime, the fair, the wonderful of the mind. The
connexion of the imagination and the moral faculty. Conclusion.

  With what attractive charms this goodly frame
  Of Nature touches the consenting hearts
  Of mortal men; and what the pleasing stores
  Which beauteous Imitation thence derives
  To deck the poet's or the painter's toil,
  My verse unfolds. Attend, ye gentle Powers
  Of musical delight! and while I sing
  Your gifts, your honours, dance around my strain.
  Thou, smiling queen of every tuneful breast,
  Indulgent Fancy! from the fruitful banks                      10
  Of Avon, whence thy rosy fingers cull
  Fresh flowers and dews to sprinkle on the turf
  Where Shakspeare lies, be present: and with thee
  Let Fiction come, upon her vagrant wings
  Wafting ten thousand colours through the air,
  Which, by the glances of her magic eye,
  She blends and shifts at will, through countless forms,
  Her wild creation. Goddess of the lyre,
  Which rules the accents of the moving sphere,
  Wilt thou, eternal Harmony, descend                           20
  And join this festive train? for with thee comes
  The guide, the guardian of their lovely sports,
  Majestic Truth; and where Truth deigns to come,
  Her sister Liberty will not be far.
  Be present all ye Genii, who conduct
  The wandering footsteps of the youthful bard,
  New to your springs and shades: who touch his ear
  With finer sounds: who heighten to his eye
  The bloom of Nature, and before him turn
  The gayest, happiest attitude of things.                      30
    Oft have the laws of each poetic strain
  The critic-verse employ'd; yet still unsung
  Lay this prime subject, though importing most
  A poet's name: for fruitless is the attempt,
  By dull obedience and by creeping toil
  Obscure to conquer the severe ascent
  Of high Parnassus. Nature's kindling breath
  Must fire the chosen genius; Nature's hand
  Must string his nerves, and imp his eagle-wings,
  Impatient of the painful steep, to soar                       40
  High as the summit; there to breathe at large
  AEthereal air, with bards and sages old,
  Immortal sons of praise. These flattering scenes,
  To this neglected labour court my song;
  Yet not unconscious what a doubtful task
  To paint the finest features of the mind,
  And to most subtile and mysterious things
  Give colour, strength, and motion. But the love
  Of Nature and the Muses bids explore,
  Through secret paths erewhile untrod by man,                  50
  The fair poetic region, to detect
  Untasted springs, to drink inspiring draughts,
  And shade my temples with unfading flowers
  Cull'd from the laureate vale's profound recess,
  Where never poet gain'd a wreath before.
    From Heaven my strains begin: from Heaven descends
  The flame of genius to the human breast,
  And love and beauty, and poetic joy
  And inspiration. Ere the radiant sun
  Sprang from the east, or 'mid the vault of night              60
  The moon suspended her serener lamp;
  Ere mountains, woods, or streams adorn'd the globe,
  Or Wisdom taught the sons of men her lore;
  Then lived the Almighty One: then, deep retired
  In his unfathom'd essence, view'd the forms,
  The forms eternal of created things;
  The radiant sun, the moon's nocturnal lamp,
  The mountains, woods, and streams, the rolling globe,
  And Wisdom's mien celestial. From the first
  Of days, on them his love divine he fix'd,                    70
  His admiration: till in time complete
  What he admired and loved, his vital smile
  Unfolded into being. Hence the breath
  Of life informing each organic frame;
  Hence the green earth, and wild resounding wares;
  Hence light and shade alternate, warmth and cold,
  And clear autumnal skies and vernal showers,
  And all the fair variety of things.
    But not alike to every mortal eye
  Is this great scene unveil'd. For, since the claims           80
  Of social life to different labours urge
  The active powers of man, with wise intent
  The hand of Nature on peculiar minds
  Imprints a different bias, and to each
  Decrees its province in the common toil.
  To some she taught the fabric of the sphere,
  The changeful moon, the circuit of the stars,
  The golden zones of heaven; to some she gave
  To weigh the moment of eternal things,
  Of time, and space, and fate's unbroken chain,                90
  And will's quick impulse; others by the hand
  She led o'er vales and mountains, to explore
  What healing virtue swells the tender veins
  Of herbs and flowers; or what the beams of morn
  Draw forth, distilling from the clifted rind
  In balmy tears. But some, to higher hopes
  Were destined; some within a finer mould
  She wrought and temper'd with a purer flame.
  To these the Sire Omnipotent unfolds
  The world's harmonious volume, there to read                  100
  The transcript of Himself. On every part
  They trace the bright impressions of his hand:
  In earth or air, the meadow's purple stores,
  The moon's mild radiance, or the virgin's form
  Blooming with rosy smiles, they see portray'd
  That uncreated beauty, which delights
  The Mind Supreme. They also feel her charms,
  Enamour'd; they partake the eternal joy.

  For as old Memnon's image, long renown'd
  By fabling Nilus, to the quivering touch                      110
  Of Titan's ray, with each repulsive string
  Consenting, sounded through the warbling air
  Unbidden strains, even so did Nature's hand
  To certain species of external things,
  Attune the finer organs of the mind;
  So the glad impulse of congenial powers,
  Or of sweet sound, or fair proportion'd form,
  The grace of motion, or the bloom of light,
  Thrills through Imagination's tender frame,
  From nerve to nerve; all naked and alive                      120
  They catch the spreading rays; till now the soul
  At length discloses every tuneful spring,
  To that harmonious movement from without
  Responsive. Then the inexpressive strain
  Diffuses its enchantment: Fancy dreams
  Of sacred fountains and Elysian groves,
  And vales of bliss: the intellectual power
  Bends from his awful throne a wondering ear,
  And smiles: the passions, gently soothed away,
  Sink to divine repose, and love and joy                       130
  Alone are waking; love and joy, serene
  As airs that fan the summer. Oh! attend,
  Whoe'er thou art, whom these delights can touch,
  Whose candid bosom the refining love
  Of Nature warms, oh! listen to my song;
  And I will guide thee to her favourite walks,
  And teach thy solitude her voice to hear,
  And point her loveliest features to thy view.

  Know then, whate'er of Nature's pregnant stores,
  Whate'er of mimic Art's reflected forms                       140
  With love and admiration thus inflame
  The powers of Fancy, her delighted sons
  To three illustrious orders have referr'd;
  Three sister graces, whom the painter's hand,
  The poet's tongue confesses--the Sublime,
  The Wonderful, the Fair. I see them dawn!
  I see the radiant visions, where they rise,
  More lovely than when Lucifer displays
  His beaming forehead through the gates of morn,
  To lead the train of Phoebus and the spring.                  150

  Say, why was man [Endnote A] so eminently raised
  Amid the vast Creation; why ordain'd
  Through life and death to dart his piercing eye,
  With thoughts beyond the limit of his frame;
  But that the Omnipotent might send him forth
  In sight of mortal and immortal powers,
  As on a boundless theatre, to run
  The great career of justice; to exalt
  His generous aim to all diviner deeds;
  To chase each partial purpose from his breast;                160
  And through the mists of passion and of sense,
  And through the tossing tide of chance and pain,
  To hold his course unfaltering, while the voice
  Of truth and virtue, up the steep ascent
  Of nature, calls him to his high reward,
  The applauding smile of Heaven? Else wherefore burns
  In mortal bosoms this unquenched hope,
  That breathes from day to day sublimer things,
  And mocks possession? Wherefore darts the mind,
  With such resistless ardour to embrace                        170
  Majestic forms; impatient to be free,
  Spurning the gross control of wilful might;
  Proud of the strong contention of her toils;
  Proud to be daring? Who but rather turns
  To heaven's broad fire his unconstrained view,                175
  Than to the glimmering of a waxen flame?
  Who that, from Alpine heights, his labouring eye
  Shoots round the wide horizon, to survey
  Nilus or Ganges rolling his bright wave
  Through mountains, plains, through empires black with shade,  180
  And continents of sand, will turn his gaze
  To mark the windings of a scanty rill
  That murmurs at his feet? The high-born soul
  Disdains to rest her heaven-aspiring wing
  Beneath its native quarry. Tired of earth
  And this diurnal scene, she springs aloft
  Through fields of air; pursues the flying storm;
  Rides on the vollied lightning through the heavens;
  Or, yoked with whirlwinds and the northern blast,
  Sweeps the long tract of day. Then high she soars             190
  The blue profound, and hovering round the sun
  Beholds him pouring the redundant stream
  Of light; beholds his unrelenting sway
  Bend the reluctant planets to absolve
  The fated rounds of Time. Thence far effused
  She darts her swiftness up the long career
  Of devious comets; through its burning signs
  Exulting measures the perennial wheel
  Of Nature, and looks back on all the stars,
  Whose blended light, as with a milky zone,                    200
  Invests the orient. Now amazed she views
  The empyreal waste, [Endnote B] where happy spirits hold,
  Beyond this concave heaven, their calm abode;
  And fields of radiance, whose unfading light [Endnote C]

  Has travell'd the profound six thousand years,
  Nor yet arrives in sight of mortal things.
  Even on the barriers of the world untired
  She meditates the eternal depth below;                        208
  Till, half recoiling, down the headlong steep
  She plunges; soon o'erwhelm'd and swallow'd up
  In that immense of being. There her hopes
  Rest at the fated goal. For from the birth
  Of mortal man, the Sovereign Maker said,
  That not in humble nor in brief delight,
  Not in the fading echoes of renown,
  Power's purple robes, nor pleasure's flowery lap,
  The soul should find enjoyment: but from these
  Turning disdainful to an equal good,
  Through all the ascent of things enlarge her view,
  Till every bound at length should disappear,                  220
  And infinite perfection close the scene.

  Call now to mind what high capacious powers
  Lie folded up in man; how far beyond
  The praise of mortals, may the eternal growth
  Of Nature to perfection half divine,
  Expand the blooming soul! What pity then
  Should sloth's unkindly fogs depress to earth
  Her tender blossom; choke the streams of life,
  And blast her spring! Far otherwise design'd
  Almighty Wisdom; Nature's happy cares                         230
  The obedient heart far otherwise incline.
  Witness the sprightly joy when aught unknown
  Strikes the quick sense, and wakes each active power
  To brisker measures: witness the neglect
  Of all familiar prospects, [Endnote D] though beheld
  With transport once; the fond attentive gaze
  Of young astonishment; the sober zeal
  Of age, commenting on prodigious things.
  For such the bounteous providence of Heaven,
  In every breast implanting this desire                        240
  Of objects new and strange, [Endnote E] to urge us on
  With unremitted labour to pursue
  Those sacred stores that wait the ripening soul,
  In Truth's exhaustless bosom. What need words
  To paint its power? For this the daring youth
  Breaks from his weeping mother's anxious arms,
  In foreign climes to rove; the pensive sage,
  Heedless of sleep, or midnight's harmful damp,
  Hangs o'er the sickly taper; and untired
  The virgin follows, with enchanted step,                      250
  The mazes of some wild and wondrous tale,
  From morn to eve; unmindful of her form,
  Unmindful of the happy dress that stole
  The wishes of the youth, when every maid
  With envy pined. Hence, finally, by night
  The village matron, round the blazing hearth,
  Suspends the infant audience with her tales,
  Breathing astonishment! of witching rhymes,
  And evil spirits; of the death-bed call
  Of him who robb'd the widow, and devour'd                     260
  The orphan's portion; of unquiet souls
  Risen from the grave to ease the heavy guilt
  Of deeds in life conceal'd; of shapes that walk
  At dead of night, and clank their chains, and wave
  The torch of hell around the murderer's bed.
  At every solemn pause the crowd recoil,
  Gazing each other speechless, and congeal'd
  With shivering sighs: till eager for the event,
  Around the beldame all erect they hang,
  Each trembling heart with grateful terrors quell'd.           270

  But lo! disclosed in all her smiling pomp,
  Where Beauty onward moving claims the verse
  Her charms inspire: the freely-flowing verse
  In thy immortal praise, O form divine,
  Smooths her mellifluent stream. Thee, Beauty, thee
  The regal dome, and thy enlivening ray
  The mossy roofs adore: thou, better sun!
  For ever beamest on the enchanted heart
  Love, and harmonious wonder, and delight
  Poetic. Brightest progeny of Heaven!                          280
  How shall I trace thy features? where select
  The roseate hues to emulate thy bloom?
  Haste then, my song, through Nature's wide expanse,
  Haste then, and gather all her comeliest wealth,
  Whate'er bright spoils the florid earth contains,
  Whate'er the waters, or the liquid air,
  To deck thy lovely labour. Wilt thou fly
  With laughing Autumn to the Atlantic isles,
  And range with him the Hesperian field, and see
  Where'er his fingers touch the fruitful grove,                290
  The branches shoot with gold; where'er his step
  Marks the glad soil, the tender clusters grow
  With purple ripeness, and invest each hill
  As with the blushes of an evening sky?
  Or wilt thou rather stoop thy vagrant plume,
  Where gliding through his daughters honour'd shades,
  The smooth Peneus from his glassy flood
  Reflects purpureal Tempo's pleasant scene?
  Fair Tempe! haunt beloved of sylvan Powers,
  Of Nymphs and Fauns; where in the golden age                  300
  They play'd in secret on the shady brink
  With ancient Pan: while round their choral steps
  Young Hours and genial Gales with constant hand
  Shower'd blossoms, odours, shower'd ambrosial dews,
  And spring's Elysian bloom. Her flowery store
  To thee nor Tempe shall refuse; nor watch
  Of winged Hydra guard Hesperian fruits
  From thy free spoil. Oh, bear then, unreproved,
  Thy smiling treasures to the green recess
  Where young Dione stays. With sweetest airs                   310
  Entice her forth to lend her angel form
  For Beauty's honour'd image. Hither turn
  Thy graceful footsteps; hither, gentle maid,
  Incline thy polish'd forehead: let thy eyes
  Effuse the mildness of their azure dawn;
  And may the fanning breezes waft aside
  Thy radiant locks: disclosing, as it bends
  With airy softness from the marble neck,
  The cheek fair-blooming, and the rosy lip,
  Where winning smiles and pleasures sweet as love,             320
  With sanctity and wisdom, tempering blend
  Their soft allurement. Then the pleasing force
  Of Nature, and her kind parental care
  Worthier I'd sing: then all the enamour'd youth,
  With each admiring virgin, to my lyre
  Should throng attentive, while I point on high
  Where Beauty's living image, like the Morn
  That wakes in Zephyr's arms the blushing May,
  Moves onward; or as Venus, when she stood
  Effulgent on the pearly car, and smiled,                      330
  Fresh from the deep, and conscious of her form,
  To see the Tritons tune their vocal shells,
  And each cerulean sister of the flood
  With loud acclaim attend her o'er the waves,
  To seek the Idalian bower. Ye smiling band
  Of youths and virgins, who through all the maze
  Of young desire with rival steps pursue
  This charm of Beauty, if the pleasing toil
  Can yield a moment's respite, hither turn
  Your favourable ear, and trust my words.                      340
  I do not mean to wake the gloomy form
  Of Superstition dress'd in Wisdom's garb,
  To damp your tender hopes; I do not mean
  To bid the jealous thunderer fire the heavens,
  Or shapes infernal rend the groaning earth
  To fright you from your joys: my cheerful song
  With better omens calls you to the field,
  Pleased with your generous ardour in the chase,
  And warm like you. Then tell me, for ye know,
  Does Beauty ever deign to dwell where health                  350
  And active use are strangers? Is her charm
  Confess'd in aught, whose most peculiar ends
  Are lame and fruitless? Or did Nature mean
  This pleasing call the herald of a lie,
  To hide the shame of discord and disease,
  And catch with fair hypocrisy the heart
  Of idle faith? Oh, no! with better cares
  The indulgent mother, conscious how infirm
  Her offspring tread the paths of good and ill,
  By this illustrious image, in each kind                       360
  Still most illustrious where the object holds
  Its native powers most perfect, she by this
  Illumes the headstrong impulse of desire,
  And sanctifies his choice. The generous glebe
  Whose bosom smiles with verdure, the clear tract
  Of streams delicious to the thirsty soul,
  The bloom of nectar'd fruitage ripe to sense,
  And every charm of animated things,
  Are only pledges of a state sincere,
  The integrity and order of their frame,                       370
  When all is well within, and every end
  Accomplish'd. Thus was Beauty sent from heaven,
  The lovely ministries of Truth and Good
  In this dark world: for Truth and Good are one,
  And Beauty dwells in them, [Endnote F] and they in her,
  With like participation. Wherefore then,
  O sons of earth! would ye dissolve the tie?
  Oh! wherefore, with a rash impetuous aim,
  Seek ye those flowery joys with which the hand
  Of lavish Fancy paints each flattering scene                  380
  Where Beauty seems to dwell, nor once inquire
  Where is the sanction of eternal Truth,
  Or where the seal of undeceitful Good,
  To save your search from folly! Wanting these,
  Lo! Beauty withers in your void embrace,
  And with the glittering of an idiot's toy
  Did Fancy mock your vows. Nor let the gleam
  Of youthful hope that shines upon your hearts,
  Be chill'd or clouded at this awful task,
  To learn the lore of undeceitful Good,                        390
  And Truth eternal. Though the poisonous charms
  Of baleful Superstition guide the feet
  Of servile numbers, through a dreary way
  To their abode, through deserts, thorns, and mire;
  And leave the wretched pilgrim all forlorn
  To muse at last, amid the ghostly gloom
  Of graves, and hoary vaults, and cloister'd cells;
  To walk with spectres through the midnight shade,
  And to the screaming owl's accursed song
  Attune the dreadful workings of his heart;                    400
  Yet be not ye dismay'd. A gentler star
  Your lovely search illumines. From the grove
  Where Wisdom talk'd with her Athenian sons,
  Could my ambitious hand entwine a wreath
  Of Plato's olive with the Mantuan bay,
  Then should my powerful verse at once dispel
  Those monkish horrors: then in light divine
  Disclose the Elysian prospect, where the steps
  Of those whom Nature charms, through blooming walks,
  Through fragrant mountains and poetic streams,                410
  Amid the train of sages, heroes, bards,
  Led by their winged Genius, and the choir
  Of laurell'd science and harmonious art,
  Proceed exulting to the eternal shrine,
  Where Truth conspicuous with her sister-twins,
  The undivided partners of her sway,
  With Good and Beauty reigns. Oh, let not us,
  Lull'd by luxurious Pleasure's languid strain,
  Or crouching to the frowns of bigot rage,
  Oh, let us not a moment pause to join                         420
  That godlike band. And if the gracious Power
  Who first awaken'd my untutor'd song,
  Will to my invocation breathe anew
  The tuneful spirit; then through all our paths,
  Ne'er shall the sound of this devoted lyre
  Be wanting; whether on the rosy mead,
  When summer smiles, to warn the melting heart
  Of luxury's allurement; whether firm
  Against the torrent and the stubborn hill
  To urge bold Virtue's unremitted nerve,                       430
  And wake the strong divinity of soul
  That conquers chance and fate; or whether struck
  For sounds of triumph, to proclaim her toils
  Upon the lofty summit, round her brow
  To twine the wreath of incorruptive praise;
  To trace her hallow'd light through future worlds,
  And bless Heaven's image in the heart of man.

  Thus with a faithful aim have we presumed,
  Adventurous, to delineate Nature's form;
  Whether in vast, majestic pomp array'd,                       440
  Or dress'd for pleasing wonder, or serene
  In Beauty's rosy smile. It now remains,
  Through various being's fair proportion'd scale,
  To trace the rising lustre of her charms,
  From their first twilight, shining forth at length
  To full meridian splendour. Of degree
  The least and lowliest, in the effusive warmth
  Of colours mingling with a random blaze,
  Doth Beauty dwell. Then higher in the line
  And variation of determined shape,                            450
  Where Truth's eternal measures mark the bound
  Of circle, cube, or sphere. The third ascent
  Unites this varied symmetry of parts
  With colour's bland allurement; as the pearl
  Shines in the concave of its azure bed,
  And painted shells indent their speckled wreath.
  Then more attractive rise the blooming forms
  Through which the breath of Nature has infused
  Her genial power to draw with pregnant veins
  Nutritious moisture from the bounteous earth,                 460
  In fruit and seed prolific: thus the flowers
  Their purple honours with the Spring resume;
  And such the stately tree which Autumn bends
  With blushing treasures. But more lovely still
  Is Nature's charm, where to the full consent
  Of complicated members, to the bloom
  Of colour, and the vital change of growth,
  Life's holy flame and piercing sense are given,
  And active motion speaks the temper'd soul:
  So moves the bird of Juno; so the steed                       470
  With rival ardour beats the dusty plain,
  And faithful dogs with eager airs of joy
  Salute their fellows. Thus doth Beauty dwell
  There most conspicuous, even in outward shape,
  Where dawns the high expression of a mind:
  By steps conducting our enraptured search
  To that eternal origin, whose power,
  Through all the unbounded symmetry of things,
  Like rays effulging from the parent sun,
  This endless mixture of her charms diffused.                  480
  Mind, mind alone, (bear witness, earth and heaven!)
  The living fountains in itself contains
  Of beauteous and sublime: here hand in hand,
  Sit paramount the Graces; here enthroned,
  Celestial Venus, with divinest airs,
  Invites the soul to never-fading joy.
  Look then abroad through nature, to the range
  Of planets, suns, and adamantine spheres
  Wheeling unshaken through the void immense;
  And speak, O man! does this capacious scene                   490
  With half that kindling majesty dilate
  Thy strong conception, as when Brutus rose [Endnote G]
  Refulgent from the stroke of Caesar's fate,
  Amid the crowd of patriots; and his arm
  Aloft extending, like eternal Jove
  When guilt brings down the thunder, call'd aloud
  On Tully's name, and shook his crimson steel,
  And bade the father of his country, hail!
  For lo! the tyrant prostrate on the dust,
  And Rome again is free! Is aught so fair                      500
  In all the dewy landscapes of the Spring,
  In the bright eye of Hesper, or the morn,
  In Nature's fairest forms, is aught so fair
  As virtuous friendship? as the candid blush
  Of him who strives with fortune to be just?
  The graceful tear that streams for others' woes?
  Or the mild majesty of private life,
  Where Peace with ever blooming olive crowns
  The gate; where Honour's liberal hands effuse
  Unenvied treasures, and the snowy wings                       510
  Of Innocence and Love protect the scene?
  Once more search, undismay'd, the dark profound
  Where Nature works in secret; view the beds
  Of mineral treasure, and the eternal vault
  That bounds the hoary ocean; trace the forms
  Of atoms moving with incessant change
  Their elemental round; behold the seeds
  Of being, and the energy of life
  Kindling the mass with ever-active flame;
  Then to the secrets of the working mind                       520
  Attentive turn; from dim oblivion call
  Her fleet, ideal band; and bid them, go!
  Break through time's barrier, and o'ertake the hour
  That saw the heavens created: then declare
  If aught were found in those external scenes
  To move thy wonder now. For what are all
  The forms which brute, unconscious matter wears,
  Greatness of bulk, or symmetry of parts?
  Not reaching to the heart, soon feeble grows
  The superficial impulse; dull their charms,                   530
  And satiate soon, and pall the languid eye.
  Not so the moral species, nor the powers
  Of genius and design; the ambitious mind
  There sees herself: by these congenial forms
  Touch'd and awaken'd, with intenser act
  She bends each nerve, and meditates well pleased
  Her features in the mirror. For, of all
  The inhabitants of earth, to man alone
  Creative Wisdom gave to lift his eye
  To Truth's eternal measures; thence to frame                  540
  The sacred laws of action and of will,
  Discerning justice from unequal deeds,
  And temperance from folly. But beyond
  This energy of Truth, whose dictates bind
  Assenting reason, the benignant Sire,
  To deck the honour'd paths of just and good,
  Has added bright Imagination's rays:
  Where Virtue, rising from the awful depth
  Of Truth's mysterious bosom, [Endnote H] doth forsake
  The unadorn'd condition of her birth;                         550
  And dress'd by Fancy in ten thousand hues,
  Assumes a various feature, to attract,
  With charms responsive to each gazer's eye,
  The hearts of men. Amid his rural walk,
  The ingenuous youth, whom solitude inspires
  With purest wishes, from the pensive shade
  Beholds her moving, like a virgin muse
  That wakes her lyre to some indulgent theme
  Of harmony and wonder: while among
  The herd of servile minds, her strenuous form                 560
  Indignant flashes on the patriot's eye,
  And through the rolls of memory appeals
  To ancient honour; or in act serene,
  Yet watchful, raises the majestic sword
  Of public Power, from dark Ambition's reach
  To guard the sacred volume of the laws.

  Genius of ancient Greece! whose faithful steps
  Well pleased I follow through the sacred paths
  Of Nature and of Science; nurse divine
  Of all heroic deeds and fair desires!                         570
  Oh! let the breath of thy extended praise
  Inspire my kindling bosom to the height
  Of this untempted theme. Nor be my thoughts
  Presumptuous counted, if, amid the calm
  That soothes this vernal evening into smiles,
  I steal impatient from the sordid haunts
  Of strife and low ambition, to attend
  Thy sacred presence in the sylvan shade,
  By their malignant footsteps ne'er profaned.
  Descend, propitious, to my favour'd eye!                      580
  Such in thy mien, thy warm, exalted air,
  As when the Persian tyrant, foil'd and stung
  With shame and desperation, gnash'd his teeth
  To see thee rend the pageants of his throne;
  And at the lightning of thy lifted spear
  Crouch'd like a slave. Bring all thy martial spoils,
  Thy palms, thy laurels, thy triumphal songs,
  Thy smiling band of art, thy godlike sires
  Of civil wisdom, thy heroic youth
  Warm from the schools of glory. Guide my way                  590
  Through fair Lyceum's [Endnote I] walk, the green retreats
  Of Academus, [Endnote J] and the thymy vale,
  Where oft enchanted with Socratic sounds,
  Ilissus [Endnote K] pure devolved his tuneful stream
  In gentler murmurs. From the blooming store
  Of these auspicious fields, may I unblamed
  Transplant some living blossoms to adorn
  My native clime: while far above the flight
  Of Fancy's plume aspiring, I unlock
  The springs of ancient wisdom! while I join                   600
  Thy name, thrice honour'd! with the immortal praise
  Of Nature; while to my compatriot youth
  I point the high example of thy sons,
  And tune to Attic themes the British lyre.





BOOK II.


ARGUMENT.

The separation of the works of Imagination from Philosophy, the
cause of their abuse among the moderns. Prospect of their reunion
under the influence of public Liberty. Enumeration of accidental
pleasures, which increase the effect of objects delightful to the
Imagination. The pleasures of sense. Particular circumstances of the
mind. Discovery of truth. Perception of contrivance and design.
Emotion of the passions. All the natural passions partake of a
pleasing sensation; with the final cause of this constitution
illustrated by an allegorical vision, and exemplified in sorrow, pity,
terror, and indignation.

  When shall the laurel and the vocal string
  Resume their honours? When shall we behold
  The tuneful tongue, the Promethean band
  Aspire to ancient praise? Alas! how faint,
  How slow the dawn of Beauty and of Truth
  Breaks the reluctant shades of Gothic night
  Which yet involves the nations! Long they groan'd
  Beneath the furies of rapacious force;
  Oft as the gloomy north, with iron swarms
  Tempestuous pouring from her frozen caves,                    10
  Blasted the Italian shore, and swept the works
  Of Liberty and Wisdom down the gulf
  Of all-devouring night. As long immured
  In noontide darkness, by the glimmering lamp,
  Each Muse and each fair Science pined away
  The sordid hours: while foul, barbarian hands
  Their mysteries profaned, unstrung the lyre,
  And chain'd the soaring pinion down to earth.
  At last the Muses rose, [Endnote L] and spurn'd their bonds,
  And, wildly warbling, scatter'd as they flew,                 20
  Their blooming wreaths from fair Valclusa's [Endnote M] bowers
  To Arno's [Endnote N] myrtle border and the shore
  Of soft Parthenope. [Endnote O] But still the rage
  Of dire ambition [Endnote P] and gigantic power,
  From public aims and from the busy walk
  Of civil commerce, drove the bolder train
  Of penetrating Science to the cells,
  Where studious Ease consumes the silent hour
  In shadowy searches and unfruitful care.
  Thus from their guardians torn, the tender arts [Endnote Q]   30
  Of mimic fancy and harmonious joy,
  To priestly domination and the lust
  Of lawless courts, their amiable toil
  For three inglorious ages have resign'd,
  In vain reluctant: and Torquato's tongue
  Was tuned for slavish pasans at the throne
  Of tinsel pomp: and Raphael's magic hand
  Effused its fair creation to enchant
  The fond adoring herd in Latian fanes
  To blind belief; while on their prostrate necks               40
  The sable tyrant plants his heel secure.
  But now, behold! the radiant era dawns,
  When freedom's ample fabric, fix'd at length
  For endless years on Albion's happy shore
  In full proportion, once more shall extend
  To all the kindred powers of social bliss
  A common mansion, a parental roof.
  There shall the Virtues, there shall Wisdom's train,
  Their long-lost friends rejoining, as of old,
  Embrace the smiling family of Arts,                           50
  The Muses and the Graces. Then no more
  Shall Vice, distracting their delicious gifts
  To aims abhorr'd, with high distaste and scorn
  Turn from their charms the philosophic eye,
  The patriot bosom; then no more the paths
  Of public care or intellectual toil,
  Alone by footsteps haughty and severe
  In gloomy state be trod: the harmonious Muse
  And her persuasive sisters then shall plant
  Their sheltering laurels o'er the bleak ascent,               60
  And scatter flowers along the rugged way.
  Arm'd with the lyre, already have we dared
  To pierce divine Philosophy's retreats,
  And teach the Muse her lore; already strove
  Their long-divided honours to unite,
  While tempering this deep argument we sang
  Of Truth and Beauty. Now the same glad task
  Impends; now urging our ambitious toil,
  We hasten to recount the various springs
  Of adventitious pleasure, which adjoin                        70
  Their grateful influence to the prime effect
  Of objects grand or beauteous, and enlarge
  The complicated joy. The sweets of sense,
  Do they not oft with kind accession flow,
  To raise harmonious Fancy's native charm?
  So while we taste the fragrance of the rose,
  Glows not her blush the fairer? While we view
  Amid the noontide walk a limpid rill
  Gush through the trickling herbage, to the thirst
  Of summer yielding the delicious draught                      80
  Of cool refreshment, o'er the mossy brink
  Shines not the surface clearer, and the waves
  With sweeter music murmur as they flow?

  Nor this alone; the various lot of life
  Oft from external circumstance assumes
  A moment's disposition to rejoice
  In those delights which, at a different hour,
  Would pass unheeded. Fair the face of Spring,
  When rural songs and odours wake the morn,
  To every eye; but how much more to his                        90
  Round whom the bed of sickness long diffused
  Its melancholy gloom! how doubly fair,
  When first with fresh-born vigour he inhales
  The balmy breeze, and feels the blessed sun
  Warm at his bosom, from the springs of life
  Chasing oppressive damps and languid pain!

  Or shall I mention, where celestial Truth
  Her awful light discloses, to bestow
  A more majestic pomp on Beauty's frame?
  For man loves knowledge, and the beams of Truth               100
  More welcome touch his understanding's eye,
  Than all the blandishments of sound his ear,
  Than all of taste his tongue. Nor ever yet
  The melting rainbow's vernal-tinctured hues
  To me have shown so pleasing, as when first
  The hand of Science pointed out the path
  In which the sunbeams, gleaming from the west,
  Fall on the watery cloud, whose darksome veil
  Involves the orient; and that trickling shower
  Piercing through every crystalline convex                     110
  Of clustering dewdrops to their flight opposed,
  Recoil at length where concave all behind
  The internal surface of each glassy orb
  Repels their forward passage into air;
  That thence direct they seek the radiant goal
  From which their course began; and, as they strike
  In different lines the gazer's obvious eye,
  Assume a different lustre, through the brede
  Of colours changing from the splendid rose
  To the pale violet's dejected hue.                            120

  Or shall we touch that kind access of joy,
  That springs to each fair object, while we trace,
  Through all its fabric, Wisdom's artful aim,
  Disposing every part, and gaining still,
  By means proportion'd, her benignant end?
  Speak ye, the pure delight, whose favour'd steps
  The lamp of Science through the jealous maze
  Of Nature guides, when haply you reveal
  Her secret honours: whether in the sky,
  The beauteous laws of light, the central powers               130
  That wheel the pensile planets round the year;
  Whether in wonders of the rolling deep,
  Or the rich fruits of all-sustaining earth,
  Or fine-adjusted springs of life and sense,
  Ye scan the counsels of their Author's hand.

  What, when to raise the meditated scene,
  The flame of passion, through the struggling soul
  Deep-kindled, shows across that sudden blaze
  The object of its rapture, vast of size,
  With fiercer colours and a night of shade?                    140
  What, like a storm from their capacious bed
  The sounding seas o'erwhelming, when the might
  Of these eruptions, working from the depth
  Of man's strong apprehension, shakes his frame
  Even to the base; from every naked sense
  Of pain or pleasure, dissipating all
  Opinion's feeble coverings, and the veil
  Spun from the cobweb fashion of the times
  To hide the feeling heart? Then Nature speaks
  Her genuine language, and the words of men,                   150
  Big with the very motion of their souls,
  Declare with what accumulated force
  The impetuous nerve of passion urges on
  The native weight and energy of things.

  Yet more: her honours where nor Beauty claims,
  Nor shows of good the thirsty sense allure,
  From passion's power alone [Endnote R] our nature holds
  Essential pleasure. Passion's fierce illapse
  Rouses the mind's whole fabric; with supplies
  Of daily impulse keeps the elastic powers                     160
  Intensely poised, and polishes anew
  By that collision all the fine machine:
  Else rust would rise, and foulness, by degrees
  Encumbering, choke at last what heaven design'd
  For ceaseless motion and a round of toil.--
  But say, does every passion thus to man
  Administer delight? That name indeed
  Becomes the rosy breath of love; becomes
  The radiant smiles of joy, the applauding hand
  Of admiration: but the bitter shower                          170
  That sorrow sheds upon a brother's grave;
  But the dumb palsy of nocturnal fear,
  Or those consuming fires that gnaw the heart
  Of panting indignation, find we there
  To move delight?--Then listen while my tongue
  The unalter'd will of Heaven with faithful awe
  Reveals; what old Harmodius wont to teach
  My early age; Harmodius, who had weigh'd
  Within his learned mind whate'er the schools
  Of Wisdom, or thy lonely-whispering voice,                    180
  O faithful Nature! dictate of the laws
  Which govern and support this mighty frame
  Of universal being. Oft the hours
  From morn to eve have stolen unmark'd away,
  While mute attention hung upon his lips,
  As thus the sage his awful tale began:--

  ''Twas in the windings of an ancient wood,
  When spotless youth with solitude resigns
  To sweet philosophy the studious day,
  What time pale Autumn shades the silent eve,                  190
  Musing I roved. Of good and evil much,
  And much of mortal man my thought revolved;
  When starting full on fancy's gushing eye
  The mournful image of Parthenia's fate,
  That hour, O long beloved and long deplored!
  When blooming youth, nor gentlest wisdom's arts,
  Nor Hymen's honours gather'd for thy brow,
  Nor all thy lover's, all thy father's tears
  Avail'd to snatch thee from the cruel grave;
  Thy agonising looks, thy last farewell                        200
  Struck to the inmost feeling of my soul
  As with the hand of Death. At once the shade
  More horrid nodded o'er me, and the winds
  With hoarser murmuring shook the branches. Dark
  As midnight storms, the scene of human things
  Appear'd before me; deserts, burning sands,
  Where the parch'd adder dies; the frozen south,
  And desolation blasting all the west
  With rapine and with murder: tyrant power
  Here sits enthroned with blood; the baleful charms            210
  Of superstition there infect the skies,
  And turn the sun to horror. Gracious Heaven!
  What is the life of man? Or cannot these,
  Not these portents thy awful will suffice,
  That, propagated thus beyond their scope,
  They rise to act their cruelties anew
  In my afflicted bosom, thus decreed
  The universal sensitive of pain,
  The wretched heir of evils not its own?'

  Thus I impatient: when, at once effused,                      220
  A flashing torrent of celestial day
  Burst through the shadowy void. With slow descent
  A purple cloud came floating through the sky,
  And, poised at length within the circling trees,
  Hung obvious to my view; till opening wide
  Its lucid orb, a more than human form
  Emerging lean'd majestic o'er my head,
  And instant thunder shook the conscious grove.
  Then melted into air the liquid cloud,
  And all the shining vision stood reveal'd.                    230
  A wreath of palm his ample forehead bound,
  And o'er his shoulder, mantling to his knee,
  Flow'd the transparent robe, around his waist
  Collected with a radiant zone of gold
  Aethereal: there in mystic signs engraved,
  I read his office high and sacred name,
  Genius of human kind! Appall'd I gazed
  The godlike presence; for athwart his brow
  Displeasure, temper'd with a mild concern,
  Look'd down reluctant on me, and his words                    240
  Like distant thunders broke the murmuring air:

  'Vain are thy thoughts, O child of mortal birth!
  And impotent thy tongue. Is thy short span
  Capacious of this universal frame?--
  Thy wisdom all-sufficient? Thou, alas!
  Dost thou aspire to judge between the Lord
  Of Nature and his works--to lift thy voice
  Against the sovereign order he decreed,
  All good and lovely--to blaspheme the bands
  Of tenderness innate and social love,                         250
  Holiest of things! by which the general orb
  Of being, as by adamantine links,
  Was drawn to perfect union, and sustain'd
  From everlasting?  Hast thou felt the pangs
  Of softening sorrow, of indignant zeal,
  So grievous to the soul, as thence to wish
  The ties of Nature broken from thy frame,
  That so thy selfish, unrelenting heart
  Might cease to mourn its lot, no longer then
  The wretched heir of evils not its own?                       260
  O fair benevolence of generous minds!
  O man by Nature form'd for all mankind!'

  He spoke; abash'd and silent I remain'd,
  As conscious of my tongue's offence, and awed
  Before his presence, though my secret soul
  Disdain'd the imputation. On the ground
  I fix'd my eyes, till from his airy couch
  He stoop'd sublime, and touching with his hand
  My dazzling forehead, 'Raise thy sight,' he cried,
  'And let thy sense convince thy erring tongue.'               270

  I look'd, and lo! the former scene was changed;
  For verdant alleys and surrounding trees,
  A solitary prospect, wide and wild,
  Rush'd on my senses. 'Twas a horrid pile
  Of hills with many a shaggy forest mix'd,
  With many a sable cliff and glittering stream.
  Aloft, recumbent o'er the hanging ridge,
  The brown woods waved; while ever-trickling springs
  Wash'd from the naked roots of oak and pine
  The crumbling soil; and still at every fall                   280
  Down the steep windings of the channel'd rock,
  Remurmuring rush'd the congregated floods
  With hoarser inundation; till at last
  They reach'd a grassy plain, which from the skirts
  Of that high desert spread her verdant lap,
  And drank the gushing moisture, where confined
  In one smooth current, o'er the lilied vale
  Clearer than glass it flow'd. Autumnal spoils
  Luxuriant spreading to the rays of morn,
  Blush'd o'er the cliffs, whose half-encircling mound          290
  As in a sylvan theatre enclosed
  That flowery level. On the river's brink
  I spied a fair pavilion, which diffused
  Its floating umbrage 'mid the silver shade
  Of osiers. Now the western sun reveal'd
  Between two parting cliffs his golden orb,
  And pour'd across the shadow of the hills,
  On rocks and floods, a yellow stream of light
  That cheer'd the solemn scene. My listening powers
  Were awed, and every thought in silence hung,                 300
  And wondering expectation. Then the voice
  Of that celestial power, the mystic show
  Declaring, thus my deep attention call'd:--

  'Inhabitant of earth, [Endnote S] to whom is given
  The gracious ways of Providence to learn,
  Receive my sayings with a steadfast ear--
  Know then, the Sovereign Spirit of the world,
  Though, self-collected from eternal time,
  Within his own deep essence he beheld
  The bounds of true felicity complete,                         310
  Yet by immense benignity inclined
  To spread around him that primeval joy
  Which fill'd himself, he raised his plastic arm,
  And sounded through the hollow depths of space
  The strong, creative mandate. Straight arose
  These heavenly orbs, the glad abodes of life,
  Effusive kindled by his breath divine
  Through endless forms of being. Each inhaled
  From him its portion of the vital flame,
  In measure such, that, from the wide complex                  320
  Of coexistent orders, one might rise,
  One order, [Endnote T] all-involving and entire.
  He too, beholding in the sacred light
  Of his essential reason, all the shapes
  Of swift contingence, all successive ties
  Of action propagated through the sum
  Of possible existence, he at once,
  Down the long series of eventful time,
  So fix'd the dates of being, so disposed,
  To every living soul of every kind                            330
  The field of motion and the hour of rest,
  That all conspired to his supreme design,
  To universal good: with full accord
  Answering the mighty model he had chose,
  The best and fairest [Endnote U] of unnumber'd worlds
  That lay from everlasting in the store
  Of his divine conceptions. Nor content,
  By one exertion of creative power
  His goodness to reveal; through every age,
  Through every moment up the tract of time,                    340
  His parent hand with ever new increase
  Of happiness and virtue has adorn'd
  The vast harmonious frame: his parent hand,
  From the mute shell-fish gasping on the shore,
  To men, to angels, to celestial minds,
  For ever leads the generations on
  To higher scenes of being; while, supplied
  From day to day with his enlivening breath,
  Inferior orders in succession rise
  To fill the void below. As flame ascends, [Endnote V]         350
  As bodies to their proper centre move,
  As the poised ocean to the attracting moon
  Obedient swells, and every headlong stream
  Devolves its winding waters to the main;
  So all things which have life aspire to God,
  The sun of being, boundless, unimpair'd,
  Centre of souls! Nor does the faithful voice
  Of Nature cease to prompt their eager steps
  Aright; nor is the care of Heaven withheld
  From granting to the task proportion'd aid;                   360
  That in their stations all may persevere
  To climb the ascent of being, and approach
  For ever nearer to the life divine.--

  'That rocky pile thou seest, that verdant lawn
  Fresh-water'd from the mountains. Let the scene
  Paint in thy fancy the primeval seat
  Of man, and where the Will Supreme ordain'd
  His mansion, that pavilion fair-diffused
  Along the shady brink; in this recess
  To wear the appointed season of his youth,                    370
  Till riper hours should open to his toil
  The high communion of superior minds,
  Of consecrated heroes and of gods.
  Nor did the Sire Omnipotent forget
  His tender bloom to cherish; nor withheld
  Celestial footsteps from his green abode.
  Oft from the radiant honours of his throne,
  He sent whom most he loved, the sovereign fair,
  The effluence of his glory, whom he placed
  Before his eyes for ever to behold;                           380
  The goddess from whose inspiration flows
  The toil of patriots, the delight of friends;
  Without whose work divine, in heaven or earth,
  Nought lovely, nought propitious, conies to pass,
  Nor hope, nor praise, nor honour. Her the Sire
  Gave it in charge to rear the blooming mind,
  The folded powers to open, to direct
  The growth luxuriant of his young desires,
  And from the laws of this majestic world
  To teach him what was good. As thus the nymph                 390
  Her daily care attended, by her side
  With constant steps her gay companion stay'd,
  The fair Euphrosyne, the gentle queen
  Of smiles, and graceful gladness, and delights
  That cheer alike the hearts of mortal men
  And powers immortal. See the shining pair!
  Behold, where from his dwelling now disclosed
  They quit their youthful charge and seek the skies.'

  I look'd, and on the flowery turf there stood
  Between two radiant forms a smiling youth                     400
  Whose tender cheeks display'd the vernal flower
  Of beauty: sweetest innocence illumed
  His bashful eyes, and on his polish'd brow
  Sate young simplicity. With fond regard
  He view'd the associates, as their steps they moved;
  The younger chief his ardent eyes detain'd,
  With mild regret invoking her return.
  Bright as the star of evening she appear'd
  Amid the dusky scene. Eternal youth
  O'er all her form its glowing honours breathed;               410
  And smiles eternal from her candid eyes
  Flow'd, like the dewy lustre of the morn
  Effusive trembling on the placid waves.
  The spring of heaven had shed its blushing spoils
  To bind her sable tresses: full diffused
  Her yellow mantle floated in the breeze;
  And in her hand she waved a living branch
  Rich with immortal fruits, of power to calm
  The wrathful heart, and from the brightening eyes
  To chase the cloud of sadness. More sublime                   420
  The heavenly partner moved. The prime of age
  Composed her steps. The presence of a god,
  High on the circle of her brow enthroned,
  From each majestic motion darted awe,
  Devoted awe! till, cherish'd by her looks
  Benevolent and meek, confiding love
  To filial rapture soften'd all the soul.
  Free in her graceful hand she poised the sword
  Of chaste dominion. An heroic crown
  Display'd the old simplicity of pomp                          430
  Around her honour'd head. A matron's robe,
  White as the sunshine streams through vernal clouds,
  Her stately form invested. Hand in hand
  The immortal pair forsook the enamel'd green,
  Ascending slowly. Rays of limpid light
  Gleam'd round their path; celestial sounds were heard,
  And through the fragrant air ethereal dews
  Distill'd around them; till at once the clouds,
  Disparting wide in midway sky, withdrew
  Their airy veil, and left a bright expanse                    440
  Of empyrean flame, where, spent and drown'd,
  Afflicted vision plunged in vain to scan
  What object it involved. My feeble eyes
  Endured not. Bending down to earth I stood,
  With dumb attention. Soon a female voice,
  As watery murmurs sweet, or warbling shades,
  With sacred invocation thus began:

  'Father of gods and mortals! whose right arm
  With reins eternal guides the moving heavens,
  Bend thy propitious ear. Behold well pleased                  450
  I seek to finish thy divine decree.
  With frequent steps I visit yonder seat
  Of man, thy offspring; from the tender seeds
  Of justice and of wisdom, to evolve
  The latent honours of his generous frame;
  Till thy conducting hand shall raise his lot
  From earth's dim scene to these ethereal walks,
  The temple of thy glory. But not me,
  Not my directing voice he oft requires,
  Or hears delighted: this enchanting maid,                     460
  The associate thou hast given me, her alone
  He loves, O Father! absent, her he craves;
  And but for her glad presence ever join'd,
  Rejoices not in mine: that all my hopes
  This thy benignant purpose to fulfil,
  I deem uncertain: and my daily cares
  Unfruitful all and vain, unless by thee
  Still further aided in the work divine.'

  She ceased; a voice more awful thus replied:--
  'O thou, in whom for ever I delight,                          470
  Fairer than all the inhabitants of Heaven,
  Best image of thy Author! far from thee
  Be disappointment, or distaste, or blame;
  Who soon or late shalt every work fulfil,
  And no resistance find. If man refuse
  To hearken to thy dictates; or, allured
  By meaner joys, to any other power
  Transfer the honours due to thee alone;
  That joy which he pursues he ne'er shall taste,
  That power in whom delighteth ne'er behold.                   480
  Go then, once more, and happy be thy toil;
  Go then! but let not this thy smiling friend
  Partake thy footsteps. In her stead, behold!
  With thee the son of Nemesis I send;
  The fiend abhorr'd! whose vengeance takes account
  Of sacred order's violated laws.
  See where he calls thee, burning to be gone,
  Pierce to exhaust the tempest of his wrath
  On yon devoted head. But thou, my child,
  Control his cruel frenzy, and protect                         490
  Thy tender charge; that when despair shall grasp
  His agonising bosom, he may learn,
  Then he may learn to love the gracious hand
  Alone sufficient in the hour of ill,
  To save his feeble spirit; then confess
  Thy genuine honours, O excelling fair!
  When all the plagues that wait the deadly will
  Of this avenging demon, all the storms
  Of night infernal, serve but to display
  The energy of thy superior charms                             500
  With mildest awe triumphant o'er his rage,
  And shining clearer in the horrid gloom.'

  Here ceased that awful voice, and soon I felt
  The cloudy curtain of refreshing eve
  Was closed once more, from that immortal fire
  Sheltering my eyelids. Looking up, I view'd
  A vast gigantic spectre striding on
  Through murmuring thunders and a waste of clouds,
  With dreadful action. Black as night his brow
  Relentless frowns involved. His savage limbs                  510
  With sharp impatience violent he writhed,
  As through convulsive anguish; and his hand,
  Arm'd with a scorpion lash, full oft he raised
  In madness to his bosom; while his eyes
  Rain'd bitter tears, and bellowing loud he shook
  The void with horror. Silent by his side
  The virgin came. No discomposure stirr'd
  Her features. From the glooms which hung around,
  No stain of darkness mingled with the beam
  Of her divine effulgence. Now they stoop                      520
  Upon the river bank; and now to hail
  His wonted guests, with eager steps advanced
  The unsuspecting inmate of the shade.

  As when a famish'd wolf, that all night long
  Had ranged the Alpine snows, by chance at morn
  Sees from a cliff, incumbent o'er the smoke
  Of some lone village, a neglected kid
  That strays along the wild for herb or spring;
  Down from the winding ridge he sweeps amain,
  And thinks he tears him: so with tenfold rage,                530
  The monster sprung remorseless on his prey.
  Amazed the stripling stood: with panting breast
  Feebly he pour'd the lamentable wail
  Of helpless consternation, struck at once,
  And rooted to the ground. The Queen beheld
  His terror, and with looks of tenderest care
  Advanced to save him. Soon the tyrant felt
  Her awful power. His keen tempestuous arm
  Hung nerveless, nor descended where his rage
  Had aim'd the deadly blow: then dumb retired                  540
  With sullen rancour. Lo! the sovereign maid
  Folds with a mother's arms the fainting boy,
  Till life rekindles in his rosy cheek;
  Then grasps his hands, and cheers him with her tongue:--

  'Oh, wake thee, rouse thy spirit! Shall the spite
  Of yon tormentor thus appal thy heart,
  While I, thy friend and guardian, am at hand
  To rescue and to heal? Oh, let thy soul
  Remember, what the will of heaven ordains
  Is ever good for all; and if for all,                         550
  Then good for thee. Nor only by the warmth
  And soothing sunshine of delightful things,
  Do minds grow up and flourish. Oft misled
  By that bland light, the young unpractised views
  Of reason wander through a fatal road,
  Far from their native aim; as if to lie
  Inglorious in the fragrant shade, and wait
  The soft access of ever circling joys,
  Were all the end of being. Ask thyself,
  This pleasing error did it never lull                         560
  Thy wishes? Has thy constant heart refused
  The silken fetters of delicious ease?
  Or when divine Euphrosyne appear'd
  Within this dwelling, did not thy desires
  Hang far below the measure of thy fate,
  Which I reveal'd before thee, and thy eyes,
  Impatient of my counsels, turn away
  To drink the soft effusion of her smiles?
  Know then, for this the everlasting Sire
  Deprives thee of her presence, and instead,                  570
  O wise and still benevolent! ordains
  This horrid visage hither to pursue
  My steps; that so thy nature may discern
  Its real good, and what alone can save
  Thy feeble spirit in this hour of ill
  From folly and despair. O yet beloved!
  Let not this headlong terror quite o'erwhelm
  Thy scatter'd powers; nor fatal deem the rage
  Of this tormentor, nor his proud assault,
  While I am here to vindicate thy toil,                        580
  Above the generous question of thy arm.
  Brave by thy fears and in thy weakness strong,
  This hour he triumphs: but confront his might,
  And dare him to the combat, then with ease
  Disarm'd and quell'd, his fierceness he resigns
  To bondage and to scorn: while thus inured
  By watchful danger, by unceasing toil,
  The immortal mind, superior to his fate,
  Amid the outrage of external things,
  Firm as the solid base of this great world,                   590
  Rests on his own foundations. Blow, ye winds!
  Ye waves! ye thunders! roll your tempest on;
  Shake, ye old pillars of the marble sky!
  Till all its orbs and all its worlds of fire
  Be loosen'd from their seats; yet still serene,
  The unconquer'd mind looks down upon the wreck;
  And ever stronger as the storms advance,
  Firm through the closing ruin holds his way,
  Where Nature calls him to the destined goal.'

  So spake the goddess; while through all her frame             600
  Celestial raptures flow'd, in every word,
  In every motion kindling warmth divine
  To seize who listen'd. Vehement and swift
  As lightning fires the aromatic shade
  In Aethiopian fields, the stripling felt
  Her inspiration catch his fervid soul,
  And starting from his languor thus exclaim'd:--

  'Then let the trial come! and witness thou,
  If terror be upon me; if I shrink
  To meet the storm, or falter in my strength                   610
  When hardest it besets me. Do not think
  That I am fearful and infirm of soul,
  As late thy eyes beheld: for thou hast changed
  My nature; thy commanding voice has waked
  My languid powers to bear me boldly on,
  Where'er the will divine my path ordains
  Through toil or peril: only do not thou
  Forsake me; Oh, be thou for ever near,
  That I may listen to thy sacred voice,
  And guide by thy decrees my constant feet.                    620
  But say, for ever are my eyes bereft?
  Say, shall the fair Euphrosyne not once
  Appear again to charm me? Thou, in heaven!
  O thou eternal arbiter of things!
  Be thy great bidding done: for who am I,
  To question thy appointment? Let the frowns
  Of this avenger every morn o'ercast
  The cheerful dawn, and every evening damp
  With double night my dwelling; I will learn
  To hail them both, and unrepining bear                        630
  His hateful presence: but permit my tongue
  One glad request, and if my deeds may find
  Thy awful eye propitious, oh! restore
  The rosy-featured maid; again to cheer
  This lonely seat, and bless me with her smiles.'

  He spoke; when instant through the sable glooms
  With which that furious presence had involved
  The ambient air, a flood of radiance came
  Swift as the lightning flash; the melting clouds
  Flew diverse, and amid the blue serene                        640
  Euphrosyne appear'd. With sprightly step
  The nymph alighted on the irriguous lawn,
  And to her wondering audience thus began:--

  'Lo! I am here to answer to your vows,
  And be the meeting fortunate! I come
  With joyful tidings; we shall part no more--
  Hark! how the gentle echo from her cell
  Talks through the cliffs, and murmuring o'er the stream
  Repeats the accents; we shall part no more.--
  O my delightful friends! well pleased on high                 650
  The Father has beheld you, while the might
  Of that stern foe with bitter trial proved
  Your equal doings: then for ever spake
  The high decree, that thou, celestial maid!
  Howe'er that grisly phantom on thy steps
  May sometimes dare intrude, yet never more
  Shalt thou, descending to the abode of man,
  Alone endure the rancour of his arm,
  Or leave thy loved Euphrosyne behind.'

  She ended, and the whole romantic scene                       660
  Immediate vanish'd; rocks, and woods, and rills,
  The mantling tent, and each mysterious form
  Flew like the pictures of a morning dream,
  When sunshine fills the bed. Awhile I stood
  Perplex'd and giddy; till the radiant power
  Who bade the visionary landscape rise,
  As up to him I turn'd, with gentlest looks
  Preventing my inquiry, thus began:--

  'There let thy soul acknowledge its complaint
  How blind, how impious! There behold the ways                 670
  Of Heaven's eternal destiny to man,
  For ever just, benevolent, and wise:
  That Virtue's awful steps, howe'er pursued
  By vexing fortune and intrusive pain,
  Should never be divided from her chaste,
  Her fair attendant, Pleasure. Need I urge
  Thy tardy thought through all the various round
  Of this existence, that thy softening soul
  At length may learn what energy the hand
  Of virtue mingles in the bitter tide                          680
  Of passion swelling with distress and pain,
  To mitigate the sharp with gracious drops
  Of cordial pleasure? Ask the faithful youth,
  Why the cold urn of her whom long he loved
  So often fills his arms; so often draws
  His lonely footsteps at the silent hour,
  To pay the mournful tribute of his tears?
  Oh! he will tell thee, that the wealth of worlds
  Should ne'er seduce his bosom to forego
  That sacred hour, when, stealing from the noise               690
  Of care and envy, sweet remembrance soothes
  With virtue's kindest looks his aching breast,
  And turns his tears to rapture.--Ask the crowd
  Which flies impatient from the village walk
  To climb the neighbouring cliffs, when far below
  The cruel winds have hurl'd upon the coast
  Some helpless bark; while sacred Pity melts
  The general eye, or Terror's icy hand
  Smites their distorted limbs and horrent hair;
  While every mother closer to her breast                       700
  Catches her child, and pointing where the waves
  Foam through the shatter'd vessel, shrieks aloud
  As one poor wretch that spreads his piteous arms
  For succour, swallow'd by the roaring surge,
  As now another, dash'd against the rock,
  Drops lifeless down: Oh! deemest thou indeed
  No kind endearment here by Nature given
  To mutual terror and compassion's tears?
  No sweetly melting softness which attracts,
  O'er all that edge of pain, the social powers                 710
  To this their proper action and their end?--
  Ask thy own heart, when, at the midnight hour,
  Slow through that studious gloom thy pausing eye,
  Led by the glimmering taper, moves around
  The sacred volumes of the dead, the songs
  Of Grecian bards, and records writ by Fame
  For Grecian heroes, where the present power
  Of heaven and earth surveys the immortal page,
  Even as a father blessing, while he reads
  The praises of his son. If then thy soul,                     720
  Spurning the yoke of these inglorious days,
  Mix in their deeds, and kindle with their flame,
  Say, when the prospect blackens on thy view,
  When, rooted from the base, heroic states
  Mourn in the dust, and tremble at the frown
  Of cursed ambition; when the pious band
  Of youths who fought for freedom and their sires,
  Lie side by side in gore; when ruffian pride
  Usurps the throne of Justice, turns the pomp
  Of public power, the majesty of rule,                         730
  The sword, the laurel, and the purple robe,
  To slavish empty pageants, to adorn
  A tyrant's walk, and glitter in the eyes
  Of such as bow the knee; when honour'd urns
  Of patriots and of chiefs, the awful bust
  And storied arch, to glut the coward rage
  Of regal envy, strew the public way
  With hallow'd ruins; when the Muse's haunt,
  The marble porch where Wisdom wont to talk
  With Socrates or Tully, hears no more,                        740
  Save the hoarse jargon of contentious monks,
  Or female Superstition's midnight prayer;
  When ruthless Rapine from the hand of Time
  Tears the destroying scythe, with surer blow
  To sweep the works of glory from their base;
  Till Desolation o'er the grass-grown street
  Expands his raven wings, and up the wall,
  Where senates once the price of monarchs doom'd,
  Hisses the gliding snake through hoary weeds
  That clasp the mouldering column; thus defaced,               750
  Thus widely mournful when the prospect thrills
  Thy beating bosom, when the patriot's tear
  Starts from thine eye, and thy extended arm
  In fancy hurls the thunderbolt of Jove
  To fire the impious wreath on Philip's [Endnote W] brow,
  Or dash Octavius from the trophied car;
  Say, does thy secret soul repine to taste
  The big distress? Or wouldst thou then exchange
  Those heart-ennobling sorrows for the lot
  Of him who sits amid the gaudy herd                           760
  Of mute barbarians bending to his nod,
  And bears aloft his gold-invested front,
  And says within himself, I am a king,
  And wherefore should the clamorous voice of woe
  Intrude upon mine ear?--The baleful dregs
  Of these late ages, this inglorious draught
  Of servitude and folly, have not yet,
  Bless'd be the eternal Ruler of the world!
  Defiled to such a depth of sordid shame
  The native honours of the human soul,                         770
  Nor so effaced the image of its Sire.'





BOOK III.


ARGUMENT.

Pleasure in observing the tempers and manners of men, even where
vicious or absurd. The origin of Vice, from false representations of
the fancy, producing false opinions concerning good and evil.
Inquiry into ridicule. The general sources of ridicule in the minds
and characters of men, enumerated. Final cause of the sense of
ridicule. The resemblance of certain aspects of inanimate things to
the sensations and properties of the mind. The operations of the
mind in the production of the works of Imagination, described. The
secondary pleasure from Imitation. The benevolent order of the world
illustrated in the arbitrary connexion of these pleasures with the
objects which excite them. The nature and conduct of taste.
Concluding with an account of the natural and moral advantages
resulting from a sensible and well formed imagination.

  What wonder therefore, since the endearing ties
  Of passion link the universal kind
  Of man so close, what wonder if to search
  This common nature through the various change
  Of sex, and age, and fortune, and the frame
  Of each peculiar, draw the busy mind
  With unresisted charms? The spacious west,
  And all the teeming regions of the south,
  Hold not a quarry, to the curious flight
  Of Knowledge, half so tempting or so fair,                    10
  As man to man. Nor only where the smiles
  Of Love invite; nor only where the applause
  Of cordial Honour turns the attentive eye
  On Virtue's graceful deeds. For, since the course
  Of things external acts in different ways
  On human apprehensions, as the hand
  Of Nature temper'd to a different frame
  Peculiar minds; so haply where the powers
  Of Fancy [Endnote X] neither lessen nor enlarge
  The images of things, but paint in all                        20
  Their genuine hues, the features which they wore
  In Nature; there Opinion will be true,
  And Action right. For Action treads the path
  In which Opinion says he follows good,
  Or flies from evil; and Opinion gives
  Report of good or evil, as the scene
  Was drawn by Fancy, lovely or deform'd:
  Thus her report can never there be true
  Where Fancy cheats the intellectual eye,
  With glaring colours and distorted lines.                     30
  Is there a man, who, at the sound of death,
  Sees ghastly shapes of terror conjured up,
  And black before him; nought but death-bed groans
  And fearful prayers, and plunging from the brink
  Of light and being, down the gloomy air,
  An unknown depth? Alas! in such a mind,
  If no bright forms of excellence attend
  The image of his country; nor the pomp
  Of sacred senates, nor the guardian voice
  Of Justice on her throne, nor aught that wakes               40
  The conscious bosom with a patriot's flame;
  Will not Opinion tell him, that to die,
  Or stand the hazard, is a greater ill
  Than to betray his country? And in act
  Will he not choose to be a wretch and live?
  Here vice begins then. From the enchanting cup
  Which Fancy holds to all, the unwary thirst
  Of youth oft swallows a Circaean draught,
  That sheds a baleful tincture o'er the eye
  Of Reason, till no longer he discerns,                        50
  And only guides to err. Then revel forth
  A furious band that spurn him from the throne,
  And all is uproar. Thus Ambition grasps
  The empire of the soul; thus pale Revenge
  Unsheaths her murderous dagger; and the hands
  Of Lust and Rapine, with unholy arts,
  Watch to o'erturn the barrier of the laws
  That keeps them from their prey; thus all the plagues
  The wicked bear, or o'er the trembling scone
  The tragic Muse discloses, under shapes                       60
  Of honour, safety, pleasure, ease, or pomp,
  Stole first into the mind. Yet not by all
  Those lying forms, which Fancy in the brain
  Engenders, are the kindling passions driven
  To guilty deeds; nor Reason bound in chains,
  That Vice alone may lord it: oft adorn'd
  With solemn pageants, Folly mounts the throne,
  And plays her idiot antics, like a queen.
  A thousand garbs she wears; a thousand ways
  She wheels her giddy empire.--Lo! thus far                    70
  With bold adventure, to the Mantuan lyre
  I sing of Nature's charms, and touch well pleased
  A stricter note: now haply must my song
  Unbend her serious measure, and reveal
  In lighter strains, how Folly's awkward arts [Endnote Y]
  Excite impetuous Laughter's gay rebuke;
  The sportive province of the comic Muse.

  See! in what crowds the uncouth forms advance:
  Each would outstrip the other, each prevent
  Our careful search, and offer to your gaze,                   80
  Unask'd, his motley features. Wait awhile,
  My curious friends! and let us first arrange
  In proper order your promiscuous throng.

  Behold the foremost band; [Endnote Z] of slender thought,
  And easy faith; whom flattering Fancy soothes
  With lying spectres, in themselves to view
  Illustrious forms of excellence and good,
  That scorn the mansion. With exulting hearts
  They spread their spurious treasures to the sun,
  And bid the world admire! But chief the glance                90
  Of wishful Envy draws their joy-bright eyes,
  And lifts with self-applause each lordly brow.
  In number boundless as the blooms of Spring,
  Behold their glaring idols, empty shades
  By Fancy gilded o'er, and then set up
  For adoration. Some in Learning's garb,
  With formal band, and sable-cinctured gown,
  And rags of mouldy volumes. Some elate
  With martial splendour, steely pikes and swords
  Of costly frame, and gay Phoenician robes                     100
  Inwrought with flowery gold, assume the port
  Of stately Valour: listening by his side
  There stands a female form; to her, with looks
  Of earnest import, pregnant with amaze,
  He talks of deadly deeds, of breaches, storms,
  And sulphurous mines, and ambush: then at once
  Breaks off, and smiles to see her look so pale,
  And asks some wondering question of her fears.
  Others of graver mien; behold, adorn'd
  With holy ensigns, how sublime they move,                     110
  And bending oft their sanctimonious eyes
  Take homage of the simple-minded throng;
  Ambassadors of Heaven! Nor much unlike
  Is he, whose visage in the lazy mist
  That mantles every feature, hides a brood
  Of politic conceits, of whispers, nods,
  And hints deep omen'd with unwieldy schemes,
  And dark portents of state. Ten thousand more,
  Prodigious habits and tumultuous tongues,
  Pour dauntless in and swell the boastful band.                120

  Then comes the second order; [Endnote AA] all who seek
  The debt of praise, where watchful Unbelief
  Darts through the thin pretence her squinting eye
  On some retired appearance which belies
  The boasted virtue, or annuls the applause
  That Justice else would pay. Here side by side
  I see two leaders of the solemn train
  Approaching: one a female old and gray,
  With eyes demure, and wrinkle-furrow'd brow,
  Pale as the cheeks of death; yet still she stuns              130
  The sickening audience with a nauseous tale,
  How many youths her myrtle chains have worn,
  How many virgins at her triumphs pined!
  Yet how resolved she guards her cautious heart;
  Such is her terror at the risks of love,
  And man's seducing tongue! The other seems
  A bearded sage, ungentle in his mien,
  And sordid all his habit; peevish Want
  Grins at his heels, while down the gazing throng
  He stalks, resounding in magnific praise                      140
  The vanity of riches, the contempt
  Of pomp and power. Be prudent in your zeal,
  Ye grave associates! let the silent grace
  Of her who blushes at the fond regard
  Her charms inspire, more eloquent unfold
  The praise of spotless honour: let the man,
  Whose eye regards not his illustrious pomp
  And ample store, but as indulgent streams
  To cheer the barren soil and spread the fruits
  Of joy, let him by juster measures fix                        150
  The price of riches and the end of power.

  Another tribe succeeds; [Endnote BB] deluded long
  By Fancy's dazzling optics, these behold
  The images of some peculiar things
  With brighter hues resplendent, and portray'd
  With features nobler far than e'er adorn'd
  Their genuine objects. Hence the fever'd heart
  Pants with delirious hope for tinsel charms;
  Hence oft obtrusive on the eye of scorn,
  Untimely zeal her witless pride betrays!                      160
  And serious manhood from the towering aim
  Of wisdom, stoops to emulate the boast
  Of childish toil. Behold yon mystic form
  Bedeck'd with feathers, insects, weeds, and shells!
  Not with intenser view the Samian sage
  Bent his fix'd eye on heaven's intenser fires,
  When first the order of that radiant scene
  Swell'd his exulting thought, than this surveys
  A muckworm's entrails, or a spider's fang.
  Next him a youth, with flowers and myrtles crown'd,           170
  Attends that virgin form, and blushing kneels,
  With fondest gesture and a suppliant's tongue,
  To win her coy regard: adieu, for him,
  The dull engagements of the bustling world!
  Adieu the sick impertinence of praise!
  And hope, and action! for with her alone,
  By streams and shades, to steal these sighing hours,
  Is all he asks, and all that fate can give!
  Thee too, facetious Momion, wandering here,
  Thee, dreaded censor, oft have I beheld                       180
  Bewilder'd unawares: alas! too long
  Flush'd with thy comic triumphs and the spoils
  Of sly derision! till on every side
  Hurling thy random bolts, offended Truth
  Assign'd thee here thy station with the slaves
  Of Folly. Thy once formidable name
  Shall grace her humble records, and be heard
  In scoffs and mockery bandied from the lips
  Of all the vengeful brotherhood around,
  So oft the patient victims of thy scorn.                      190

  But now, ye gay! [Endnote CC] to whom indulgent fate,
  Of all the Muse's empire hath assign'd
  The fields of folly, hither each advance
  Your sickles; here the teeming soil affords
  Its richest growth. A favourite brood appears,
  In whom the demon, with a mother's joy,
  Views all her charms reflected, all her cares
  At full repaid. Ye most illustrious band!
  Who, scorning Reason's tame, pedantic rules,
  And Order's vulgar bondage, never meant                       200
  For souls sublime as yours, with generous zeal
  Pay Vice the reverence Virtue long usurp'd,
  And yield Deformity the fond applause
  Which Beauty wont to claim, forgive my song,
  That for the blushing diffidence of youth,
  It shuns the unequal province of your praise.

  Thus far triumphant [Endnote DD] in the pleasing guile
  Of bland Imagination, Folly's train
  Have dared our search: but now a dastard kind
  Advance reluctant, and with faltering feet                    210
  Shrink from the gazer's eye: enfeebled hearts
  Whom Fancy chills with visionary fears,
  Or bends to servile tameness with conceits
  Of shame, of evil, or of base defect,
  Fantastic and delusive. Here the slave
  Who droops abash'd when sullen Pomp surveys
  His humbler habit; here the trembling wretch
  Unnerved and struck with Terror's icy bolts,
  Spent in weak wailings, drown'd in shameful tears,
  At every dream of danger: here, subdued                       220
  By frontless laughter and the hardy scorn
  Of old, unfeeling vice, the abject soul,
  Who, blushing, half resigns the candid praise
  Of Temperance and Honour; half disowns
  A freeman's hatred of tyrannic pride;
  And hears with sickly smiles the venal mouth
  With foulest licence mock the patriot's name.

  Last of the motley bands [Endnote EE] on whom the power
  Of gay Derision bends her hostile aim,
  Is that where shameful Ignorance presides.                    230
  Beneath her sordid banners, lo! they march
  Like blind and lame. Whate'er their doubtful hands
  Attempt, Confusion straight appears behind,
  And troubles all the work. Through many a maze,
  Perplex'd they struggle, changing every path,
  O'erturning every purpose; then at last
  Sit down dismay'd, and leave the entangled scene
  For Scorn to sport with. Such then is the abode
  Of Folly in the mind; and such the shapes
  In which she governs her obsequious train.                    240

  Through every scene of ridicule in things
  To lead the tenor of my devious lay;
  Through every swift occasion, which the hand
  Of Laughter points at, when the mirthful sting
  Distends her sallying nerves and chokes her tongue;
  What were it but to count each crystal drop
  Which Morning's dewy fingers on the blooms
  Of May distil? Suffice it to have said, [Endnote FF]
  Where'er the power of Ridicule displays
  Her quaint-eyed visage, some incongruous form,                250
  Some stubborn dissonance of things combined,
  Strikes on the quick observer: whether Pomp,
  Or Praise, or Beauty, mix their partial claim
  Where sordid fashions, where ignoble deeds,
  Where foul Deformity are wont to dwell;
  Or whether these with violation loathed,
  Invade resplendent Pomp's imperious mien,
  The charms of Beauty, or the boast of Praise.

  Ask we for what fair end, [Endnote GG] the Almighty Sire
  In mortal bosoms wakes this gay contempt,                     260
  These grateful stings of laughter, from disgust
  Educing pleasure? Wherefore, but to aid
  The tardy steps of Reason, and at once
  By this prompt impulse urge us to depress
  The giddy aims of Folly? Though the light
  Of Truth slow dawning on the inquiring mind,
  At length unfolds, through many a subtile tie,
  How these uncouth disorders end at last
  In public evil! yet benignant Heaven,
  Conscious how dim the dawn of truth appears                   270
  To thousands; conscious what a scanty pause
  From labours and from care, the wider lot
  Of humble life affords for studious thought
  To scan the maze of Nature; therefore stamp'd
  The glaring scenes with characters of scorn,
  As broad, as obvious, to the passing clown,
  As to the letter'd sage's curious eye.

  Such are the various aspects of the mind--
  Some heavenly genius, whose unclouded thoughts
  Attain that secret harmony which blends                       280
  The etherial spirit with its mould of clay,
  Oh! teach me to reveal the grateful charm
  That searchless Nature o'er the sense of man
  Diffuses, to behold, in lifeless things,
  The inexpressive semblance [Endnote HH] of himself,
  Of thought and passion. Mark the sable woods
  That shade sublime yon mountain's nodding brow:
  With what religious awe the solemn scene
  Commands your steps! as if the reverend form
  Of Minos or of Numa should forsake                            290
  The Elysian seats, and down the embowering glade
  Move to your pausing eye! Behold the expanse
  Of yon gay landscape, where the silver clouds
  Flit o'er the heavens before the sprightly breeze:
  Now their gray cincture skirts the doubtful sun;
  Now streams of splendour, through their opening veil
  Effulgent, sweep from off the gilded lawn
  The aerial shadows, on the curling brook,
  And on the shady margin's quivering leaves
  With quickest lustre glancing; while you view                 300
  The prospect, say, within your cheerful breast
  Plays not the lively sense of winning mirth
  With clouds and sunshine chequer'd, while the round
  Of social converse, to the inspiring tongue
  Of some gay nymph amid her subject train,
  Moves all obsequious? Whence is this effect,
  This kindred power of such discordant things?
  Or flows their semblance from that mystic tone
  To which the new-born mind's harmonious powers
  At first were strung? Or rather from the links                310
  Which artful custom twines around her frame?

  For when the different images of things,
  By chance combined, have struck the attentive soul
  With deeper impulse, or, connected long,
  Have drawn her frequent eye; howe'er distinct
  The external scenes, yet oft the ideas gain
  From that conjunction an eternal tie,
  And sympathy unbroken. Let the mind
  Recall one partner of the various league,
  Immediate, lo! the firm confederates rise,                    320
  And each his former station straight resumes:
  One movement governs the consenting throng,
  And all at once with rosy pleasure shine,
  Or all are sadden'd with the glooms of care.
  'Twas thus, if ancient fame the truth unfold,
  Two faithful needles, [Endnote II] from the informing touch
  Of the same parent stone, together drew
  Its mystic virtue, and at first conspired
  With fatal impulse quivering to the pole:
  Then, though disjoin'd by kingdoms, though the main           330
  Roll'd its broad surge betwixt, and different stars
  Beheld their wakeful motions, yet preserved
  The former friendship, and remember'd still
  The alliance of their birth: whate'er the line
  Which one possess'd, nor pause, nor quiet knew
  The sure associate, ere with trembling speed
  He found its path and fix'd unerring there.
  Such is the secret union, when we feel
  A song, a flower, a name, at once restore
  Those long-connected scenes where first they moved            340
  The attention, backward through her mazy walks
  Guiding the wanton fancy to her scope,
  To temples, courts, or fields, with all the band
  Of painted forms, of passions and designs
  Attendant; whence, if pleasing in itself,
  The prospect from that sweet accession gains
  Redoubled influence o'er the listening mind.

  By these mysterious ties, [Endnote JJ] the busy power
  Of Memory her ideal train preserves
  Entire; or when they would elude her watch,                   350
  Reclaims their fleeting footsteps from the waste
  Of dark oblivion; thus collecting all
  The various forms of being to present,
  Before the curious aim of mimic art,
  Their largest choice; like Spring's unfolded blooms
  Exhaling sweetness, that the skilful bee
  May taste at will, from their selected spoils
  To work her dulcet food. For not the expanse
  Of living lakes in Summer's noontide calm,
  Reflects the bordering shade, and sun-bright heavens,         360
  With fairer semblance; not the sculptured gold
  More faithful keeps the graver's lively trace,
  Than he whose birth the sister powers of Art
  Propitious view'd, and from his genial star
  Shed influence to the seeds of fancy kind,
  Than his attemper'd bosom must preserve
  The seal of Nature. There alone unchanged,
  Her form remains. The balmy walks of May
  There breathe perennial sweets; the trembling chord
  Resounds for ever in the abstracted ear,                      370
  Melodious; and the virgin's radiant eye,
  Superior to disease, to grief, and time,
  Shines with unbating lustre. Thus at length
  Endow'd with all that nature can bestow,
  The child of Fancy oft in silence bends
  O'er these mix'd treasures of his pregnant breast
  With conscious pride. From them he oft resolves
  To frame he knows not what excelling things,
  And win he knows not what sublime reward
  Of praise and wonder. By degrees, the mind                    380
  Feels her young nerves dilate: the plastic powers
  Labour for action: blind emotions heave
  His bosom; and with loveliest frenzy caught,
  From earth to heaven he rolls his daring eye,
  From heaven to earth. Anon ten thousand shapes,
  Like spectres trooping to the wizard's call,
  Flit swift before him. From the womb of earth,
  From ocean's bed they come: the eternal heavens
  Disclose their splendours, and the dark abyss
  Pours out her births unknown. With fixed gaze                 390
  He marks the rising phantoms. Now compares
  Their different forms; now blends them, now divides,
  Enlarges and extenuates by turns;
  Opposes, ranges in fantastic bands,
  And infinitely varies. Hither now,
  Now thither fluctuates his inconstant aim,
  With endless choice perplex'd. At length his plan
  Begins to open. Lucid order dawns;
  And as from Chaos old the jarring seeds
  Of Nature at the voice divine repair'd                        400
  Each to its place, till rosy earth unveil'd
  Her fragrant bosom, and the joyful sun
  Sprung up the blue serene; by swift degrees
  Thus disentangled, his entire design
  Emerges. Colours mingle, features join,
  And lines converge: the fainter parts retire;
  The fairer eminent in light advance;
  And every image on its neighbour smiles.
  Awhile he stands, and with a father's joy
  Contemplates. Then with Promethean art,                       410
  Into its proper vehicle [Endnote KK] he breathes
  The fair conception; which, embodied thus,
  And permanent, becomes to eyes or ears
  An object ascertain'd: while thus inform'd,
  The various organs of his mimic skill,
  The consonance of sounds, the featured rock,
  The shadowy picture and impassion'd verse,
  Beyond their proper powers attract the soul
  By that expressive semblance, while in sight
  Of Nature's great original we scan                            420
  The lively child of Art; while line by line,
  And feature after feature we refer
  To that sublime exemplar whence it stole
  Those animating charms. Thus Beauty's palm
  Betwixt them wavering hangs: applauding Love
  Doubts where to choose; and mortal man aspires
  To tempt creative praise. As when a cloud
  Of gathering hail, with limpid crusts of ice
  Enclosed and obvious to the beaming sun,
  Collects his large effulgence; straight the heavens           430
  With equal flames present on either hand
  The radiant visage; Persia stands at gaze,
  Appall'd; and on the brink of Ganges doubts
  The snowy-vested seer, in Mithra's name,
  To which the fragrance of the south shall burn,
  To which his warbled orisons ascend.

  Such various bliss the well-tuned heart enjoys,
  Favour'd of Heaven! while, plunged in sordid cares,
  The unfeeling vulgar mocks the boon divine;
  And harsh Austerity, from whose rebuke                        440
  Young Love and smiling Wonder shrink away
  Abash'd and chill of heart, with sager frowns
  Condemns the fair enchantment. On my strain,
  Perhaps even now, some cold, fastidious judge
  Casts a disdainful eye; and calls my toil,
  And calls the love and beauty which I sing,
  The dream of folly. Thou, grave censor! say,
  Is Beauty then a dream, because the glooms
  Of dulness hang too heavy on thy sense,
  To let her shine upon thee? So the man                        450
  Whose eye ne'er open'd on the light of heaven,
  Might smile with scorn while raptured vision tells
  Of the gay-colour'd radiance flushing bright
  O'er all creation. From the wise be far
  Such gross unhallow'd pride; nor needs my song
  Descend so low; but rather now unfold,
  If human thought could reach, or words unfold,
  By what mysterious fabric of the mind,
  The deep-felt joys and harmony of sound
  Result from airy motion; and from shape                       460
  The lovely phantoms of sublime and fair.
  By what fine ties hath God connected things
  When present in the mind, which in themselves
  Have no connexion? Sure the rising sun
  O'er the cerulean convex of the sea,
  With equal brightness and with equal warmth
  Might roll his fiery orb, nor yet the soul
  Thus feel her frame expanded, and her powers
  Exulting in the splendour she beholds,
  Like a young conqueror moving through the pomp                470
  Of some triumphal day. When join'd at eve,
  Soft murmuring streams and gales of gentlest breath
  Melodious Philomela's wakeful strain
  Attemper, could not man's discerning ear
  Through all its tones the sympathy pursue,
  Nor yet this breath divine of nameless joy
  Steal through his veins and fan the awaken'd heart,
  Mild as the breeze, yet rapturous as the song?

  But were not Nature still endow'd at large
  With all that life requires, though unadorn'd                 480
  With such enchantment? Wherefore then her form
  So exquisitely fair? her breath perfumed
  With such ethereal sweetness? whence her voice
  Inform'd at will to raise or to depress
  The impassion'd soul? and whence the robes of light
  Which thus invest her with more lovely pomp
  Than Fancy can describe? Whence but from Thee,
  O source divine of ever-flowing love!
  And Thy unmeasured goodness? Not content
  With every food of life to nourish man,                       490
  By kind illusions of the wondering sense
  Thou mak'st all Nature beauty to his eye,
  Or music to his ear; well pleased he scans
  The goodly prospect, and with inward smiles
  Treads the gay verdure of the painted plain,
  Beholds the azure canopy of heaven,
  And living lamps that over-arch his head
  With more than regal splendour; bends his ears
  To the full choir of water, air, and earth;
  Nor heeds the pleasing error of his thought,                  500
  Nor doubts the painted green or azure arch,
  Nor questions more the music's mingling sounds,
  Than space, or motion, or eternal time;
  So sweet he feels their influence to attract
  The fixed soul, to brighten the dull glooms
  Of care, and make the destined road of life
  Delightful to his feet. So fables tell,
  The adventurous hero, bound on hard exploits,
  Beholds with glad surprise, by secret spells
  Of some kind sage, the patron of his toils,                   510
  A visionary paradise disclosed
  Amid the dubious wild; with streams, and shades,
  And airy songs, the enchanted landscape smiles,
  Cheers his long labours and renews his frame.

  What then is taste, but these internal powers
  Active, and strong, and feelingly alive
  To each fine impulse,--a discerning sense
  Of decent and sublime, with quick disgust
  From things deform'd, or disarranged, or gross
  In species? This, nor gems, nor stores of gold,               520
  Nor purple state, nor culture can bestow;
  But God alone, when first His active hand
  Imprints the secret bias of the soul.
  He, mighty Parent! wise and just in all,
  Free as the vital breeze or light of heaven,
  Reveals the charms of Nature. Ask the swain
  Who journeys homeward from a summer day's
  Long labour, why, forgetful of his toils
  And due repose, he loiters to behold
  The sunshine gleaming as through amber clouds,                530
  O'er all the western sky; full soon, I ween,
  His rude expression and untutor'd airs,
  Beyond the power of language, will unfold
  The form of beauty, smiling at his heart,
  How lovely! how commanding! But though Heaven
  In every breast hath sown these early seeds
  Of love and admiration, yet in vain,
  Without fair culture's kind parental aid,
  Without enlivening suns, and genial showers,
  And shelter from the blast, in vain we hope                   540
  The tender plant should rear its blooming head,
  Or yield the harvest promised in its spring.
  Nor yet will every soul with equal stores
  Repay the tiller's labour, or attend
  His will, obsequious, whether to produce
  The olive or the laurel. Different minds
  Incline to different objects; one pursues
  The vast alone, [Endnote LL] the wonderful, the wild;
  Another sighs for harmony, and grace,
  And gentlest beauty. Hence, when lightning fires              550
  The arch of heaven, and thunders rock the ground,
  When furious whirlwinds rend the howling air,
  And ocean, groaning from his lowest bed,
  Heaves his tempestuous billows to the sky;
  Amid the mighty uproar, while below
  The nations tremble, Shakspeare looks abroad
  Prom some high cliff, superior, and enjoys
  The elemental war. But Waller longs, [Endnote MM]
  All on the margin of some flowery stream
  To spread his careless limbs amid the cool                    560
  Of plantane shades, and to the listening deer
  The tale of slighted vows and love's disdain
  Resound soft-warbling all the livelong day;
  Consenting Zephyr sighs; the weeping rill
  Joins in his plaint, melodious; mute the groves;
  And hill and dale with all their echoes mourn.
  Such and so various are the tastes of men.

  Oh! bless'd of Heaven, whom not the languid songs
  Of Luxury, the siren! not the bribes
  Of sordid Wealth, nor all the gaudy spoils                    570
  Of pageant Honour, can seduce to leave
  Those ever-blooming sweets, which from the store
  Of Nature fair Imagination culls
  To charm the enliven'd soul! What though not all
  Of mortal offspring can attain the heights
  Of envied life; though only few possess
  Patrician treasures or imperial state;
  Yet Nature's care, to all her children just,
  With richer treasures and an ampler state,
  Endows at large whatever happy man                            580
  Will deign to use them. His the city's pomp,
  The rural honours his. Whate'er adorns
  The princely dome, the column, and the arch,
  The breathing marbles and the sculptured gold,
  Beyond the proud possessor's narrow claim,
  His tuneful breast enjoys. For him, the Spring
  Distils her dews, and from the silken gem
  Its lucid leaves unfolds; for him, the hand
  Of Autumn tinges every fertile branch
  With blooming gold and blushes like the morn.                 590
  Each passing Hour sheds tribute from her wings;
  And still new beauties meet his lonely walk,
  And loves unfelt attract him. Not a breeze [Endnote NN]
  Flies o'er the meadow, not a cloud imbibes
  The setting sun's effulgence, not a strain
  From all the tenants of the warbling shade
  Ascends, but whence his bosom can partake
  Fresh pleasure, unreproved. Nor thence partakes
  Fresh pleasure only; for the attentive mind,
  By this harmonious action on her powers                       600
  Becomes herself harmonious; wont so oft
  In outward things to meditate the charm
  Of sacred order, soon she seeks at home
  To find a kindred order, to exert
  Within herself this elegance of love,
  This fair-inspired delight; her temper'd powers
  Refine at length, and every passion wears
  A chaster, milder, more attractive mien.
  But if to ampler prospects, if to gaze
  On Nature's form, where, negligent of all                     610
  These lesser graces, she assumes the port
  Of that Eternal Majesty that weigh'd
  The world's foundations, if to these the mind
  Exalts her daring eye, then mightier far
  Will be the change, and nobler. Would the forms
  Of servile custom cramp her generous powers?
  Would sordid policies, the barbarous growth
  Of ignorance and rapine, bow her down
  To tame pursuits, to indolence and fear?
  Lo! she appeals to Nature, to the winds                       620
  And rolling waves, the sun's unwearied course,
  The elements and seasons; all declare
  For what the Eternal Maker has ordain'd
  The powers of man; we feel within ourselves
  His energy divine; he tells the heart,
  He meant, he made us to behold and love
  What he beholds and loves, the general orb
  Of life and being; to be great like him,
  Beneficent and active. Thus the men
  Whom Nature's works can charm, with God himself               630
  Hold converse; grow familiar, day by day,
  With his conceptions, act upon his plan;
  And form to his, the relish of their souls.





_NOTES_

       *       *       *       *       *


BOOK FIRST.


ENDNOTE A.

   _'Say why was man'_, etc.--P.8.

In apologising for the frequent negligences of the sublimest authors
of Greece, 'Those godlike geniuses,' says Longinus, 'were well
assured, that Nature had not intended man for a low-spirited or
ignoble being: but bringing us into life and the midst of this wide
universe, as before a multitude assembled at some heroic solemnity,
that we might be spectators of all her magnificence, and candidates
high in emulation for the prize of glory; she has therefore
implanted in our souls an inextinguishable love of everything great
and exalted, of everything which appears divine beyond our
comprehension. Whence it comes to pass, that even the whole world is
not an object sufficient for the depth and rapidity of human
imagination, which often sallies forth beyond the limits of all that
surrounds us. Let any man cast his eye through the whole circle of
our existence, and consider how especially it abounds in excellent
and grand objects, he will soon acknowledge for what enjoyments
and pursuits we were destined. Thus by the very propensity of
nature we are led to admire, not little springs or shallow rivulets,
however clear and delicious, but the Nile, the Rhine, the Danube,
and, much more than all, the Ocean,' etc.
   --_Dionys. Longin. de Sublim_. ss. xxiv.


ENDNOTE B.

   _'The empyreal waste'_.--P. 9.

'Ne se peut-il point qu'il y a un grand espace au-dela de la region
des etoiles? Que ce soit le ciel empyree, ou non, toujours cet
espace immense qui environne toute cette region, pourra etre rempli
de bonheur et de gloire. Il pourra etre concu comme l'ocean, ou se
rendent les fleuves de toutes les creatures bienheureuses, quand
elles seront venues a leur perfection dans le systeme des etoiles.'
   --_Leibnitz dans la Theodicee_, part i. par. 19.


ENDNOTE C.

   _'Whose unfading light'_, etc.--P. 9.

It was a notion of the great Mr. Huygens, that there may be fixed
stars at such a distance from our solar system, as that their light
should not have had time to reach us, even from the creation of the
world to this day.



ENDNOTE D.

                   _'The neglect
  Of all familiar prospects'_, etc.--P. 10.

It is here said, that in consequence of the love of novelty, objects
which at first were highly delightful to the mind, lose that effect
by repeated attention to them. But the instance of habit is opposed
to this observation; for there, objects at first distasteful are in
time rendered entirely agreeable by repeated attention.

The difficulty in this case will be removed if we consider, that,
when objects at first agreeable, lose that influence by frequently
recurring, the mind is wholly passive, and the perception involuntary;
but habit, on the other hand, generally supposes choice and activity
accompanying it: so that the pleasure arises here not from the object,
but from the mind's conscious determination of its own activity; and
consequently increases in proportion to the frequency of that
determination.

It will still be urged perhaps, that a familiarity with disagreeable
objects renders them at length acceptable, even when there is no
room for the mind to resolve or act at all. In this case, the
appearance must be accounted for one of these ways.

The pleasure from habit may be merely negative. The object at first
gave uneasiness: this uneasiness gradually wears off as the object
grows familiar: and the mind, finding it at last entirely removed,
reckons its situation really pleasurable, compared with what it had
experienced before.

The dislike conceived of the object at first, might be owing to
prejudice or want of attention. Consequently the mind being
necessitated to review it often, may at length perceive its own
mistake, and be reconciled to what it had looked on with aversion.
In which case, a sort of instinctive justice naturally leads it to
make amends for the injury, by running toward the other extreme of
fondness and attachment.

Or lastly, though the object itself should always continue
disagreeable, yet circumstances of pleasure or good fortune may
occur along with it. Thus an association may arise in the mind, and
the object never be remembered without those pleasing circumstances
attending it; by which means the disagreeable impression which it at
first occasioned will in time be quite obliterated.



ENDNOTE E.

                        _'This desire
  Of objects new and strange'_.--P. 10.

These two ideas are oft confounded; though it is evident the mere
novelty of an object makes it agreeable, even where the mind is not
affected with the least degree of wonder: whereas wonder indeed
always implies novelty, being never excited by common or well-known
appearances. But the pleasure in both cases is explicable from the
same final cause, the acquisition of knowledge and enlargement of
our views of nature: on this account it is natural to treat of them
together.



ENDNOTE F.

          _'Truth and Good are one,
  And Beauty dwells in them'_, etc.--P. 14.

'Do you imagine,' says Socrates to Aristippus, 'that what is good is
not beautiful? Have you not observed that these appearances always
coincide? Virtue, for instance, in the same respect as to which we
call it good, is ever acknowledged to be beautiful also. In the
characters of men we always [1] join the two denominations together.
The beauty of human bodies corresponds, in like manner, with that
economy of parts which constitutes them good; and in every
circumstance of life, the same object is constantly accounted both
beautiful and good, inasmuch as it answers the purposes for which it
was designed.'
   --_Xenophont. Memorab. Socrat_. 1.iii.c.8.

This excellent observation has been illustrated and extended by the
noble restorer of ancient philosophy. (See the _Characteristics_, vol.
ii., pp. 339 and 422, and vol. iii., p. 181.) And another ingenious
author has particularly shewn, that it holds in the general laws of
nature, in the works of art, and the conduct of the sciences
(_Inquiry into the Original of our Ideas of Beauty and Virtue_,
treat, i. Section 8). As to the connexion between beauty and truth,
there are two opinions concerning it. Some philosophers assert an
independent and invariable law in nature, in consequence of which
all rational beings must alike perceive beauty in some certain
proportions, and deformity in the contrary. And this necessity being
supposed the same with that which commands the assent or dissent of
the understanding, it follows, of course, that beauty is founded on
the universal and unchangeable law of truth.

But others there are who believe beauty to be merely a relative and
arbitrary thing; that, indeed, it was a benevolent provision in
nature to annex so delightful a sensation to those objects which are
best and most perfect in themselves, that so we might be engaged to
the choice of them at once, and without staying to infer their
usefulness from their structure and effects; but that it is not
impossible, in a physical sense, that two beings, of equal
capacities for truth, should perceive, one of them beauty, and the
other deformity, in the same proportions. And upon this supposition,
by that truth which is always connected with beauty, nothing more
can be meant than the conformity of any object to those proportions
upon which, after careful examination, the beauty of that species is
found to depend. Polycletus, for instance, a famous ancient sculptor,
from an accurate mensuration of the several parts of the most perfect
human bodies, deduced a canon or system of proportions, which was
the rule of all succeeding artists. Suppose a statue modelled
according to this: a man of mere natural taste, upon looking at it,
without entering into its proportions, confesses and admires its
beauty; whereas a professor of the art applies his measures to the
head, the neck, or the hand, and, without attending to its beauty,
pronounces the workmanship to be just and true.

[Footnote 1: This the Athenians did in a peculiar manner, by the
words [Greek: kalokagathus] and [Greek: kalokagathia].]


ENDNOTE G.

   '_As when Brutus rose_,' etc.--P. 18.

Cicero himself describes this fact--'Cassare interfecto--statim
cruentum alte extollens M. Brutus pugionem, Ciceronem nominatim
exclamavit, atque ei recuperatam libertatem est gratulatus.'
  --_Cic. Philipp_. ii. 12.


ENDNOTE H.

  '_Where Virtue rising from the awful depth
  Of Truth's mysterious bosom_,' etc.--P. 20.

According to the opinion of those who assert moral obligation to be
founded on an immutable and universal law; and that which is usually
called the moral sense, to be determined by the peculiar temper of
the imagination and the earliest associations of ideas.


ENDNOTE I.

   '_Lyceum_.'--P. 21.

The school of Aristotle.


ENDNOTE J.

   '_Academus_.'--P. 21.

The school of Plato.


ENDNOTE K.

   '_Ilissus_.'--P. 21.

One of the rivers on which Athens was situated. Plato, in some of
his finest dialogues, lays the scene of the conversation with
Socrates on its banks.

       *       *       *       *       *


BOOK SECOND.


ENDNOTE L

  '_At last the Muses rose_,' etc.--P. 22.

About the age of Hugh Capet, founder of the third race of French
kings, the poets of Provence were in high reputation; a sort of
strolling bards or rhapsodists, who went about the courts of princes
and noblemen, entertaining them at festivals with music and poetry.
They attempted both the epic, ode, and satire; and abounded in a
wild and fantastic vein of fable, partly allegorical, and partly
founded on traditionary legends of the Saracen wars. These were the
rudiments of Italian poetry. But their taste and composition must
have been extremely barbarous, as we may judge by those who followed
the turn of their fable in much politer times; such as Boiardo,
Bernardo, Tasso, Ariosto, etc.


ENDNOTE M.

   '_Valclusa_.'--P. 22.

The famous retreat of Francisco Petrarcha, the father of Italian
poetry, and his mistress, Laura, a lady of Avignon.


ENDNOTE N.

   '_Arno_.'--P. 22.

The river which runs by Florence, the birth-place of Dante and
Boccaccio.


ENDNOTE O.

   '_Parthenope_.'--P. 23.

Or Naples, the birth-place of Sannazaro. The great Torquato Tasso was
born at Sorrento in the kingdom of Naples.


ENDNOTE P.

       '_The rage
  Of dire ambition_,' etc.--P. 23.

This relates to the cruel wars among the republics of Italy, and
abominable politics of its little princes, about the fifteenth
century. These, at last, in conjunction with the papal power,
entirely extinguished the spirit of liberty in that country, and
established that abuse of the fine arts which has been since
propagated over all Europe.


ENDNOTE Q.

   '_Thus from their guardians torn, the tender arts_,' etc.--P. 23.

Nor were they only losers by the separation. For philosophy itself,
to use the words of a noble philosopher, 'being thus severed from
the sprightly arts and sciences, must consequently grow dronish,
insipid, pedantic, useless, and directly opposite to the real
knowledge and practice of the world.' Insomuch that 'a gentleman,'
says another excellent writer, 'cannot easily bring himself to like
so austere and ungainly a form: so greatly is it changed from what
was once the delight of the finest gentlemen of antiquity, and their
recreation after the hurry of public affairs! From this condition it
cannot be recovered but by uniting it once more with the works of
imagination; and we have had the pleasure of observing a very great
progress made towards their union in England within these few years.
It is hardly possible to conceive them at a greater distance from
each other than at the Revolution, when Locke stood at the head of
one party, and Dryden of the other. But the general spirit of liberty,
which has ever since been growing, naturally invited our men of wit
and genius to improve that influence which the arts of persuasion
gave them with the people, by applying them to subjects of
importance to society. Thus poetry and eloquence became considerable;
and philosophy is now, of course, obliged to borrow of their
embellishments, in order even to gain audience with the public.


ENDNOTE R.

   '_From passion's power alone_,' etc.--P. 26.

This very mysterious kind of pleasure, which is often found in the
exercise of passions generally counted painful, has been taken
notice of by several authors. Lucretius resolves it into self-love:--

  'Suave mari magno,' etc., lib. ii. 1.

As if a man was never pleased in being moved at the distress of a
tragedy, without a cool reflection that though these fictitious
personages were so unhappy, yet he himself was perfectly at ease and
in safety. The ingenious author of the _Reflections Critiques sur la
Poesie et sur la Peinture_ accounts for it by the general delight
which the mind takes in its own activity, and the abhorrence it
feels of an indolent and inattentive state: and this, joined with the
moral approbation of its own temper, which attends these emotions
when natural and just, is certainly the true foundation of the
pleasure, which, as it is the origin and basis of tragedy and epic,
deserved a very particular consideration in this poem.


ENDNOTE S.

   '_Inhabitant of earth_,' etc.--P. 31.

The account of the economy of Providence here introduced, as the
most proper to calm and satisfy the mind when under the compunction
of private evils, seems to have come originally from the Pythagorean
school: but of the ancient philosophers, Plato has most largely
insisted upon it, has established it with all the strength of his
capacious understanding, and ennobled it with all the magnificence
of his divine imagination. He has one passage so full and clear on
this head, that I am persuaded the reader will be pleased to see it
here, though somewhat long. Addressing himself to such as are not
satisfied concerning divine Providence: 'The Being who presides over
the whole,' says he, 'has disposed and complicated all things for
the happiness and virtue of the whole, every part of which,
according to the extent of its influence, does and suffers what is
fit and proper. One of these parts is yours, O unhappy man, which
though in itself most inconsiderable and minute, yet being connected
with the universe, ever seeks to co-operate with that supreme order.
You in the meantime are ignorant of the very end for which all
particular natures are brought into existence, that the
all-comprehending nature of the whole may be perfect and happy;
existing, as it does, not for your sake, but the cause and reason of
your existence, which, as in the symmetry of every artificial work,
must of necessity concur with the general design of the artist, and
be subservient to the whole of which it is a part. Your complaint
therefore is ignorant and groundless; since, according to the
various energy of creation, and the common laws of nature, there is
a constant provision of that which is best at the same time for you
and for the whole.--For the governing intelligence clearly beholding
all the actions of animated and self-moving creatures, and that
mixture of good and evil which diversifies them, considered first of
all by what disposition of things, and by what situation of each
individual in the general system, vice might be depressed and subdued,
and virtue made secure of victory and happiness with the greatest
facility and in the highest degree possible. In this manner he
ordered through the entire circle of being, the internal
constitution of every mind, where should be its station in the
universal fabric, and through what variety of circumstances it
should proceed in the whole tenor of its existence.' He goes on in
his sublime manner to assert a future state of retribution, 'as well
for those who, by the exercise of good dispositions being harmonised
and assimilated into the divine virtue, are consequently removed to
a place of unblemished sanctity and happiness; as of those who by
the most flagitious arts have risen from contemptible beginnings to
the greatest affluence and power, and whom you therefore look upon
as unanswerable instances of negligence in the gods, because you are
ignorant of the purposes to which they are subservient, and in what
manner they contribute to that supreme intention of good to the whole.'
   --_Plato de Leg_. x. 16.

This theory has been delivered of late, especially abroad, in a
manner which subverts the freedom of human actions; whereas Plato
appears very careful to preserve it, and has been in that respect
imitated by the best of his followers.

ENDNOTE T.

  '_One might rise,
  One order_,' etc.--P. 31.

See the _Meditations_ of Antoninus and the _Characteristics_, passim.

ENDNOTE U.

   '_The best and fairest_,' etc.--P. 32.

This opinion is so old, that Timaeus Locrus calls the Supreme Being
[Greek: demiourgos tou beltionos], the artificer of that which is
best; and represents him as resolving in the beginning to produce
the most excellent work, and as copying the world most exactly from
his own intelligible and essential idea; 'so that it yet remains, as
it was at first, perfect in beauty, and will never stand in need of
any correction or improvement.' There can be no room for a caution
here, to understand the expressions, not of any particular
circumstances of human life separately considered, but of the sum or
universal system of life and being. See also the vision at the end
of the _Theodicee_ of Leibnitz.

ENDNOTE V.

   '_As flame ascends_,' etc.--P. 32.

This opinion, though not held by Plato nor any of the ancients, is
yet a very natural consequence of his principles. But the
disquisition is too complex and extensive to be entered upon here.

ENDNOTE W.

   '_Philip_.'--P. 44.

The Macedonian.


BOOK THIRD.

ENDNOTE X.

  '_Where the powers
  Of Fancy_,' etc.--P. 46.

The influence of the imagination on the conduct of life is one of
the most important points in moral philosophy. It were easy, by an
induction of facts, to prove that the imagination directs almost all
the passions, and mixes with almost every circumstance of action or
pleasure. Let any man, even of the coldest head and soberest industry,
analyse the idea of what he calls his interest; he will find that it
consists chiefly of certain degrees of decency, beauty, and order,
variously combined into one system, the idol which he seeks to enjoy
by labour, hazard, and self-denial. It is, on this account, of the
last consequence to regulate these images by the standard of nature
and the general good; otherwise the imagination, by heightening some
objects beyond their real excellence and beauty, or by representing
others in a more odions or terrible shape than they deserve, may, of
course, engage us in pursuits utterly inconsistent with the moral
order of things.

If it be objected that this account of things supposes the passions
to be merely accidental, whereas there appears in some a natural and
hereditary disposition to certain passions prior to all
circumstances of education or fortune, it may be answered, that
though no man is born ambitious or a miser, yet he may inherit from
his parents a peculiar temper or complexion of mind, which shall
render his imagination more liable to be struck with some particular
objects, consequently dispose him to form opinions of good and ill,
and entertain passions of a particular turn. Some men, for instance,
by the original frame of their minds, are more delighted with the
vast and magnificent, others, on the contrary, with the elegant and
gentle aspects of nature. And it is very remarkable, that the
disposition of the moral powers is always similar to this of the
imagination; that those who are most inclined to admire prodigious
and sublime objects in the physical world, are also most inclined to
applaud examples of fortitude and heroic virtue in the moral. While
those who are charmed rather with the delicacy and sweetness of
colours, and forms, and sounds, never fail in like manner to yield
the preference to the softer scenes of virtue and the sympathies of
a domestic life. And this is sufficient to account for the objection.

Among the ancient philosophers, though we have several hints
concerning this influence of the imagination upon morals among the
remains of the Socratic school, yet the Stoics were the first who
paid it a due attention. Zeno, their founder, thought it impossible
to preserve any tolerable regularity in life, without frequently
inspecting those pictures or appearances of things, which the
imagination offers to the mind (_Diog. Laert_. I. vii.) The
meditations of M. Aurelius, and the discourses of Epictetus, are
full of the same sentiment; insomuch that the latter makes the
[Greek: Chresis oia dei, fantasion], or right management of the
fancies, the only thing for which we are accountable to Providence,
and without which a man is no other than stupid or frantic (_Arrian_.
I. i. c. 12. and I. ii. c. 22). See also the _Characteristics_,
vol. i. from p. 313 to 321, where this Stoical doctrine is embellished
with all the elegance and graces of Plato.

ENDNOTE Y.

   '_How Folly's awkward arts_,' etc.--P. 47.

Notwithstanding the general influence of ridicule on private and
civil life, as well as on learning and the sciences, it has been
almost constantly neglected or misrepresented, by divines especially.
The manner of treating these subjects in the science of human nature,
should be precisely the same as in natural philosophy; from
particular facts to investigate the stated order in which they appear,
and then apply the general law, thus discovered, to the explication
of other appearances and the improvement of useful arts.

ENDNOTE Z.

   '_Behold the foremost band_,' etc.--P. 48.

The first and most general source of ridicule in the characters
of men, is vanity or self-applause for some desirable quality or
possession which evidently does not belong to those who assume it.


ENDNOTE AA.

   '_Then comes the second order_,' etc.--P, 49.

Ridicule from the same vanity, where, though the possession be real,
yet no merit can arise from it, because of some particular
circumstances, which, though obvious to the spectator, are yet
overlooked by the ridiculous character.


ENDNOTE BB.

   '_Another tribe succeeds_,' etc.--P. 50.

Ridicule from a notion of excellence in particular objects
disproportioned to their intrinsic value, and inconsistent with the
order of nature.


ENDNOTE CC.

   '_But now, ye gay_,' etc.--P. 51.

Ridicule from a notion of excellence, when the object is absolutely
odious or contemptible. This is the highest degree of the ridiculous;
as in the affectation of diseases or vices.


ENDNOTE DD.

   '_Thus far triumphant_,' etc.--P. 51

Ridicule from false shame or groundless fear.


ENDNOTE EE.

   '_Last of the motley bands_,' etc.--P. 52.

Ridicule from the ignorance of such things as our circumstances
require us to know.


ENDNOTE FF.

   '_Suffice it to have said_,' etc.--P. 52.

By comparing these general sources of ridicule with each other, and
examining the ridiculous in other objects, we may obtain a general
definition of it, equally applicable to every species. The most
important circumstance of this definition is laid down in the lines
referred to; but others more minute we shall subjoin here.
Aristotle's account of the matter seems both imperfect and false.
[Greek: To ghar geloion], says he, [Greek: estin hamartaema ti kai
aischos]: 'The ridiculous is some certain fault or turpitude without
pain, and not destructive to its subject' (_Poet_. c. 5). For
allowing it to be true, as it is not, that the ridiculous is never
accompanied with pain, yet we might produce many instances of such a
fault or turpitude which cannot with any tolerable propriety be
called ridiculous. So that the definition does not distinguish the
thing designed. Nay, further, even when we perceive the turpitude
tending to the destruction of its subject, we may still be sensible
of a ridiculous appearance, till the ruin become imminent, and the
keener sensations of pity or terror banish the ludicrous
apprehension from our minds; for the sensation of ridicule is not a
bare perception of the agreement or disagreement of ideas, but a
passion or emotion of the mind consequential to that perception; so
that the mind may perceive the agreement or disagreement, and yet
not feel the ridiculous, because it is engrossed by a more violent
emotion. Thus it happens that some men think those objects ridiculous,
to which others cannot endure to apply the name, because in them
they excite a much intenser and more important feeling. And this
difference, among other causes, has brought a good deal of confusion
into this question.

'That which makes objects ridiculous is some ground of admiration or
esteem connected with other more general circumstances comparatively
worthless or deformed; or it is some circumstance of turpitude or
deformity connected with what is in general excellent or beautiful:
the inconsistent properties existing either in the objects themselves,
or in the apprehension of the person to whom they relate, belonging
always to the same order or class of being, implying sentiment or
design, and exciting no acute or vehement emotion of the heart.'

To prove the several parts of this definition: 'The appearance of
excellence or beauty connected with a general condition
comparatively sordid or deformed' is ridiculous; for instance,
pompous pretensions of wisdom joined with ignorance or folly in the
Socrates of Aristophanes, and the ostentations of military glory
with cowardice and stupidity in the Thraso of Terence.

'The appearance of deformity or turpitude in conjunction with what
is in general excellent or venerable,' is also ridiculous: for
instance, the personal weaknesses of a magistrate appearing in the
solemn and public functions of his station.

'The incongruous properties may either exist in the objects
themselves, or in the apprehension of the person to whom they relate:'
in the last--mentioned instance, they both exist in the objects; in
the instances from Aristophanes and Terence, one of them is
objective and real, the other only founded in the apprehension of
the ridiculous character.

'The inconsistent properties must belong to the same order or class
of being.' A coxcomb in fine clothes, bedaubed by accident in foul
weather, is a ridiculous object, because his general apprehension of
excellence and esteem is referred to the splendour and expense of
his dress. A man of sense and merit, in the same circumstances, is
not counted ridiculous, because the general ground of excellence and
esteem in him is, both in fact and in his own apprehension, of a
very different species.

'Every ridiculous object implies sentiment or design.' A column
placed by an architect without a capital or base is laughed at: the
same column in a ruin causes a very different sensation.

And lastly, 'the occurrence must excite no acute or vehement emotion
of the heart,' such as terror, pity, or indignation; for in that case,
as was observed above, the mind is not at leisure to contemplate the
ridiculous. Whether any appearance not ridiculous be involved in
this description, and whether it comprehend every species and form
of the ridiculous, must be determined by repeated applications of it
to particular instances.


ENDNOTE GG.

   _'Ask we for what fair end'_, etc.--P. 53.

Since it is beyond all contradiction evident that we have a natural
sense or feeling of the ridiculous, and since so good a reason may
be assigned to justify the supreme Being for bestowing it, one cannot,
without astonishment, reflect on the conduct of those men who
imagine it is for the service of true religion to vilify and blacken
it without distinction, and endeavour to persuade us that it is
never applied but in a bad cause. Ridicule is not concerned with
mere speculative truth or falsehood. It is not in abstract
propositions or theorems, but in actions and passions, good and evil,
beauty and deformity, that we find materials for it; and all these
terms are relative, implying approbation or blame. To ask them
whether ridicule be a test of truth, is, in other words, to ask
whether that which is ridiculous can be morally true, can be just and
becoming; or whether that which is just and becoming can be
ridiculous?--a question that does not deserve a serious answer. For
it is most evident, that, as in a metaphysical proposition offered
to the understanding for its assent, the faculty of reason examines
the terms of the proposition, and finding one idea, which was
supposed equal to another, to be in fact unequal, of consequence
rejects the proposition as a falsehood; so, in objects offered to
the mind for its esteem or applause, the faculty of ridicule,
finding an incongruity in the claim, urges the mind to reject it
with laughter and contempt. When, therefore, we observe such a claim
obtruded upon mankind, and the inconsistent circumstances carefully
concealed from the eye of the public, it is our business, if the
matter be of importance to society, to drag out those latent
circumstances, and, by setting them in full view, to convince the
world how ridiculous the claim is: and thus a double advantage is
gained; for we both detect the moral falsehood sooner than in the
way of speculative inquiry, and impress the minds of men with a
stronger sense of the vanity and error of its authors. And this, and
no more, is meant by the application of ridicule.

But it is said, the practice is dangerous, and may be inconsistent
with the regard we owe to objects of real dignity and excellence. I
answer, the practice fairly managed can never be dangerous; men may
be dishonest in obtruding circumstances foreign to the object, and
we may be inadvertent in allowing those circumstances to impose upon
us: but the sense of ridicule always judges right. The Socrates of
Aristophanes is as truly ridiculous a character as ever was drawn:
--true; but it is not the character of Socrates, the divine moralist
and father of ancient wisdom. What then? did the ridicule of the
poet hinder the philosopher from detecting and disclaiming those
foreign circumstances which he had falsely introduced into his
character, and thus rendered the satirist doubly ridiculous in his
turn? No; but it nevertheless had an ill influence on the minds of
the people. And so has the reasoning of Spinoza made many atheists:
he has founded it, indeed, on suppositions utterly false; but allow
him these, and his conclusions are unavoidably true. And if we must
reject the use of ridicule, because, by the imposition of false
circumstances, things may be made to seem ridiculous, which are not
so in themselves; why we ought not in the same manner to reject the
use of reason, because, by proceeding on false principles,
conclusions will appear true which are impossible in nature, let the
vehement and obstinate declaimers against ridicule determine.


ENDNOTE HH.

   _'The inexpressive semblance'_, etc.--P. 53.

This similitude is the foundation of almost all the ornaments of
poetic diction.


ENDNOTE II.

   _'Two faithful needles'_, etc.--P. 55.

See the elegant poem recited by Cardinal Bembo in the character of
Lucretius.-_Strada Prolus_. vi. _Academ_. 2. c. v.


ENDNOTE JJ.

   _'By these mysterious ties'_, etc.--P. 55.

The act of remembering seems almost wholly to depend on the
association of ideas.


ENDNOTE KK.

   _'Into its proper vehicle'_, etc.--P. 57.

This relates to the different sorts of corporeal mediums, by which
the ideas of the artists are rendered palpable to the senses: as by
sounds, in music; by lines and shadows, in painting; by diction, in
poetry, etc.


ENDNOTE LL.

      _'One pursues
  The vast alone'_, etc.--P. 61.

See the note to ver. 18 of this book.


ENDNOTE MM.

   _'Waller longs'_, etc.--P. 61.

  Oh! how I long my careless limbs to lay
  Under the plantane shade; and all the day
  With amorous airs my fancy entertain, etc.
      _WALLER, Battle of the Summer-Islands_, Canto I.

  And again,
              While in the park I sing, the list'ning deer
              Attend my passion, and forget to fear, etc.
                                              At Pens-hurst.

ENDNOTE NN.

   _'Not a breeze'_, etc.--P. 63.

That this account may not appear rather poetically extravagant than
just in philosophy, it may be proper to produce the sentiment of one
of the greatest, wisest, and best of men on this head; one so little
to be suspected of partiality in the case, that he reckons it among
those favours for which he was especially thankful to the gods, that
they had not suffered him to make any great proficiency in the arts
of eloquence and poetry, lest by that means he should have been
diverted from pursuits of more importance to his high station.
Speaking of the beauty of universal nature, he observes, that there
'is a pleasing and graceful aspect in every object we perceive,'
when once we consider its connexion with that general order. He
instances in many things which at first sight would be thought
rather deformities; and then adds, 'that a man who enjoys a
sensibility of temper with a just comprehension of the universal
order--will discern many amiable things, not credible to every mind,
but to those alone who have entered into an honourable familiarity
with nature and her works.'
    --_M. Antonin_. iii. 2.




THE

PLEASURES OF THE IMAGINATION.


A POEM.

GENERAL ARGUMENT.

The pleasures of the imagination proceed either from natural objects,
as from a flourishing grove, a clear and murmuring fountain, a calm
sea by moonlight; or from works of art, such as a noble edifice, a
musical tune, a statue, a picture, a poem. In treating of these
pleasures, we must begin with the former class; they being original
to the other; and nothing more being necessary, in order to explain
them, than a view of our natural inclination toward greatness and
beauty, and of those appearances, in the world around us, to which
that inclination is adapted. This is the subject of the first book
of the following poem.

But the pleasures which we receive from the elegant arts, from music,
sculpture, painting, and poetry, are much more various and
complicated. In them (besides greatness and beauty, or forms proper
to the imagination) we find interwoven frequent representations of
truth, of virtue and vice, of circumstances proper to move us with
laughter, or to excite in us pity, fear, and the other passions.
These moral and intellectual objects are described in the second book;
to which the third properly belongs as an episode, though too large
to have been included in it.

With the above-mentioned causes of pleasure, which are universal in
the course of human life, and appertain to our higher faculties,
many others do generally occur, more limited in their operation, or
of an inferior origin: such are the novelty of objects, the
association of ideas, affections of the bodily senses, influences of
education, national habits, and the like. To illustrate these, and
from the whole to determine the character of a perfect taste, is the
argument of the fourth book.

Hitherto the pleasures of the imagination belong to the human
species in general. But there are certain particular men whose
imagination is endowed with powers, and susceptible of pleasures,
which the generality of mankind never participate. These are the men
of genius, destined by nature to excel in one or other of the arts
already mentioned. It is proposed, therefore, in the last place, to
delineate that genius which in some degree appears common to them all;
yet with a more peculiar consideration of poetry: inasmuch as poetry
is the most extensive of those arts, the most philosophical, and the
most useful.




BOOK I. 1757.


ARGUMENT.

The subject proposed. Dedication. The ideas of the Supreme Being, the
exemplars of all things. The variety of constitution in the minds of
men; with its final cause. The general character of a fine
imagination. All the immediate pleasures of the human imagination
proceed either from Greatness or Beauty in external objects. The
pleasure from Greatness; with its final cause. The natural connexion
of Beauty with truth [2] and good. The different orders of Beauty in
different objects. The infinite and all-comprehending form of Beauty,
which belongs to the Divine Mind. The partial and artificial forms
of Beauty, which belong to inferior intellectual beings. The origin
and general conduct of beauty in man. The subordination of local
beauties to the beauty of the Universe. Conclusion.

  With what enchantment Nature's goodly scene
  Attracts the sense of mortals; how the mind
  For its own eye doth objects nobler still
  Prepare; how men by various lessons learn
  To judge of Beauty's praise; what raptures fill
  The breast with fancy's native arts endow'd,
  And what true culture guides it to renown,
  My verse unfolds. Ye gods, or godlike powers,
  Ye guardians of the sacred task, attend
  Propitious. Hand in hand around your bard                     10
  Move in majestic measures, leading on
  His doubtful step through many a solemn path,
  Conscious of secrets which to human sight
  Ye only can reveal. Be great in him:
  And let your favour make him wise to speak
  Of all your wondrous empire; with a voice
  So temper'd to his theme, that those who hear
  May yield perpetual homage to yourselves.
  Thou chief, O daughter of eternal Love,
  Whate'er thy name; or Muse, or Grace, adored                  20
  By Grecian prophets; to the sons of Heaven
  Known, while with deep amazement thou dost there
  The perfect counsels read, the ideas old,
  Of thine omniscient Father; known on earth
  By the still horror and the blissful tear
  With which thou seizest on the soul of man;
  Thou chief, Poetic Spirit, from the banks
  Of Avon, whence thy holy fingers cull
  Fresh flowers and dews to sprinkle on the turf
  Where Shakspeare lies, be present. And with thee              30
  Let Fiction come, on her aerial wings
  Wafting ten thousand colours, which in sport,
  By the light glances of her magic eye,
  She blends and shifts at will through countless forms,
  Her wild creation. Goddess of the lyre,
  Whose awful tones control the moving sphere,
  Wilt thou, eternal Harmony, descend,
  And join this happy train? for with thee comes
  The guide, the guardian of their mystic rites,
  Wise Order: and, where Order deigns to come,                  40
  Her sister, Liberty, will not be far.
  Be present all ye Genii, who conduct
  Of youthful bards the lonely wandering step
  New to your springs and shades; who touch their ear
  With finer sounds, and heighten to their eye
  The pomp of nature, and before them place
  The fairest, loftiest countenance of things.

  Nor thou, my Dyson, [3] to the lay refuse
  Thy wonted partial audience. What though first,
  In years unseason'd, haply ere the sports                     50
  Of childhood yet were o'er, the adventurous lay
  With many splendid prospects, many charms,
  Allured my heart, nor conscious whence they sprung,
  Nor heedful of their end? yet serious Truth
  Her empire o'er the calm, sequester'd theme
  Asserted soon; while Falsehood's evil brood,
  Vice and deceitful Pleasure, she at once
  Excluded, and my fancy's careless toil
  Drew to the better cause. Maturer aid
  Thy friendship added, in the paths of life,                   60
  The busy paths, my unaccustom'd feet
  Preserving: nor to Truth's recess divine,
  Through this wide argument's unbeaten space,
  Withholding surer guidance; while by turns
  We traced the sages old, or while the queen
  Of sciences (whom manners and the mind
  Acknowledge) to my true companion's voice
  Not unattentive, o'er the wintry lamp
  Inclined her sceptre, favouring. Now the fates
  Have other tasks imposed;--to thee, my friend,                70
  The ministry of freedom and the faith
  Of popular decrees, in early youth,
  Not vainly they committed; me they sent
  To wait on pain, and silent arts to urge,
  Inglorious; not ignoble, if my cares,
  To such as languish on a grievous bed,
  Ease and the sweet forgetfulness of ill
  Conciliate; nor delightless, if the Muse,
  Her shades to visit and to taste her springs,
  If some distinguish'd hours the bounteous Muse                80
  Impart, and grant (what she, and she alone,
  Can grant to mortals) that my hand those wreaths
  Of fame and honest favour, which the bless'd
  Wear in Elysium, and which never felt
  The breath of envy or malignant tongues,
  That these my hand for thee and for myself
  May gather. Meanwhile, O my faithful friend,
  O early chosen, ever found the same,
  And trusted and beloved, once more the verse
  Long destined, always obvious to thine ear,                   90
  Attend, indulgent: so in latest years,
  When time thy head with honours shall have clothed
  Sacred to even virtue, may thy mind,
  Amid the calm review of seasons past,
  Fair offices of friendship, or kind peace,
  Or public zeal, may then thy mind well pleased
  Recall these happy studies of our prime.
    From Heaven my strains begin: from Heaven descends
  The flame of genius to the chosen breast,
  And beauty with poetic wonder join'd,                         100
  And inspiration. Ere the rising sun
  Shone o'er the deep, or 'mid the vault of night
  The moon her silver lamp suspended; ere
  The vales with springs were water'd, or with groves
  Of oak or pine the ancient hills were crown'd;
  Then the Great Spirit, whom his works adore,
  Within his own deep essence view'd the forms,
  The forms eternal of created things:
  The radiant sun; the moon's nocturnal lamp;
  The mountains and the streams; the ample stores               110
  Of earth, of heaven, of nature. From the first,
  On that full scene his love divine he fix'd,
  His admiration: till, in time complete,
  What he admired and loved his vital power
  Unfolded into being. Hence the breath
  Of life informing each organic frame:
  Hence the green earth, and wild-resounding waves:
  Hence light and shade, alternate; warmth and cold;
  And bright autumnal skies, and vernal showers,
  And all the fair variety of things.                           120
    But not alike to every mortal eye
  Is this great scene unveil'd. For while the claims
  Of social life to different labours urge
  The active powers of man, with wisest care
  Hath Nature on the multitude of minds
  Impress'd a various bias, and to each
  Decreed its province in the common toil.
  To some she taught the fabric of the sphere,
  The changeful moon, the circuit of the stars,
  The golden zones of heaven; to some she gave                  130
  To search the story of eternal thought;
  Of space, and time; of fate's unbroken chain,
  And will's quick movement; others by the hand
  She led o'er vales and mountains, to explore
  What healing virtue dwells in every vein
  Of herbs or trees. But some to nobler hopes
  Were destined; some within a finer mould
  She wrought, and temper'd with a purer flame.
  To these the Sire Omnipotent unfolds,
  In fuller aspects and with fairer lights,                     140
  This picture of the world. Through every part
  They trace the lofty sketches of his hand;
  In earth, or air, the meadow's flowery store,
  The moon's mild radiance, or the virgin's mien
  Dress'd in attractive smiles, they see portray'd
  (As far as mortal eyes the portrait scan)
  Those lineaments of beauty which delight
  The Mind Supreme. They also feel their force,
  Enamour'd; they partake the eternal joy.

  For as old Memnon's image, long renown'd                      150
  Through fabling Egypt, at the genial touch
  Of morning, from its inmost frame sent forth
  Spontaneous music, so doth Nature's hand,
  To certain attributes which matter claims,
  Adapt the finer organs of the mind;
  So the glad impulse of those kindred powers
  (Of form, of colour's cheerful pomp, of sound
  Melodious, or of motion aptly sped),
  Detains the enliven'd sense; till soon the soul
  Feels the deep concord, and assents through all               160
  Her functions. Then the charm by fate prepared
  Diffuseth its enchantment  Fancy dreams,
  Rapt into high discourse with prophets old,
  And wandering through Elysium, Fancy dreams
  Of sacred fountains, of o'ershadowing groves,
  Whose walks with godlike harmony resound:
  Fountains, which Homer visits; happy groves,
  Where Milton dwells; the intellectual power,
  On the mind's throne, suspends his graver cares,
  And smiles; the passions, to divine repose                    170
  Persuaded yield, and love and joy alone
  Are waking: love and joy, such as await
  An angel's meditation. Oh! attend,
  Whoe'er thou art whom these delights can touch;
  Whom Nature's aspect, Nature's simple garb
  Can thus command; oh! listen to my song;
  And I will guide thee to her blissful walks,
  And teach thy solitude her voice to hear,
  And point her gracious features to thy view.

  Know then, whate'er of the world's ancient store,             180
  Whate'er of mimic Art's reflected scenes,
  With love and admiration thus inspire
  Attentive Fancy, her delighted sons
  In two illustrious orders comprehend,
  Self-taught: from him whose rustic toil the lark
  Cheers warbling, to the bard whose daring thoughts
  Range the full orb of being, still the form,
  Which Fancy worships, or sublime or fair,
  Her votaries proclaim. I see them dawn:
  I see the radiant visions where they rise,                    190
  More lovely than when Lucifer displays
  His glittering forehead through the gates of morn,
  To lead the train of Phoebus and the Spring.

  Say, why was man so eminently raised
  Amid the vast creation; why empower'd
  Through life and death to dart his watchful eye,
  With thoughts beyond the limit of his frame;
  But that the Omnipotent might send him forth,
  In sight of angels and immortal minds,
  As on an ample theatre to join                                200
  In contest with his equals, who shall best
  The task achieve, the course of noble toils,
  By wisdom and by mercy preordain'd?
  Might send him forth the sovereign good to learn;
  To chase each meaner purpose from his breast;
  And through the mists of passion and of sense,
  And through the pelting storms of chance and pain,
  To hold straight on, with constant heart and eye
  Still fix'd upon his everlasting palm,
  The approving smile of Heaven? Else wherefore burns           210
  In mortal bosoms this unquenched hope,
  That seeks from day to day sublimer ends,
  Happy, though restless? Why departs the soul
  Wide from the track and journey of her times,
  To grasp the good she knows not? In the field
  Of things which may be, in the spacious field
  Of science, potent arts, or dreadful arms,
  To raise up scenes in which her own desires
  Contented may repose; when things, which are,
  Pall on her temper, like a twice-told tale:                   220
  Her temper, still demanding to be free;
  Spurning the rude control of wilful might;
  Proud of her dangers braved, her griefs endured,
  Her strength severely proved? To these high aims,
  Which reason and affection prompt in man,
  Not adverse nor unapt hath Nature framed
  His bold imagination. For, amid
  The various forms which this full world presents
  Like rivals to his choice, what human breast
  E'er doubts, before the transient and minute,                 230
  To prize the vast, the stable, the sublime?
  Who, that from heights aerial sends his eye
  Around a wild horizon, and surveys
  Indus or Ganges rolling his broad wave
  Through mountains, plains, through spacious cities old,
  And regions dark with woods, will turn away
  To mark the path of some penurious rill
  Which murmureth at his feet? Where does the soul
  Consent her soaring fancy to restrain,
  Which bears her up, as on an eagle's wings,                   240
  Destined for highest heaven; or which of fate's
  Tremendous barriers shall confine her flight
  To any humbler quarry? The rich earth
  Cannot detain her; nor the ambient air
  With all its changes. For a while with joy
  She hovers o'er the sun, and views the small
  Attendant orbs, beneath his sacred beam,
  Emerging from the deep, like cluster'd isles
  Whose rocky shores to the glad sailor's eye
  Reflect the gleams of morning; for a while                    250
  With pride she sees his firm, paternal sway
  Bend the reluctant planets to move each
  Round its perpetual year. But soon she quits
  That prospect; meditating loftier views,
  She darts adventurous up the long career
  Of comets; through the constellations holds
  Her course, and now looks back on all the stars
  Whose blended flames as with a milky stream
  Part the blue region. Empyrean tracts,
  Where happy souls beyond this concave heaven                  260
  Abide, she then explores, whence purer light
  For countless ages travels through the abyss,
  Nor hath in sight of mortals yet arrived.
  Upon the wide creation's utmost shore
  At length she stands, and the dread space beyond
  Contemplates, half-recoiling: nathless, down
  The gloomy void, astonish'd, yet unquell'd,
  She plungeth; down the unfathomable gulf
  Where God alone hath being. There her hopes
  Rest at the fated goal. For, from the birth                   270
  Of human kind, the Sovereign Maker said
  That not in humble, nor in brief delight,
  Not in the fleeting echoes of renown,
  Power's purple robes, nor Pleasure's flowery lap,
  The soul should find contentment; but, from these
  Turning disdainful to an equal good,
  Through Nature's opening walks enlarge her aim,
  Till every bound at length should disappear,
  And infinite perfection fill the scene.

  But lo, where Beauty, dress'd in gentler pomp,                280
  With comely steps advancing, claims the verse
  Her charms inspire. O Beauty, source of praise,
  Of honour, even to mute and lifeless things;
  O thou that kindlest in each human heart
  Love, and the wish of poets, when their tongue
  Would teach to other bosoms what so charms
  Their own; O child of Nature and the soul,
  In happiest hour brought forth; the doubtful garb
  Of words, of earthly language, all too mean,
  Too lowly I account, in which to clothe                       290
  Thy form divine; for thee the mind alone
  Beholds, nor half thy brightness can reveal
  Through those dim organs, whose corporeal touch
  O'ershadoweth thy pure essence. Yet, my Muse,
  If Fortune call thee to the task, wait thou
  Thy favourable seasons; then, while fear
  And doubt are absent, through wide nature's bounds
  Expatiate with glad step, and choose at will
  Whate'er bright spoils the florid earth contains,
  Whate'er the waters, or the liquid air,                       300
  To manifest unblemish'd Beauty's praise,
  And o'er the breasts of mortals to extend
  Her gracious empire. Wilt thou to the isles
  Atlantic, to the rich Hesperian clime,
  Fly in the train of Autumn, and look on,
  And learn from him; while, as he roves around,
  Where'er his fingers touch the fruitful grove,
  The branches bloom with gold; where'er his foot
  Imprints the soil, the ripening clusters swell,
  Turning aside their foliage, and come forth                   310
  In purple lights, till every hillock glows
  As with the blushes of an evening sky?
  Or wilt thou that Thessalian landscape trace,
  Where slow Peneus his clear glassy tide
  Draws smooth along, between the winding cliffs
  Of Ossa and the pathless woods unshorn
  That wave o'er huge Olympus? Down the stream,
  Look how the mountains with their double range
  Embrace the vale of Tempe: from each side
  Ascending steep to heaven, a rocky mound                      320
  Cover'd with ivy and the laurel boughs
  That crown'd young Phoebus for the Python slain.
  Fair Tempe! on whose primrose banks the morn
  Awoke most fragrant, and the noon reposed
  In pomp of lights and shadows most sublime:
  Whose lawns, whose glades, ere human footsteps yet
  Had traced an entrance, were the hallow'd haunt
  Of sylvan powers immortal: where they sate
  Oft in the golden age, the Nymphs and Fauns,
  Beneath some arbour branching o'er the flood,                 330
  And leaning round hung on the instructive lips
  Of hoary Pan, or o'er some open dale
  Danced in light measures to his sevenfold pipe,
  While Zephyr's wanton hand along their path
  Flung showers of painted blossoms, fertile dews,
  And one perpetual spring. But if our task
  More lofty rites demand, with all good vows
  Then let us hasten to the rural haunt
  Where young Melissa dwells. Nor thou refuse
  The voice which calls thee from thy loved retreat,            340
  But hither, gentle maid, thy footsteps turn:
  Here, to thy own unquestionable theme,
  O fair, O graceful, bend thy polish'd brow,
  Assenting; and the gladness of thy eyes
  Impart to me, like morning's wished light
  Seen through the vernal air. By yonder stream,
  Where beech and elm along the bordering mead
  Send forth wild melody from every bough,
  Together let us wander; where the hills
  Cover'd with fleeces to the lowing vale                       350
  Reply; where tidings of content and peace
  Each echo brings. Lo, how the western sun
  O'er fields and floods, o'er every living soul,
  Diffuseth glad repose! There,--while I speak
  Of Beauty's honours, thou, Melissa, thou
  Shalt hearken, not unconscious, while I tell
  How first from Heaven she came: how, after all
  The works of life, the elemental scenes,
  The hours, the seasons, she had oft explored,
  At length her favourite mansion and her throne                360
  She fix'd in woman's form; what pleasing ties
  To virtue bind her; what effectual aid
  They lend each other's power; and how divine
  Their union, should some unambitious maid,
  To all the enchantment of the Idalian queen,
  Add sanctity and wisdom; while my tongue
  Prolongs the tale, Melissa, thou may'st feign
  To wonder whence my rapture is inspired;
  But soon the smile which dawns upon thy lip
  Shall tell it, and the tenderer bloom o'er all                370
  That soft cheek springing to the marble neck,
  Which bends aside in vain, revealing more
  What it would thus keep silent, and in vain
  The sense of praise dissembling. Then my song
  Great Nature's winning arts, which thus inform
  With joy and love the rugged breast of man,
  Should sound in numbers worthy such a theme:
  While all whose souls have ever felt the force
  Of those enchanting passions, to my lyre
  Should throng attentive, and receive once more                380
  Their influence, unobscured by any cloud
  Of vulgar care, and purer than the hand
  Of Fortune can bestow; nor, to confirm
  Their sway, should awful Contemplation scorn
  To join his dictates to the genuine strain
  Of Pleasure's tongue; nor yet should Pleasure's ear
  Be much averse. Ye chiefly, gentle band
  Of youths and virgins, who through many a wish
  And many a fond pursuit, as in some scene
  Of magic bright and fleeting, are allured                     390
  By various Beauty, if the pleasing toil
  Can yield a moment's respite, hither turn
  Your favourable ear, and trust my words.
  I do not mean on bless'd Religion's seat,
  Presenting Superstition's gloomy form,
  To dash your soothing hopes; I do not mean
  To bid the jealous thunderer fire the heavens,
  Or shapes infernal rend the groaning earth,
  And scare you from your joys. My cheerful song
  With happier omens calls you to the field,                    400
  Pleased with your generous ardour in the chase,
  And warm like you. Then tell me (for ye know),
  Doth Beauty ever deign to dwell where use
  And aptitude are strangers? is her praise
  Confess'd in aught whose most peculiar ends
  Are lame and fruitless? or did Nature mean
  This pleasing call the herald of a lie,
  To hide the shame of discord and disease,
  And win each fond admirer into snares,
  Foil'd, baffled? No; with better providence                   410
  The general mother, conscious how infirm
  Her offspring tread the paths of good and ill,
  Thus, to the choice of credulous desire,
  Doth objects the completest of their tribe
  Distinguish and commend. Yon flowery bank
  Clothed in the soft magnificence of Spring,
  Will not the flocks approve it? will they ask
  The reedy fen for pasture? That clear rill
  Which trickleth murmuring from the mossy rock,
  Yields it less wholesome beverage to the worn                 420
  And thirsty traveller, than the standing pool
  With muddy weeds o'ergrown? Yon ragged vine
  Whose lean and sullen clusters mourn the rage
  Of Eurus, will the wine-press or the bowl
  Report of her, as of the swelling grape
  Which glitters through the tendrils, like a gem
  When first it meets the sun. Or what are all
  The various charms to life and sense adjoin'd?
  Are they not pledges of a state entire,
  Where native order reigns, with every part                    430
  In health, and every function well perform'd?

  Thus, then, at first was Beauty sent from Heaven,
  The lovely ministress of Truth and Good
  In this dark world: for Truth and Good are one;
  And Beauty dwells in them, and they in her,
  With like participation. Wherefore then,
  O sons of earth, would ye dissolve the tie?
  Oh! wherefore with a rash and greedy aim
  Seek ye to rove through every flattering scene
  Which Beauty seems to deck, nor once inquire                  440
  Where is the suffrage of eternal Truth,
  Or where the seal of undeceitful Good,
  To save your search from folly? Wanting these,
  Lo, Beauty withers in your void embrace;
  And with the glittering of an idiot's toy
  Did Fancy mock your vows. Nor yet let hope,
  That kindliest inmate of the youthful breast,
  Be hence appall'd, be turn'd to coward sloth
  Sitting in silence, with dejected eyes
  Incurious and with folded hands; far less                     450
  Let scorn of wild fantastic folly's dreams,
  Or hatred of the bigot's savage pride
  Persuade you e'er that Beauty, or the love
  Which waits on Beauty, may not brook to hear
  The sacred lore of undeceitful Good
  And Truth eternal. From the vulgar crowd
  Though Superstition, tyranness abhorr'd,
  The reverence due to this majestic pair
  With threats and execration still demands;
  Though the tame wretch, who asks of her the way               460
  To their celestial dwelling, she constrains
  To quench or set at nought the lamp of God
  Within his frame; through many a cheerless wild
  Though forth she leads him credulous and dark
  And awed with dubious notion; though at length
  Haply she plunge him into cloister'd cells
  And mansions unrelenting as the grave,
  But void of quiet, there to watch the hours
  Of midnight; there, amid the screaming owl's
  Dire song, with spectres or with guilty shades                470
  To talk of pangs and everlasting woe;
  Yet be not ye dismay'd. A gentler star
  Presides o'er your adventure. From the bower
  Where Wisdom sat with her Athenian sons,
  Could but my happy hand entwine a wreath
  Of Plato's olive with the Mantuan bay,
  Then (for what need of cruel fear to you,
  To you whom godlike love can well command?),
  Then should my powerful voice at once dispel
  Those monkish horrors; should in words divine                 480
  Relate how favour'd minds like you inspired,
  And taught their inspiration to conduct
  By ruling Heaven's decree, through various walks
  And prospects various, but delightful all,
  Move onward; while now myrtle groves appear,
  Now arms and radiant trophies, now the rods
  Of empire with the curule throne, or now
  The domes of contemplation and the Muse.

  Led by that hope sublime, whose cloudless eye
  Through the fair toils and ornaments of earth                 490
  Discerns the nobler life reserved for heaven,
  Favour'd alike they worship round the shrine
  Where Truth conspicuous with her sister-twins,
  The undivided partners of her sway,
  With Good and Beauty reigns. Oh! let not us
  By Pleasure's lying blandishments detain'd,
  Or crouching to the frowns of bigot rage,
  Oh! let not us one moment pause to join
  That chosen band. And if the gracious Power,
  Who first awaken'd my untutor'd song,                         500
  Will to my invocation grant anew
  The tuneful spirit, then through all our paths
  Ne'er shall the sound of this devoted lyre
  Be wanting; whether on the rosy mead
  When Summer smiles, to warn the melting heart
  Of Luxury's allurement; whether firm
  Against the torrent and the stubborn hill
  To urge free Virtue's steps, and to her side
  Summon that strong divinity of soul
  Which conquers Chance and Fate: or on the height,             510
  The goal assign'd her, haply to proclaim
  Her triumph; on her brow to place the crown
  Of uncorrupted praise; through future worlds
  To follow her interminated way,
  And bless Heaven's image in the heart of man.

  Such is the worth of Beauty; such her power,
  So blameless, so revered. It now remains,
  In just gradation through the various ranks
  Of being, to contemplate how her gifts
  Rise in due measure, watchful to attend                       520
  The steps of rising Nature. Last and least,
  In colours mingling with a random blaze,
  Doth Beauty dwell. Then higher in the forms
  Of simplest, easiest measure; in the bounds
  Of circle, cube, or sphere. The third ascent
  To symmetry adds colour: thus the pearl
  Shines in the concave of its purple bed,
  And painted shells along some winding shore
  Catch with indented folds the glancing sun.
  Next, as we rise, appear the blooming tribes                  530
  Which clothe the fragrant earth; which draw from her
  Their own nutrition; which are born and die,
  Yet, in their seed, immortal; such the flowers
  With which young Maia pays the village maids
  That hail her natal morn; and such the groves
  Which blithe Pomona rears on Vaga's bank,
  To feed the bowl of Ariconian swains
  Who quaff beneath her branches. Nobler still
  Is Beauty's name where, to the full consent
  Of members and of features, to the pride                      540
  Of colour, and the vital change of growth,
  Life's holy flame with piercing sense is given,
  While active motion speaks the temper'd soul:
  So moves the bird of Juno: so the steed
  With rival swiftness beats the dusty plain,
  And faithful dogs with eager airs of joy
  Salute their fellows. What sublimer pomp
  Adorns the seat where Virtue dwells on earth,
  And Truth's eternal day-light shines around,
  What palm belongs to man's imperial front,                    550
  And woman powerful with becoming smiles,
  Chief of terrestrial natures, need we now
  Strive to inculcate? Thus hath Beauty there
  Her most conspicuous praise to matter lent,
  Where most conspicuous through that shadowy veil
  Breaks forth the bright expression of a mind,
  By steps directing our enraptured search
  To Him, the first of minds; the chief; the sole;
  From whom, through this wide, complicated world,
  Did all her various lineaments begin;                         560
  To whom alone, consenting and entire,
  At once their mutual influence all display.
  He, God most high (bear witness, Earth and Heaven),
  The living fountains in himself contains
  Of beauteous and sublime; with him enthroned
  Ere days or years trod their ethereal way,
  In his supreme intelligence enthroned,
  The queen of love holds her unclouded state,
  Urania. Thee, O Father! this extent
  Of matter; thee the sluggish earth and tract                  570
  Of seas, the heavens and heavenly splendours feel
  Pervading, quickening, moving. From the depth
  Of thy great essence, forth didst thou conduct
  Eternal Form: and there, where Chaos reign'd,
  Gav'st her dominion to erect her seat,
  And sanctify the mansion. All her works
  Well pleased thou didst behold: the gloomy fires
  Of storm or earthquake, and the purest light
  Of summer; soft Campania's new-born rose,
  And the slow weed which pines on Russian hills                580
  Comely alike to thy full vision stand:
  To thy surrounding vision, which unites
  All essences and powers of the great world
  In one sole order, fair alike they stand,
  As features well consenting, and alike
  Required by Nature ere she could attain
  Her just resemblance to the perfect shape
  Of universal Beauty, which with thee
  Dwelt from the first. Thou also, ancient Mind,
  Whom love and free beneficence await                          590
  In all thy doings; to inferior minds,
  Thy offspring, and to man, thy youngest son,
  Refusing no convenient gift nor good;
  Their eyes didst open, in this earth, yon heaven,
  Those starry worlds, the countenance divine
  Of Beauty to behold. But not to them
  Didst thou her awful magnitude reveal
  Such as before thine own unbounded sight
  She stands (for never shall created soul
  Conceive that object), nor, to all their kinds,               600
  The same in shape or features didst thou frame
  Her image. Measuring well their different spheres
  Of sense and action, thy paternal hand
  Hath for each race prepared a different test
  Of Beauty, own'd and reverenced as their guide
  Most apt, most faithful. Thence inform'd, they scan
  The objects that surround them; and select,
  Since the great whole disclaims their scanty view,
  Each for himself selects peculiar parts
  Of Nature; what the standard fix'd by Heaven                  610
  Within his breast approves, acquiring thus
  A partial Beauty, which becomes his lot;
  A Beauty which his eye may comprehend,
  His hand may copy, leaving, O Supreme,
  O thou whom none hath utter'd, leaving all
  To thee that infinite, consummate form,
  Which the great powers, the gods around thy throne
  And nearest to thy counsels, know with thee
  For ever to have been; but who she is,
  Or what her likeness, know not. Man surveys                   620
  A narrower scene, where, by the mix'd effect
  Of things corporeal on his passive mind,
  He judgeth what is fair. Corporeal things
  The mind of man impel with various powers,
  And various features to his eye disclose.
  The powers which move his sense with instant joy,
  The features which attract his heart to love,
  He marks, combines, reposits. Other powers
  And features of the self-same thing (unless
  The beauteous form, the creature of his mind,                 630
  Request their close alliance) he o'erlooks
  Forgotten; or with self-beguiling zeal,
  Whene'er his passions mingle in the work,
  Half alters, half disowns. The tribes of men
  Thus from their different functions and the shapes
  Familiar to their eye, with art obtain,
  Unconscious of their purpose, yet with art
  Obtain the Beauty fitting man to love;
  Whose proud desires from Nature's homely toil
  Oft turn away, fastidious, asking still                       640
  His mind's high aid, to purify the form
  From matter's gross communion; to secure
  For ever, from the meddling hand of Change
  Or rude Decay, her features; and to add
  Whatever ornaments may suit her mien,
  Where'er he finds them scatter'd through the paths
  Of Nature or of Fortune. Then he seats
  The accomplish'd image deep within his breast,
  Reviews it, and accounts it good and fair.

  Thus the one Beauty of the world entire,                      650
  The universal Venus, far beyond
  The keenest effort of created eyes,
  And their most wide horizon, dwells enthroned
  In ancient silence. At her footstool stands
  An altar burning with eternal fire
  Unsullied, unconsumed. Here every hour,
  Here every moment, in their turns arrive
  Her offspring; an innumerable band
  Of sisters, comely all! but differing far
  In age, in stature, and expressive mien,                      660
  More than bright Helen from her new-born babe.
  To this maternal shrine in turns they come,
  Each with her sacred lamp; that from the source
  Of living flame, which here immortal flows,
  Their portions of its lustre they may draw
  For days, or months, or years; for ages, some;
  As their great parent's discipline requires.
  Then to their several mansions they depart,
  In stars, in planets, through the unknown shores
  Of yon ethereal ocean. Who can tell,                          670
  Even on the surface of this rolling earth,
  How many make abode? The fields, the groves,
  The winding rivers and the azure main,
  Are render'd solemn by their frequent feet,
  Their rites sublime. There each her destined home
  Informs with that pure radiance from the skies
  Brought down, and shines throughout her little sphere,
  Exulting. Straight, as travellers by night
  Turn toward a distant flame, so some fit eye,
  Among the various tenants of the scene,                       680
  Discerns the heaven-born phantom seated there,
  And owns her charms. Hence the wide universe,
  Through all the seasons of revolving worlds,
  Bears witness with its people, gods and men,
  To Beauty's blissful power, and with the voice
  Of grateful admiration still resounds:
  That voice, to which is Beauty's frame divine
  As is the cunning of the master's hand
  To the sweet accent of the well-tuned lyre.

  Genius of ancient Greece, whose faithful steps                690
  Have led us to these awful solitudes
  Of Nature and of Science; nurse revered
  Of generous counsels and heroic deeds;
  Oh! let some portion of thy matchless praise
  Dwell in my breast, and teach me to adorn
  This unattempted theme. Nor be my thoughts
  Presumptuous counted, if, amid the calm
  Which Hesper sheds along the vernal heaven,
  If I, from vulgar Superstition's walk,
  Impatient steal, and from the unseemly rites                  700
  Of splendid Adulation, to attend
  With hymns thy presence in the sylvan shade,
  By their malignant footsteps unprofaned.
  Come, O renowned power; thy glowing mien
  Such, and so elevated all thy form,
  As when the great barbaric lord, again
  And yet again diminish'd, hid his face
  Among the herd of satraps and of kings;
  And, at the lightning of thy lifted spear,
  Crouch'd like a slave. Bring all thy martial spoils,          710
  Thy palms, thy laurels, thy triumphal songs,
  Thy smiling band of Arts, thy godlike sires
  Of civil wisdom, thy unconquer'd youth,
  After some glorious day rejoicing round
  Their new-erected trophy. Guide my feet
  Through fair Lyceum's walk, the olive shades
  Of Academus, and the sacred vale
  Haunted by steps divine, where once, beneath
  That ever living platane's ample boughs,
  Ilissus, by Socratic sounds detain'd,                         720
  On his neglected urn attentive lay;
  While Boreas, lingering on the neighbouring steep
  With beauteous Orithyia, his love tale
  In silent awe suspended. There let me
  With blameless hand, from thy unenvious fields,
  Transplant some living blossoms, to adorn
  My native clime; while, far beyond the meed
  Of Fancy's toil aspiring, I unlock
  The springs of ancient wisdom; while I add
  (What cannot be disjoin'd from Beauty's praise)               730
  Thy name and native dress, thy works beloved
  And honour'd; while to my compatriot youth
  I point the great example of thy sons,
  And tune to Attic themes the British lyre.

[Footnote 2: Truth is here taken, not in a logical, but in a mixed
and popular sense, or for what has been called the truth of things;
denoting as well their natural and regular condition, as a proper
estimate or judgment concerning them.]

[Footnote 3: 'Dyson:' see _Life_.]




BOOK II. 1765.


ARGUMENT.

Introduction to this more difficult part of the subject. Of Truth
and its three classes, matter of fact, experimental or scientifical
truth (contra-distinguished from opinion), and universal truth;
which last is either metaphysical or geometrical, either purely
intellectual or perfectly abstracted. On the power of discerning
truth depends that of acting with the view of an end; a circumstance
essential to virtue. Of Virtue, considered in the divine mind as a
perpetual and universal beneficence. Of human virtue, considered as
a system of particular sentiments and actions, suitable to the
design of Providence and the condition of man; to whom it
constitutes the chief good and the first beauty. Of Vice, and its
origin. Of Ridicule: its general nature and final cause. Of the
Passions; particularly of those which relate to evil natural or moral,
and which are generally accounted painful, though not always
unattended with pleasure.


  Thus far of Beauty and the pleasing forms
  Which man's untutor'd fancy, from the scenes
  Imperfect of this ever changing world,
  Creates; and views, enarnour'd. Now my song
  Severer themes demand: mysterious Truth;
  And Virtue, sovereign good: the spells, the trains,
  The progeny of Error; the dread sway
  Of Passion; and whatever hidden stores
  From her own lofty deeds and from herself
  The mind acquires. Severer argument:                          10
  Not less attractive; nor deserving less
  A constant ear. For what are all the forms
  Educed by fancy from corporeal things,
  Greatness, or pomp, or symmetry of parts?
  Not tending to the heart, soon feeble grows,
  As the blunt arrow 'gainst the knotty trunk,
  Their impulse on the sense: while the pall'd eye
  Expects in vain its tribute; asks in vain,
  Where are the ornaments it once admired?
  Not so the moral species, nor the powers                      20
  Of Passion and of Thought. The ambitious mind
  With objects boundless as her own desires
  Can there converse: by these unfading forms
  Touch'd and awaken'd still, with eager act
  She bends each nerve, and meditates well pleased
  Her gifts, her godlike fortune. Such the scenes
  Now opening round us. May the destined verse
  Maintain its equal tenor, though in tracts
  Obscure and arduous! May the source of light,
  All-present, all-sufficient, guide our steps                  30
  Through every maze! and whom, in childish years,
  From the loud throng, the beaten paths of wealth
  And power, thou didst apart send forth to speak
  In tuneful words concerning highest things,
  Him still do thou, O Father, at those hours
  Of pensive freedom, when the human soul
  Shuts out the rumour of the world, him still
  Touch thou with secret lessons; call thou back
  Each erring thought; and let the yielding strains
  From his full bosom, like a welcome rill                      40
  Spontaneous from its healthy fountain, flow!

  But from what name, what favourable sign,
  What heavenly auspice, rather shall I date
  My perilous excursion, than from Truth,
  That nearest inmate of the human soul;
  Estranged from whom, the countenance divine
  Of man, disfigured and dishonour'd, sinks
  Among inferior things? For to the brutes
  Perception and the transient boons of sense
  Hath Fate imparted; but to man alone                          50
  Of sublunary beings was it given.
  Each fleeting impulse on the sensual powers
  At leisure to review; with equal eye
  To scan the passion of the stricken nerve,
  Or the vague object striking; to conduct
  From sense, the portal turbulent and loud,
  Into the mind's wide palace one by one
  The frequent, pressing, fluctuating forms,
  And question and compare them. Thus he learns
  Their birth and fortunes; how allied they haunt               60
  The avenues of sense; what laws direct
  Their union; and what various discords rise,
  Or fixed, or casual; which when his clear thought
  Retains and when his faithful words express,
  That living image of the external scene,
  As in a polish'd mirror held to view,
  Is Truth; where'er it varies from the shape
  And hue of its exemplar, in that part
  Dim Error lurks. Moreover, from without
  When oft the same society of forms                            70
  In the same order have approach'd his mind,
  He deigns no more their steps with curious heed
  To trace; no more their features or their garb
  He now examines; but of them and their
  Condition, as with some diviner's tongue,
  Affirms what Heaven in every distant place,
  Through every future season, will decree.
  This too is Truth; where'er his prudent lips
  Wait till experience diligent and slow
  Has authorised their sentence, this is Truth;                 80
  A second, higher kind: the parent this
  Of Science; or the lofty power herself,
  Science herself, on whom the wants and cares
  Of social life depend; the substitute
  Of God's own wisdom in this toilsome world;
  The providence of man. Yet oft in vain,
  To earn her aid, with fix'd and anxious eye
  He looks on Nature's and on Fortune's course:
  Too much in vain. His duller visual ray
  The stillness and the persevering acts                        90
  Of Nature oft elude; and Fortune oft
  With step fantastic from her wonted walk
  Turns into mazes dim; his sight is foil'd;
  And the crude sentence of his faltering tongue
  Is but opinion's verdict, half believed,
  And prone to change. Here thou, who feel'st thine ear
  Congenial to my lyre's profounder tone,
  Pause, and be watchful. Hitherto the stores,
  Which feed thy mind and exercise her powers,
  Partake the relish of their native soil,                      100
  Their parent earth. But know, a nobler dower
  Her Sire at birth decreed her; purer gifts
  From his own treasure; forms which never deign'd
  In eyes or ears to dwell, within the sense
  Of earthly organs; but sublime were placed
  In his essential reason, leading there
  That vast ideal host which all his works
  Through endless ages never will reveal.
  Thus then endow'd, the feeble creature man,
  The slave of hunger and the prey of death,                    110
  Even now, even here, in earth's dim prison bound,
  The language of intelligence divine
  Attains; repeating oft concerning one
  And many, past and present, parts and whole,
  Those sovereign dictates which in furthest heaven,
  Where no orb rolls, Eternity's fix'd ear
  Hears from coeval Truth, when Chance nor Change,
  Nature's loud progeny, nor Nature's self
  Dares intermeddle or approach her throne.
  Ere long, o'er this corporeal world he learns                 120
  To extend her sway; while calling from the deep,
  From earth and air, their multitudes untold
  Of figures and of motions round his walk,
  For each wide family some single birth
  He sets in view, the impartial type of all
  Its brethren; suffering it to claim, beyond
  Their common heritage, no private gift,
  No proper fortune. Then whate'er his eye
  In this discerns, his bold unerring tongue
  Pronounceth of the kindred, without bound,                    130
  Without condition. Such the rise of forms
  Sequester'd far from sense and every spot
  Peculiar in the realms of space or time;
  Such is the throne which man for Truth amid
  The paths of mutability hath built
  Secure, unshaken, still; and whence he views,
  In matter's mouldering structures, the pure forms
  Of triangle or circle, cube or cone,
  Impassive all; whose attributes nor force
  Nor fate can alter. There he first conceives                  140
  True being, and an intellectual world
  The same this hour and ever. Thence he deems
  Of his own lot; above the painted shapes
  That fleeting move o'er this terrestrial scene
  Looks up; beyond the adamantine gates
  Of death expatiates; as his birthright claims
  Inheritance in all the works of God;
  Prepares for endless time his plan of life,
  And counts the universe itself his home.

  Whence also but from Truth, the light of minds,               150
  Is human fortune gladden'd with the rays
  Of Virtue? with the moral colours thrown
  On every walk of this our social scene,
  Adorning for the eye of gods and men
  The passions, actions, habitudes of life,
  And rendering earth like heaven, a sacred place
  Where Love and Praise may take delight to dwell?
  Let none with heedless tongue from Truth disjoin
  The reign of Virtue. Ere the dayspring flow'd,
  Like sisters link'd in Concord's golden chain,                160
  They stood before the great Eternal Mind,
  Their common parent, and by him were both
  Sent forth among his creatures, hand in hand,
  Inseparably join'd; nor e'er did Truth
  Find an apt ear to listen to her lore,
  Which knew not Virtue's voice; nor, save where Truth's
  Majestic words are heard and understood,
  Doth Virtue deign to inhabit. Go, inquire
  Of Nature; not among Tartarian rocks,
  Whither the hungry vulture with its prey                      170
  Returns; not where the lion's sullen roar
  At noon resounds along the lonely banks
  Of ancient Tigris; but her gentler scenes,
  The dovecote and the shepherd's fold at morn,
  Consult; or by the meadow's fragrant hedge,
  In spring-time when the woodlands first are green,
  Attend the linnet singing to his mate
  Couch'd o'er their tender young. To this fond care
  Thou dost not Virtue's honourable name
  Attribute; wherefore, save that not one gleam                 180
  Of Truth did e'er discover to themselves
  Their little hearts, or teach them, by the effects
  Of that parental love, the love itself
  To judge, and measure its officious deeds?
  But man, whose eyelids Truth has fill'd with day,
  Discerns how skilfully to bounteous ends
  His wise affections move; with free accord
  Adopts their guidance; yields himself secure
  To Nature's prudent impulse; and converts
  Instinct to duty and to sacred law.                           190
  Hence Right and Fit on earth; while thus to man
  The Almighty Legislator hath explain'd
  The springs of action fix'd within his breast;
  Hath given him power to slacken or restrain
  Their effort; and hath shewn him how they join
  Their partial movements with the master-wheel
  Of the great world, and serve that sacred end
  Which he, the unerring reason, keeps in view.

  For (if a mortal tongue may speak of him
  And his dread ways) even as his boundless eye,                200
  Connecting every form and every change,
  Beholds the perfect Beauty; so his will,
  Through every hour producing good to all
  The family of creatures, is itself
  The perfect Virtue. Let the grateful swain
  Remember this, as oft with joy and praise
  He looks upon the falling dews which clothe
  His lawns with verdure, and the tender seed
  Nourish within his furrows; when between
  Dead seas and burning skies, where long unmoved               210
  The bark had languish'd, now a rustling gale
  Lifts o'er the fickle waves her dancing prow,
  Let the glad pilot, bursting out in thanks,
  Remember this; lest blind o'erweening pride
  Pollute their offerings; lest their selfish heart
  Say to the heavenly ruler, 'At our call
  Relents thy power; by us thy arm is moved.'
  Fools! who of God as of each other deem;
  Who his invariable acts deduce
  From sudden counsels transient as their own;                  220
  Nor further of his bounty, than the event
  Which haply meets their loud and eager prayer,
  Acknowledge; nor, beyond the drop minute
  Which haply they have tasted, heed the source
  That flows for all; the fountain of his love
  Which, from the summit where he sits enthroned,
  Pours health and joy, unfailing streams, throughout
  The spacious region flourishing in view,
  The goodly work of his eternal day,
  His own fair universe; on which alone                         230
  His counsels fix, and whence alone his will
  Assumes her strong direction. Such is now
  His sovereign purpose; such it was before
  All multitude of years. For his right arm
  Was never idle; his bestowing love
  Knew no beginning; was not as a change
  Of mood that woke at last and started up
  After a deep and solitary sloth
  Of boundless ages. No; he now is good,
  He ever was. The feet of hoary Time                           240
  Through their eternal course have travell'd o'er
  No speechless, lifeless desert; but through scenes
  Cheerful with bounty still; among a pomp
  Of worlds, for gladness round the Maker's throne
  Loud-shouting, or, in many dialects
  Of hope and filial trust, imploring thence
  The fortunes of their people: where so fix'd
  Were all the dates of being, so disposed
  To every living soul of every kind
  The field of motion and the hour of rest,                     250
  That each the general happiness might serve;
  And, by the discipline of laws divine
  Convinced of folly or chastised from guilt,
  Each might at length be happy. What remains
  Shall be like what is past; but fairer still,
  And still increasing in the godlike gifts
  Of Life and Truth. The same paternal hand,
  From the mute shell-fish gasping on the shore,
  To men, to angels, to celestial minds,
  Will ever lead the generations on                             260
  Through higher scenes of being; while, supplied
  From day to day by his enlivening breath,
  Inferior orders in succession rise
  To fill the void below. As flame ascends,
  As vapours to the earth in showers return,
  As the poised ocean towards the attracting moon
  Swells, and the ever-listening planets, charm'd
  By the sun's call, their onward pace incline,
  So all things which have life aspire to God,
  Exhaustless fount of intellectual day!                        270
  Centre of souls! Nor doth the mastering voice
  Of Nature cease within to prompt aright
  Their steps; nor is the care of Heaven withheld
  From sending to the toil external aid;
  That in their stations all may persevere
  To climb the ascent of being, and approach
  For ever nearer to the life divine.

  But this eternal fabric was not raised
  For man's inspection. Though to some be given
  To catch a transient visionary glimpse                        280
  Of that majestic scene which boundless power
  Prepares for perfect goodness, yet in vain
  Would human life her faculties expand
  To embosom such an object. Nor could e'er
  Virtue or praise have touch'd the hearts of men,
  Had not the Sovereign Guide, through every stage
  Of this their various journey, pointed out
  New hopes, new toils, which, to their humble sphere
  Of sight and strength, might such importance hold
  As doth the wide creation to his own.                         290
  Hence all the little charities of life,
  With all their duties; hence that favourite palm
  Of human will, when duty is sufficed,
  And still the liberal soul in ampler deeds
  Would manifest herself; that sacred sign
  Of her revered affinity to Him
  Whose bounties are his own; to whom none said,
  'Create the wisest, fullest, fairest world,
  And make its offspring happy;' who, intent
  Some likeness of Himself among his works                      300
  To view, hath pour'd into the human breast
  A ray of knowledge and of love, which guides
  Earth's feeble race to act their Maker's part,
  Self-judging, self-obliged; while, from before
  That godlike function, the gigantic power
  Necessity, though wont to curb the force
  Of Chaos and the savage elements,
  Retires abash'd, as from a scene too high
  For her brute tyranny, and with her bears
  Her scorned followers, Terror, and base Awe                   310
  Who blinds herself, and that ill-suited pair,
  Obedience link'd with Hatred. Then the soul
  Arises in her strength; and, looking round
  Her busy sphere, whatever work she views,
  Whatever counsel bearing any trace
  Of her Creator's likeness, whether apt
  To aid her fellows or preserve herself
  In her superior functions unimpair'd,
  Thither she turns exulting: that she claims
  As her peculiar good: on that, through all                    320
  The fickle seasons of the day, she looks
  With reverence still: to that, as to a fence
  Against affliction and the darts of pain,
  Her drooping hopes repair--and, once opposed
  To that, all other pleasure, other wealth,
  Vile, as the dross upon the molten gold,
  Appears, and loathsome as the briny sea
  To him who languishes with thirst, and sighs
  For some known fountain pure. For what can strive
  With Virtue? Which of Nature's regions vast                   330
  Can in so many forms produce to sight
  Such powerful Beauty? Beauty, which the eye
  Of Hatred cannot look upon secure:
  Which Envy's self contemplates, and is turn'd
  Ere long to tenderness, to infant smiles,
  Or tears of humblest love. Is aught so fair
  In all the dewy landscapes of the Spring,
  The Summer's noontide groves, the purple eve
  At harvest-home, or in the frosty moon
  Glittering on some smooth sea; is aught so fair               340
  As virtuous friendship? as the honour'd roof
  Whither, from highest heaven, immortal Love
  His torch ethereal and his golden bow
  Propitious brings, and there a temple holds
  To whose unspotted service gladly vow'd
  The social band of parent, brother, child,
  With smiles and sweet discourse and gentle deeds
  Adore his power? What gift of richest clime
  E'er drew such eager eyes, or prompted such
  Deep wishes, as the zeal that snatcheth back                  350
  From Slander's poisonous tooth a foe's renown;
  Or crosseth Danger in his lion walk,
  A rival's life to rescue? as the young
  Athenian warrior sitting down in bonds,
  That his great father's body might not want
  A peaceful, humble tomb? the Roman wife
  Teaching her lord how harmless was the wound
  Of death, how impotent the tyrant's rage,
  Who nothing more could threaten to afflict
  Their faithful love? Or is there in the abyss,                360
  Is there, among the adamantine spheres
  Wheeling unshaken through the boundless void,
  Aught that with half such majesty can fill
  The human bosom, as when Brutus rose
  Refulgent from the stroke of Caesar's fate
  Amid the crowd of patriots; and his arm
  Aloft extending like eternal Jove
  When guilt brings down the thunder, call'd aloud
  On Tully's name, and shook the crimson sword
  Of justice in his rapt astonish'd eye,                        370
  And bade the father of his country hail,
  For lo, the tyrant prostrate on the dust,
  And Rome again is free? Thus, through the paths
  Of human life, in various pomp array'd
  Walks the wise daughter of the judge of heaven,
  Fair Virtue; from her father's throne supreme
  Sent down to utter laws, such as on earth
  Most apt he knew, most powerful to promote
  The weal of all his works, the gracious end
  Of his dread empire. And, though haply man's                  380
  Obscurer sight, so far beyond himself
  And the brief labours of his little home,
  Extends not; yet, by the bright presence won
  Of this divine instructress, to her sway
  Pleased he assents, nor heeds the distant goal.
  To which her voice conducts him. Thus hath God,
  Still looking toward his own high purpose, fix'd
  The virtues of his creatures; thus he rules
  The parent's fondness and the patriot's zeal;
  Thus the warm sense of honour and of shame;                   390
  The vows of gratitude, the faith of love;
  And all the comely intercourse of praise,
  The joy of human life, the earthly heaven!

  How far unlike them must the lot of guilt
  Be found! Or what terrestrial woe can match
  The self-convicted bosom, which hath wrought
  The bane of others, or enslaved itself
  With shackles vile? Not poison, nor sharp fire,
  Nor the worst pangs that ever monkish hate
  Suggested, or despotic rage imposed,                          400
  Were at that season an unwish'd exchange,
  When the soul loathes herself; when, flying thence
  To crowds, on every brow she sees portray'd
  Pell demons, Hate or Scorn, which drive her back
  To solitude, her judge's voice divine
  To hear in secret, haply sounding through
  The troubled dreams of midnight, and still, still
  Demanding for his violated laws
  Fit recompense, or charging her own tongue
  To speak the award of justice on herself.                     410
  For well she knows what faithful hints within
  Were whisper'd, to beware the lying forms
  Which turn'd her footsteps from the safer way,
  What cautions to suspect their painted dress,
  And look with steady eyelid on their smiles,
  Their frowns, their tears. In vain; the dazzling hues
  Of Fancy, and Opinion's eager voice,
  Too much prevail'd. For mortals tread the path
  In which Opinion says they follow good
  Or fly from evil; and Opinion gives                           420
  Report of good or evil, as the scene
  Was drawn by Fancy, pleasing or deform'd;
  Thus her report can never there be true
  Where Fancy cheats the intellectual eye
  With glaring colours and distorted lines.
  Is there a man to whom the name of death
  Brings terror's ghastly pageants conjured up
  Before him, death-bed groans, and dismal vows,
  And the frail soul plunged headlong from the brink
  Of life and daylight down the gloomy air,                     430
  An unknown depth, to gulfs of torturing fire
  Unvisited by mercy? Then what hand
  Can snatch this dreamer from the fatal toils
  Which Fancy and Opinion thus conspire
  To twine around his heart? Or who shall hush
  Their clamour, when they tell him that to die,
  To risk those horrors, is a direr curse
  Than basest life can bring? Though Love with prayers
  Most tender, with affliction's sacred tears,
  Beseech his aid; though Gratitude and Faith                   440
  Condemn each step which loiters; yet let none
  Make answer for him that if any frown
  Of Danger thwart his path, he will not stay
  Content, and be a wretch to be secure.
  Here Vice begins then: at the gate of life,
  Ere the young multitude to diverse roads
  Part, like fond pilgrims on a journey unknown,
  Sits Fancy, deep enchantress; and to each
  With kind maternal looks presents her bowl,
  A potent beverage. Heedless they comply,                      450
  Till the whole soul from that mysterious draught
  Is tinged, and every transient thought imbibes
  Of gladness or disgust, desire or fear,
  One homebred colour, which not all the lights
  Of Science e'er shall change; not all the storms
  Of adverse Fortune wash away, nor yet
  The robe of purest Virtue quite conceal.
  Thence on they pass, where, meeting frequent shapes
  Of good and evil, cunning phantoms apt
  To fire or freeze the breast, with them they join             460
  In dangerous parley; listening oft, and oft
  Gazing with reckless passion, while its garb
  The spectre heightens, and its pompous tale
  Repeats, with some new circumstance to suit
  That early tincture of the hearer's soul.
  And should the guardian, Reason, but for one
  Short moment yield to this illusive scene
  His ear and eye, the intoxicating charm
  Involves him, till no longer he discerns,
  Or only guides to err. Then revel forth                       470
  A furious band that spurn him from the throne,
  And all is uproar. Hence Ambition climbs
  With sliding feet and hands impure, to grasp
  Those solemn toys which glitter in his view
  On Fortune's rugged steep; hence pale Revenge
  Unsheaths her murderous dagger; Rapine hence
  And envious Lust, by venal fraud upborne,
  Surmount the reverend barrier of the laws
  Which kept them from their prey; hence all the crimes
  That e'er defiled the earth, and all the plagues              480
  That follow them for vengeance, in the guise
  Of Honour, Safety, Pleasure, Ease, or Pomp,
  Stole first into the fond believing mind.

  Yet not by Fancy's witchcraft on the brain
  Are always the tumultuous passions driven
  To guilty deeds, nor Reason bound in chains
  That Vice alone may lord it. Oft, adorn'd
  With motley pageants, Folly mounts his throne,
  And plays her idiot antics, like a queen.
  A thousand garbs she wears: a thousand ways                   490
  She whirls her giddy empire. Lo, thus far
  With bold adventure to the Mantuan lyre
  I sing for contemplation link'd with love,
  A pensive theme. Now haply should my song
  Unbend that serious countenance, and learn
  Thalia's tripping gait, her shrill-toned voice,
  Her wiles familiar: whether scorn she darts
  In wanton ambush from her lip or eye,
  Or whether, with a sad disguise of care
  O'ermantling her gay brow, she acts in sport                  500
  The deeds of Folly, and from all sides round
  Calls forth impetuous Laughter's gay rebuke;
  Her province. But through every comic scene
  To lead my Muse with her light pencil arm'd;
  Through every swift occasion which the hand
  Of Laughter points at, when the mirthful sting
  Distends her labouring sides and chokes her tongue,
  Were endless as to sound each grating note
  With which the rooks, and chattering daws, and grave
  Unwieldy inmates of the village pond,                         510
  The changing seasons of the sky proclaim;
  Sun, cloud, or shower. Suffice it to have said,
  Where'er the power of Ridicule displays
  Her quaint-eyed visage, some incongruous form,
  Some stubborn dissonance of things combined,
  Strikes on her quick perception: whether Pomp,
  Or Praise, or Beauty be dragg'd in and shewn
  Where sordid fashions, where ignoble deeds,
  Where foul Deformity is wont to dwell;
  Or whether these with shrewd and wayward spite                520
  Invade resplendent Pomp's imperious mien,
  The charms of Beauty, or the boast of Praise.
  Ask we for what fair end the Almighty Sire
  In mortal bosoms stirs this gay contempt,
  These grateful pangs of laughter; from disgust
  Educing pleasure? Wherefore, but to aid
  The tardy steps of Reason, and at once
  By this prompt impulse urge us to depress
  Wild Folly's aims? For, though the sober light
  Of Truth slow dawning on the watchful mind                    530
  At length unfolds, through many a subtle tie,
  How these uncouth disorders end at last
  In public evil; yet benignant Heaven,
  Conscious how dim the dawn of Truth appears
  To thousands, conscious what a scanty pause
  From labour and from care the wider lot
  Of humble life affords for studious thought
  To scan the maze of Nature, therefore stamp'd
  These glaring scenes with characters of scorn,
  As broad, as obvious to the passing clown                     540
  As to the letter'd sage's curious eye.
  But other evils o'er the steps of man
  Through all his walks impend; against whose might
  The slender darts of Laughter nought avail:
  A trivial warfare. Some, like cruel guards,
  On Nature's ever-moving throne attend;
  With mischief arm'd for him whoe'er shall thwart
  The path of her inexorable wheels,
  While she pursues the work that must be done
  Through ocean, earth, and air. Hence, frequent forms          550
  Of woe; the merchant, with his wealthy bark,
  Buried by dashing waves; the traveller,
  Pierced by the pointed lightning in his haste;
  And the poor husbandman, with folded arms,
  Surveying his lost labours, and a heap
  Of blasted chaff the product of the field
  Whence he expected bread. But worse than these,
  I deem far worse, that other race of ills
  Which human kind rear up among themselves;
  That horrid offspring which misgovern'd Will                  560
  Bears to fantastic Error; vices, crimes,
  Furies that curse the earth, and make the blows,
  The heaviest blows, of Nature's innocent hand
  Seem sport: which are indeed but as the care
  Of a wise parent, who solicits good
  To all her house, though haply at the price
  Of tears and froward wailing and reproach
  From some unthinking child, whom not the less
  Its mother destines to be happy still.

  These sources then of pain, this double lot                   570
  Of evil in the inheritance of man,
  Required for his protection no slight force,
  No careless watch; and therefore was his breast
  Fenced round with passions quick to be alarm'd,
  Or stubborn to oppose; with Fear, more swift
  Than beacons catching flame from hill to hill,
  Where armies land: with Anger, uncontroll'd
  As the young lion bounding on his prey;
  With Sorrow, that locks up the struggling heart;
  And Shame, that overcasts the drooping eye                    580
  As with a cloud of lightning. These the part
  Perform of eager monitors, and goad
  The soul more sharply than with points of steel,
  Her enemies to shun or to resist.
  And as those passions, that converse with good,
  Are good themselves; as Hope and Love and Joy,
  Among the fairest and the sweetest boons
  Of life, we rightly count: so these, which guard
  Against invading evil, still excite
  Some pain, some tumult; these, within the mind                590
  Too oft admitted or too long retain'd,
  Shock their frail seat, and by their uncurb'd rage
  To savages more fell than Libya breeds
  Transform themselves, till human thought becomes
  A gloomy ruin, haunt of shapes unbless'd,
  Of self-tormenting fiends; Horror, Despair,
  Hatred, and wicked Envy: foes to all
  The works of Nature and the gifts of Heaven.

  But when through blameless paths to righteous ends
  Those keener passions urge the awaken'd soul,                 600
  I would not, as ungracious violence,
  Their sway describe, nor from their free career
  The fellowship of Pleasure quite exclude.
  For what can render, to the self-approved,
  Their temper void of comfort, though in pain?
  Who knows not with what majesty divine
  The forms of Truth and Justice to the mind
  Appear, ennobling oft the sharpest woe
  With triumph and rejoicing? Who, that bears
  A human bosom, hath not often felt                            610
  How dear are all those ties which bind our race
  In gentleness together, and how sweet
  Their force, let Fortune's wayward hand the while
  Be kind or cruel? Ask the faithful youth,
  Why the cold urn of her whom long he loved
  So often fills his arms; so often draws
  His lonely footsteps, silent and unseen,
  To pay the mournful tribute of his tears?
  Oh! he will tell thee that the wealth of worlds
  Should ne'er seduce his bosom to forego                       620
  Those sacred hours when, stealing from the noise
  Of care and envy, sweet remembrance soothes
  With Virtue's kindest looks his aching breast,
  And turns his tears to rapture. Ask the crowd,
  Which flies impatient from the village walk
  To climb the neighbouring cliffs, when far below
  The savage winds have hurl'd upon the coast
  Some helpless bark; while holy Pity melts
  The general eye, or Terror's icy hand
  Smites their distorted limbs and horrent hair;                630
  While every mother closer to her breast
  Catcheth her child, and, pointing where the waves
  Foam through the shatter'd vessel, shrieks aloud
  As one poor wretch, who spreads his piteous arms
  For succour, swallow'd by the roaring surge,
  As now another, dash'd against the rock,
  Drops lifeless down. Oh! deemest thou indeed
  No pleasing influence here by Nature given
  To mutual terror and compassion's tears?
  No tender charm mysterious, which attracts                    640
  O'er all that edge of pain the social powers
  To this their proper action and their end?
  Ask thy own heart; when at the midnight hour,
  Slow through that pensive gloom thy pausing eye,
  Led by the glimmering taper, moves around
  The reverend volumes of the dead, the songs
  Of Grecian bards, and records writ by fame
  For Grecian heroes, where the sovereign Power
  Of heaven and earth surveys the immortal page,
  Even as a father meditating all                               650
  The praises of his son, and bids the rest
  Of mankind there the fairest model learn
  Of their own nature, and the noblest deeds
  Which yet the world hath seen. If then thy soul
  Join in the lot of those diviner men;
  Say, when the prospect darkens on thy view;
  When, sunk by many a wound, heroic states
  Mourn in the dust and tremble at the frown
  Of hard Ambition; when the generous band
  Of youths who fought for freedom and their sires              660
  Lie side by side in death; when brutal Force
  Usurps the throne of Justice, turns the pomp
  Of guardian power, the majesty of rule,
  The sword, the laurel, and the purple robe,
  To poor dishonest pageants, to adorn
  A robber's walk, and glitter in the eyes
  Of such as bow the knee; when beauteous works,
  Rewards of virtue, sculptured forms which deck'd
  With more than human grace the warrior's arch,
  Or patriot's tomb, now victims to appease                     670
  Tyrannic envy, strew the common path
  With awful ruins; when the Muse's haunt,
  The marble porch where Wisdom wont to talk
  With Socrates or Tully, hears no more
  Save the hoarse jargon of contentious monks,
  Or female Superstition's midnight prayer;
  When ruthless Havoc from the hand of Time
  Tears the destroying scythe, with surer stroke
  To mow the monuments of Glory down;
  Till Desolation o'er the grass-grown street                   680
  Expands her raven wings, and, from the gate
  Where senates once the weal of nations plann'd,
  Hisseth the gliding snake through hoary weeds
  That clasp the mouldering column: thus when all
  The widely-mournful scene is fix'd within
  Thy throbbing bosom; when the patriot's tear
  Starts from thine eye, and thy extended arm
  In fancy hurls the thunderbolt of Jove
  To fire the impious wreath on Philip's brow,
  Or dash Octavius from the trophied car;                       690
  Say, doth thy secret soul repine to taste
  The big distress? Or wouldst thou then exchange
  Those heart-ennobling sorrows for the lot
  Of him who sits amid the gaudy herd
  Of silent flatterers bending to his nod;
  And o'er them, like a giant, casts his eye,
  And says within himself, 'I am a King,
  And wherefore should the clamorous voice of woe
  Intrude upon mine ear?' The dregs corrupt
  Of barbarous ages, that Circaean draught                      700
  Of servitude and folly, have not yet,
  Bless'd be the Eternal Ruler of the world!
  Yet have not so dishonour'd, so deform'd
  The native judgment of the human soul,
  Nor so effaced the image of her Sire.




BOOK III. 1770.


  What tongue then may explain the various fate
  Which reigns o'er earth? or who to mortal eyes
  Illustrate this perplexing labyrinth
  Of joy and woe, through which the feet of man
  Are doom'd to wander? That Eternal Mind
  From passions, wants, and envy far estranged,
  Who built the spacious universe, and deck'd
  Each part so richly with whate'er pertains
  To life, to health, to pleasure, why bade he
  The viper Evil, creeping in, pollute                          10
  The goodly scene, and with insidious rage,
  While the poor inmate looks around and smiles
  Dart her fell sting with poison to his soul?
  Hard is the question, and from ancient days
  Hath still oppress'd with care the sage's thought;
  Hath drawn forth accents from the poet's lyre
  Too sad, too deeply plaintive; nor did e'er
  Those chiefs of human kind, from whom the light
  Of heavenly truth first gleam'd on barbarous lands,
  Forget this dreadful secret when they told                    20
  What wondrous things had to their favour'd eyes
  And ears on cloudy mountain been reveal'd,
  Or in deep cave by nymph or power divine,
  Portentous oft, and wild. Yet one I know.
  Could I the speech of lawgivers assume,
  One old and splendid tale I would record,
  With which the Muse of Solon in sweet strains
  Adorn'd this theme profound, and render'd all
  Its darkness, all its terrors, bright as noon,
  Or gentle as the golden star of eve.                          30
  Who knows not Solon,--last, and wisest far,
  Of those whom Greece, triumphant in the height
  Of glory, styled her fathers,--him whose voice
  Through Athens hush'd the storm of civil wrath;
  Taught envious Want and cruel Wealth to join
  In friendship; and, with sweet compulsion, tamed
  Minerva's eager people to his laws,
  Which their own goddess in his breast inspired?

  'Twas now the time when his heroic task
  Seem'd but perform'd in vain; when, soothed by years         40
  Of flattering service, the fond multitude
  Hung with their sudden counsels on the breath
  Of great Pisistratus, that chief renown'd,
  Whom Hermes and the Idalian queen had train'd,
  Even from his birth, to every powerful art
  Of pleasing and persuading; from whose lips
  Flow'd eloquence which, like the vows of love,
  Could steal away suspicion from the hearts
  Of all who listen'd. Thus from day to day
  He won the general suffrage, and beheld                       50
  Each rival overshadow'd and depress'd
  Beneath his ampler state; yet oft complain'd,
  As one less kindly treated, who had hoped
  To merit favour, but submits perforce
  To find another's services preferr'd,
  Nor yet relaxeth aught of faith or zeal.
  Then tales were scatter'd of his envious foes,
  Of snares that watch'd his fame, of daggers aim'd
  Against his life. At last, with trembling limbs,
  His hair diffused and wild, his garments loose,               60
  And stain'd with blood from self-inflicted wounds,
  He burst into the public place, as there,
  There only, were his refuge; and declared
  In broken words, with sighs of deep regret,
  The mortal danger he had scarce repell'd.
  Fired with his tragic tale, the indignant crowd,
  To guard his steps, forthwith a menial band,
  Array'd beneath his eye for deeds of war,
  Decree. Oh! still too liberal of their trust,
  And oft betray'd by over-grateful love,                       70
  The generous people! Now behold him fenced
  By mercenary weapons, like a king,
  Forth issuing from the city-gate at eve
  To seek his rural mansion, and with pomp
  Crowding the public road. The swain stops short,
  And sighs; the officious townsmen stand at gaze,
  And shrinking give the sullen pageant room.
  Yet not the less obsequious was his brow;
  Nor less profuse of courteous words his tongue,
  Of gracious gifts his hand; the while by stealth,             80
  Like a small torrent fed with evening showers,
  His train increased; till, at that fatal time
  Just as the public eye, with doubt and shame
  Startled, began to question what it saw,
  Swift as the sound of earthquakes rush'd a voice
  Through Athens, that Pisistratus had fill'd
  The rocky citadel with hostile arms,
  Had barr'd the steep ascent, and sate within
  Amid his hirelings, meditating death
  To all whose stubborn necks his yoke refused.                 90
  Where then was Solon? After ten long years
  Of absence, full of haste from foreign shores,
  The sage, the lawgiver had now arrived:
  Arrived, alas! to see that Athens, that
  Fair temple raised by him and sacred call'd
  To Liberty and Concord, now profaned
  By savage hate, or sunk into a den
  Of slaves who crouch beneath the master's scourge,
  And deprecate his wrath, and court his chains.
  Yet did not the wise patriot's grief impede                   100
  His virtuous will, nor was his heart inclined
  One moment with such woman-like distress
  To view the transient storms of civil war,
  As thence to yield his country and her hopes
  To all-devouring bondage. His bright helm,
  Even while the traitor's impious act is told,
  He buckles on his hoary head; he girds
  With mail his stooping breast; the shield, the spear
  He snatcheth; and with swift indignant strides
  The assembled people seeks; proclaims aloud                   110
  It was no time for counsel; in their spears
  Lay all their prudence now; the tyrant yet
  Was not so firmly seated on his throne,
  But that one shock of their united force
  Would dash him from the summit of his pride,
  Headlong and grovelling in the dust. 'What else
  Can reassert the lost Athenian name,
  So cheaply to the laughter of the world
  Betray'd; by guile beneath an infant's faith
  So mock'd and scorn'd? Away, then: Freedom now                120
  And Safety dwell not but with Fame in arms;
  Myself will shew you where their mansion lies,
  And through the walks of Danger or of Death
  Conduct you to them.'--While he spake, through all
  Their crowded ranks his quick sagacious eye
  He darted; where no cheerful voice was heard
  Of social daring; no stretch'd arm was seen
  Hastening their common task: but pale mistrust
  Wrinkled each brow; they shook their head, and down
  Their slack hands hung; cold sighs and whisper'd doubts       130
  From breath to breath stole round. The sage meantime
  Look'd speechless on, while his big bosom heaved,
  Struggling with shame and sorrow, till at last
  A tear broke forth; and, 'O immortal shades,
  O Theseus,' he exclaim'd, 'O Codrus, where,
  Where are ye now  behold for what ye toil'd
  Through life! behold for whom ye chose to die!'
  No more he added; but with lonely steps
  Weary and slow, his silver beard depress'd,
  And his stern eyes bent heedless on the ground,               140
  Back to his silent dwelling he repair'd.
  There o'er the gate, his armour, as a man
  Whom from the service of the war his chief
  Dismisseth after no inglorious toil,
  He fix'd in general view. One wishful look
  He sent, unconscious, toward the public place
  At parting; then beneath his quiet roof
  Without a word, without a sigh, retired.
  Scarce had the morrow's sun his golden rays
  From sweet Hymettus darted o'er the fanes                     150
  Of Cecrops to the Salaminian shores,
  When, lo, on Solon's threshold met the feet
  Of four Athenians, by the same sad care
  Conducted all, than whom the state beheld
  None nobler. First came Megacles, the son
  Of great Alcmaeon, whom the Lydian king,
  The mild, unhappy Croesus, in his days
  Of glory had with costly gifts adorn'd,
  Fair vessels, splendid garments, tinctured webs
  And heaps of treasured gold, beyond the lot                   160
  Of many sovereigns; thus requiting well
  That hospitable favour which erewhile
  Alcmaeon to his messengers had shown,
  Whom he, with offerings worthy of the god,
  Sent from his throne in Sardis, to revere
  Apollo's Delphic shrine. With Megacles
  Approach'd his son, whom Agarista bore,
  The virtuous child of Clistheues, whose hand
  Of Grecian sceptres the most ancient far
  In Sicyon sway'd: but greater fame he drew                    170
  From arms controll'd by justice, from the love
  Of the wise Muses, and the unenvied wreath
  Which glad Olympia gave. For thither once
  His warlike steeds the hero led, and there
  Contended through the tumult of the course
  With skilful wheels. Then victor at the goal,
  Amid the applauses of assembled Greece,
  High on his car he stood and waved his arm.
  Silence ensued: when straight the herald's voice
  Was heard, inviting every Grecian youth,                      180
  Whom Clisthenes content might call his son,
  To visit, ere twice thirty days were pass'd,
  The towers of Sicyon. There the chief decreed,
  Within the circuit of the following year,
  To join at Hymen's altar, hand in hand
  With his fair daughter, him among the guests
  Whom worthiest he should deem. Forthwith from all
  The bounds of Greece the ambitious wooers came:
  From rich Hesperia; from the Illyrian shore,
  Where Epidamnus over Adria's surge                            190
  Looks on the setting sun; from those brave tribes
  Chaonian or Molossian, whom the race
  Of great Achilles governs, glorying still
  In Troy o'erthrown; from rough Aetolia, nurse
  Of men who first among the Greeks threw off
  The yoke of kings, to commerce and to arms
  Devoted; from Thessalia's fertile meads,
  Where flows Peneus near the lofty walls
  Of Cranon old; from strong Eretria, queen
  Of all Euboean cities, who, sublime                           200
  On the steep margin of Euripus, views
  Across the tide the Marathonian plain,
  Not yet the haunt of glory. Athens too,
  Minerva's care, among her graceful sons
  Found equal lovers for the princely maid:
  Nor was proud Argos wanting; nor the domes
  Of sacred Elis; nor the Arcadian groves
  That overshade Alpheus, echoing oft
  Some shepherd's song. But through the illustrious band
  Was none who might with Megacles compare                     210
  In all the honours of unblemish'd youth.
  His was the beauteous bride; and now their son,
  Young Clisthenes, betimes, at Solon's gate
  Stood anxious; leaning forward on the arm
  Of his great sire, with earnest eyes that ask'd
  When the slow hinge would turn, with restless feet,
  And cheeks now pale, now glowing; for his heart
  Throbb'd full of bursting passions, anger, grief
  With scorn imbitter'd, by the generous boy
  Scarce understood, but which, like noble seeds,               220
  Are destined for his country and himself
  In riper years to bring forth fruits divine
  Of liberty and glory. Next appear'd
  Two brave companions, whom one mother bore
  To different lords; but whom the better ties
  Of firm esteem and friendship render'd more
  Than brothers: first Miltiades, who drew
  From godlike AEacus his ancient line;
  That AEacus whose unimpeach'd renown
  For sanctity and justice won the lyre                         230
  Of elder bards to celebrate him throned
  In Hades o'er the dead, where his decrees
  The guilty soul within the burning gates
  Of Tartarus compel, or send the good
  To inhabit with eternal health and peace
  The valleys of Elysium. From a stem
  So sacred, ne'er could worthier scion spring
  Than this Miltiades; whose aid ere long
  The chiefs of Thrace, already on their ways,
  Sent by the inspired foreknowing maid who sits                240
  Upon the Delphic tripod, shall implore
  To wield their sceptre, and the rural wealth
  Of fruitful Chersonesus to protect
  With arms and laws. But, nothing careful now
  Save for his injured country, here he stands
  In deep solicitude with Cimon join'd:
  Unconscious both what widely different lots
  Await them, taught by nature as they are
  To know one common good, one common ill.
  For Cimon, not his valour, not his birth                      250
  Derived from Codrus, not a thousand gifts
  Dealt round him with a wise, benignant hand;
  No, not the Olympic olive, by himself
  From his own brow transferr'd to soothe the mind
  Of this Pisistratus, can long preserve
  From the fell envy of the tyrant's sons,
  And their assassin dagger. But if death
  Obscure upon his gentle steps attend,
  Yet fate an ample recompense prepares
  In his victorious son, that other great                       260
  Miltiades, who o'er the very throne
  Of Glory shall with Time's assiduous hand
  In adamantine characters engrave
  The name of Athens; and, by Freedom arm'd
  'Gainst the gigantic pride of Asia's king,
  Shall all the achievements of the heroes old
  Surmount, of Hercules, of all who sail'd
  From Thessaly with Jason, all who fought
  For empire or for fame at Thebes or Troy.

  Such were the patriots who within the porch                   270
  Of Solon had assembled. But the gate
  Now opens, and across the ample floor
  Straight they proceed into an open space
  Bright with the beams of morn: a verdant spot,
  Where stands a rural altar, piled with sods
  Cut from the grassy turf and girt with wreaths,
  Of branching palm. Here Solon's self they found
  Clad in a robe of purple pure, and deck'd
  With leaves of olive on his reverend brow.
  He bow'd before the altar, and o'er cakes                     280
  Of barley from two earthen vessels pour'd
  Of honey and of milk a plenteous stream;
  Calling meantime the Muses to accept
  His simple offering, by no victim tinged
  With blood, nor sullied by destroying fire,
  But such as for himself Apollo claims
  In his own Delos, where his favourite haunt
  Is thence the Altar of the Pious named.

  Unseen the guests drew near, and silent view'd
  That worship; till the hero-priest his eye                    290
  Turn'd toward a seat on which prepared there lay
  A branch of laurel. Then his friends confess'd
  Before him stood. Backward his step he drew,
  As loath that care or tumult should approach
  Those early rites divine; but soon their looks,
  So anxious, and their hands, held forth with such
  Desponding gesture, bring him on perforce
  To speak to their affliction. 'Are ye come,'
  He cried, 'to mourn with me this common shame?
  Or ask ye some new effort which may break                     300
  Our fetters? Know then, of the public cause
  Not for yon traitor's cunning or his might
  Do I despair; nor could I wish from Jove
  Aught dearer, than at this late hour of life,
  As once by laws, so now by strenuous arms,
  From impious violation to assert
  The rights our fathers left us. But, alas!
  What arms? or who shall wield them? Ye beheld
  The Athenian people. Many bitter days
  Must pass, and many wounds from cruel pride                   310
  Be felt, ere yet their partial hearts find room
  For just resentment, or their hands indure
  To smite this tyrant brood, so near to all
  Their hopes, so oft admired, so long beloved.
  That time will come, however. Be it yours
  To watch its fair approach, and urge it on
  With honest prudence; me it ill beseems
  Again to supplicate the unwilling crowd
  To rescue from a vile deceiver's hold
  That envied power, which once with eager zeal                 320
  They offer'd to myself; nor can I plunge
  In counsels deep and various, nor prepare
  For distant wars, thus faltering as I tread
  On life's last verge, ere long to join the shades
  Of Minos and Lycurgus. But behold
  What care employs me now. My vows I pay
  To the sweet Muses, teachers of my youth
  And solace of my age. If right I deem
  Of the still voice that whispers at my heart,
  The immortal sisters have not quite withdrawn                 330
  Their old harmonious influence. Let your tongues
  With sacred silence favour what I speak,
  And haply shall my faithful lips be taught
  To unfold celestial counsels, which may arm,
  As with impenetrable steel your breasts,
  For the long strife before you, and repel
  The darts of adverse fate.'--He said, and snatch'd
  The laurel bough, and sate in silence down,
  Fix'd, wrapp'd in solemn musing, full before
  The sun, who now from all his radiant orb                     340
  Drove the gray clouds, and pour'd his genial light
  Upon the breast of Solon. Solon raised
  Aloft the leafy rod, and thus began:--

  'Ye beauteous offspring of Olympian Jove
  And Memory divine, Pierian maids,
  Hear me, propitious. In the morn of life,
  When hope shone bright and all the prospect smiled,
  To your sequester'd mansion oft my steps
  Were turn'd, O Muses, and within your gate
  My offerings paid. Ye taught me then with strains             350
  Of flowing harmony to soften war's
  Dire voice, or in fair colours, that might charm
  The public eye, to clothe the form austere
  Of civil counsel. Now my feeble age,
  Neglected, and supplanted of the hope
  On which it lean'd, yet sinks not, but to you,
  To your mild wisdom flies, refuge beloved
  Of solitude and silence. Ye can teach
  The visions of my bed whate'er the gods
  In the rude ages of the world inspired,                       360
  Or the first heroes acted; ye can make
  The morning light more gladsome to my sense
  Than ever it appear'd to active youth
  Pursuing careless pleasure; ye can give
  To this long leisure, these unheeded hours,
  A labour as sublime, as when the sons
  Of Athens throng'd and speechless round me stood,
  To hear pronounced for all their future deeds
  The bounds of right and wrong. Celestial powers!
  I feel that ye are near me: and behold,                       370
  To meet your energy divine, I bring
  A high and sacred theme; not less than those
  Which to the eternal custody of Fame
  Your lips intrusted, when of old ye deign'd
  With Orpheus or with Homer to frequent
  The groves of Haemus or the Chian shore.

  'Ye know, harmonious maids, (for what of all
  My various life was e'er from you estranged?)
  Oft hath my solitary song to you
  Reveal'd that duteous pride which turn'd my steps             380
  To willing exile; earnest to withdraw
  From envy and the disappointed thirst
  Of lucre, lest the bold familiar strife,
  Which in the eye of Athens they upheld
  Against her legislator, should impair
  With trivial doubt the reverence of his laws.
  To Egypt therefore through the AEgean isles
  My course I steer'd, and by the banks of Nile
  Dwelt in Canopus. Thence the hallow'd domes
  Of Sals, and the rites to Isis paid,                          390
  I sought, and in her temple's silent courts,
  Through many changing moons, attentive heard
  The venerable Sonchis, while his tongue
  At morn or midnight the deep story told
  Of her who represents whate'er has been,
  Or is, or shall be; whose mysterious veil
  No mortal hand hath ever yet removed.
  By him exhorted, southward to the walls
  Of On I pass'd, the city of the sun,
  The ever-youthful god. Twas there, amid                       400
  His priests and sages, who the livelong night
  Watch the dread movements of the starry sphere,
  Or who in wondrous fables half disclose
  The secrets of the elements, 'twas there
  That great Paenophis taught my raptured ears
  The fame of old Atlantis, of her chiefs,
  And her pure laws, the first which earth obey'd.
  Deep in my bosom sunk the noble tale;
  And often, while I listen'd, did my mind
  Foretell with what delight her own free lyre                  410
  Should sometime for an Attic audience raise
  Anew that lofty scene, and from their tombs
  Call forth those ancient demigods, to speak
  Of Justice and the hidden Providence
  That walks among mankind. But yet meantime
  The mystic pomp of Ammon's gloomy sons
  Became less pleasing. With contempt I gazed
  On that tame garb and those unvarying paths,
  To which the double yoke of king and priest
  Had cramp'd the sullen race. At last, with hymns              420
  Invoking our own Pallas and the gods
  Of cheerful Greece, a glad farewell I gave
  To Egypt, and before the southern wind
  Spread my full sails. What climes I then survey'd,
  What fortunes I encounter'd in the realm
  Of Croesus or upon the Cyprian shore,
  The Muse, who prompts my bosom, doth not now
  Consent that I reveal. But when at length
  Ten times the sun returning from the south
  Had strow'd with flowers the verdant earth, and fill'd        430
  The groves with music, pleased I then beheld
  The term of those long errors drawing nigh.
  Nor yet, I said, will I sit down within
  The walls of Athens, till my feet have trod
  The Cretan soil, have pierced those reverend haunts
  Whence Law and Civil Concord issued forth
  As from their ancient home, and still to Greece
  Their wisest, loftiest discipline proclaim.
  Straight where Amnisus, mart of wealthy ships,
  Appears beneath famed Cnossus and her towers,                 440
  Like the fair handmaid of a stately queen,
  I check'd my prow, and thence with eager steps
  The city of Minos enter'd. O ye gods,
  Who taught the leaders of the simpler time
  By written words to curb the untoward will
  Of mortals, how within that generous isle
  Have ye the triumphs of your power display'd
  Munificent! Those splendid merchants, lords
  Of traffic and the sea, with what delight
  I saw them, at their public meal, like sons                   450
  Of the same household, join the plainer sort
  Whose wealth was only freedom! whence to these
  Vile envy, and to those fantastic pride,
  Alike was strange; but noble concord still
  Cherish'd the strength untamed, the rustic faith,
  Of their first fathers. Then the growing race,
  How pleasing to behold them in their schools,
  Their sports, their labours, ever placed within,
  O shade of Minos! thy controlling eye.
  Here was a docile band in tuneful tones                       460
  Thy laws pronouncing, or with lofty hymns
  Praising the bounteous gods, or, to preserve
  Their country's heroes from oblivious night,
  Resounding what the Muse inspired of old;
  There, on the verge of manhood, others met,
  In heavy armour through the heats of noon
  To march, the rugged mountain's height to climb
  With measured swiftness, from the hard-bent bow
  To send resistless arrows to their mark,
  Or for the fame of prowess to contend,                        470
  Now wrestling, now with fists and staves opposed,
  Now with the biting falchion, and the fence
  Of brazen shields; while still the warbling flute
  Presided o'er the combat, breathing strains
  Grave, solemn, soft; and changing headlong spite
  To thoughtful resolution cool and clear.
  Such I beheld those islanders renown'd,
  So tutor'd from their birth to meet in war
  Each bold invader, and in peace to guard
  That living flame of reverence for their laws,                480
  Which nor the storms of fortune, nor the flood
  Of foreign wealth diffused o'er all the land,
  Could quench or slacken. First of human names
  In every Cretan's heart was Minos still;
  And holiest far, of what the sun surveys
  Through his whole course, were those primeval seats
  Which with religious footsteps he had taught
  Their sires to approach; the wild Dictaean cave
  Where Jove was born: the ever verdant meads
  Of Ida, and the spacious grotto, where                        490
  His active youth he pass'd, and where his throne
  Yet stands mysterious; whither Minos came
  Each ninth returning year, the king of gods
  And mortals there in secret to consult
  On justice, and the tables of his law
  To inscribe anew. Oft also with like zeal
  Great Rhea's mansion from the Cnossian gates
  Men visit; nor less oft the antique fane
  Built on that sacred spot, along the banks
  Of shady Theron, where benignant Jove                         500
  And his majestic consort join'd their hands
  And spoke their nuptial vows. Alas, 'twas there
  That the dire fame of Athens sunk in bonds
  I first received; what time an annual feast
  Had summon'd all the genial country round,
  By sacrifice and pomp to bring to mind
  That first great spousal; while the enamour'd youths
  And virgins, with the priest before the shrine,
  Observe the same pure ritual, and invoke
  The same glad omens. There, among the crowd                   510
  Of strangers from those naval cities drawn
  Which deck, like gems, the island's northern shore,
  A merchant of AEgina I descried,
  My ancient host; but, forward as I sprung
  To meet him, he, with dark dejected brow,
  Stopp'd half averse; and, "O Athenian guest,"
  He said, "art thou in Crete, these joyful rites
  Partaking? Know thy laws are blotted out:
  Thy country kneels before a tyrant's throne."
  He added names of men, with hostile deeds                     520
  Disastrous; which obscure and indistinct
  I heard: for, while he spake, my heart grew cold
  And my eyes dim; the altars and their train
  No more were present to me; how I fared,
  Or whither turn'd, I know not; nor recall
  Aught of those moments, other than the sense
  Of one who struggles in oppressive sleep,
  And, from the toils of some distressful dream
  To break away, with palpitating heart,
  Weak limbs, and temples bathed in death-like dew,             530
  Makes many a painful effort. When at last
  The sun and nature's face again appear'd,
  Not far I found me, where the public path,
  Winding through cypress groves and swelling meads,
  From Cnossus to the cave of Jove ascends.
  Heedless I follow'd on; till soon the skirts
  Of Ida rose before me, and the vault
  Wide opening pierced the mountain's rocky side.
  Entering within the threshold, on the ground
  I flung me, sad, faint, overworn with toil.'                  540

       *       *       *       *       *




THE BEGINNING OF THE FOURTH BOOK
   OF THE PLEASURES OF THE IMAGINATION, 1770.

  One effort more, one cheerful sally more,
  Our destined course will finish; and in peace
  Then, for an offering sacred to the powers
  Who lent us gracious guidance, we will then
  Inscribe a monument of deathless praise,
  O my adventurous song! With steady speed
  Long hast thou, on an untried voyage bound,
  Sail'd between earth and heaven: hast now survey'd,
  Stretch'd out beneath thee, all the mazy tracts
  Of Passion and Opinion; like a waste                          10
  Of sands and flowery lawns and tangling woods,
  Where mortals roam bewilder'd: and hast now
  Exulting soar'd among the worlds above,
  Or hover'd near the eternal gates of heaven,
  If haply the discourses of the gods,
  A curious, but an unpresuming guest,
  Thou mightst partake, and carry back some strain
  Of divine wisdom, lawful to repeat,
  And apt to be conceived of man below.
  A different task remains; the secret paths                    20
  Of early genius to explore: to trace
  Those haunts where Fancy her predestined sons,
  Like to the demigods of old, doth nurse
  Remote from eyes profane. Ye happy souls
  Who now her tender discipline obey,
  Where dwell ye? What wild river's brink at eve
  Imprint your steps? What solemn groves at noon
  Use ye to visit, often breaking forth
  In rapture 'mid your dilatory walk,
  Or musing, as in slumber, on the green?--                     30
  Would I again were with you!-O ye dales
  Of Tyne, and ye most ancient woodlands; where,
  Oft as the giant flood obliquely strides,
  And his banks open, and his lawns extend,
  Stops short the pleased traveller to view
  Presiding o'er the scene some rustic tower
  Founded by Norman or by Saxon hands:
  O ye Northumbrian shades, which overlook
  The rocky pavement and the mossy falls
  Of solitary Wensbeck's limpid stream;                         40
  How gladly I recall your well-known seats
  Beloved of old, and that delightful time
  When all alone, for many a summer's day,
  I wander'd through your calm recesses, led
  In silence by some powerful hand unseen.

  Nor will I e'er forget you; nor shall e'er
  The graver tasks of manhood, or the advice
  Of vulgar wisdom, move me to disclaim
  Those studies which possess'd me in the dawn
  Of life, and fix'd the colour of my mind                      50
  For every future year: whence even now
  From sleep I rescue the clear hours of morn,
  And, while the world around lies overwhelm'd
  In idle darkness, am alive to thoughts
  Of honourable fame, of truth divine
  Or moral, and of minds to virtue won
  By the sweet magic of harmonious verse;
  The themes which now expect us. For thus far
  On general habits, and on arts which grow
  Spontaneous in the minds of all mankind,                      60
  Hath dwelt our argument; and how, self-taught,
  Though seldom conscious of their own employ,
  In Nature's or in Fortune's changeful scene
  Men learn to judge of Beauty, and acquire
  Those forms set up, as idols in the soul
  For love and zealous praise. Yet indistinct,
  In vulgar bosoms, and unnoticed lie
  These pleasing stores, unless the casual force
  Of things external prompt the heedless mind
  To recognise her wealth. But some there are                   70
  Conscious of Nature, and the rule which man
  O'er Nature holds; some who, within themselves
  Retiring from the trivial scenes of chance
  And momentary passion, can at will
  Call up these fair exemplars of the mind;
  Review their features; scan the secret laws
  Which bind them to each other: and display
  By forms, or sounds, or colours, to the sense
  Of all the world their latent charms display;
  Even as in Nature's frame (if such a word,                    80
  If such a word, so bold, may from the lips
  Of man proceed) as in this outward frame
  Of things, the great Artificer portrays
  His own immense idea. Various names
  These among mortals bear, as various signs
  They use, and by peculiar organs speak
  To human sense. There are who, by the flight
  Of air through tubes with moving stops distinct,
  Or by extended chords in measure taught
  To vibrate, can assemble powerful sounds                      90
  Expressing every temper of the mind
  From every cause, and charming all the soul
  With passion void of care. Others mean time
  The rugged mass of metal, wood, or stone,
  Patiently taming; or with easier hand
  Describing lines, and with more ample scope
  Uniting colours; can to general sight
  Produce those permanent and perfect forms,
  Those characters of heroes and of gods,
  Which from the crude materials of the world,                  100
  Their own high minds created. But the chief
  Are poets; eloquent men, who dwell on earth
  To clothe whate'er the soul admires or loves
  With language and with numbers. Hence to these
  A field is open'd wide as Nature's sphere;
  Nay, wider: various as the sudden acts
  Of human wit, and vast as the demands
  Of human will. The bard nor length, nor depth,
  Nor place, nor form controls. To eyes, to ears,
  To every organ of the copious mind,                           110
  He offereth all its treasures. Him the hours,
  The seasons him obey, and changeful Time
  Sees him at will keep measure with his flight,
  At will outstrip it. To enhance his toil,
  He summoneth, from the uttermost extent
  Of things which God hath taught him, every form
  Auxiliar, every power; and all beside
  Excludes imperious. His prevailing hand
  Gives, to corporeal essence, life and sense
  And every stately function of the soul.                       120
  The soul itself to him obsequious lies,
  Like matter's passive heap; and as he wills,
  To reason and affection he assigns
  Their just alliances, their just degrees:
  Whence his peculiar honours; whence the race
  Of men who people his delightful world,
  Men genuine and according to themselves,
  Transcend as far the uncertain sons of earth,
  As earth itself to his delightful world,
  The palm of spotless Beauty doth resign.                      130


       *       *       *       *       *




ODES ON SEVERAL SUBJECTS, IN TWO BOOKS.

BOOK I.



ODE I.

PREFACE.

  1 Off yonder verdant hillock laid,
  Where oaks and elms, a friendly shade,
      O'erlook the falling stream,
  O master of the Latin lyre,
  A while with thee will I retire
      From summer's noontide beam.

  2 And, lo, within my lonely bower,
  The industrious bee from many a flower
      Collects her balmy dews:
  'For me,' she sings, 'the gems are born,
  For me their silken robe adorn,
      Their fragrant breath diffuse.'

  3 Sweet murmurer! may no rude storm
  This hospitable scene deform,
      Nor check thy gladsome toils;
  Still may the buds unsullied spring,
  Still showers and sunshine court thy wing
      To these ambrosial spoils.

  4 Nor shall my Muse hereafter fail
  Her fellow labourer thee to hail;
      And lucky be the strains!
  For long ago did Nature frame
  Your seasons and your arts the same,
      Your pleasures and your pains.

  5 Like thee, in lowly, sylvan scenes,
  On river banks and flowery greens,
      My Muse delighted plays;
  Nor through the desert of the air,
  Though swans or eagles triumph there,
      With fond ambition strays.

  6 Nor where the boding raven chaunts,
  Nor near the owl's unhallow'd haunts
    Will she her cares employ;
  But flies from ruins and from tombs,
  From Superstition's horrid glooms,
      To day-light and to joy.

  7 Nor will she tempt the barren waste;
  Nor deigns the lurking strength to taste
      Of any noxious thing;
  But leaves with scorn to Envy's use
  The insipid nightshade's baneful juice,
      The nettle's sordid sting.

  8 From all which Nature fairest knows,
  The vernal blooms, the summer rose,
      She draws her blameless wealth;
  And, when the generous task is done,
  She consecrates a double boon,
      To Pleasure and to Health.



ODE II.

ON THE WINTER-SOLSTICE. 1740.

  1 The radiant ruler of the year
  At length his wintry goal attains;
  Soon to reverse the long career,
  And northward bend his steady reins.
  Now, piercing half Potosi's height,
  Prone rush the fiery floods of light
  Ripening the mountain's silver stores:
  While, in some cavern's horrid shade,
  The panting Indian hides his head,
  And oft the approach of eve implores.

  2 But lo, on this deserted coast,
  How pale the sun! how thick the air!
  Mustering his storms, a sordid host,
  Lo, Winter desolates the year.
  The fields resign their latest bloom;
  No more the breezes waft perfume,
  No more the streams in music roll:
  But snows fall dark, or rains resound;
  And, while great Nature mourns around,
  Her griefs infect the human soul.

  3 Hence the loud city's busy throngs
  Urge the warm bowl and splendid fire:
  Harmonious dances, festive songs,
  Against the spiteful heaven conspire.
  Meantime, perhaps, with tender fears
  Some village dame the curfew hears,
  While round the hearth her children play:
  At morn their father went abroad;
  The moon is sunk, and deep the road;
  She sighs, and vonders at his stay.

  4 But thou, my lyre, awake, arise,
  And hail the sun's returning force:
  Even now he climbs the northern skies,
  And health and hope attend his course.
  Then louder howl the aerial waste,
  Be earth with keener cold embraced,
  Yet gentle hours advance their wing;
  And Fancy, mocking Winter's might,
  With flowers and dews and streaming light
  Already decks the new-born Spring.

  5 O fountain of the golden day,
  Could mortal vows promote thy speed,
  How soon before thy vernal ray
  Should each unkindly damp recede!
  How soon each hovering tempest fly,
  Whose stores for mischief arm the sky,
  Prompt on our heads to burst amain,
  To rend the forest from the steep,
  Or, thundering o'er the Baltic deep,
  To whelm the merchant's hopes of gain!

  6 But let not man's unequal views
  Presume o'er Nature and her laws:
  'Tis his with grateful joy to use
  The indulgence of the Sovereign Cause;
  Secure that health and beauty springs
  Through this majestic frame of things,
  Beyond what he can reach to know;
  And that Heaven's all-subduing will,
  With good, the progeny of ill,
  Attempereth every state below.

  7 How pleasing wears the wintry night,
  Spent with the old illustrious dead!
  While, by the taper's trembling light,
  I seem those awful scenes to tread
  Where chiefs or legislators lie,
  Whose triumphs move before my eye,
  In arms and antique pomp array'd;
  While now I taste the Ionian song,
  Now bend to Plato's godlike tongue
  Resounding through the olive shade.

  8 But should some cheerful, equal friend
  Bid leave the studious page a while.
  Let mirth on wisdom then attend,
  And social ease on learned toil.
  Then while, at love's uncareful shrine,
  Each dictates to the god of wine
  Her name whom all his hopes obey,
  What flattering dreams each bosom warm,
  While absence, heightening every charm,
  Invokes the slow-returning May!

  9 May, thou delight of heaven and earth,
  When will thy genial star arise?
  The auspicious morn, which gives thee birth,
  Shall bring Eudora to my eyes.
  Within her sylvan haunt, behold,
  As in the happy garden old,
  She moves like that primeval fair:
  Thither, ye silver-sounding lyres,
  Ye tender smiles, ye chaste desires,
  Fond hope and mutual faith, repair.

  10 And if believing love can read
  His better omens in her eye,
  Then shall my fears, O charming maid,
  And every pain of absence die:
  Then shall my jocund harp, attuned
  To thy true ear, with sweeter sound
  Pursue the free Horatian song:
  Old Tyne shall listen to my tale,
  And Echo, down the bordering vale,
  The liquid melody prolong.



FOR THE WINTER SOLSTICE, DECEMBER 11, 1740.
   AS ORIGINALLY WRITTEN.

  1 Now to the utmost southern goal
  The sun has traced his annual way,
  And backward now prepares to roll,
  And bless the north with earlier day.
  Prone on Potosi's lofty brow
  Floods of sublimer splendour flow,
  Ripening the latent seeds of gold,
  Whilst, panting in the lonely shade,
  Th' afflicted Indian hides his head,
  Nor dares the blaze of noon behold.

  2 But lo! on this deserted coast
  How faint the light, how chill the air!
  Lo! arm'd with whirlwind, hail, and frost,
  Fierce Winter desolates the year.
  The fields resign their cheerful bloom,
  No more the breezes breathe perfume,
  No more the warbling waters roll;
  Deserts of snow fatigue the eye,
  Successive tempests bloat the sky,
  And gloomy damps oppress the soul.

  3 But let my drooping genius rise,
  And hail the sun's remotest ray:
  Now, now he climbs the northern skies,
  To-morrow nearer than to-day.
  Then louder howl the stormy waste,
  Be land and ocean worse defaced,
  Yet brighter hours are on the wing,
  And Fancy, through the wintry gloom,
  Radiant with dews and flowers in bloom,
  Already hails th' emerging spring.

  4 O fountain of the golden day!
  Could mortal vows but urge thy speed,
  How soon before thy vernal ray
  Should each unkindly damp recede!
  How soon each tempest hovering fly,
  That now fermenting loads the sky,
  Prompt on our heads to burst amain,
  To rend the forest from the steep,
  And thundering o'er the Baltic deep,
  To whelm the merchant's hopes of gain!

  5 But let not man's imperfect views
  Presume to tax wise Nature's laws;
  'Tis his with silent joy to use
  Th' indulgence of the Sovereign Cause;
  Secure that from the whole of things
  Beauty and good consummate springs,
  Beyond what he can reach to know;
  And that the providence of Heaven
  Has some peculiar blessing given
  To each allotted state below.

  6 Even now how sweet the wintry night
  Spent with the old illustrious dead!
  While, by the taper's trembling light,
  I seem those awful courts to tread,
  Where chiefs and legislators lie,
  Whose triumphs move before my eye,
  With every laurel fresh display'd;
  While charm'd I rove in classic song,
  Or bend to freedom's fearless tongue,
  Or walk the academic shade.



ODE III.

TO A FRIEND, UNSUCCESSFUL IN LOVE.

  1 Indeed, my Phaedria, if to find
  That wealth can female wishes gain,
  Had e'er disturb'd your thoughtful mind,
  Or caused one serious moment's pain,
  I should have said that all the rules
  You learn'd of moralists and schools
  Were very useless, very vain.

  2 Yet I perhaps mistake the case--
  Say, though with this heroic air,
  Like one that holds a nobler chase,
  You try the tender loss to bear,
  Does not your heart renounce your tongue?
  Seems not my censure strangely wrong
  To count it such a slight affair?

  3 When Hesper gilds the shaded sky,
  Oft as you seek the well-known grove,
  Methinks I see you cast your eye
  Back to the morning scenes of love:
  Each pleasing word you heard her say,
  Her gentle look, her graceful way,
  Again your struggling fancy move.

  4 Then tell me, is your soul entire?
  Does Wisdom calmly hold her throne?
  Then can you question each desire,
  Bid this remain, and that be gone?
  No tear half-starting from your eye?
  No kindling blush, you know not why?
  No stealing sigh, nor stifled groan?

  5 Away with this unmanly mood!
  See where the hoary churl appears,
  Whose hand hath seized the favourite good
  Which you reserved for happier years:
  While, side by side, the blushing maid
  Shrinks from his visage, half afraid,
  Spite of the sickly joy she wears.

  6 Ye guardian powers of love and fame,
  This chaste, harmonious pair behold;
  And thus reward the generous flame
  Of all who barter vows for gold.
  O bloom of youth, O tender charms
  Well-buried in a dotard's arms!
  O equal price of beauty sold!

  7 Cease then to gaze with looks of love:
  Bid her adieu, the venal fair:
  Unworthy she your bliss to prove;
  Then wherefore should she prove your care?
  No: lay your myrtle garland down;
  And let a while the willow's crown
  With luckier omens bind your hair.

  8 O just escaped the faithless main,
  Though driven unwilling on the land;
  To guide your favour'd steps again,
  Behold your better Genius stand:
  Where Truth revolves her page divine,
  Where Virtue leads to Honour's shrine,
  Behold, he lifts his awful hand.

  9 Fix but on these your ruling aim,
  And Time, the sire of manly care,
  Will fancy's dazzling colours tame;
  A soberer dress will beauty wear:
  Then shall esteem, by knowledge led,
  Enthrone within your heart and head
  Some happier love, some truer fair.




ODE IV.

AFFECTED INDIFFERENCE. TO THE SAME.


  1 Yes: you contemn the perjured maid
    Who all your favourite hopes betray'd:
    Nor, though her heart should home return,
    Her tuneful tongue its falsehood mourn,
    Her winning eyes your faith implore,
    Would you her hand receive again,
    Or once dissemble your disdain,
    Or listen to the siren's theme,
    Or stoop to love: since now esteem
  And confidence, and friendship, is no more.

  2 Yet tell me, Phaedria, tell me why,
    When, summoning your pride, you try
    To meet her looks with cool neglect,
    Or cross her walk with slight respect
    (For so is falsehood best repaid),
    Whence do your cheeks indignant glow?
    Why is your struggling tongue so slow?
    What means that darkness on your brow,
    As if with all her broken vow
  You meant the fair apostate to upbraid?




ODE V.

AGAINST SUSPICION.


  1 Oh, fly! 'tis dire Suspicion's mien;
    And, meditating plagues unseen,
        The sorceress hither bends:
    Behold her touch in gall imbrued:
    Behold--her garment drops with blood
        Of lovers and of friends.

  2 Fly far! Already in your eyes
    I see a pale suffusion rise;
        And soon through every vein,
    Soon will her secret venom spread,
    And all your heart and all your head
        Imbibe the potent stain.

  3 Then many a demon will she raise
    To vex your sleep, to haunt your ways;
        While gleams of lost delight
    Raise the dark tempest of the brain,
    As lightning shines across the main
        Through whirlwinds and through night.

  4 No more can faith or candour move;
    But each ingenuous deed of love,
        Which reason would applaud,
    Now, smiling o'er her dark distress,
    Fancy malignant strives to dress
        Like injury and fraud.

  5 Farewell to virtue's peaceful times:
    Soon will you stoop to act the crimes
        Which thus you stoop to fear:
    Guilt follows guilt; and where the train
    Begins with wrongs of such attain,
        What horrors form the rear!

  6 'Tis thus to work her baleful power,
    Suspicion waits the sullen hour
        Of fretfulness and strife,
    When care the infirmer bosom wrings,
    Or Eurus waves his murky wings
        To damp the seats of life.

  7 But come, forsake the scene unbless'd,
    Which first beheld your faithful breast
        To groundless fears a prey:
    Come where, with my prevailing lyre,
    The skies, the streams, the groves conspire
        To charm your doubts away.

  8 Throned in the sun's descending car,
    What power unseen diffuseth far
        This tenderness of mind?
    What Genius smiles on yonder flood?
    What God, in whispers from the wood,
        Bids every thought be kind?

  9 O Thou, whate'er thy awful name,
    Whose wisdom our untoward frame
        With social love restrains;
    Thou, who by fair affection's ties
    Giv'st us to double all our joys,
        And half disarm our pains;

  10 If far from Dyson and from me
     Suspicion took, by thy decree,
         Her everlasting flight;
     If firm on virtue's ample base
     Thy parent hand has deign'd to raise
         Our friendship's honour'd height;

  11 Let universal candour still,
     Clear as yon heaven-reflecting rill,
         Preserve my open mind;
     Nor this nor that man's crooked ways
     One sordid doubt within me raise
         To injure human kind.





ODE VI.

HYMN TO CHEERFULNESS.


  How thick the shades of evening close!
  How pale the sky with weight of snows!
  Haste, light the tapers, urge the fire,
  And bid the joyless day retire.--
  Alas, in vain I try within
  To brighten the dejected scene,
  While, roused by grief, these fiery pains
  Tear the frail texture of my veins;
  While Winter's voice, that storms around,
  And yon deep death-bell's groaning sound                      10
  Renew my mind's oppressive gloom,
  Till starting Horror shakes the room.

  Is there in nature no kind power
  To soothe affliction's lonely hour?
  To blunt the edge of dire disease,
  And teach these wintry shades to please?
  Come, Cheerfulness, triumphant fair,
  Shine through the hovering cloud of care:
  O sweet of language, mild of mien,
  O Virtue's friend and Pleasure's queen,                       20
  Assuage the flames that burn my breast,
  Compose my jarring thoughts to rest;
  And while thy gracious gifts I feel,
  My song shall all thy praise reveal.

  As once ('twas in Astraea's reign)
  The vernal powers renew'd their train,
  It happen'd that immortal Love
  Was ranging through the spheres above,
  And downward hither cast his eye
  The year's returning pomp to spy.                             30
  He saw the radiant god of day
  Waft in his car the rosy May;
  The fragrant Airs and genial Hours
  Were shedding round him dews and flowers;
  Before his wheels Aurora pass'd,
  And Hesper's golden lamp was last.
  But, fairest of the blooming throng,
  When Health majestic moved along,
  Delighted to survey below
  The joys which from her presence flow,                        40
  While earth enliven'd hears her voice,
  And swains, and flocks, and fields rejoice;
  Then mighty Love her charms confess'd,
  And soon his vows inclined her breast,
  And, known from that auspicious morn,
  The pleasing Cheerfulness was born.

  Thou, Cheerfulness, by heaven design'd
  To sway the movements of the mind,
  Whatever fretful passion springs,
  Whatever wayward fortune brings                               50
  To disarrange the power within,
  And strain the musical machine;
  Thou Goddess, thy attempering hand
  Doth each discordant string command,
  Refines the soft, and swells the strong;
  And, joining Nature's general song,
  Through many a varying tone unfolds
  The harmony of human souls.

  Fair guardian of domestic life,                               59
  Kind banisher of homebred strife,
  Nor sullen lip, nor taunting eye
  Deforms the scene where thou art by:
  No sickening husband damns the hour
  Which bound his joys to female power;
  No pining mother weeps the cares
  Which parents waste on thankless heirs:
  The officious daughters pleased attend;
  The brother adds the name of friend:
  By thee with flowers their board is crown'd,
  With songs from thee their walks resound;                     70
  And morn with welcome lustre shines,
  And evening unperceived declines.

  Is there a youth whose anxious heart
  Labours with love's unpitied smart?
  Though now he stray by rills and bowers,
  And weeping waste the lonely hours,
  Or if the nymph her audience deign,
  Debase the story of his pain
  With slavish looks, discolour'd eyes,
  And accents faltering into sighs;                             80
  Yet thou, auspicious power, with ease
  Canst yield him happier arts to please,
  Inform his mien with manlier charms,
  Instruct his tongue with nobler arms,
  With more commanding passion move,
  And teach the dignity of love.

  Friend to the Muse and all her train,
  For thee I court the Muse again:
  The Muse for thee may well exert
  Her pomp, her charms, her fondest art,                        90
  Who owes to thee that pleasing sway
  Which earth and peopled heaven obey.

  Let Melancholy's plaintive tongue
  Repeat what later bards have sung;
  But thine was Homer's ancient might,
  And thine victorious Pindar's flight:
  Thy hand each Lesbian wreath attired:
  Thy lip Sicilian reeds inspired:
  Thy spirit lent the glad perfume
  Whence yet the flowers of Teos bloom;                         100
  Whence yet from Tibur's Sabine vale
  Delicious blows the enlivening gale,
  While Horace calls thy sportive choir,
  Heroes and nymphs, around his lyre.
  But see, where yonder pensive sage
  (A prey perhaps to fortune's rage,
  Perhaps by tender griefs oppress'd,
  Or glooms congenial to his breast)
  Retires in desert scenes to dwell,
  And bids the joyless world farewell.                          110

  Alone he treads the autumnal shade,
  Alone beneath the mountain laid
  He sees the nightly damps ascend,
  And gathering storms aloft impend;
  He hears the neighbouring surges roll,
  And raging thunders shake the pole;
  Then, struck by every object round,
  And stunn'd by every horrid sound,
  He asks a clue for Nature's ways;
  But evil haunts him through the maze:                         120
  He sees ten thousand demons rise
  To wield the empire of the skies,
  And Chance and Fate assume the rod,
  And Malice blot the throne of God.--
  O thou, whose pleasing power I sing,
  Thy lenient influence hither bring;
  Compose the storm, dispel the gloom,
  Till Nature wear her wonted bloom,
  Till fields and shades their sweets exhale,
  And music swell each opening gale:                            130
  Then o'er his breast thy softness pour,
  And let him learn the timely hour
  To trace the world's benignant laws,
  And judge of that presiding cause
  Who founds on discord beauty's reign,
  Converts to pleasure every pain,
  Subdues each hostile form to rest,
  And bids the universe be bless'd.

  O thou, whose pleasing power I sing,
  If right I touch the votive string,                           140
  If equal praise I yield thy name,
  Still govern thou thy poet's flame;
  Still with the Muse my bosom share,
  And soothe to peace intruding care.
  But most exert thy pleasing power
  On friendship's consecrated hour;
  And while my Sophron points the road
  To godlike wisdom's calm abode,
  Or warm in freedom's ancient cause
  Traceth the source of Albion's laws,                          150
  Add thou o'er all the generous toil
  The light of thy unclouded smile.
  But if, by fortune's stubborn sway
  From him and friendship torn away,
  I court the Muse's healing spell
  For griefs that still with absence dwell,
  Do thou conduct my fancy's dreams
  To such indulgent placid themes,
  As just the struggling breast may cheer,
  And just suspend the starting tear,                           160
  Yet leave that sacred sense of woe
  Which none but friends and lovers know.



ODE VII.

ON THE USE OF POETRY.

  1 Not for themselves did human kind
  Contrive the parts by heaven assign'd
    On life's wide scene to play:
  Not Scipio's force nor Caesar's skill
  Can conquer Glory's arduous hill,
    If Fortune close the way.

  2 Yet still the self-depending soul,
  Though last and least in Fortune's roll,
    His proper sphere commands;
  And knows what Nature's seal bestow'd,
  And sees, before the throne of God,
    The rank in which he stands.

  3 Who train'd by laws the future age,
  Who rescued nations from the rage
    Of partial, factious power,
  My heart with distant homage views;
  Content, if thou, celestial Muse,
    Didst rule my natal hour.

  4 Not far beneath the hero's feet,
  Nor from the legislator's seat
    Stands far remote the bard.
  Though not with public terrors crown'd.
  Yet wider shall his rule be found,
    More lasting his award.

  5 Lycurgus fashion'd Sparta's fame,
  And Pompey to the Roman name
    Gave universal sway:
  Where are they?--Homer's reverend page
  Holds empire to the thirtieth age,
    And tongues and climes obey.

  6 And thus when William's acts divine
  No longer shall from Bourbon's line
    Draw one vindictive vow;
  When Sydney shall with Cato rest,
  And Russel move the patriot's breast
    No more than Brutus now;

  7 Yet then shall Shakspeare's powerful art
  O'er every passion, every heart,
    Confirm his awful throne:
  Tyrants shall bow before his laws;
  And Freedom's, Glory's, Virtue's cause,
    Their dread assertor own.



ODE VIII.

ON LEAVING HOLLAND.

                I.--1.

  Farewell to Leyden's lonely bound.
  The Belgian Muse's sober seat;
  Where, dealing frugal gifts around
  To all the favourites at her feet,
  She trains the body's bulky frame
  For passive persevering toils;
      And lest, from any prouder aim,
    The daring mind should scorn her homely spoils,
  She breathes maternal fogs to damp its restless flame.

                  I.--2.

      Farewell the grave, pacific air,
      Where never mountain zephyr blew:
      The marshy levels lank and bare,
      Which Pan, which Ceres never knew:
      The Naiads, with obscene attire,
      Urging in vain their urns to flow;
      While round them chant the croaking choir,
    And haply soothe some lover's prudent woe,
  Or prompt some restive bard and modulate his lyre.

                  I.--3.

      Farewell, ye nymphs, whom sober care of gain
      Snatch'd in your cradles from the god of Love:
      She render'd all his boasted arrows vain;
      And all his gifts did he in spite remove.
      Ye too, the slow-eyed fathers of the land,
      With whom dominion steals from hand to hand,
      Unown'd, undignified by public choice,
      I go where Liberty to all is known,
      And tells a monarch on his throne,
    He reigns not but by her preserving voice.

                  II.--1

      O my loved England, when with thee
      Shall I sit down, to part no more?
      Far from this pale, discolour'd sea,
      That sleeps upon the reedy shore:
      When shall I plough thy azure tide?
      When on thy hills the flocks admire,
      Like mountain snows; till down their side
    I trace the village and the sacred spire,
  While bowers and copses green the golden slope divide?

                  II.--2.

      Ye nymphs who guard the pathless grove,
      Ye blue-eyed sisters of the streams,
      With whom I wont at morn to rove,
      With whom at noon I talk'd in dreams;
      Oh! take me to your haunts again,
      The rocky spring, the greenwood glade;
      To guide my lonely footsteps deign,
    To prompt my slumbers in the murmuring shade,
  And soothe my vacant ear with many an airy strain.

                  II.--3.

      And thou, my faithful harp, no longer mourn
      Thy drooping master's inauspicious hand:
      Now brighter skies and fresher gales return,
      Now fairer maids thy melody demand.
      Daughters of Albion, listen to my lyre!
      O Phoebus, guardian of the Aonian choir,
      Why sounds not mine harmonious as thy own,
      When all the virgin deities above
      With Venus and with Juno move
  In concert round the Olympian father's throne?

                  III.--1.

      Thee too, protectress of my lays,
      Elate with whose majestic call
      Above degenerate Latium's praise,
      Above the slavish boast of Gaul,
      I dare from impious thrones reclaim,
      And wanton sloth's ignoble charms,
      The honours of a poet's name
    To Somers' counsels, or to Hampden's arms,
  Thee, Freedom, I rejoin, and bless thy genuine flame.

                  III.--2.

      Great citizen of Albion! Thee
      Heroic Valour still attends,
      And useful Science, pleased to see
      How Art her studious toil extends:
      While Truth, diffusing from on high
      A lustre unconfined as day,
      Fills and commands the public eye;
    Till, pierced and sinking by her powerful ray,
  Tame Faith and monkish Awe, like nightly demons, fly.

                  III.--3.

      Hence the whole land the patriot's ardour shares:
      Hence dread Religion dwells with social Joy;
      And holy passions and unsullied cares,
      In youth, in age, domestic life employ.
      O fair Britannia, hail!--With partial love
      The tribes of men their native seats approve,
      Unjust and hostile to each foreign fame:
      But when for generous minds and manly laws
    A nation holds her prime applause,
  There public zeal shall all reproof disclaim.




ODE IX.

   TO CURIO. [1] 1744.

  1 Thrice hath the spring beheld thy faded fame
    Since I exulting grasp'd the tuneful shell:
    Eager through endless years to sound thy name,
    Proud that my memory with thine should dwell.
    How hast thou stain'd the splendour of my choice!
    Those godlike forms which hover'd round thy voice,
    Laws, freedom, glory, whither are they flown?
    What can I now of thee to Time report,
    Save thy fond country made thy impious sport,
  Her fortune and her hope the victims of thy own?

  2 There are, with eyes unmoved and reckless heart
    Who saw thee from thy summit fall thus low,
    Who deem'd thy arm extended but to dart
    The public vengeance on thy private foe.
    But, spite of every gloss of envious minds,
    The owl-eyed race whom virtue's lustre blinds,
    Who sagely prove that each man hath his price,
    I still believed thy aim from blemish free,
    I yet, even yet, believe it, spite of thee,
  And all thy painted pleas to greatness and to vice.

  3 'Thou didst not dream of liberty decay'd,
    Nor wish to make her guardian laws more strong:
    But the rash many, first by thee misled,
    Bore thee at length unwillingly along.'
    Rise from your sad abodes, ye cursed of old
    For faith deserted or for cities sold,
    Own here one untried, unexampled, deed;
    One mystery of shame from Curio learn,
    To beg the infamy he did not earn,
  And scape in Guilt's disguise from Virtue's offer'd meed.

    4 For saw we not that dangerous power avow'd
    Whom Freedom oft hath found her mortal bane,
    Whom public Wisdom ever strove to exclude,
    And but with blushes suffereth in her train?
    Corruption vaunted her bewitching spoils,
    O'er court, o'er senate, spread in pomp her toils,
    And call'd herself the state's directing soul:
    Till Curio, like a good magician, tried
    With Eloquence and Reason at his side,
  By strength of holier spells the enchantress to control.

    5 Soon with thy country's hope thy fame extends:
    The rescued merchant oft thy words resounds:
    Thee and thy cause the rural hearth defends:
    His bowl to thee the grateful sailor crowns:
    The learn'd recluse, with awful zeal who read
    Of Grecian heroes, Roman patriots dead,
    Now with like awe doth living merit scan:
    While he, whom virtue in his bless'd retreat
    Bade social ease and public passions meet,
  Ascends the civil scene, and knows to be a man.

    6 At length in view the glorious end appear'd:
    We saw thy spirit through the senate reign;
    And Freedom's friends thy instant omen heard
    Of laws for which their fathers bled in vain.
    Waked in the strife the public Genius rose
    More keen, more ardent from his long repose;
    Deep through her bounds the city felt his call;
    Each crowded haunt was stirr'd beneath his power,
    And murmuring challenged the deciding hour
  Or that too vast event, the hope and dread of all.

  7 O ye good powers who look on human kind,
    Instruct the mighty moments as they roll;
    And watch the fleeting shapes in Curio's mind,
    And steer his passions steady to the goal.
    O Alfred, father of the English name,
    O valiant Edward, first in civil fame,
    O William, height of public virtue pure,
    Bend from your radiant seats a joyful eye,
    Behold the sum of all your labours nigh,
  Your plans of law complete, your ends of rule secure.

  8 'Twas then--O shame! O soul from faith estranged!
    O Albion, oft to flattering vows a prey!
    'Twas then--Thy thought what sudden frenzy changed?
    What rushing palsy took thy strength away?
    Is this the man in Freedom's cause approved--
    The man so great, so honour'd, so beloved--
    Whom the dead envied and the living bless'd--
    This patient slave by tinsel bonds allured--
    This wretched suitor for a boon abjured--
  Whom those that fear'd him scorn; that trusted him, detest?

  9 O lost alike to action and repose!
    With all that habit of familiar fame,
    Sold to the mockery of relentless foes,
    And doom'd to exhaust the dregs of life in shame,
    To act with burning brow and throbbing heart
    A poor deserter's dull exploded part,
    To slight the favour thou canst hope no more,
    Renounce the giddy crowd, the vulgar wind,
    Charge thy own lightness on thy country's mind,
  And from her voice appeal to each tame foreign shore.

    10 But England's sons, to purchase thence applause,
    Shall ne'er the loyalty of slaves pretend,
    By courtly passions try the public cause;
    Nor to the forms of rule betray the end.
    O race erect! by manliest passions moved,
    The labours which to Virtue stand approved,
    Prompt with a lover's fondness to survey;
    Yet, where Injustice works her wilful claim,
    Fierce as the flight of Jove's destroying flame,
  Impatient to confront, and dreadful to repay.

    11 These thy heart owns no longer. In their room
    See the grave queen of pageants, Honour, dwell
    Couch'd in thy bosom's deep tempestuous gloom,
    Like some grim idol in a sorcerer's cell.
    Before her rites thy sickening reason flew,
    Divine Persuasion from thy tongue withdrew,
    While Laughter mock'd, or Pity stole a sigh:
    Can Wit her tender movements rightly frame
    Where the prime function of the soul is lame?
  Can Fancy's feeble springs the force of Truth supply?

    12 But come: 'tis time: strong Destiny impends
    To shut thee from the joys thou hast betray'd:
    With princes fill'd, the solemn fane ascends,
    By Infamy, the mindful demon sway'd.
    There vengeful vows for guardian laws effaced,
    From nations fetter'd, and from towns laid waste,
    For ever through the spacious courts resound:
    There long posterity's united groan,
    And the sad charge of horrors not their own,
  Assail the giant chiefs, and press them to the ground.

  13 In sight, old Time, imperious judge, awaits:
    Above revenge, or fear, or pity, just,
    He urgeth onward to those guilty gates
    The great, the sage, the happy, and august.
    And still he asks them of the hidden plan
    Whence every treaty, every war began,
    Evolves their secrets and their guilt proclaims:
    And still his hands despoil them on the road
    Of each vain wreath by lying bards bestow'd,
  And crush their trophies huge, and raze their sculptured names.

  14 Ye mighty shades, arise, give place, attend:
    Here his eternal mansion Curio seeks.
    Low doth proud Wentworth to the stranger bend,
    And his dire welcome hardy Clifford speaks:--
    'He comes, whom fate with surer arts prepared
    To accomplish all which we but vainly dared;
    Whom o'er the stubborn herd she taught to reign:
    Who soothed with gaudy dreams their raging power
    Even to its last irrevocable hour;
  Then baffled their rude strength, and broke them to the chain.'

  15 But ye, whom yet wise Liberty inspires,
    Whom for her champions o'er the world she claims
    (That household godhead whom of old your sires
    Sought in the woods of Elbe and bore to Thames),
    Drive ye this hostile omen far away;
    Their own fell efforts on her foes repay;
    Your wealth, your arts, your fame, be hers alone:
    Still gird your swords to combat on her side;
    Still frame your laws her generous test to abide;
   And win to her defence the altar and the throne.

  16 Protect her from yourselves, ere yet the flood
     Of golden Luxury, which Commerce pours,
     Hath spread that selfish fierceness through your blood,
     Which not her lightest discipline endures:
     Snatch from fantastic demagogues her cause:
     Dream not of Numa's manners, Plato's laws:
     A wiser founder, and a nobler plan,
     O sons of Alfred, were for you assign'd:
     Bring to that birthright but an equal mind,
   And no sublimer lot will fate reserve for man.


[Footnote 1: 'To Curio:' see _Life_.]


ODE X.

TO THE MUSE.


  1 Queen of my songs, harmonious maid,
    Ah! why hast thou withdrawn thy aid?
    Ah! why forsaken thus my breast
    With inauspicious damps oppress'd?
    Where is the dread prophetic heat
    With which my bosom wont to beat?
    Where all the bright mysterious dreams
    Of haunted groves and tuneful streams,
  That woo'd my genius to divinest themes?

  2 Say, goddess, can the festal board,
    Or young Olympia's form adored;
    Say, can the pomp of promised fame
    Relume thy faint, thy dying flame?
    Or have melodious airs the power
    To give one free, poetic hour?
    Or, from amid the Elysian train,
    The soul of Milton shall I gain,
  To win thee back with some celestial strain?

  3 O powerful strain! O sacred soul!
    His numbers every sense control:
    And now again my bosom burns;
    The Muse, the Muse herself returns.
    Such on the banks of Tyne, confess'd,
    I hail'd the fair immortal guest,
    When first she seal'd me for her own,
    Made all her blissful treasures known,
    And bade me swear to follow Her alone.




ODE XI.

ON LOVE. TO A FRIEND.


  1 No, foolish youth--to virtuous fame
    If now thy early hopes be vow'd,
    If true ambition's nobler flame
    Command thy footsteps from the crowd,
    Lean not to Love's enchanting snare;
    His songs, his words, his looks beware,
  Nor join his votaries, the young and fair.

  2 By thought, by dangers, and by toils,
    The wreath of just renown is worn;
    Nor will ambition's awful spoils
    The flowery pomp of ease adorn;
    But Love unbends the force of thought;
    By Love unmanly fears are taught;
  And Love's reward with gaudy sloth is bought.

  3 Yet thou hast read in tuneful lays,
    And heard from many a zealous breast,
    The pleasing tale of beauty's praise
    In wisdom's lofty language dress'd;
    Of beauty powerful to impart
    Each finer sense, each comelier art,
  And soothe and polish man's ungentle heart.

  4 If then, from Love's deceit secure,
    Thus far alone thy wishes tend,
    Go; see the white-wing'd evening hour
    On Delia's vernal walk descend:
    Go, while the golden light serene,
    The grove, the lawn, the soften'd scene
  Becomes the presence of the rural queen.

  5 Attend, while that harmonious tongue
    Each bosom, each desire commands:
    Apollo's lute by Hermes strung,
    And touch'd by chaste Minerva's hands,
    Attend. I feel a force divine,
    O Delia, win my thoughts to thine;
  That half the colour of thy life is mine.

  6 Yet conscious of the dangerous charm,
    Soon would I turn my steps away;
    Nor oft provoke the lovely harm,
    Nor lull my reason's watchful sway.
    But thou, my friend--I hear thy sighs:
    Alas, I read thy downcast eyes;
  And thy tongue falters, and thy colour flies.

  7 So soon again to meet the fair?
    So pensive all this absent hour?--
    O yet, unlucky youth, beware,
    While yet to think is in thy power.
    In vain with friendship's flattering name
    Thy passion veils its inward shame;
  Friendship, the treacherous fuel of thy flame!

  8 Once, I remember, new to Love,
    And dreading his tyrannic chain,
    I sought a gentle maid to prove
    What peaceful joys in friendship reign:
    Whence we forsooth might safely stand,
    And pitying view the love-sick band,
  And mock the winged boy's malicious hand.

  9 Thus frequent pass'd the cloudless day,
    To smiles and sweet discourse resign'd;
    While I exulted to survey
    One generous woman's real mind:
    Till friendship soon my languid breast
    Each night with unknown cares possess'd,
  Dash'd my coy slumbers, or my dreams distress'd.

  10 Fool that I was--And now, even now
     While thus I preach the Stoic strain,
     Unless I shun Olympia's view,
     An hour unsays it all again.
     O friend!--when Love directs her eyes
     To pierce where every passion lies,
   Where is the firm, the cautious, or the wise?




ODE XII.

   TO SIR FRANCIS HENRY DRAKE, BARONET.


  1 Behold, the Balance in the sky
    Swift on the wintry scale inclines:
    To earthy caves the Dryads fly,
    And the bare pastures Pan resigns.
    Late did the farmer's fork o'erspread
    With recent soil the twice-mown mead,
    Tainting the bloom which Autumn knows:
    He whets the rusty coulter now,
    He binds his oxen to the plough,
    And wide his future harvest throws.

  2 Now, London's busy confines round,
    By Kensington's imperial towers,
    From Highgate's rough descent profound,
    Essexian heaths, or Kentish bowers,
    Where'er I pass, I see approach
    Some rural statesman's eager coach,
    Hurried by senatorial cares:
    While rural nymphs (alike, within,
    Aspiring courtly praise to win)
    Debate their dress, reform their airs.

  3 Say, what can now the country boast,
    O Drake, thy footsteps to detain,
    When peevish winds and gloomy frost
    The sunshine of the temper stain?
    Say, are the priests of Devon grown
    Friends to this tolerating throne,
    Champions for George's legal right?
    Have general freedom, equal law,
    Won to the glory of Nassau
    Each bold Wessexian squire and knight?

  4 I doubt it much; and guess at least
    That when the day, which made us free,
    Shall next return, that sacred feast
    Thou better may'st observe with me.
    With me the sulphurous treason old
    A far inferior part shall hold
    In that glad day's triumphal strain;
    And generous William be revered,
    Nor one untimely accent heard
    Of James, or his ignoble reign.

  5 Then, while the Gascon's fragrant wine
    With modest cups our joy supplies,
    We'll truly thank the power divine
    Who bade the chief, the patriot rise;
    Rise from heroic ease (the spoil
    Due, for his youth's Herculean toil,
    From Belgium to her saviour son),
    Rise with the same unconquer'd zeal
    For our Britannia's injured weal,
    Her laws defaced, her shrines o'erthrown.

  6 He came. The tyrant from our shore,
    Like a forbidden demon, fled;
    And to eternal exile bore
    Pontific rage and vassal dread.
    There sunk the mouldering Gothic reign:
    New years came forth, a liberal train,
    Call'd by the people's great decree.
    That day, my friend, let blessings crown;--
    Fill, to the demigod's renown
    From whom thou hast that thou art free.

  7 Then, Drake, (for wherefore should we part
    The public and the private weal?)
    In vows to her who sways thy heart,
    Fair health, glad fortune, will we deal.
    Whether Aglaia's blooming cheek,
    Or the soft ornaments that speak
    So eloquent in Daphne's smile,
    Whether the piercing lights that fly
    From the dark heaven of Myrto's eye,
    Haply thy fancy then beguile.

  8 For so it is:--thy stubborn breast,
    Though touch'd by many a slighter wound,
    Hath no full conquest yet confess'd,
    Nor the one fatal charmer found;
    While I, a true and loyal swain,
    My fair Olympia's gentle reign
    Through all the varying seasons own.
    Her genius still my bosom warms:
    No other maid for me hath charms,
    Or I have eyes for her alone.




ODE XIII.

ON LYRIC POETRY.


                I.--1.

  Once more I join the Thespian choir,
  And taste the inspiring fount again:
  O parent of the Grecian lyre,
  Admit me to thy powerful strain--
  And lo, with ease my step invades
  The pathless vale and opening shades,
  Till now I spy her verdant seat;
  And now at large I drink the sound,
  While these her offspring, listening round.
  By turns her melody repeat.


                  I.--2.

  I see Anacreon smile and sing,
  His silver tresses breathe perfume:
  His cheek displays a second spring
  Of roses, taught by wine to bloom.
  Away, deceitful cares, away,
  And let me listen to his lay;
  Let me the wanton pomp enjoy,
  While in smooth dance the light-wing'd Hours
  Lead round his lyre its patron powers,
  Kind Laughter and Convivial Joy.


                  I.--3.

  Broke from the fetters of his native land,
  Devoting shame and vengeance to her lords,
  With louder impulse and a threatening hand
  The Lesbian patriot [1] smites the sounding chords:
      Ye wretches, ye perfidious train,
      Ye cursed of gods and free-born men,
        Ye murderers of the laws,
      Though now ye glory in your lust,
    Though now ye tread the feeble neck in dust,
  Yet Time and righteous Jove will judge your dreadful cause.


                  II.--1.

  But lo, to Sappho's melting airs
  Descends the radiant queen of love:
  She smiles, and asks what fonder cares
  Her suppliant's plaintive measures move:
  Why is my faithful maid distress'd?
  Who, Sappho, wounds thy tender breast?
  Say, flies he?--Soon he shall pursue:
  Shuns he thy gifts?--He soon shall give:
  Slights he thy sorrows?--He shall grieve,
  And soon to all thy wishes bow.


                  II.--2.

  But, O Melpomene, for whom
  Awakes thy golden shell again?
  What mortal breath shall e'er presume
  To echo that unbounded strain?
  Majestic in the frown of years,
  Behold, the man of Thebes [2] appears:
  For some there are, whose mighty frame
  The hand of Jove at birth endow'd
  With hopes that mock the gazing crowd;
  As eagles drink the noontide flame;


                  II.--3.

    While the dim raven beats her weary wings,
    And clamours far below.--Propitious Muse,
    While I so late unlock thy purer springs,
    And breathe whate'er thy ancient airs infuse,
      Wilt thou for Albion's sons around
      (Ne'er hadst thou audience more renown'd)
        Thy charming arts employ,
      As when the winds from shore to shore
    Through Greece thy lyre's persuasive language bore,
  Till towns, and isles, and seas return'd the vocal joy?

                  III.--1.

      Yet then did Pleasure's lawless throng,
      Oft rushing forth in loose attire,
      Thy virgin dance, thy graceful song
      Pollute with impious revels dire.
      O fair, O chaste, thy echoing shade
      May no foul discord here invade:
      Nor let thy strings one accent move,
      Except what earth's untroubled ear
      'Mid all her social tribes may hear,
      And heaven's unerring throne approve.

                  III.--2.

      Queen of the lyre, in thy retreat
      The fairest flowers of Pindus glow;
      The vine aspires to crown thy seat,
      And myrtles round thy laurel grow.
      Thy strings adapt their varied strain
      To every pleasure, every pain,
      Which mortal tribes were born to prove;
      And straight our passions rise or fall,
      As at the wind's imperious call
      The ocean swells, the billows move.


                  III.--3.

    When midnight listens o'er the slumbering earth,
    Let me, O Muse, thy solemn whispers hear:
    When morning sends her fragrant breezes forth,
    With airy murmurs touch my opening ear.
      And ever watchful at thy side,
      Let Wisdom's awful suffrage guide
        The tenor of thy lay:
      To her of old by Jove was given
    To judge the various deeds of earth and heaven;
  'Twas thine by gentle arts to win us to her sway.


                  IV.--1.

      Oft as, to well-earn'd ease resign'd,
      I quit the maze where Science toils,
      Do thou refresh my yielding mind
      With all thy gay, delusive spoils.
      But, O indulgent, come not nigh
      The busy steps, the jealous eye
      Of wealthy care or gainful age;
      Whose barren souls thy joys disdain,
      And hold as foes to reason's reign
      Whome'er thy lovely works engage.


                  IV.--2.

      When friendship and when letter'd mirth
      Haply partake my simple board,
      Then let thy blameless hand call forth
      The music of the Teian chord.
      Or if invoked at softer hours,
      Oh! seek with me the happy bowers
      That hear Olympia's gentle tongue;
      To beauty link'd with virtue's train,
      To love devoid of jealous pain,
      There let the Sapphic lute be strung.


                  IV.--3.

    But when from envy and from death to claim
    A hero bleeding for his native land;
    When to throw incense on the vestal flame
    Of Liberty my genius gives command,
     Nor Theban voice nor Lesbian lyre
     From thee, O Muse, do I require;
       While my presaging mind,
     Conscious of powers she never knew,
   Astonish'd, grasps at things beyond her view,
  Nor by another's fate submits to be confined.

[Footnote 1: 'The Lesbian patriot:' Alcaeus.]

[Footnote 2: 'The man of Thebes:' Pindar.]



ODE XIV.

  TO THE HONOURABLE CHARLES TOWNSHEND;
     FROM THE COUNTRY.


  1 Say, Townshend, what can London boast
    To pay thee for the pleasures lost,
      The health to-day resign'd,
    When Spring from this her favourite seat
    Bade Winter hasten his retreat,
      And met the western wind.

  2 Oh, knew'st thou how the balmy air,
    The sun, the azure heavens prepare
      To heal thy languid frame,
    No more would noisy courts engage;
    In vain would lying Faction's rage
      Thy sacred leisure claim.

  3 Oft I look'd forth, and oft admired;
    Till with the studious volume tired
      I sought the open day;
    And sure, I cried, the rural gods
    Expect me in their green abodes,
      And chide my tardy lay.

  4 But ah, in vain my restless feet
    Traced every silent shady seat
      Which knew their forms of old:
    Nor Naiad by her fountain laid,
    Nor Wood-nymph tripping through her glade,
      Did now their rites unfold:

  5 Whether to nurse some infant oak
    They turn--the slowly tinkling brook,
      And catch the pearly showers,
    Or brush the mildew from the woods,
    Or paint with noontide beams the buds,
      Or breathe on opening flowers.

  6 Such rites, which they with Spring renew,
    The eyes of care can never view;
      And care hath long been mine:
    And hence offended with their guest,
    Since grief of love my soul oppress'd,
      They hide their toils divine.

  7 But soon shall thy enlivening tongue
    This heart, by dear affliction wrung,
      With noble hope inspire:
    Then will the sylvan powers again
    Receive me in their genial train,
      And listen to my lyre.

  8 Beneath yon Dryad's lonely shade
    A rustic altar shall be paid,
     Of turf with laurel framed;
    And thou the inscription wilt approve:
    'This for the peace which, lost by love,
    By friendship was reclaim'd'




ODE XV.

TO THE EVENING STAR.

  1 To-night retired, the queen of heaven
      With young Endymion stays:
    And now to Hesper it is given
    A while to rule the vacant sky,
    Till she shall to her lamp supply
     A stream of brighter rays.

  2 O Hesper, while the starry throng
     With awe thy path surrounds,
    Oh, listen to my suppliant song,
    If haply now the vocal sphere
    Can suffer thy delighted ear
     To stoop to mortal sounds.

  3 So may the bridegroom's genial strain
      Thee still invoke to shine:
    So may the bride's unmarried train
    To Hymen chant their flattering vow,
    Still that his lucky torch may glow
      With lustre pure as thine.

  4 Far other vows must I prefer
      To thy indulgent power.
    Alas, but now I paid my tear
    On fair Olympia's virgin tomb:
    And lo, from thence, in quest I roam
      Of Philomela's bower.

  5 Propitious send thy golden ray,
      Thou purest light above:
    Let no false flame seduce to stray
    Where gulf or steep lie hid for harm:
    But lead where music's healing charm
      May soothe afflicted love.

  6 To them, by many a grateful song
      In happier seasons vow'd,
    These lawns, Olympia's haunt, belong:
    Oft by yon silver stream we walk'd,
    Or fix'd, while Philomela talk'd,
      Beneath yon copses stood.

  7 Nor seldom, where the beechen boughs
      That roofless tower invade,
    We came while her enchanting Muse
    The radiant moon above us held:
    Till by a clamorous owl compell'd
      She fled the solemn shade.

  8 But hark; I hear her liquid tone.
      Now, Hesper, guide my feet
    Down the red marl with moss o'ergrown,
    Through yon wild thicket next the plain,
    Whose hawthorns choke the winding lane,
      Which leads to her retreat.

  9 See the green space; on either hand
      Enlarged it spreads around:
    See, in the midst she takes her stand,
    Where one old oak his awful shade
    Extends o'er half the level mead
      Enclosed in woods profound.

  10 Hark, through many a melting note
      She now prolongs her lays:
    How sweetly down the void they float!
    The breeze their magic path attends,
    The stars shine out, the forest bends,
      The wakeful heifers gaze.

  11 Whoe'er thou art whom chance may bring
      To this sequester'd spot,
    If then the plaintive Syren sing,
    Oh! softly tread beneath her bower,
    And think of heaven's disposing power,
      Of man's uncertain lot.

  12 Oh! think, o'er all this mortal stage,
      What mournful scenes arise:
    What ruin waits on kingly rage,
    How often virtue dwells with woe,
    How many griefs from knowledge flow,
      How swiftly pleasure flies.

  13 O sacred bird, let me at eve,
       Thus wandering all alone,
     Thy tender counsel oft receive,
     Bear witness to thy pensive airs,
     And pity Nature's common cares,
       Till I forget my own.




ODE XVI.

  TO CALEB HARDINGE, M. D.

  1 With sordid floods the wintry Urn [1]
    Hath stain'd fair Richmond's level green;
    Her naked hill the Dryads mourn,
    No longer a poetic scene.
    No longer there the raptured eye
    The beauteous forms of earth or sky
    Surveys as in their Author's mind;
    And London shelters from the year
    Those whom thy social hours to share
      The Attic Muse design'd.

  2 From Hampstead's airy summit me
    Her guest the city shall behold,
    What day the people's stern decree
    To unbelieving kings is told,
    When common men (the dread of fame)
    Adjudged as one of evil name,
    Before the sun, the anointed head.
    Then seek thou too the pious town,
    With no unworthy cares to crown
      That evening's awful shade.

  3 Deem not I call thee to deplore
    The sacred martyr of the day,
    By fast, and penitential lore
    To purge our ancient guilt away.
    For this, on humble faith I rest
    That still our advocate, the priest,
    From heavenly wrath will save the land;
    Nor ask what rites our pardon gain,
    Nor how his potent sounds restrain
      The thunderer's lifted hand.

  4 No, Hardinge; peace to church and state!
    That evening, let the Muse give law;
    While I anew the theme relate
    Which my first youth enamour'd saw.
    Then will I oft explore thy thought,
    What to reject which Locke hath taught,
    What to pursue in Virgil's lay;
    Till hope ascends to loftiest things,
    Nor envies demagogues or kings
      Their frail and vulgar sway.

  5 O versed in all the human frame,
    Lead thou where'er my labour lies,
    And English fancy's eager flame
    To Grecian purity chastise;
    While hand in hand, at Wisdom's shrine,
    Beauty with truth I strive to join,
    And grave assent with glad applause;
    To paint the story of the soul,
    And Plato's visions to control
      By Verulamian laws.

[Footnote 1: 'The wintry Urn:' Aquarius.]



ODE XVII.

  ON A SERMON AGAINST GLORY. 1747.

  1  Come then, tell me, sage divine,
      Is it an offence to own
      That our bosoms e'er incline
      Toward immortal Glory's throne?
      For with me, nor pomp, nor pleasure,
      Bourbon's might, Braganza's treasure,
      So can Fancy's dream rejoice,
      So conciliate Reason's choice,
  As one approving word of her impartial voice.

  2  If to spurn at noble praise
      Be the passport to thy heaven,
      Follow thou those gloomy ways;
      No such law to me was given,
      Nor, I trust, shall I deplore me,
      Faring like my friends before me;
      Nor an holier place desire
      Than Timoleon's arms acquire,
  And Tully's curule chair, and Milton's golden lyre.




ODE XVIII.

  TO THE RIGHT HONOURABLE FRANCIS, EARL OF HUNTINGDON, 1747.


                I.--1.

      The wise and great of every clime,
      Through all the spacious walks of time,
      Where'er the Muse her power display'd,
      With joy have listen'd and obey'd.
      For, taught of heaven, the sacred Nine
      Persuasive numbers, forms divine,
          To mortal sense impart:
      They best the soul with glory fire;
    They noblest counsels, boldest deeds inspire;
  And high o'er Fortune's rage enthrone the fixed heart.

                  I.--2.

      Nor less prevailing is their charm
      The vengeful bosom to disarm;
      To melt the proud with human woe,
      And prompt unwilling tears to flow.
      Can wealth a power like this afford?
      Can Cromwell's arts or Marlborough's sword,
          An equal empire claim?
      No, Hastings. Thou my words wilt own:
    Thy breast the gifts of every Muse hath known;
  Nor shall the giver's love disgrace thy noble name.


                  I.--3.

          The Muse's awful art,
    And the blest function of the poet's tongue,
    Ne'er shalt thou blush to honour; to assert
  From all that scorned vice or slavish fear hath sung.
    Nor shall the blandishment of Tuscan strings
    Warbling at will in Pleasure's myrtle bower;
    Nor shall the servile notes to Celtic kings
    By flattering minstrels paid in evil hour,
    Move thee to spurn the heavenly Muse's reign.
            A different strain,
            And other themes
    From her prophetic shades and hallow'd streams
    (Thou well canst witness), meet the purged ear:
    Such, as when Greece to her immortal shell
    Rejoicing listen'd, godlike sounds to hear;
      To hear the sweet instructress tell
      (While men and heroes throng'd around)
      How life its noblest use may find,
      How well for freedom be resign'd;
  And how, by glory, virtue shall be crown'd.


                  II.--1.

      Such was the Chian father's strain
      To many a kind domestic train,
      Whose pious hearth and genial bowl
      Had cheer'd the reverend pilgrim's soul:
      When, every hospitable rite
      With equal bounty to requite,
          He struck his magic strings,
      And pour'd spontaneous numbers forth,
    And seized their ears with tales of ancient worth,
  And fill'd their musing hearts with vast heroic things.


                  II.--2.

      Now oft, where happy spirits dwell,
      Where yet he tunes his charming shell,
      Oft near him, with applauding hands,
      The Genius of his country stands.
      To listening gods he makes him known,
      That man divine, by whom were sown
          The seeds of Grecian fame:
      Who first the race with freedom fired;
    From whom Lycurgus Sparta's sons inspired;
  From whom Plataean palms and Cyprian trophies came.

                  II.--3.

          O noblest, happiest age!
      When Aristides ruled, and Cimon fought;
      When all the generous fruits of Homer's page
  Exulting Pindar saw to full perfection brought.
    O Pindar, oft shalt thou be hail'd of me:
    Not that Apollo fed thee from his shrine;
    Not that thy lips drank sweetness from the bee;
    Nor yet that, studious of thy notes divine,
    Pan danced their measure with the sylvan throng:
            But that thy song
            Was proud to unfold
    What thy base rulers trembled to behold;
    Amid corrupted Thebes was proud to tell
    The deeds of Athens and the Persian shame:
    Hence on thy head their impious vengeance fell.
      But thou, O faithful to thy fame,
      The Muse's law didst rightly know;
      That who would animate his lays,
      And other minds to virtue raise,
    Must feel his own with all her spirit glow.


                  III.--1.

      Are there, approved of later times,
      Whose verse adorn'd a tyrant's [1] crimes?
      Who saw majestic Rome betray'd,
      And lent the imperial ruffian aid?
      Alas! not one polluted bard,
      No, not the strains that Mincius heard,
          Or Tibur's hills replied,
      Dare to the Muse's ear aspire;
    Save that, instructed by the Grecian lyre,
  With Freedom's ancient notes their shameful task they hide.


                  III.--2.

      Mark, how the dread Pantheon stands,
      Amid the domes of modern hands:
      Amid the toys of idle state,
      How simply, how severely great!
      Then turn, and, while each western clime
      Presents her tuneful sons to Time,
          So mark thou Milton's name;
      And add, 'Thus differs from the throng
    The spirit which inform'd thy awful song,
  Which bade thy potent voice protect thy country's fame.'


                  III.--3.

          Yet hence barbaric zeal
    His memory with unholy rage pursues;
    While from these arduous cares of public weal
  She bids each bard begone, and rest him with his Muse.
    O fool! to think the man, whose ample mind
    Must grasp at all that yonder stars survey;
    Must join the noblest forms of every kind,
    The world's most perfect image to display,
    Can e'er his country's majesty behold,
            Unmoved or cold!
            O fool! to deem
    That he, whose thought must visit every theme,
    Whose heart must every strong emotion know
    Inspired by Nature, or by Fortune taught;
    That he, if haply some presumptuous foe,
      With false ignoble science fraught,
      Shall spurn at Freedom's faithful band:
      That he their dear defence will shun,
      Or hide their glories from the sun,
    Or deal their vengeance with a woman's hand!


                  IV.--1.

      I care not that in Arno's plain,
      Or on the sportive banks of Seine,
      From public themes the Muse's choir
      Content with polish'd ease retire.
      Where priests the studious head command,
      Where tyrants bow the warlike hand
          To vile ambition's aim,
      Say, what can public themes afford,
    Save venal honours to a hateful lord,
  Reserved for angry heaven and scorn'd of honest fame?


                  IV.--2.

      But here, where Freedom's equal throne
      To all her valiant sons is known;
      Where all are conscious of her cares,
      And each the power, that rules him, shares;
      Here let the bard, whose dastard tongue
      Leaves public arguments unsung,
          Bid public praise farewell:
      Let him to fitter climes remove,
    Far from the hero's and the patriot's love,
  And lull mysterious monks to slumber in their cell.


                  IV.--3.

          O Hastings, not to all
    Can ruling Heaven the same endowments lend:
    Yet still doth Nature to her offspring call,
  That to one general weal their different powers they bend,
    Unenvious. Thus alone, though strains divine
    Inform the bosom of the Muse's son;
    Though with new honours the patrician's line
    Advance from age to age; yet thus alone
    They win the suffrage of impartial fame.

            The poet's name
            He best shall prove,
    Whose lays the soul with noblest passions move.
    But thee, O progeny of heroes old,
    Thee to severer toils thy fate requires:
    The fate which form'd thee in a chosen mould,
      The grateful country of thy sires,
      Thee to sublimer paths demand;
      Sublimer than thy sires could trace,
      Or thy own Edward teach his race,
  Though Gaul's proud genius sank beneath his hand.


                  V.--1.

      From rich domains, and subject farms,
      They led the rustic youth to arms;
      And kings their stern achievements fear'd,
      While private strife their banners rear'd.
      But loftier scenes to thee are shown,
      Where empire's wide establish'd throne
          No private master fills:
      Where, long foretold, the People reigns;
    Where each a vassal's humble heart disdains;
  And judgeth what he sees; and, as he judgeth, wills.


                  V.--2.

      Here be it thine to calm and guide
      The swelling democratic tide;
      To watch the state's uncertain frame,
      And baffle Faction's partial aim:
      But chiefly, with determined zeal,
      To quell that servile band, who kneel
          To Freedom's banish'd foes;
      That monster, which is daily found
    Expert and bold thy country's peace to wound;
  Yet dreads to handle arms, nor manly counsel knows.


                  V.--3.

          'Tis highest Heaven's command,
    That guilty aims should sordid paths pursue;
    That what ensnares the heart should maim the hand,
  And Virtue's worthless foes be false to glory too.
    But look on Freedom;--see, through every age,
    What labours, perils, griefs, hath she disdain'd!
    What arms, what regal pride, what priestly rage,
    Have her dread offspring conquer'd or sustain'd!
    For Albion well have conquer'd. Let the strains
            Of happy swains,
            Which now resound
    Where Scarsdale's cliffs the swelling pastures bound,
    Bear witness;--there, oft let the farmer hail
    The sacred orchard which embowers his gate,
    And show to strangers passing down the vale,
      Where Candish, Booth, and Osborne sate;
      When, bursting from their country's chain,
      Even in the midst of deadly harms,
      Of papal snares and lawless arms,
  They plann'd for Freedom this her noblest reign.


                  VI.--1.

      This reign, these laws, this public care,
      Which Nassau gave us all to share,
      Had ne'er adorn'd the English name,
      Could Fear have silenced Freedom's claim.
      But Fear in vain attempts to bind
      Those lofty efforts of the mind
          Which social good inspires;
      Where men, for this, assault a throne,
    Each adds the common welfare to his own;
  And each unconquer'd heart the strength of all acquires.


                  VI.--2.

      Say, was it thus, when late we view'd
      Our fields in civil blood imbrued?
      When fortune crown'd the barbarous host,
      And half the astonish'd isle was lost?
      Did one of all that vaunting train,
      Who dare affront a peaceful reign,
          Durst one in arms appear?
      Durst one in counsels pledge his life?
    Stake his luxurious fortunes in the strife?
  Or lend his boasted name his vagrant friends to cheer?


                  VI.--3.

          Yet, Hastings, these are they
    Who challenge to themselves thy country's love;
    The true; the constant: who alone can weigh,
  What glory should demand, or liberty approve!
    But let their works declare them. Thy free powers,
    The generous powers of thy prevailing mind,
    Not for the tasks of their confederate hours,
    Lewd brawls and lurking slander, were design'd.
    Be thou thy own approver. Honest praise
              Oft nobly sways
              Ingenuous youth;
    But, sought from cowards and the lying mouth,
    Praise is reproach. Eternal God alone
    For mortals fixeth that sublime award.
    He, from the faithful records of his throne,
      Bids the historian and the bard
      Dispose of honour and of scorn;
      Discern the patriot from the slave;
      And write the good, the wise, the brave,
    For lessons to the multitude unborn.


[Footnote 1: 'A tyrant:' Octavianus Caesar.]



BOOK II.


ODE I.

THE REMONSTRANCE OF SHAKSPEARE:

  SUPPOSED TO HAVE BEEN SPOKEN AT THE THEATRE-ROYAL, WHILE THE
  FRENCH COMEDIANS WERE ACTING BY SUBSCRIPTION. 1749.


  If, yet regardful of your native land,
  Old Shakspeare's tongue you deign to understand,
  Lo, from the blissful bowers where heaven rewards
  Instructive sages and unblemish'd bards,
  I come, the ancient founder of the stage,
  Intent to learn, in this discerning age,
  What form of wit your fancies have embraced,
  And whither tends your elegance of taste,
  That thus at length our homely toils you spurn,
  That thus to foreign scenes you proudly turn,                 10
  That from my brow the laurel wreath you claim
  To crown the rivals of your country's fame.

  What though the footsteps of my devious Muse
  The measured walks of Grecian art refuse?
  Or though the frankness of my hardy style
  Mock the nice touches of the critic's file?
  Yet, what my age and climate held to view,
  Impartial I survey'd and fearless drew.
  And say, ye skilful in the human heart,
  Who know to prize a poet's noblest part,                      20
  What age, what clime, could e'er an ampler field
  For lofty thought, for daring fancy, yield?
  I saw this England break the shameful bands
  Forged for the souls of men by sacred hands:
  I saw each groaning realm her aid implore;
  Her sons the heroes of each warlike shore:
  Her naval standard (the dire Spaniard's bane)
  Obey'd through all the circuit of the main.
  Then, too, great Commerce, for a late found world,
  Around your coast her eager sails unfurl'd!                   30
  New hopes, new passions, thence the bosom fired;
  New plans, new arts, the genius thence inspired;
  Thence every scene, which private fortune knows,
  In stronger life, with bolder spirit, rose.

  Disgraced I this full prospect which I drew,
  My colours languid, or my strokes untrue?
  Have not your sages, warriors, swains, and kings,
  Confess'd the living draught of men and things?
  What other bard in any clime appears
  Alike the master of your smiles and tears?                    40
  Yet have I deign'd your audience to entice
  With wretched bribes to luxury and vice?
  Or have my various scenes a purpose known
  Which freedom, virtue, glory, might not own?

  Such from the first was my dramatic plan;
  It should be yours to crown what I began:
  And now that England spurns her Gothic chain,
  And equal laws and social science reign,
  I thought, Now surely shall my zealous eyes
  View nobler bards and juster critics rise,                    50
  Intent with learned labour to refine
  The copious ore of Albion's native mine,
  Our stately Muse more graceful airs to teach,
  And form her tongue to more attractive speech,
  Till rival nations listen at her feet,
  And own her polish'd as they own her great.

  But do you thus my favourite hopes fulfil?
  Is France at last the standard of your skill?
  Alas for you! that so betray a mind
  Of art unconscious and to beauty blind.                       60
  Say, does her language your ambition raise,
  Her barren, trivial, unharmonious phrase,
  Which fetters eloquence to scantiest bounds,
  And maims the cadence of poetic sounds?
  Say, does your humble admiration choose
  The gentle prattle of her Comic Muse,
  While wits, plain-dealers, fops, and fools appear,
  Charged to say nought but what the king may hear?
  Or rather melt your sympathising hearts
  Won by her tragic scene's romantic arts,                      70
  Where old and young declaim on soft desire,
  And heroes never, but for love, expire?

  No. Though the charms of novelty, a while,
  Perhaps too fondly win your thoughtless smile,
  Yet not for you design'd indulgent fate
  The modes or manners of the Bourbon state.
  And ill your minds my partial judgment reads,
  And many an augury my hope misleads,
  If the fair maids of yonder blooming train
  To their light courtship would an audience deign,             80
  Or those chaste matrons a Parisian wife
  Choose for the model of domestic life;
  Or if one youth of all that generous band,
  The strength and splendour of their native land,
  Would yield his portion of his country's fame,
  And quit old freedom's patrimonial claim,
  With lying smiles oppression's pomp to see,
  And judge of glory by a king's decree.

  O bless'd at home with justly-envied laws,
  O long the chiefs of Europe's general cause,                  90
  Whom heaven hath chosen at each dangerous hour
  To check the inroads of barbaric power,
  The rights of trampled nations to reclaim,
  And guard the social world from bonds and shame;
  Oh! let not luxury's fantastic charms
  Thus give the lie to your heroic arms:
  Nor for the ornaments of life embrace
  Dishonest lessons from that vaunting race,
  Whom fate's dread laws (for, in eternal fate
  Despotic rule was heir to freedom's hate),                    100
  Whom in each warlike, each commercial part,
  In civil council, and in pleasing art,
  The judge of earth predestined for your foes,
  And made it fame and virtue to oppose.





ODE II.


TO SLEEP.


  1  Thou silent power, whose welcome sway
      Charms every anxious thought away;
      In whose divine oblivion drown'd,
      Sore pain and weary toil grow mild,
      Love is with kinder looks beguiled,
    And grief forgets her fondly cherish'd wound;
    Oh, whither hast thou flown, indulgent god?
    God of kind shadows and of healing dews,
    Whom dost thou touch with thy Lethaean rod?
  Around whose temples now thy opiate airs diffuse?

  2  Lo, Midnight from her starry reign
      Looks awful down on earth and main.
      The tuneful birds lie hush'd in sleep,
      With all that crop the verdant food,
      With all that skim the crystal flood,
    Or haunt the caverns of the rocky steep.
    No rushing winds disturb the tufted bowers;
    No wakeful sound the moonlight valley knows,
    Save where the brook its liquid murmur pours,
  And lulls the waving scene to more profound repose.

  3  Oh, let not me alone complain,
      Alone invoke thy power in vain!
      Descend, propitious, on my eyes;
      Not from the couch that bears a crown,
      Not from the courtly statesman's down,
    Nor where the miser and his treasure lies:
    Bring not the shapes that break the murderer's rest,
    Nor those the hireling soldier loves to see,
    Nor those which haunt the bigot's gloomy breast:
  Far be their guilty nights, and far their dreams from me!

  4  Nor yet those awful forms present,
      For chiefs and heroes only meant:
      The figured brass, the choral song,
      The rescued people's glad applause,
      The listening senate, and the laws
    Fix'd by the counsels of Timoleon's [1] tongue,
    Are scenes too grand for fortune's private ways;
    And though they shine in youth's ingenuous view,
    The sober gainful arts of modern days
  To such romantic thoughts have bid a long adieu.

  5  I ask not, god of dreams, thy care
      To banish Love's presentments fair:
      Nor rosy cheek nor radiant eye
      Can arm him with such strong command
      That the young sorcerer's fatal hand
    Should round my soul his pleasing fetters tie.
    Nor yet the courtier's hope, the giving smile
    (A lighter phantom, and a baser chain)
    Did e'er in slumber my proud lyre beguile
  To lend the pomp of thrones her ill-according strain.

  6  But, Morpheus, on thy balmy wing
      Such honourable visions bring,
      As soothed great Milton's injured age,
      When in prophetic dreams he saw
      The race unborn with pious awe
    Imbibe each virtue from his heavenly page:
    Or such as Mead's benignant fancy knows
    When health's deep treasures, by his art explored,
    Have saved the infant from an orphan's woes,
  Or to the trembling sire his age's hope restored.

[Footnote:  1: After Timoleon had delivered Syracuse from the tyranny
of Dionysius, the people on every important deliberation sent for him
into the public assembly, asked his advice, and voted according to it.
    --_Plutarch_.]




ODE III.


TO THE CUCKOO.


  1 O rustic herald of the spring,
    At length in yonder woody vale
    Fast by the brook I hear thee sing;
    And, studious of thy homely tale,
    Amid the vespers of the grove,
    Amid the chanting choir of love,
        Thy sage responses hail.

  2 The time has been when I have frown'd
    To hear thy voice the woods invade;
    And while thy solemn accent drown'd
    Some sweeter poet of the shade,
    Thus, thought I, thus the sons of care
    Some constant youth or generous fair
        With dull advice upbraid.

  3 I said, 'While Philomela's song
    Proclaims the passion of the grove,
    It ill beseems a cuckoo's tongue
    Her charming language to reprove'--
    Alas, how much a lover's ear
    Hates all the sober truth to hear,
        The sober truth of love!

  4 When hearts are in each other bless'd,
    When nought but lofty faith can rule
    The nymph's and swain's consenting breast,
    How cuckoo-like in Cupid's school,
    With store of grave prudential saws
    On fortune's power and custom's laws,
        Appears each friendly fool!

  5 Yet think betimes, ye gentle train
    Whom love, and hope, and fancy sway,
    Who every harsher care disdain,
    Who by the morning judge the day,
    Think that, in April's fairest hours,
    To warbling shades and painted flowers
        The cuckoo joins his lay.




ODE IV.

  TO THE HONOURABLE CHARLES TOWNSHEND;
  IN THE COUNTRY. 1750.


                I.--1.

      How oft shall I survey
  This humble roof, the lawn, the greenwood shade,
      The vale with sheaves o'erspread,
  The glassy brook, the flocks which round thee stray?
      When will thy cheerful mind
  Of these have utter'd all her dear esteem?
      Or, tell me, dost thou deem
  No more to join in glory's toilsome race,
      But here content embrace
  That happy leisure which thou hadst resign'd?


                  I.--2.

      Alas, ye happy hours,
  When books and youthful sport the soul could share,
      Ere one ambitious care
  Of civil life had awed her simpler powers;
      Oft as your winged, train
  Revisit here my friend in white array,
      Oh, fail not to display
  Each fairer scene where I perchance had part,
      That so his generous heart
  The abode of even friendship may remain.


                  I.--3.

  For not imprudent of my loss to come,
  I saw from Contemplation's quiet cell
  His feet ascending to another home,
  Where public praise and envied greatness dwell.
      But shall we therefore, O my lyre,
      Reprove ambition's best desire,--
        Extinguish glory's flame?
      Far other was the task enjoin'd
    When to my hand thy strings were first assign'd:
  Far other faith belongs to friendship's honour'd name.


                  II.--1.

      Thee, Townshend, not the arms
  Of slumbering Ease, nor Pleasure's rosy chain,
      Were destined to detain;
  No, nor bright Science, nor the Muse's charms.
      For them high heaven prepares
  Their proper votaries, an humbler band:
      And ne'er would Spenser's hand
  Have deign'd to strike the warbling Tuscan shell,
      Nor Harrington to tell
  What habit an immortal city wears;


                  II.--2.

      Had this been born to shield
  The cause which Cromwell's impious hand betray'd,
      Or that, like Vere, display'd
  His redcross banner o'er the Belgian field;
      Yet where the will divine
  Hath shut those loftiest paths, it next remains,
      With reason clad in strains
  Of harmony, selected minds to inspire,
      And virtue's living fire
  To feed and eternise in hearts like thine.


                  II.--3.

  For never shall the herd, whom envy sways,
  So quell my purpose or my tongue control,
    That I should fear illustrious worth to praise,
    Because its master's friendship moved my soul.
      Yet, if this undissembling strain
      Should now perhaps thine ear detain
        With any pleasing sound,
      Remember thou that righteous Fame
    From hoary age a strict account will claim
  Of each auspicious palm with which thy youth was crown'd.


                  III.--1.

      Nor obvious is the way
  Where heaven expects thee nor the traveller leads;
      Through flowers or fragrant meads,
  Or groves that hark to Philomela's lay.
      The impartial laws of fate
  To nobler virtues wed severer cares.
      Is there a man who shares
  The summit next where heavenly natures dwell?
      Ask him (for he can tell)
  What storms beat round that rough laborious height.


                  III.--2.

      Ye heroes, who of old
  Did generous England Freedom's throne ordain;
      From Alfred's parent reign
  To Nassau, great deliverer, wise and bold;
      I know your perils hard,
  Your wounds, your painful marches, wintry seas,
      The night estranged from ease,
  The day by cowardice and falsehood vex'd,
      The head with doubt perplex'd,
  The indignant heart disdaining the reward,


                  III.--3.

    Which envy hardly grants. But, O renown,
    O praise from judging heaven and virtuous men,
    If thus they purchased thy divinest crown,
    Say, who shall hesitate, or who complain?
      And now they sit on thrones above:
      And when among the gods they move
        Before the Sovereign Mind,
      'Lo, these,' he saith, 'lo, these are they
    Who to the laws of mine eternal sway
  From violence and fear asserted human kind.'


                  IV.--1.

      Thus honour'd while the train
  Of legislators in his presence dwell;
      If I may aught foretell,
  The statesman shall the second palm obtain.
      For dreadful deeds of arms
  Let vulgar bards, with undiscerning praise,
      More glittering trophies raise:
  But wisest Heaven what deeds may chiefly move
      To favour and to love?
  What, save wide blessings, or averted harms?


                  IV.--2.

      Nor to the embattled field
  Shall these achievements of the peaceful gown,
      The green immortal crown
  Of valour, or the songs of conquest, yield.
      Not Fairfax wildly bold,
  While bare of crest he hew'd his fatal way
      Through Naseby's firm array,
  To heavier dangers did his breast oppose
      Than Pym's free virtue chose,
  When the proud force of Strafford he controll'd.


                  IV.--3.

    But what is man at enmity with truth?
    What were the fruits of Wentworth's copious mind,
    When (blighted all the promise of his youth)
    The patriot in a tyrant's league had join'd?
      Let Ireland's loud-lamenting plains,
      Let Tyne's and Humber's trampled swains,
        Let menaced London tell
      How impious guile made wisdom base;
    How generous zeal to cruel rage gave place;
  And how unbless'd he lived and how dishonour'd fell.


                  V.--1.

      Thence never hath the Muse
  Around his tomb Pierian roses flung:
      Nor shall one poet's tongue
  His name for music's pleasing labour choose.
      And sure, when Nature kind
  Hath deck'd some favour'd breast above the throng,
      That man with grievous wrong
  Affronts and wounds his genius, if he bends
      To guilt's ignoble ends
  The functions of his ill-submitting mind.


                  V.--2.

      For worthy of the wise
  Nothing can seem but virtue; nor earth yield
      Their fame an equal field,
  Save where impartial freedom gives the prize.
      There Somers fix'd his name,
  Enroll'd the next to William. There shall Time
      To every wondering clime
  Point out that Somers, who from faction's crowd,
      The slanderous and the loud,
  Could fair assent and modest reverence claim.


                  V.--3.

    Nor aught did laws or social arts acquire,
    Nor this majestic weal of Albion's land
    Did aught accomplish, or to aught aspire,
    Without his guidance, his superior hand.
      And rightly shall the Muse's care
      Wreaths like her own for him prepare,
        Whose mind's enamour'd aim
      Could forms of civil beauty draw
    Sublime as ever sage or poet saw,
  Yet still to life's rude scene the proud ideas tame.


                  VI.--1.

      Let none profane be near!
  The Muse was never foreign to his breast:
      On power's grave seat confess'd,
  Still to her voice he bent a lover's ear.
      And if the blessed know
  Their ancient cares, even now the unfading groves,
      Where haply Milton roves
  With Spenser, hear the enchanted echoes round
      Through farthest heaven resound
  Wise Somers, guardian of their fame below.


                  VI.--2.

      He knew, the patriot knew,
  That letters and the Muse's powerful art
      Exalt the ingenuous heart,
  And brighten every form of just and true.
      They lend a nobler sway
  To civil wisdom, than corruption's lure
      Could ever yet procure:
  They, too, from envy's pale malignant light
      Conduct her forth to sight,
  Clothed in the fairest colours of the day.


                  VI.--3.

    O Townshend, thus may Time, the judge severe,
    Instruct my happy tongue of thee to tell:
    And when I speak of one to Freedom dear
    For planning wisely and for acting well,
      Of one whom Glory loves to own,
      Who still by liberal means alone
        Hath liberal ends pursued;
      Then, for the guerdon of my lay,
    'This man with faithful friendship,' will I say,
  'From youth to honour'd age my arts and me hath view'd.'





ODE V.

ON LOVE OF PRAISE.


  1 Of all the springs within the mind
      Which prompt her steps in fortune's maze,
    From none more pleasing aid we find
      Than from the genuine love of praise.

  2 Nor any partial, private end
      Such reverence to the public bears;
    Nor any passion, virtue's friend,
      So like to virtue's self appears.

  3 For who in glory can delight
      Without delight in glorious deeds?
    What man a charming voice can slight,
      Who courts the echo that succeeds?

  4 But not the echo on the voice
      More than on virtue praise depends;
    To which, of course, its real price
      The judgment of the praiser lends.

  5 If praise, then, with religious awe
      From the sole perfect judge be sought,
    A nobler aim, a purer law,
      Nor priest, nor bard, nor sage hath taught.

  6 With which in character the same,
      Though in an humbler sphere it lies,
    I count that soul of human fame,
      The suffrage of the good and wise.





ODE VI.

  TO WILLIAM HALL, ESQUIRE; WITH THE WORKS OF CHAULIEU.


  1 Attend to Chaulieu's wanton lyre;
    While, fluent as the skylark sings
    When first the morn allures its wings,
    The epicure his theme pursues:
    And tell me if, among the choir
    Whose music charms the banks of Seine,
    So full, so free, so rich a strain
    E'er dictated the warbling Muse.

  2 Yet, Hall, while thy judicious ear
    Admires the well-dissembled art
    That can such harmony impart
    To the lame pace of Gallic rhymes;
    While wit from affectation clear,
    Bright images, and passions true,
    Recall to thy assenting view
    The envied bards of nobler times;

  3 Say, is not oft his doctrine wrong?
    This priest of Pleasure, who aspires
    To lead us to her sacred fires,
    Knows he the ritual of her shrine?
    Say (her sweet influence to thy song
    So may the goddess still afford),
    Doth she consent to be adored
    With shameless love and frantic wine?

  4 Nor Cato, nor Chrysippus here
    Need we in high indignant phrase
    From their Elysian quiet raise:
    But Pleasure's oracle alone
    Consult; attentive, not severe.
    O Pleasure, we blaspheme not thee;
    Nor emulate the rigid knee
    Which bends but at the Stoic throne.

  5 We own, had fate to man assign'd
    Nor sense, nor wish but what obey,
    Or Venus soft, or Bacchus gay,
    Then might our bard's voluptuous creed
    Most aptly govern human kind:
    Unless perchance what he hath sung
    Of tortured joints and nerves unstrung,
    Some wrangling heretic should plead.

  6 But now, with all these proud desires
    For dauntless truth and honest fame;
    With that strong master of our frame,
    The inexorable judge within,
    What can be done? Alas, ye fires
    Of love; alas, ye rosy smiles,
    Ye nectar'd cups from happier soils,--
    Ye have no bribe his grace to win.





ODE VII.

  TO THE RIGHT REVEREND BENJAMIN, LORD BISHOP OF WINCHESTER. 1754.


                I.--l.

    For toils which patriots have endured,
    For treason quell'd and laws secured,
    In every nation Time displays
    The palm of honourable praise.
    Envy may rail, and Faction fierce
    May strive; but what, alas, can those
    (Though bold, yet blind and sordid foes)
    To Gratitude and Love oppose,
  To faithful story and persuasive verse?


                  I.--2.

    O nurse of freedom, Albion, say,
    Thou tamer of despotic sway,
    What man, among thy sons around,
    Thus heir to glory hast thou found?
    What page, in all thy annals bright,
    Hast thou with purer joy survey'd
    Than that where truth, by Hoadly's aid,
    Shines through imposture's solemn shade,
  Through kingly and through sacerdotal night?


                  I.--3.

          To him the Teacher bless'd,
    Who sent religion, from the palmy field
    By Jordan, like the morn to cheer the west,
  And lifted up the veil which heaven from earth conceal'd,
    To Hoadly thus his mandate he address'd:
    'Go thou, and rescue my dishonour'd law
    From hands rapacious, and from tongues impure:
    Let not my peaceful name be made a lure,
    Fell persecution's mortal snares to aid:
    Let not my words be impious chains to draw
    The freeborn soul in more than brutal awe,
  To faith without assent, allegiance unrepaid.'


                  II.--1.

    No cold or unperforming hand
    Was arm'd by Heaven with this command.
    The world soon felt it; and, on high,
    To William's ear with welcome joy
    Did Locke among the blest unfold
    The rising hope of Hoadly's name;
    Godolphin then confirm'd the fame;
    And Somers, when from earth he came,
  And generous Stanhope the fair sequel told.


                  II.--2.

    Then drew the lawgivers around
    (Sires of the Grecian name renown'd),
    And listening ask'd, and wondering knew,
    What private force could thus subdue
    The vulgar and the great combined;
    Could war with sacred folly wage;
    Could a whole nation disengage
    From the dread bonds of many an age,
  And to new habits mould the public mind.


                  II.-3.

          For not a conqueror's sword,
    Nor the strong powers to civil founders known,
    Were his; but truth by faithful search explored,
  And social sense, like seed, in genial plenty sown.
    Wherever it took root, the soul (restored
    To freedom) freedom too for others sought.
    Not monkish craft, the tyrant's claim divine,
    Not regal zeal, the bigot's cruel shrine,
    Could longer guard from reason's warfare sage;
    Nor the wild rabble to sedition wrought,
    Nor synods by the papal Genius taught,
  Nor St. John's spirit loose, nor Atterbury's rage.


                  III.--1.

    But where shall recompense be found?
    Or how such arduous merit crown'd?
    For look on life's laborious scene:
    What rugged spaces lie between
    Adventurous Virtue's early toils
    And her triumphal throne! The shade
    Of death, meantime, does oft invade
    Her progress; nor, to us display'd,
  Wears the bright heroine her expected spoils.


                  III.--2.

    Yet born to conquer is her power;--
    O Hoadly, if that favourite hour
    On earth arrive, with thankful awe
    We own just Heaven's indulgent law,
    And proudly thy success behold;
    We attend thy reverend length of days
    With benediction and with praise,
    And hail thee in our public ways
  Like some great spirit famed in ages old.


                  III.--3.

          While thus our vows prolong
    Thy steps on earth, and when by us resign'd
    Thou join'st thy seniors, that heroic throng
  Who rescued or preserved the rights of human kind,
    Oh! not unworthy may thy Albion's tongue
    Thee still, her friend and benefactor, name:
    Oh! never, Hoadly, in thy country's eyes,
    May impious gold, or pleasure's gaudy prize,
    Make public virtue, public freedom, vile;
    Nor our own manners tempt us to disclaim
    That heritage, our noblest wealth and fame,
  Which thou hast kept entire from force and factious guile.





ODE VIII.


  1 If rightly tuneful bards decide,
      If it be fix'd in Love's decrees,
    That Beauty ought not to be tried
      But by its native power to please,
    Then tell me, youths and lovers, tell,
    What fair can Amoret excel?

  2 Behold that bright unsullied smile,
      And wisdom speaking in her mien:
    Yet (she so artless all the while,
      So little studious to be seen)
    We nought but instant gladness know,
    Nor think to whom the gift we owe.

  3 But neither music, nor the powers
      Of youth and mirth and frolic cheer,
    Add half that sunshine to the hours,
      Or make life's prospect half so clear,
    As memory brings it to the eye
    From scenes where Amoret was by.

  4 Yet not a satirist could there
      Or fault or indiscretion find;
    Nor any prouder sage declare
      One virtue, pictured in his mind,
    Whose form with lovelier colours glows
    Than Amoret's demeanour shows.

  5 This sure is Beauty's happiest part:
      This gives the most unbounded sway:
    This shall enchant the subject heart
      When rose and lily fade away;
    And she be still, in spite of time,
    Sweet Amoret in all her prime.





ODE IX.

AT STUDY.


  1 Whither did my fancy stray?
    By what magic drawn away
      Have I left my studious theme,
    From this philosophic page,
    From the problems of the sage,
      Wandering through a pleasing dream?

  2 'Tis in vain, alas! I find,
    Much in vain, my zealous mind
      Would to learned Wisdom's throne
    Dedicate each thoughtful hour:
    Nature bids a softer power
      Claim some minutes for his own.

  3 Let the busy or the wise
    View him with contemptuous eyes;
      Love is native to the heart:
    Guide its wishes as you will;
    Without Love you'll find it still
      Void in one essential part.

  4 Me though no peculiar fair
    Touches with a lover's care;
      Though the pride of my desire
    Asks immortal friendship's name,
    Asks the palm of honest fame,
      And the old heroic lyre;

  5 Though the day have smoothly gone,
    Or to letter'd leisure known,
      Or in social duty spent;
    Yet at eve my lonely breast
    Seeks in vain for perfect rest;
      Languishes for true content.





ODE X.

  TO THOMAS EDWARDS, ESQ.;
  ON THE LATE EDITION OF MR. POPE'S WORKS. 1751.


  1 Believe me, Edwards, to restrain
    The licence of a railer's tongue
    Is what but seldom men obtain
    By sense or wit, by prose or song:
    A task for more Herculean powers,
    Nor suited to the sacred hours
    Of leisure in the Muse's bowers.

  2 In bowers where laurel weds with palm,
    The Muse, the blameless queen, resides:
    Fair Fame attends, and Wisdom calm
    Her eloquence harmonious guides:
    While, shut for ever from her gate,
    Oft trying, still repining, wait
    Fierce Envy and calumnious Hate.

  3 Who, then, from her delightful bounds
    Would step one moment forth to heed
    What impotent and savage sounds
    From their unhappy mouths proceed?
    No: rather Spenser's lyre again
    Prepare, and let thy pious strain
    For Pope's dishonour'd shade complain.

  4 Tell how displeased was every bard,
    When lately in the Elysian grove
    They of his Muse's guardian heard,
    His delegate to fame above;
    And what with one accord they said
    Of wit in drooping age misled,
    And Warburton's officious aid:

  5 How Virgil mourn'd the sordid fate
    To that melodious lyre assign'd,
    Beneath a tutor who so late
    With Midas and his rout combined
    By spiteful clamour to confound
    That very lyre's enchanting sound,
    Though listening realms admired around:

  6 How Horace own'd he thought the fire
    Of his friend Pope's satiric line
    Did further fuel scarce require
    From such a militant divine:
    How Milton scorn'd the sophist vain,
    Who durst approach his hallow'd strain
    With unwash'd hands and lips profane.

  7 Then Shakspeare debonair and mild
    Brought that strange comment forth to view;
    Conceits more deep, he said and smiled,
    Than his own fools or madmen knew:
    But thank'd a generous friend above,
    Who did with free adventurous love
    Such pageants from his tomb remove.

  8 And if to Pope, in equal need,
    The same kind office thou wouldst pay,
    Then, Edwards, all the band decreed
    That future bards with frequent lay
    Should call on thy auspicious name,
    From each absurd intruder's claim
    To keep inviolate their fame.





ODE XI.

  TO THE COUNTRY GENTLEMEN OF ENGLAND. 1758.


  1 Whither is Europe's ancient spirit fled?
    Where are those valiant tenants of her shore,
    Who from the warrior bow the strong dart sped,
    Or with firm hand the rapid pole-axe bore?
    Freeman and soldier was their common name,
    Who late with reapers to the furrow came,
    Now in the front of battle charged the foe:
    Who taught the steer the wintry plough to endure,
    Now in full councils check'd encroaching power,
  And gave the guardian laws their majesty to know.

  2 But who are ye? from Ebro's loitering sons
    To Tiber's pageants, to the sports of Seine;
    From Rhine's frail palaces to Danube's thrones
    And cities looking on the Cimbric main,
    Ye lost, ye self-deserted? whose proud lords
    Have baffled your tame hands, and given your swords
    To slavish ruffians, hired for their command:
    These, at some greedy monk's or harlot's nod,
    See rifled nations crouch beneath their rod:
  These are the Public Will, the Reason of the land.

  3 Thou, heedless Albion, what, alas, the while
    Dost thou presume? O inexpert in arms,
    Yet vain of Freedom, how dost thou beguile,
    With dreams of hope, these near and loud alarms?
    Thy splendid home, thy plan of laws renown'd,
    The praise and envy of the nations round,
    What care hast thou to guard from Fortune's sway?
    Amid the storms of war, how soon may all
    The lofty pile from its foundations fall,
  Of ages the proud toil, the ruin of a day!

  4 No: thou art rich, thy streams and fertile vales
    Add Industry's wise gifts to Nature's store,
    And every port is crowded with thy sails,
    And every wave throws treasure on thy shore.
    What boots it? If luxurious Plenty charm
    Thy selfish heart from Glory, if thy arm
    Shrink at the frowns of Danger and of Pain,
    Those gifts, that treasure is no longer thine.
    Oh, rather far be poor! Thy gold will shine
  Tempting the eye of Force, and deck thee to thy bane.

  5 But what hath Force or War to do with thee?
    Girt by the azure tide, and throned sublime
    Amid thy floating bulwarks, thou canst see,
    With scorn, the fury of each hostile clime
    Dash'd ere it reach thee. Sacred from the foe
    Are thy fair fields: athwart thy guardian prow
    No bold invader's foot shall tempt the strand--
    Yet say, my country, will the waves and wind
    Obey thee? Hast thou all thy hopes resign'd
  To the sky's fickle faith, the pilot's wavering hand?

  6 For, oh! may neither Fear nor stronger Love
    (Love, by thy virtuous princes nobly won)
    Thee, last of many wretched nations, move,
    With mighty armies station'd round the throne
    To trust thy safety. Then, farewell the claims
    Of Freedom! Her proud records to the flames
    Then bear, an offering at Ambition's shrine;
    Whate'er thy ancient patriots dared demand
    From furious John's, or faithless Charles' hand,
  Or what great William seal'd for his adopted line.

  7 But if thy sons be worthy of their name,
    If liberal laws with liberal arts they prize,
    Let them from conquest, and from servile shame,
    In War's glad school their own protectors rise.
    Ye chiefly, heirs of Albion's cultured plains,
    Ye leaders of her bold and faithful swains,
    Now not unequal to your birth be found;
    The public voice bids arm your rural state,
    Paternal hamlets for your ensigns wait,
  And grange and fold prepare to pour their youth around.

  8 Why are ye tardy? what inglorious care
    Detains you from their head, your native post?
    Who most their country's fame and fortune share,
    'Tis theirs to share her toils, her perils most.
    Each man his task in social life sustains.
    With partial labours, with domestic gains,
    Let others dwell: to you indulgent Heaven
    By counsel and by arms the public cause
    To serve for public love and love's applause,
  The first employment far, the noblest hire, hath given.

  9 Have ye not heard of Lacedemon's fame?
    Of Attic chiefs in Freedom's war divine?
    Of Rome's dread generals? the Valerian name?
    The Fabian sons? the Scipios, matchless line?
    Your lot was theirs: the farmer and the swain
    Met his loved patron's summons from the plain;
    The legions gather'd; the bright eagles flew:
    Barbarian monarchs in the triumph mourn'd;
    The conquerors to their household gods return'd,
  And fed Calabrian flocks, and steer'd the Sabine plough.

  10 Shall, then, this glory of the antique age,
     This pride of men, be lost among mankind?
     Shall war's heroic arts no more engage
     The unbought hand, the unsubjected mind?
     Doth valour to the race no more belong?
     No more with scorn of violence and wrong
     Doth forming Nature now her sons inspire,
     That, like some mystery to few reveal'd,
     The skill of arms abash'd and awed they yield,
   And from their own defence with hopeless hearts retire?

  11 O shame to human life, to human laws!
     The loose adventurer, hireling of a day,
     Who his fell sword without affection draws,
     Whose God, whose country, is a tyrant's pay,
     This man the lessons of the field can learn;
     Can every palm, which decks a warrior, earn,
     And every pledge of conquest: while in vain,
     To guard your altars, your paternal lands,
     Are social arms held out to your free hands:
   Too arduous is the lore: too irksome were the pain.

  12 Meantime by Pleasure's lying tales allured,
     From the bright sun and living breeze ye stray;
     And deep in London's gloomy haunts immured,
     Brood o'er your fortune's, freedom's, health's decay.
     O blind of choice and to yourselves untrue!
     The young grove shoots, their bloom the fields renew,
     The mansion asks its lord, the swains their friend;
     While he doth riot's orgies haply share,
     Or tempt the gamester's dark, destroying snare,
   Or at some courtly shrine with slavish incense bend.

  13 And yet full oft your anxious tongues complain
     That lawless tumult prompts the rustic throng;
     That the rude village inmates now disdain
     Those homely ties which ruled their fathers long.
     Alas, your fathers did by other arts
     Draw those kind ties around their simple hearts,
     And led in other paths their ductile will;
     By succour, faithful counsel, courteous cheer,
     Won them the ancient manners to revere,
   To prize their country's peace and heaven's due rites fulfil.

  14 But mark the judgment of experienced Time,
     Tutor of nations. Doth light discord tear
     A state, and impotent sedition's crime?
     The powers of warlike prudence dwell not there;
     The powers who to command and to obey,
     Instruct the valiant. There would civil sway
     The rising race to manly concord tame?
     Oft let the marshall'd field their steps unite,
     And in glad splendour bring before their sight
   One common cause and one hereditary fame.

  15 Nor yet be awed, nor yet your task disown,
     Though war's proud votaries look on severe;
     Though secrets, taught erewhile to them alone,
     They deem profaned by your intruding ear.
     Let them in vain, your martial hope to quell,
     Of new refinements, fiercer weapons tell,
     And mock the old simplicity, in vain:
     To the time's warfare, simple or refined,
     The time itself adapts the warrior's mind:
   And equal prowess still shall equal palms obtain.

  16 Say then, if England's youth, in earlier days,
     On glory's field with well-train'd armies vied,
     Why shall they now renounce that generous praise?
     Why dread the foreign mercenary's pride?
     Though Valois braved young Edward's gentle hand,
     And Albert rush'd on Henry's way-worn band,
     With Europe's chosen sons in arms renown'd,
     Yet not on Vere's bold archers long they look'd,
     Nor Audley's squires, nor Mowbray's yeomen brook'd:
   They saw their standard fall, and left their monarch bound.

  17 Such were the laurels which your fathers won:
     Such glory's dictates in their dauntless breast;--
     Is there no voice that speaks to every son?
     No nobler, holier call to you address'd?
     Oh! by majestic Freedom, righteous Laws,
     By heavenly Truth's, by manly Reason's cause,
     Awake; attend; be indolent no more:
     By friendship, social peace, domestic love,
     Rise; arm; your country's living safety prove;
   And train her valiant youth, and watch around her shore.





ODE XII.

  ON RECOVERING FROM A FIT OF SICKNESS;
    IN THE COUNTRY. 1758.


  1   Thy verdant scenes, O Goulder's Hill,
      Once more I seek, a languid guest:
    With throbbing temples and with burden'd breast
    Once more I climb thy steep aerial way.
    O faithful cure of oft-returning ill,
      Now call thy sprightly breezes round,
      Dissolve this rigid cough profound,
  And bid the springs of life with gentler movement play.

  2   How gladly, 'mid the dews of dawn,
      My weary lungs thy healing gale,
    The balmy west or the fresh north, inhale!
    How gladly, while my musing footsteps rove
    Round the cool orchard or the sunny lawn,
      Awaked I stop, and look to find
      What shrub perfumes the pleasant wind,
  Or what wild songster charms the Dryads of the grove!

  3   Now, ere the morning walk is done,
      The distant voice of Health I hear,
    Welcome as beauty's to the lover's ear.
    'Droop not, nor doubt of my return,' she cries;
    'Here will I, 'mid the radiant calm of noon,
      Meet thee beneath yon chestnut bower,
      And lenient on thy bosom pour
  That indolence divine which lulls the earth and skies.'

  4   The goddess promised not in vain.
      I found her at my favourite time.
    Nor wish'd to breathe in any softer clime,
    While (half-reclined, half-slumbering as I lay)
    She hover'd o'er me. Then, among her train
      Of Nymphs and Zephyrs, to my view
      Thy gracious form appear'd anew,
  Then first, O heavenly Muse, unseen for many a day.

  5   In that soft pomp the tuneful maid
      Shone like the golden star of love.
    I saw her hand in careless measures move;
    I heard sweet preludes dancing on her lyre,
    While my whole frame the sacred sound obey'd.
      New sunshine o'er my fancy springs,
      New colours clothe external things,
  And the last glooms of pain and sickly plaint retire.

  6   O Goulder's Hill, by thee restored
      Once more to this enliven'd hand,
    My harp, which late resounded o'er the land
    The voice of glory, solemn and severe,
    My Dorian harp shall now with mild accord
      To thee her joyful tribute pay,
      And send a less ambitious lay
  Of friendship and of love to greet thy master's ear.

  7   For when within thy shady seat
      First from the sultry town he chose,
    And the tired senate's cares, his wish'd repose,
    Then wast thou mine; to me a happier home
    For social leisure: where my welcome feet,
      Estranged from all the entangling ways
      In which the restless vulgar strays,
  Through Nature's simple paths with ancient Faith might roam.

  8   And while around his sylvan scene
      My Dyson led the white-wing'd hours,
    Oft from the Athenian Academic bowers
    Their sages came: oft heard our lingering walk
    The Mantuan music warbling o'er the green:
      And oft did Tully's reverend shade,
      Though much for liberty afraid,
  With us of letter'd ease or virtuous glory talk.

  9   But other guests were on their way,
      And reach'd ere long this favour'd grove;
    Even the celestial progeny of Jove,
    Bright Venus, with her all-subduing son,
    Whose golden shaft most willingly obey
      The best and wisest. As they came,
      Glad Hymen waved his genial flame,
  And sang their happy gifts, and praised their spotless throne.

  10  I saw when through yon festive gate
      He led along his chosen maid,
    And to my friend with smiles presenting said:--
    'Receive that fairest wealth which Heaven assign'd
    To human fortune. Did thy lonely state
      One wish, one utmost hope, confess?
      Behold, she comes, to adorn and bless:
  Comes, worthy of thy heart, and equal to thy mind.'





ODE XIII.

  TO THE AUTHOR OF MEMOIRS OF THE HOUSE OF BRANDENBURG. 1751.


  1 The men renown'd as chiefs of human race,
    And born to lead in counsels or in arms,
    Have seldom turn'd their feet from glory's chase
    To dwell with books, or court the Muse's charms.
    Yet, to our eyes if haply time hath brought
    Some genuine transcript of their calmer thought,
    There still we own the wise, the great, or good;
    And Caesar there and Xenophon are seen,
    As clear in spirit and sublime of mien,
  As on Pharsalian plains, or by the Assyrian flood.

  2 Say thou too, Frederic, was not this thy aim?
    Thy vigils could the student's lamp engage,
    Except for this, except that future Fame
    Might read thy genius in the faithful page?
    That if hereafter Envy shall presume
    With words irreverent to inscribe thy tomb,
    And baser weeds upon thy palms to fling,
    That hence posterity may try thy reign,
    Assert thy treaties, and thy wars explain,
  And view in native lights the hero and the king.

  3 O evil foresight and pernicious care!
    Wilt thou indeed abide by this appeal?
    Shall we the lessons of thy pen compare
    With private honour or with public zeal?
    Whence, then, at things divine those darts of scorn?
    Why are the woes, which virtuous men have borne
    For sacred truth, a prey to laughter given?
    What fiend, what foe of Nature urged thy arm
    The Almighty of his sceptre to disarm,
  To push this earth adrift and leave it loose from Heaven?

  4 Ye godlike shades of legislators old,
    Ye who made Rome victorious, Athens wise,
    Ye first of mortals with the bless'd enroll'd,
    Say, did not horror in your bosoms rise,
    When thus, by impious vanity impell'd,
    A magistrate, a monarch, ye beheld
    Affronting civil order's holiest bands,
    Those bands which ye so labour'd to improve,
    Those hopes and fears of justice from above,
  Which tamed the savage world to your divine commands?




ODE XIV.

THE COMPLAINT.


  1     Away! away!
    Tempt me no more, insidious love:
        Thy soothing sway
    Long did my youthful bosom prove:
    At length thy treason is discern'd,
    At length some dear-bought caution earn'd:
  Away! nor hope my riper age to move.

  2     I know, I see
    Her merit. Needs it now be shown,
        Alas, to me?
    How often, to myself unknown,
    The graceful, gentle, virtuous maid
    Have I admired! How often said,
  What joy to call a heart like hers one's own!

  3     But, flattering god,
    O squanderer of content and ease,
        In thy abode
    Will care's rude lesson learn to please?
    O say, deceiver, hast thou won
    Proud Fortune to attend thy throne,
  Or placed thy friends above her stern decrees?





ODE XV.

ON DOMESTIC MANNERS.

   (UNFINISHED.)


  1   Meek Honour, female shame,
  Oh! whither, sweetest offspring of the sky,
      From Albion dost thou fly,
  Of Albion's daughters once the favourite fame?
      O beauty's only friend,
  Who giv'st her pleasing reverence to inspire;
      Who selfish, bold desire
  Dost to esteem and dear affection turn;
      Alas, of thee forlorn
  What joy, what praise, what hope can life pretend?

  2   Behold, our youths in vain
  Concerning nuptial happiness inquire:
      Our maids no more aspire
  The arts of bashful Hymen to attain;
      But with triumphant eyes
  And cheeks impassive, as they move along,
      Ask homage of the throng.
  The lover swears that in a harlot's arms
      Are found the self-same charms,
  And worthless and deserted lives and dies.

  3     Behold, unbless'd at home,
    The father of the cheerless household mourns:
        The night in vain returns,
    For Love and glad Content at distance roam;
        While she, in whom his mind
    Seeks refuge from the day's dull task of cares,
        To meet him she prepares,
    Through noise and spleen and all the gamester's art,
        A listless, harass'd heart,
    Where not one tender thought can welcome find.

  4    'Twas thus, along the shore
    Of Thames, Britannia's guardian Genius heard,
       From many a tongue preferr'd,
    Of strife and grief the fond invective lore:
       At which the queen divine
    Indignant, with her adamantine spear
       Like thunder sounding near,
    Smote the red cross upon her silver shield,
       And thus her wrath reveal'd;
    (I watch'd her awful words, and made them mine.)

       *       *       *       *       *





NOTES.


BOOK FIRST.

ODE XVIII, STANZA II.--2.

Lycurgus the Lacedemonian lawgiver brought into Greece from Asia
Minor the first complete copy of Homer's works. At Plataea was
fought the decisive battle between the Persian army and the united
militia of Greece under Pausanias and Aristides. Cimon the Athenian
erected a trophy in Cyprus for two great victories gained on the
same day over the Persians by sea and land. Diodorus Siculus has
preserved the inscription which the Athenians affixed to the
consecrated spoils, after this great success; in which it is very
remarkable that the greatness of the occasion has raised the manner
of expression above the usual simplicity and modesty of all other
ancient inscriptions. It is this:--

  [Greek:
  EX. OU. G. EUROPAeN. ASIAS. DIChA. PONTOS. ENEIME.
  KAI. POLEAS. ONAeTON. ThOUROS. ARAeS. EPEChEI.
  OUDEN. PO. TOIOUTON. EPIChThONION. GENET. ANDRON.
  ERGON. EN. AePEIROI. KAI. KATA. PONOTON. AMA.
  OIAE. GAR. EN. KUPROI. MAeDOUS. POLLOUS. OLESANTES.
  PhOINIKON. EKATON. NAUS. ELON. EN. PELAGEI.
  ANDRON. PLAeThOUSAS. META. D. ESENEN. ASIS. UP. AUTON.
  PLAeGEIS. AMPhOTERAIS. ChERSI. KRATEI. POLEMOU.]

  The following translation is almost literal:--

  Since first the sea from Asia's hostile coast
  Divided Europe, and the god of war
  Assail'd imperious cities; never yet,
  At once among the waves and on the shore,
  Hath such a labour been achieved by men
  Who earth inhabit. They, whose arms the Medes
  In Cyprus felt pernicious, they, the same,
  Have won from skilful Tyre an hundred ships
  Crowded with warriors. Asia groans, in both
  Her hands sore smitten, by the might of war.



STANZA II.--3.

Pindar was contemporary with Aristides and Cimon, in whom the glory
of ancient Greece was at its height. When Xerxes invaded Greece,
Pindar was true to the common interest of his country; though his
fellow-citizens, the Thebans, had sold themselves to the Persian king.
In one of his odes he expresses the great distress and anxiety of
his mind, occasioned by the vast preparations of Xerxes against
Greece (_Isthm_. 8). In another he celebrates the victories of
Salamis, Plataea, and Himera (_Pyth_. 1). It will be necessary to
add two or three other particulars of his life, real or fabulous, in
order to explain what follows in the text concerning him. First, then,
he was thought to be so great a favourite of Apollo, that the
priests of that deity allotted him a constant share of their
offerings. It was said of him, as of some other illustrious men,
that at his birth a swarm of bees lighted on his lips, and fed him
with their honey. It was also a tradition concerning him, that Pan
was heard to recite his poetry, and seen dancing to one of his hymns
on the mountains near Thebes. But a real historical fact in his life
is, that the Thebans imposed a large fine upon him on account of the
veneration which he expressed in his poems for that heroic spirit
shown by the people of Athens in defence of the common liberty,
which his own fellow-citizens had shamefully betrayed. And as the
argument of this ode implies, that great poetical talents and high
sentiments of liberty do reciprocally produce and assist each other,
so Pindar is perhaps the most exemplary proof of this connexion which
occurs in history. The Thebans were remarkable, in general, for a
slavish disposition through all the fortunes of their commonwealth;
at the time of its ruin by Philip; and even in its best state, under
the administration of Pelopidas and Epaminondas: and every one knows
they were no less remarkable for great dulness and want of all genius.
That Pindar should have equally distinguished himself from the rest
of his fellow-citizens in both these respects seems somewhat
extraordinary, and is scarce to be accounted for but by the
preceding observation.


STANZA III.--3.

Alluding to his defence of the people of England against Salmasins.
See particularly the manner in which he himself speaks of that
undertaking, in the introduction to his reply to Morus.


STANZA IV.--3.

Edward the Third; from whom descended Henry Hastings, third Earl of
Huntingdon, by the daughter of the Duke of Clarence, brother to
Edward the Fourth.


STANZA V.--3.

At Whittington, a village on the edge of Scarsdale in Derbyshire,
the Earls of Devonshire and Danby, with the Lord Delamere, privately
concerted the plan of the Revolution. The house in which they met is
at present a farmhouse, and the country people distinguish the room
where they sat by the name of _the plotting parlour_.

       *       *       *       *       *



BOOK SECOND.

ODE VII. STANZA II.--1.

Mr. Locke died in 1704, when Mr. Hoadly was beginning to distinguish
himself in the cause of civil and religious liberty: Lord Godolphin
in 1712, when the doctrines of the Jacobite faction were chiefly
favoured by those in power: Lord Somers in 1716, amid the practices
of the nonjoining clergy against the Protestant establishment; and
Lord Stanhope in 1721, during the controversy with the lower house
of convocation.


ODE X. STANZA V.

During Mr. Pope's war with Theobald, Concanen, and the rest of their
tribe, Mr. Warburton, the present Lord Bishop of Gloucester, did
with great zeal cultivate their friendship, having been introduced,
forsooth, at the meetings of that respectable confederacy--a favour
which he afterwards spoke of in very high terms of complacency and
thankfulness. At the same time, in his intercourse with them, he
treated Mr. Pope in a most contemptuous manner, and as a writer
without genius. Of the truth of these assertions his lordship can
have no doubt, if he recollects his own correspondence with Concanen,
a part of which is still in being, and will probably be remembered
as long as any of this prelate's writings.


ODE XIII.

In the year 1751 appeared a very splendid edition, in quarto, of
'Memoires pour servir a l'Histoire de la Maison de Brandebourg,
a Berlin et a la Haye,' with a privilege, signed Frederic, the same
being engraved in imitation of handwriting. In this edition, among
other extraordinary passages, are the two following, to which the
third stanza of this ode more particularly refers:--

'Il se fit une migration' (the author is speaking of what happened
at the revocation of the Edict of Nantes), 'dont on n'avoit guere vu
d'exemples dans l'histoire: un peuple entier sortit du royaume par
l'esprit de parti en haine du pape, et pour recevoir sous un autre
ciel la communion sous les deux especes: quatre cens mille ames
s'expatrierent ainsi et abandonnerent tous leur biens pour detonner
dans d'autres temples les vieux pseaumes de Clement Marot.'--Page 163.

'La crainte donna le jour a la credulite, et l'amour propre
interessa bientot le ciel au destin des hommes.'--Page 242.




HYMN TO THE NAIADS. 1746.


ARGUMENT.

The Nymphs, who preside over springs and rivulets, are addressed at
daybreak, in honour of their several functions, and of the relations
which they bear to the natural and to the moral world. Their origin
is deduced from the first allegorical deities, or powers of nature,
according to the doctrine of the old mythological poets, concerning
the generation of the gods and the rise of things. They are then
successively considered, as giving motion to the air and exciting
summer breezes; as nourishing and beautifying the vegetable creation;
as contributing to the fulness of navigable rivers, and consequently
to the maintenance of commerce; and by that means to the maritime
part of military power. Next is represented their favourable
influence upon health when assisted by rural exercise, which
introduces their connexion with the art of physic, and the happy
effects of mineral medicinal springs. Lastly, they are celebrated
for the friendship which the Muses bear them, and for the true
inspiration which temperance only can receive, in opposition to the
enthusiasm of the more licentious poets.


  O'er yonder eastern bill the twilight pale
  Walks forth from darkness; and the God of day,
  With bright Astraea seated by his side,
  Waits yet to leave the ocean. Tarry, Nymphs,
  Ye Nymphs, ye blue-eyed progeny of Thames,
  Who now the mazes of this rugged heath
  Trace with your fleeting steps; who all night long
  Repeat, amid the cool and tranquil air,
  Your lonely murmurs, tarry, and receive
  My offer'd lay. To pay you homage due,                        10
  I leave the gates of sleep; nor shall my lyre
  Too far into the splendid hours of morn
  Engage your audience; my observant hand
  Shall close the strain ere any sultry beam
  Approach you. To your subterranean haunts
  Ye then may timely steal; to pace with care
  The humid sands; to loosen from the soil
  The bubbling sources; to direct the rills
  To meet in wider channels; or beneath
  Some grotto's dripping arch, at height of noon                20
  To slumber, shelter'd from the burning heaven.

  Where shall my song begin, ye Nymphs, or end?
  Wide is your praise and copious--first of things,
  First of the lonely powers, ere Time arose,
  Were Love and Chaos. Love,[A] the sire of Fate; [B]
  Elder than Chaos. [C] Born of Fate was Time, [D]
  Who many sons and many comely births
  Devour'd, [E] relentless father; till the child
  Of Rhea [F] drove him from the upper sky, [G]
  And quell'd his deadly might. Then social reign'd             30
  The kindred powers, [H] Tethys, and reverend Ops,
  And spotless Vesta; while supreme of sway
  Remain'd the Cloud-Compeller. From the couch
  Of Tethys sprang the sedgy-crowned race, [I]
  Who from a thousand urns, o'er every clime,
  Send tribute to their parent; and from them
  Are ye, O Naiads: [J] Arethusa fair,
  And tuneful Aganippe; that sweet name,
  Bandusia; that soft family which dwelt
  With Syrian Daphne; [K] and the honour'd tribes                40
  Beloved of Paeon. [L] Listen to my strain,
  Daughters of Tethys: listen to your praise.

  You, Nymphs, the winged offspring, [M] which of old
  Aurora to divine Astraeus bore,
  Owns, and your aid beseecheth. When the might
  Of Hyperion, [N] from his noontide throne,
  Unbends their languid pinions, aid from you
  They ask; Pavonius and the mild South-west
  Prom you relief implore. Your sallying streams [O]
  Fresh vigour to their weary wings impart.                     50
  Again they fly, disporting; from the mead
  Half-ripen'd and the tender blades of corn,
  To sweep the noxious mildew; or dispel
  Contagious steams, which oft the parched earth
  Breathes on her fainting sons. From noon to eve.
  Along the river and the paved brook,
  Ascend the cheerful breezes: hail'd of bards
  Who, fast by learned Cam, the AEolian lyre
  Solicit; nor unwelcome to the youth
  Who on the heights of Tibur, all inclined                     60
  O'er rushing Arno, with a pious hand
  The reverend scene delineates, broken fanes,
  Or tombs, or pillar'd aqueducts, the pomp
  Of ancient Time; and haply, while he scans
  The ruins, with a silent tear revolves
  The fame and fortune of imperious Rome.

  You too, O Nymphs, and your unenvious aid
  The rural powers confess, and still prepare
  For you their choicest treasures. Pan commands,
  Oft as the Delian king [P] with Sirius holds                   70
  The central heavens, the father of the grove
  Commands his Dryads over your abodes
  To spread their deepest umbrage. Well the god
  Remembereth how indulgent ye supplied
  Your genial dews to nurse them in their prime.

  Pales, the pasture's queen, where'er ye stray,
  Pursues your steps, delighted; and the path
  With living verdure clothes. Around your haunts
  The laughing Chloris, [Q] with profusest hand,
  Throws wide her blooms, her odours. Still with you            80
  Pomona seeks to dwell; and o'er the lawns,
  And o'er the vale of Richmond, where with Thames
  Ye love to wander, Amalthea [R] pours,
  Well-pleased, the wealth of that Ammonian horn,
  Her dower; unmindful of the fragrant isles
  Nysaean or Atlantic. Nor canst thou
  (Albeit oft, ungrateful, thou dost mock
  The beverage of the sober Naiad's urn,
  O Bromius, O Lenaean), nor canst thou
  Disown the powers whose bounty, ill repaid,                   90
  With nectar feeds thy tendrils. Yet from me,
  Yet, blameless Nymphs, from my delighted lyre,
  Accept the rites your bounty well may claim,
  Nor heed the scoffings of the Edonian band. [S]

  For better praise awaits you. Thames, your sire,
  As down the verdant slope your duteous rills
  Descend, the tribute stately Thames receives,
  Delighted; and your piety applauds;
  And bids his copious tide roll on secure,
  For faithful are his daughters; and with words                100
  Auspicious gratulates the bark which, now
  His banks forsaking, her adventurous wings
  Yields to the breeze, with Albion's happy gifts
  Extremest isles to bless. And oft at morn,
  When Hermes, [T] from Olympus bent o'er earth
  To bear the words of Jove, on yonder hill
  Stoops lightly sailing; oft intent your springs
  He views: and waving o'er some new-born stream
  His bless'd pacific wand, 'And yet,' he cries,
  'Yet,' cries the son of Maia, 'though recluse                  110
  And silent be your stores, from you, fair Nymphs,
  Flows wealth and kind society to men.
  By you my function and my honour'd name
  Do I possess; while o'er the Boetic rale,
  Or through the towers of Memphis, or the palms
  By sacred Ganges water'd, I conduct
  The English merchant; with the buxom fleece
  Of fertile Ariconium while I clothe
  Sarmatian kings; or to the household gods
  Of Syria, from the bleak Cornubian shore,                     120
  Dispense the mineral treasure [U] which of old
  Sidonian pilots sought, when this fair land
  Was yet unconscious of those generous arts,
  Which wise Phoenicia from their native clime
  Transplanted to a more indulgent heaven.'

  Such are the words of Hermes: such the praise,
  O Naiads, which from tongues celestial waits
  Your bounteous deeds. From bounty issueth power:
  And those who, sedulous in prudent works,
  Relieve the wants of nature, Jove repays                      130
  With noble wealth, and his own seat on earth,
  Pit judgments to pronounce, and curb the might
  Of wicked men. Your kind unfailing urns
  Not vainly to the hospitable arts
  Of Hermes yield their store. For, O ye Nymphs,
  Hath he not won [V] the unconquerable queen
  Of arms to court your friendship  You she owns
  The fair associates who extend her sway
  Wide o'er the mighty deep; and grateful things
  Of you she littereth, oft as from the shore                   140
  Of Thames, or Medway's vale, or the green banks
  Of Vecta, she her thundering navy leads
  To Calpe's [W] foaming channel, or the rough
  Cantabrian surge; her auspices divine
  Imparting to the senate and the prince
  Of Albion, to dismay barbaric kings,
  The Iberian, or the Celt. The pride of kings
  Was ever scorn'd by Pallas; and of old
  Rejoiced the virgin, from the brazen prow
  Of Athens o'er AEgina's gloomy surge, [X]                      150
  To drive her clouds and storms; o'erwhelming all
  The Persian's promised glory, when the realms
  Of Indus and the soft Ionian clime,
  When Libya's torrid champaign and the rocks
  Of cold Imaues join'd their servile bands,
  To sweep the sons of Liberty from earth.
  In vain; Minerva on the bounding prow
  Of Athens stood, and with the thunder's voice
  Denounced her terrors on their impious heads,
  And shook her burning aegis. Xerxes saw; [Y]                   160
  From Heracleum, on the mountain's height
  Throned in his golden car, he knew the sign
  Celestial; felt unrighteous hope forsake
  His faltering heart, and turn'd his face with shame.

  Hail, ye who share the stern Minerva's power;
  Who arm the hand of Liberty for war,
  And give to the renown'd Britannic name
  To awe contending monarchs: yet benign,
  Yet mild of nature, to the works of peace
  More prone, and lenient of the many ills                      170
  Which wait on human life. Your gentle aid
  Hygeia well can witness; she who saves,
  From poisonous dates and cups of pleasing bane,
  The wretch, devoted to the entangling snares
  Of Bacchus and of Comus. Him she leads
  To Cynthia's lonely haunts. To spread the toils,
  To beat the coverts, with the jovial horn
  At dawn of day to summon the loud hounds,
  She calls the lingering sluggard from his dreams,
  And where his breast may drink the mountain breeze,           180
  And where the fervour of the sunny vale
  May beat upon his brow, through devious paths
  Beckons his rapid courser. Nor when ease,
  Cool ease and welcome slumbers have becalm'd
  His eager bosom, does the queen of health
  Her pleasing care withhold. His decent board
  She guards, presiding, and the frugal powers
  With joy sedate leads in; and while the brown
  Ennaean dame with Pan presents her stores,
  While changing still, and comely in the change,               190
  Vertumnus and the Hours before him spread
  The garden's banquet, you to crown his feast,
  To crown his feast, O Naiads, you the fair
  Hygeia calls; and from your shelving seats,
  And groves of poplar, plenteous cups ye bring,
  To slake his veins, till soon a purer tide
  Flows down those loaded channels, washeth off
  The dregs of luxury, the lurking seeds
  Of crude disease, and through the abodes of life
  Sends vigour, sends repose. Hail, Naiads, hail!               200
  Who give to labour, health; to stooping age,
  The joys which youth had squander'd. Oft your urns
  Will I invoke; and frequent in your praise,
  Abash the frantic thyrsus [Z] with my song.

  For not estranged from your benignant arts
  Is he, the god, to whose mysterious shrine
  My youth was sacred, and my votive cares
  Belong, the learned Paeon. Oft when all
  His cordial treasures he hath search'd in vain;
  When herbs, and potent trees, and drops of balm               210
  Rich with the genial influence of the sun
  (To rouse dark fancy from her plaintive dreams,
  To brace the nerveless arm, with food to win
  Sick appetite, or hush the unquiet breast
  Which pines with silent passion), he in vain
  Hath proved; to your deep mansions he descends.
  Your gates of humid rock, your dim arcades,
  He entereth; where empurpled veins of ore
  Gleam on the roof; where through the rigid mine
  Your trickling rills insinuate. There the god                 220
  From your indulgent hands the streaming bowl
  Wafts to his pale-eyed suppliants; wafts the seeds
  Metallic and the elemental salts
  Wash'd from the pregnant glebe. They drink, and soon
  Flies pain; flies inauspicious care; and soon
  The social haunt or unfrequented shade
  Hears Io, Io Paean, [AA] as of old,
  When Python fell. And, O propitious Nymphs,
  Oft as for hapless mortals I implore
  Your sultry springs, through every urn,                       230
  Oh, shed your healing treasures! With the first
  And finest breath, which from the genial strife
  Of mineral fermentation springs, like light
  O'er the fresh morning's vapours, lustrate then
  The fountain, and inform the rising wave.

  My lyre shall pay your bounty. Scorn not ye
  That humble tribute. Though a mortal hand
  Excite the strings to utterance, yet for themes
  Not unregarded of celestial powers,
  I frame their language; and the Muses deign                   240
  To guide the pious tenor of my lay.
  The Muses (sacred by their gifts divine)
  In early days did to my wondering sense
  Their secrets oft reveal; oft my raised ear
  In slumber felt their music; oft at noon,
  Or hour of sunset, by some lonely stream,
  In field or shady grove, they taught me words
  Of power from death and envy to preserve
  The good man's name. Whence yet with grateful mind,
  And offerings unprofaned by ruder eye,                        250
  My vows I send, my homage, to the seats
  Of rocky Cirrha, [BB] where with you they dwell,
  Where you their chaste companions they admit,
  Through all the hallow'd scene; where oft intent,
  And leaning o'er Castalia's mossy verge,
  They mark the cadence of your confluent urns,
  How tuneful, yielding gratefullest repose
  To their consorted measure, till again,
  With emulation all the sounding choir,
  And bright Apollo, leader of the song,                        260
  Their voices through the liquid air exalt,
  And sweep their lofty strings; those powerful strings
  That charm the mind of gods, [CC] that fill the courts
  Of wide Olympus with oblivion sweet
  Of evils, with immortal rest from cares,
  Assuage the terrors of the throne of Jove,
  And quench the formidable thunderbolt
  Of unrelenting fire. With slacken'd wings,
  While now the solemn concert breathes around,
  Incumbent o'er the sceptre of his lord                        270
  Sleeps the stern eagle, by the number'd notes,
  Possess'd, and satiate with the melting tone,
  Sovereign of birds. The furious god of war,
  His darts forgetting, and the winged wheels
  That bear him vengeful o'er the embattled plain,
  Relents, and soothes his own fierce heart to ease,
  Most welcome ease. The sire of gods and men
  In that great moment of divine delight,
  Looks down on all that live; and whatsoe'er
  He loves not, o'er the peopled earth and o'er                 280
  The interminated ocean, he beholds
  Cursed with abhorrence by his doom severe,
  And troubled at the sound. Ye, Naiads, ye
  With ravish'd ears the melody attend
  Worthy of sacred silence. But the slaves
  Of Bacchus with tempestuous clamours strive
  To drown the heavenly strains, of highest Jove
  Irreverent, and by mad presumption fired
  Their own discordant raptures to advance
  With hostile emulation. Down they rush                        290
  From Nysa's vine-empurpled cliff, the dames
  Of Thrace, the Satyrs, and the unruly Fauns,
  With old Silenus, reeling through the crowd
  Which gambols round him, in convulsions wild
  Tossing their limbs, and brandishing in air
  The ivy-mantled thyrsus, or the torch
  Through black smoke flaming, to the Phrygian pipe's [DD]
  Shrill voice, and to the clashing cymbals, mix'd
  With shrieks and frantic uproar. May the gods
  From every unpolluted ear avert                               300
  Their orgies! If within the seats of men,
  Within the walls, the gates, where Pallas holds [EE]
  The guardian key, if haply there be found
  Who loves to mingle with the revel-band
  And hearken to their accents, who aspires
  From such instructors to inform his breast
  With verse, let him, fit votarist, implore
  Their inspiration. He perchance the gifts
  Of young Lyaeus, and the dread exploits,
  May sing in aptest numbers; he the fate                       310
  Of sober Pentheus, [FF] he the Paphian rites,
  And naked Mars with Cytherea chain'd,
  And strong Alcides in the spinster's robes,
  May celebrate, applauded. But with you,
  O Naiads, far from that unhallow'd rout,
  Must dwell the man whoe'er to praised themes
  Invokes the immortal Muse. The immortal Muse
  To your calm habitations, to the cave
  Corycian[GG] or the Delphic mount, [HH] will guide
  His footsteps, and with your unsullied streams                320
  His lips will bathe; whether the eternal lore
  Of Themis, or the majesty of Jove,
  To mortals he reveal; or teach his lyre
  The unenvied guerdon of the patriot's toils,
  In those unfading islands of the bless'd,
  Where sacred bards abide. Hail, honour'd Nymphs;
  Thrice hail! For you the Cyrenaic shell, [II]
  Behold, I touch, revering. To my songs
  Be present ye with favourable feet,
  And all profaner audience far remove.                         330




NOTES.

       *       *       *       *       *


[Footnote A: '_Love,.... Elder than Chaos_.'--L. 25.
Hesiod in his Theogony gives a different account, and makes Chaos the
eldest of beings, though he assigns to Love neither father nor
superior; which circumstance is particularly mentioned by Phaedrus,
in Plato's Banquet, as being observable not only in Hesiod, but in
all other writers both of verse and prose; and on the same occasion
he cites a line from Parmenides, in which Love is expressly styled
the eldest of all the gods. Yet Aristophanes, in 'The Birds,' affirms,
that 'Chaos, and Night, and Erebus, and Tartarus were first; and
that Love was produced from an egg, which the sable-winged Night
deposited in the immense bosom of Erebus.' But it must be observed,
that the Love designed by this comic poet was always distinguished
from the other, from that original and self-existent being the TO ON
[Greek] or AGAThON [Greek] of Plato, and meant only the
DAeMIOURGOS [Greek] or second person of the old Grecian Trinity; to
whom is inscribed a hymn among those which pass under the name of
Orpheus, where he is called Protogonos, or the first-begotten, is
said to have been born of an egg, and is represented as the
principal or origin of all these external appearances of nature. In
the fragments of Orpheus, collected by Henry Stephens, he is named
Phanes, the discoverer or discloser, who unfolded the ideas of the
supreme intelligence, and exposed them to the perception of inferior
beings in this visible frame of the world; as Macrobius, and Proclus,
and Athenagoras, all agree to interpret the several passages of
Orpheus which they have preserved.

But the Love designed in our text is the one self-existent and
infinite mind; whom if the generality of ancient mythologists have
not introduced or truly described in accounting for the production
of the world and its appearances, yet, to a modern poet, it can be
no objection that he hath ventured to differ from them in this
particular, though in other respects he professeth to imitate their
manner and conform to their opinions; for, in these great points of
natural theology, they differ no less remarkably among themselves,
and are perpetually confounding the philosophical relations of
things with the traditionary circumstances of mythic history; upon
which very account Callimachus, in his hymn to Jupiter, declareth
his dissent from them concerning even an article of the national
creed, adding, that the ancient bards were by no means to be
depended on. And yet in the exordium of the old Argonautic poem,
ascribed to Orpheus, it is said, that 'Love, whom mortals in later
times call Phanes, was the father of the eternally-begotten Night;'
who is generally represented by these mythological poets as being
herself the parent of all things; and who, in the 'Indigitamenta,'
or Orphic Hymns, is said to be the same with Cypris, or Love itself.
Moreover, in the body of this Argonautic poem, where the personated
Orpheus introduceth himself singing to his lyre in reply to Chiron,
he celebrateth 'the obscure memory of Chaos, and the natures which
it contained within itself in a state of perpetual vicissitude; how
the heaven had its boundary determined, the generation of the earth,
the depth of the ocean, and also the sapient Love, the most ancient,
the self-sufficient, with all the beings which he produced when he
separated one thing from another.' Which noble passage is more
directly to Aristotle's purpose in the first book of his metaphysics
than any of those which he has there quoted, to show that the
ancient poets and mythologists agreed with Empedocles, Anaxagoras,
and the other more sober philosophers, in that natural anticipation
and common notion of mankind concerning the necessity of mind and
reason to account for the connexion, motion, and good order of the
world. For though neither this poem, nor the hymns which pass under
the same name, are, it should seem, the work of the real Orpheus,
yet beyond all question they are very ancient. The hymns, more
particularly, are allowed to be older than the invasion of Greece by
Xerxes, and were probably a set of public and solemn forms of
devotion, as appears by a passage in one of them which Demosthenes
hath almost literally cited in his first oration against Aristogiton,
as the saying of Orpheus, the founder of their most holy mysteries.
On this account, they are of higher authority than any other
mythological work now extant, the Theogony of Hesiod himself not
excepted. The poetry of them is often extremely noble; and the
mysterious air which prevails in them, together with its delightful
impression upon the mind, cannot be better expressed than in that
remarkable description with which they inspired the German editor,
Eschenbach, when he accidentally met with them at Leipsic:
--'Thesaurum me reperisse credidi,' says he, 'et profecto thesaurum
reperi. Incredibile dictu quo me sacro horrore afflaverint
indigitamenta ista deorum: nam et tempus ad illorum lectionem
eligere cogebar, quod vel solum horrorem incutere animo potest,
nocturnum; cum enim totam diem consumserim in contemplando urbis
splendore, et in adeundis, quibus scatet urbs illa, viris doctis;
sola nox restabat, quam Orpheo consecrare potui. In abyesum quendam
mysteriorum venerandae antiquitatis descendere videbar, quotiescunque
silente mundo, solis vigilantibus astris et luna, [Greek:
melanaephutous] istos hymnos ad manus sumsi.']

[Footnote B: '_Love, the sire of Fate_.'--L. 25. Fate is the
universal system of natural causes; the work of the Omnipotent Mind,
or of Love: so Minucius Felix:--'Quid enim aliud est fatum, quam
quod de unoquoque nostrum deus fatus est.' So also Cicero, in the
First Book on Divination:--'Fatum autem id appello, quod Graeci
EIMAPMENIIN: id est, ordinem seriemque causarum, cum causa causae nexa
rem ex se gignat--ex quo intelligitur, ut fatum sit non id quod
superstitiose, sed id quod physice dicitur causa asterna rerum.' To
the same purpose is the doctrine of Hierocles, in that excellent
fragment concerning Providence and Destiny. As to the three Fates,
or Destinies of the poets, they represented that part of the general
system of natural causes which relates to man, and to other mortal
beings: for so we are told in the hymn addressed to them among the
Orphic Indigitamenta, where they are called the daughters of Night
(or Love), and, contrary to the vulgar notion, are distinguished by
the epithets of gentle and tender-hearted. According to Hesiod, Theog.
ver. 904, they were the daughters of Jupiter and Themis: but in the
Orphic hymn to Venus, or Love, that goddess is directly styled the
mother of Necessity, and is represented, immediately after, as
governing the three Destinies, and conducting the whole system of
natural causes.]

[Footnote C: '_Chaos_.'--L. 26. The unformed, undigested mass of
Moses and Plato; which Milton calls 'The womb of nature.']

[Footnote D: '_Born of Fate was Time_.'--L. 26. Chronos, Saturn, or
Time, was, according to Apollodorus, the son of Caelum and Tellus.
But the author of the hymns gives it quite undisguised by
mythological language, and calls him plainly the offspring of the
earth and the starry heaven; that is, of Fate, as explained in the
preceding note.]

[Footnote E: '_Who many sons ... devour'd_.'--L. 27. The known fable
of Saturn devouring his children was certainly meant to imply the
dissolution of natural bodies, which are produced and destroyed by
Time.]

[Footnote F: '_The Child of Rhea_.'-L. 29. Jupiter, so called by
Pindar.]

[Footnote G: '_Drove him from the upper sky_.'--L. 29. That Jupiter
dethroned his father Saturn is recorded by all the mythologists.
Phurnutus, or Cornutus, the author of a little Greek treatise on the
nature of the gods, informs us that by Jupiter was meant the
vegetable soul of the world, which restrained and prevented those
uncertain alterations which Saturn, or Time, used formerly to cause
in the mundane system.]

[Footnote H: '_Then social reign'd The kindred powers_.'--L. 31.
Our mythology here supposeth, that before the establishment of the
vital, vegetative, plastic nature (represented by Jupiter), the four
elements were in a variable and unsettled condition, but afterwards
well-disposed, and at peace among themselves. Tethys was the wife
of the Ocean; Ops, or Rhea, the Earth; Vesta, the eldest daughter
of Saturn, Fire; and the Cloud-Compeller, or [Greek: Zeus
nephelaegeretaes], the Air, though he also represented the plastic
principle of nature, as may be seen in the Orphic hymn inscribed to
him.]


NOTE I.

  '_The sedgy-crowned race_.'--L. 34.

The river-gods, who, according to Hesiod's Theogony, were the sons of
Oceanus and Tethys.


NOTE J.

  '_From them are ye, O Naiads_.'--L. 37.

The descent of the Naiads is less certain than most points of the
Greek mythology. Homer, Odyss. xiii. [Greek: kourai Dios]. Virgil,
in the eighth book of the AEneid, speaks as if the Nymphs, or Naiads,
were the parents of the rivers: but in this he contradicts the
testimony of Hesiod, and evidently departs from the orthodox system,
which represented several nymphs as retaining to every single river.
On the other hand, Callimachus, who was very learned in all the
school-divinity of those times, in his hymn to Delos, maketh Peneus,
the great Thessalian river-god, the father of his nymphs: and Ovid,
in the fourteenth book of his Metamorphoses, mentions the Naiads of
Latium as the immediate daughters of the neighbouring river-gods.
Accordingly, the Naiads of particular rivers are occasionally, both
by Ovid and Statius, called by patronymic, from the name of the
river to which they belong.


NOTE K.

  '_Syrian Daphne_.'--L. 40.

The grove of Daphne in Syria, near Antioch, was famous for its
delightful fountains.


NOTE L.

  '_The tribes beloved by Paeon_.'--L. 40.

Mineral and medicinal springs. Paeon was the physician of the gods.


NOTE M.

  '_The winged offspring_.'--L. 43.

The winds; who, according to Hesiod and Apollodorus, were the sons of
Astraeus and Aurora.


NOTE N.

  '_Hyperion_.'--L. 46.

A son of Caelum and Tellus, and father of the Sun, who is thence
called, by Pindar, Hyperionides. But Hyperion is put by Homer in the
same manner as here, for the Sun himself.


NOTE O.

  '_Your sallying streams_.'--L. 49.

The state of the atmosphere with respect to rest and motion is, in
several ways, affected by rivers and running streams; and that more
especially in hot seasons: first, they destroy its equilibrium, by
cooling those parts of it with which they are in contact; and
secondly, they communicate their own motion: and the air which is
thus moved by them, being left heated, is of consequence more
elastic than other parts of the atmosphere, and therefore fitter to
preserve and to propagate that motion.

NOTE P.

  '_Delian king_.'--L. 70.

One of the epithets of Apollo, or the Sun, in the Orphic hymn
inscribed to him.

NOTE Q.

  '_Chloris_.'--L. 79.

The ancient Greek name for Flora.

NOTE R.

  '_Amalthea_.'--L. 83.

The mother of the first Bacchus, whose birth and education was
written, as Diodorus Siculus informs us, in the old Pelasgic
character, by Thymoetes, grandson to Laomedon, and contemporary with
Orpheus. Thymoetes had travelled over Libya to the country which
borders on the western ocean; there he saw the island of Nysa, and
learned from the inhabitants, that 'Ammon, King of Libya, was
married in former ages to Rhea, sister of Saturn and the Titans:
that he afterwards fell in love with a beautiful virgin whose name
was Amalthea; had by her a son, and gave her possession of a
neighbouring tract of land, wonderfully fertile; which in shape
nearly resembling the horn of an ox, was thence called the Hesperian
horn, and afterwards the horn of Amalthea: that fearing the jealousy
of Rhea, he concealed the young Bacchus in the island of Nysa;' the
beauty of which, Diodorus describes with great dignity and pomp of
style. This fable is one of the noblest in all the ancient mythology,
and seems to have made a particular impression on the imagination of
Milton; the only modern poet (unless perhaps it be necessary to
except Spenser) who, in these mysterious traditions of the poetic
story, had a heart to feel, and words to express, the simple and
solitary genius of antiquity. To raise the idea of his Paradise, he
prefers it even to--

      'That Nysean isle
  Girt by the river Triton, where old Cham
  (Whom Gentiles Ammon call, and Libyan Jove)
  Hid Amalthea and her florid son,
  Young Bacchus, from his stepdame Rhea's eye.'


NOTE S.

  '_Edonian band_.'--L. 94.

The priestesses and other ministers of Bacchus: so called from Edonus,
a mountain of Thrace, where his rites were celebrated.

NOTE T.

  '_When Hermes_.'--L. 105.

Hermes, or Mercury, was the patron of commerce; in which benevolent
character he is addressed by the author of the Indigitamenta in
these beautiful lines:--

[Greek:
  _Ermaeuen panton, kerdempore, lusimerimue,
  O? cheiresthiu echei? oplun aremphe_?]


NOTE U.

   _'Dispense the mineral treasure'_.--L. 121.

The merchants of Sidon and Tyre made frequent voyages to the coast of
Cornwall, from whence they carried home great quantities of tin.

NOTE V.

  _'Hath he not won'_?--L. 136.

Mercury, the patron of commerce, being so greatly dependent on the
good offices of the Naiads, in return obtains for them the
friendship of Minerva, the goddess of war: for military power, at
least the naval part of it, hath constantly followed the
establishment of trade; which exemplifies the preceding observation,
that 'from bounty issueth power.'

NOTE W.

  _'C'alpe ... Cantabrian surge'_--L. 143.

Gibraltar and the Bay of Biscay.

NOTE X.

  _'AEgina's gloomy surge'_--L. 150.

Near this island, the Athenians obtained the victory of Salamis,
over the Persian navy.

NOTE Y.

  _'Xerxes saw'_--L. 160.

This circumstance is recorded in that passage, perhaps the most
splendid among all the remains of ancient history, where Plutarch,
in his Life of Themistocles, describes the sea-fights of Artemisium
and Salamis.

NOTE Z.

  _'Thyrsus'_--L. 204.

A staff, or spear, wreathed round with ivy: of constant use in the
bacchanalian mysteries.

NOTE AA.

  _'Io Paean.'_--L. 227.

An exclamation of victory and triumph, derived from Apollo's
encounter with Python.

NOTE BB.

  _'Rocky Cirrha'_--L. 252.

One of the summits of Parnassus, and sacred to Apollo. Near it were
several fountains, said to be frequented by the Muses. Nysa, the
other eminence of the same mountain, was dedicated to Bacchus.

NOTE CC.

  _'Charm the mind of gods'_--L. 263.

This whole passage, concerning the effects of sacred music among the
gods, is taken from Pindar's first Pythian ode.

NOTE DD.

  '_Phrygian pipe_.'--L. 297.

The Phrygian music was fantastic and turbulent, and fit to excite
disorderly passions.


NOTE EE.

  '_The gates where Pallas holds
  The guardian key_.'--L. 302.

It was the office of Minerva to be the guardian of walled cities;
whence she was named IIOAIAS and HOAIOYXOS, and had her statues
placed in their gates, being supposed to keep the keys; and on that
account styled KAHAOYXOS.


NOTE FF.

  'Fate of sober Pentheus.'--L. 311.

Pentheus was torn in pieces by the bacchanalian priests and women,
for despising their mysteries.


NOTE GG.

  'The cave Corycian:--L. 318.

Of this cave Pausanias, in his tenth book, gives the following
description:--'Between Delphi and the eminences of Parnassus is a
road to the grotto of Corycium, which has its name from the nymph
Corycia, and is by far the most remarkable which I have seen. One
may walk a great way into it without a torch. 'Tis of a considerable
height, and hath several springs within it; and yet a much greater
quantity of water distils from the shell and roof, so as to be
continually dropping on the ground. The people round Parnassus hold
it sacred to the Corycian nymphs and to Pan.'


NOTE HH.

  'Delphic mount.'--L. 319.

Delphi, the seat and oracle of Apollo, had a mountainous and rocky
situation, on the skirts of Parnassus.


NOTE II.

  'Cyrenaic shell.'--L. 327.

Cyrene was the native country of Callimachus, whose hymns are the
most remarkable example of that mythological passion which is
assumed in the preceding poem, and have always afforded particular
pleasure to the author of it, by reason of the mysterious solemnity
with which they affect the mind. On this account he was induced to
attempt somewhat in the same manner; solely by way of exercise: the
manner itself being now almost entirely abandoned in poetry. And as
the mere genealogy, or the personal adventures of heathen gods,
could have been but little interesting to a modern reader, it was
therefore thought proper to select some convenient part of the
history of nature, and to employ these ancient divinities as it is
probable they were first employed; to wit, in personifying natural
causes, and in representing the mutual agreement or opposition of
the corporeal and moral powers of the world: which hath been
accounted the very highest office of poetry.





INSCRIPTIONS.



I.

FOR A GROTTO.

  To me, whom in their lays the shepherds call
  Actaea, daughter of the neighbouring stream,
  This cave belongs. The fig-tree and the vine,
  Which o'er the rocky entrance downward shoot,
  Were placed by Glycou. He with cowslips pale,
  Primrose, and purple lychnis, deck'd the green
  Before my threshold, and my shelving walls
  With honeysuckle cover'd. Here at noon,
  Lull'd by the murmur of my rising fount,
  I slumber; here my clustering fruits I tend;
  Or from the humid flowers, at break of day,
  Fresh garlands weave, and chase from all my bounds
  Each thing impure or noxious. Enter in,
  O stranger, undismay'd. Nor bat, nor toad
  Here lurks; and if thy breast of blameless thoughts
  Approve thee, not unwelcome shalt thou tread
  My quiet mansion; chiefly, if thy name
  Wise Pallas and the immortal Muses own.


II.

FOR A STATUE OF CHAUCER AT WOODSTOCK.

  Such was old Chaucer; such the placid mien
  Of him who first with harmony inform'd
  The language of our fathers. Here he dwelt
  For many a cheerful day. These ancient walls
  Have often heard him, while his legends blithe
  He sang; of love, or knighthood, or the wiles
  Of homely life; through each estate and age,
  The fashions and the follies of the world
  With cunning hand portraying. Though perchance
  From Blenheim's towers, O stranger, thou art come
  Glowing with Churchill's trophies; yet in vain
  Dost thou applaud them if thy breast be cold
  To him, this other hero; who, in times
  Dark and untaught, began with charming verse
  To tame the rudeness of his native land.



III.

  Whoe'er thou art whose path in summer lies
  Through yonder village, turn thee where the grove
  Of branching oaks a rural palace old
  Embosoms. There dwells Albert, generous lord
  Of all the harvest round. And onward thence
  A low plain chapel fronts the morning light
  Fast by a silent rivulet. Humbly walk,
  O stranger, o'er the consecrated ground;
  And on that verdant hillock, which thou seest
  Beset with osiers, let thy pious hand
  Sprinkle fresh water from the brook, and strew
  Sweet-smelling flowers. For there doth Edmund rest,
  The learned shepherd; for each rural art
  Famed, and for songs harmonious, and the woes
  Of ill-requited love. The faithless pride
  Of fair Matilda sank him to the grave
  In manhood's prime. But soon did righteous Heaven,
  With tears, with sharp remorse, and pining care,
  Avenge her falsehood. Nor could all the gold
  And nuptial pomp, which lured her plighted faith
  From Edmund to a loftier husband's home,
  Relieve her breaking heart, or turn aside
  The strokes of death. Go, traveller; relate
  The mournful story. Haply some fair maid
  May hold it in remembrance, and be taught
  That riches cannot pay for truth or love.


IV.

  O youths and virgins: O declining eld:
  O pale misfortune's slaves: O ye who dwell
  Unknown with humble quiet; ye who wait
  In courts, or fill the golden seat of kings:
  O sons of sport and pleasure: O thou wretch
  That weep'st for jealous love, or the sore wounds
  Of conscious guilt, or death's rapacious hand
  Which left thee void of hope: O ye who roam
  In exile; ye who through the embattled field
  Seek bright renown; or who for nobler palms
  Contend, the leaders of a public cause;
  Approach: behold this marble. Know ye not
  The features'? Hath not oft his faithful tongue
  Told you the fashion of your own estate,
  The secrets of your bosom? Here then, round
  His monument with reverence while ye stand,
  Say to each other:-'This was Shakspeare's form;
  Who walk'd in every path of human life,
  Felt every passion; and to all mankind
  Doth now, will ever, that experience yield
  Which his own genius only could acquire.'


V.

  GVLIELMVS III. FORTIS, PIVS, LIBERATOR, CVM INEVNTE
  AETATE PATRIAE LABENTI ADFVISSET SALTS IPSE VNICA;
  CVM MOX ITIDEM REIPVBLICAE BRITANNICAE VINDEX RENVNCIATVS
  ESSET ATQVE STATOR; TVM DENIQVE AD ID SE
  NATVM RECOGNOVIT ET REGEM FACTVM, VT CVRARET NE
  DOMINO IMPOTENTI CEDERENT PAX, FIDES, FORTVNA,
    GENERIS HVMANI. AVCTORI PVBLICAE FELICITATIS
           P.G. A.M. A.


VI.

FOR A COLUMN AT RUNNYMEDE.

  Thou, who the verdant plain dost traverse here,
  While Thames among his willows from thy view
  Retires; O stranger, stay thee, and the scene
  Around contemplate well. This is the place
  Where England's ancient barons, clad in arms
  And stern with conquest, from their tyrant king
  (Then render'd tame) did challenge and secure
  The charter of thy freedom. Pass not on
  Till thou hast bless'd their memory, and paid
  Those thanks which God appointed the reward
  Of public virtue. And if chance thy home
  Salute thee with a father's honour'd name,
  Go, call thy sons; instruct them what a debt
  They owe their ancestors; and make them swear
  To pay it, by transmitting down entire
  Those sacred rights to which themselves were born.





VII.


THE WOOD NYMPH.

  Approach in silence. 'Tis no vulgar tale
  Which I, the Dryad of this hoary oak,
  Pronounce to mortal ears. The second age
  Now hasteneth to its period, since I rose
  On this fair lawn. The groves of yonder vale
  Are all my offspring: and each Nymph who guards
  The copses and the furrow'd fields beyond,
  Obeys me. Many changes have I seen
  In human things, and many awful deeds
  Of justice, when the ruling hand of Jove
  Against the tyrants of the land, against
  The unhallow'd sons of luxury and guile,
  Was arm'd for retribution. Thus at length
  Expert in laws divine, I know the paths
  Of wisdom, and erroneous folly's end
  Have oft presaged; and now well-pleased I wait
  Each evening till a noble youth, who loves
  My shade, a while released from public cares,
  Yon peaceful gate shall enter, and sit down
  Beneath my branches. Then his musing mind
  I prompt, unseen; and place before his view
  Sincerest forms of good; and move his heart
  With the dread bounties of the Sire Supreme
  Of gods and men, with freedom's generous deeds,
  The lofty voice of glory and the faith
  Of sacred friendship. Stranger, I have told
  My function. If within thy bosom dwell
  Aught which may challenge praise, thou wilt not leave
  Unhonour'd my abode, nor shall I hear
  A sparing benediction from thy tongue.


VIII.

  Ye powers unseen, to whom, the bards of Greece
  Erected altars; ye who to the mind
  More lofty views unfold, and prompt the heart
  With more divine emotions; if erewhile
  Not quite uupleasing have my votive rites
  Of you been deem'd, when oft this lonely seat
  To you I consecrated; then vouchsafe
  Here with your instant energy to crown
  My happy solitude. It is the hour
  When most I love to invoke you, and have felt
  Most frequent your glad ministry divine.
  The air is calm: the sun's unveiled orb
  Shines in the middle heaven. The harvest round
  Stands quiet, and among the golden sheaves
  The reapers lie reclined. The neighbouring groves
  Are mute, nor even a linnet's random strain
  Echoeth amid the silence. Let me feel
  Your influence, ye kind powers. Aloft in heaven,
  Abide ye? or on those transparent clouds
  Pass ye from hill to hill? or on the shades
  Which yonder elms cast o'er the lake below
  Do you converse retired? From what loved haunt
  Shall I expect you? Let me once more feel
  Your influence, O ye kind inspiring powers:
  And I will guard it well; nor shall a thought
  Rise in my mind, nor shall a passion move
  Across my bosom unobserved, unstored
  By faithful memory. And then at some
  More active moment, will I call them forth
  Anew; and join them in majestic forms,
  And give them utterance in harmonious strains;
  That all mankind shall wonder at your sway.


IX.

  Me though in life's sequester'd vale
  The Almighty Sire ordain'd to dwell,
  Remote from glory's toilsome ways,
  And the great scenes of public praise;
  Yet let me still with grateful pride
  Remember how my infant frame
  He temper'd with prophetic flame,
  And early music to my tongue supplied.
  'Twas then my future fate he weigh'd,
  And, this be thy concern, he said,
  At once with Passion's keen alarms,
  And Beauty's pleasurable charms,
  And sacred Truth's eternal light,
  To move the various mind of Man;
  Till, under one unblemish'd plan,
  His Reason, Fancy, and his Heart unite.




AN EPISTLE TO CURIO. [1]

  Thrice has the spring beheld thy faded fame,
  And the fourth winter rises on thy shame,
  Since I exulting grasp'd the votive shell,
  In sounds of triumph all thy praise to tell;
  Bless'd could my skill through ages make thee shine,
  And proud to mix my memory with thine.
  But now the cause that waked my song before,
  With praise, with triumph, crowns the toil no more.
  If to the glorious man whose faithful cares,
  Nor quell'd by malice, nor relax'd by years,                  10
  Had awed Ambition's wild audacious hate,
  And dragg'd at length Corruption to her fate;
  If every tongue its large applauses owed,
  And well-earn'd laurels every Muse bestow'd;
  If public Justice urged the high reward,
  And Freedom smiled on the devoted bard;
  Say then, to him whose levity or lust
  Laid all a people's generous hopes in dust;
  Who taught Ambition firmer heights of power,
  And saved Corruption at her hopeless hour;                    20
  Does not each tongue its execrations owe?
  Shall not each Muse a wreath of shame bestow,
  And public Justice sanctify th' award,
  And Freedom's hand protect the impartial bard?

  Yet long reluctant I forbore thy name,
  Long watch'd thy virtue like a dying flame,
  Hung o'er each glimmering spark with anxious eyes,
  And wish'd and hoped the light again would rise.
  But since thy guilt still more entire appears,
  Since no art hides, no supposition clears;                    30
  Since vengeful Slander now too sinks her blast,
  And the first rage of party-hate is past;
  Calm as the judge of truth, at length I come
  To weigh thy merits, and pronounce thy doom:
  So may my trust from all reproach be free;
  And Earth and Time confirm the fair decree.

  There are who say they view'd without amaze
  The sad reverse of all thy former praise:
  That through the pageants of a patriot's name,
  They pierced the foulness of thy secret aim;                  40
  Or deem'd thy arm exalted but to throw
  The public thunder on a private foe.
  But I, whose soul consented to thy cause,
  Who felt thy genius stamp its own applause,
  Who saw the spirits of each glorious age
  Move in thy bosom, and direct thy rage;
  I scorn'd the ungenerous gloss of slavish minds,
  The owl-eyed race, whom Virtue's lustre blinds.
  Spite of the learned in the ways of vice,
  And all who prove that each man has his price,                50
  I still believed thy end was just and free;
  And yet, even yet, believe it--spite of thee.
  Even though thy mouth impure has dared disclaim,
  Urged by the wretched impotence of shame,
  Whatever filial cares thy zeal had paid
  To laws infirm, and liberty decay'd;
  Has begg'd Ambition to forgive the show;
  Has told Corruption thou wert ne'er her foe;
  Has boasted in thy country's awful ear,
  Her gross delusion when she held thee dear;                   60
  How tame she follow'd thy tempestuous call,
  And heard thy pompous tales, and trusted all--
  Rise from your sad abodes, ye cursed of old
  For laws subverted, and for cities sold!
  Paint all the noblest trophies of your guilt,
  The oaths you perjured, and the blood you spilt;
  Yet must you one untempted vileness own,
  One dreadful palm reserved for him alone;
  With studied arts his country's praise to spurn,
  To beg the infamy he did not earn,                            70
  To challenge hate when honour was his due,
  And plead his crimes where all his virtue knew.
  Do robes of state the guarded heart enclose
  From each fair feeling human nature knows?
  Can pompous titles stun the enchanted ear
  To all that reason, all that sense would hear?
  Else couldst thou e'er desert thy sacred post,
  In such unthankful baseness to be lost?
  Else couldst thou wed the emptiness of vice,
  And yield thy glories at an idiot's price?                    80

  When they who, loud for liberty and laws,
  In doubtful times had fought their country's cause,
  When now of conquest and dominion sure,
  They sought alone to hold their fruits secure;
  When taught by these, Oppression hid the face,
  To leave Corruption stronger in her place,
  By silent spells to work the public fate,
  And taint the vitals of the passive state,
  Till healing Wisdom should avail no more,
  And Freedom loathe to tread the poison'd shore:               90
  Then, like some guardian god that flies to save
  The weary pilgrim from an instant grave,
  Whom, sleeping and secure, the guileful snake
  Steals near and nearer through the peaceful brake;
  Then Curio rose to ward the public woe,
  To wake the heedless, and incite the slow,
  Against Corruption Liberty to arm,
  And quell the enchantress by a mightier charm.

  Swift o'er the land the fair contagion flew,
  And with thy country's hopes thy honours grew.                100
  Thee, patriot, the patrician roof confess'd;
  Thy powerful voice the rescued merchant bless'd;
  Of thee with awe the rural hearth resounds;
  The bowl to thee the grateful sailor crowns;
  Touch'd in the sighing shade with manlier fires,
  To trace thy steps the love-sick youth aspires;
  The learn'd recluse, who oft amazed had read
  Of Grecian heroes, Roman patriots dead,
  With new amazement hears a living name
  Pretend to share in such forgotten fame;                      110
  And he who, scorning courts and courtly ways,
  Left the tame track of these dejected days,
  The life of nobler ages to renew
  In virtues sacred from a monarch's view,
  Roused by thy labours from the bless'd retreat,
  Where social ease and public passions meet,
  Again ascending treads the civil scene,
  To act and be a man, as thou hadst been.

  Thus by degrees thy cause superior grew,
  And the great end appear'd at last in view:                   120
  We heard the people in thy hopes rejoice,
  We saw the senate bending to thy voice;
  The friends of freedom hail'd the approaching reign
  Of laws for which our fathers bled in vain;
  While venal Faction, struck with new dismay,
  Shrunk at their frown, and self-abandon'd lay.
  Waked in the shock the public Genius rose,
  Abash'd and keener from his long repose;
  Sublime in ancient pride, he raised the spear
  Which slaves and tyrants long were wont to fear;              130
  The city felt his call: from man to man,
  From street to street, the glorious horror ran;
  Each crowded haunt was stirr'd beneath his power,
  And, murmuring, challenged the deciding hour.

  Lo! the deciding hour at last appears;
  The hour of every freeman's hopes and fears!
  Thou, Genius! guardian of the Roman name,
  O ever prompt tyrannic rage to tame!
  Instruct the mighty moments as they roll,
  And guide each movement steady to the goal.                   140
  Ye spirits by whose providential art
  Succeeding motives turn the changeful heart,
  Keep, keep the best in view to Curio's mind,
  And watch his fancy, and his passions bind!
  Ye shades immortal, who by Freedom led,
  Or in the field or on the scaffold bled,
  Bend from your radiant seats a joyful eye,
  And view the crown of all your labours nigh.
  See Freedom mounting her eternal throne!
  The sword submitted, and the laws her own:                    150
  See! public Power chastised beneath her stands,
  With eyes intent, and uncorrupted hands!
  See private Life by wisest arts reclaim'd!
  See ardent youth to noblest manners framed!
  See us acquire whate'er was sought by you,
  If Curio, only Curio will be true.

  'Twas then--o shame! O trust how ill repaid!
  O Latium, oft by faithless sons betray'd!--
  'Twas then--What frenzy on thy reason stole?
  What spells unsinewed thy determined soul?--                  160
  Is this the man in Freedom's cause approved,
  The man so great, so honour'd, so beloved,
  This patient slave by tinsel chains allured,
  This wretched suitor for a boon abjured,
  This Curio, hated and despised by all,
  Who fell himself to work his country's fall?
  O lost, alike to action and repose!
  Unknown, unpitied in the worst of woes!
  With all that conscious, undissembled pride,
  Sold to the insults of a foe defied!                          170
  With all that habit of familiar fame,
  Doom'd to exhaust the dregs of life in shame!
  The sole sad refuge of thy baffled art
  To act a statesman's dull, exploded part,
  Renounce the praise no longer in thy power,
  Display thy virtue, though without a dower,
  Contemn the giddy crowd, the vulgar wind,
  And shut thy eyes that others may be blind.--
  Forgive me, Romans, that I bear to smile,
  When shameless mouths your majesty defile,                    180
  Paint you a thoughtless, frantic, headlong crew,
  And cast their own impieties on you.
  For witness, Freedom, to whose sacred power
  My soul was vow'd from reason's earliest hour,
  How have I stood exulting, to survey
  My country's virtues, opening in thy ray!
  How with the sons of every foreign shore
  The more I match'd them, honour'd hers the more!
  O race erect! whose native strength of soul,
  Which kings, nor priests, nor sordid laws control,            190
  Bursts the tame round of animal affairs,
  And seeks a nobler centre for its cares;
  Intent the laws of life to comprehend,
  And fix dominion's limits by its end.
  Who, bold and equal in their love or hate,
  By conscious reason judging every state,
  The man forget not, though in rags he lies,
  And know the mortal through a crown's disguise:
  Thence prompt alike with witty scorn to view
  Fastidious Grandeur lift his solemn brow,                     200
  Or, all awake at pity's soft command,
  Bend the mild ear, and stretch the gracious hand:
  Thence large of heart, from envy far removed,
  When public toils to virtue stand approved,
  Not the young lover fonder to admire,
  Not more indulgent the delighted sire;
  Yet high and jealous of their free-born name,
  Fierce as the flight of Jove's destroying flame,
  Where'er Oppression works her wanton sway,
  Proud to confront, and dreadful to repay.                     210
  But if to purchase Curio's sage applause,
  My country must with him renounce her cause,
  Quit with a slave the path a patriot trod,
  Bow the meek knee, and kiss the regal rod;
  Then still, ye powers, instruct his tongue to rail,
  Nor let his zeal, nor let his subject fail:
  Else, ere he change the style, bear me away
  To where the Gracchi [2], where the Bruti stay!

  O long revered, and late resign'd to shame!
  If this uncourtly page thy notice claim                       220
  When the loud cares of business are withdrawn,
  Nor well-dress'd beggars round thy footsteps fawn;
  In that still, thoughtful, solitary hour,
  When Truth exerts her unresisted power,
  Breaks the false optics tinged with fortune's glare,
  Unlocks the breast, and lays the passions bare;
  Then turn thy eyes on that important scene,
  And ask thyself--if all be well within.
  Where is the heart-felt worth and weight of soul,
  Which labour could not stop, nor fear control?                230
  Where the known dignity, the stamp of awe,
  Which, half-abash'd, the proud and venal saw?
  Where the calm triumphs of an honest cause?
  Where the delightful taste of just applause?
  Where the strong reason, the commanding tongue,
  On which the senate fired or trembling hung?
  All vanish'd, all are sold--and in their room,
  Couch'd in thy bosom's deep, distracted gloom,
  See the pale form of barbarous Grandeur dwell,
  Like some grim idol in a sorcerer's cell!                     210
  To her in chains thy dignity was led;
  At her polluted shrine thy honour bled;
  With blasted weeds thy awful brow she crown'd,
  Thy powerful tongue with poison'd philters bound,
  That baffled Reason straight indignant flew,
  And fair Persuasion from her seat withdrew:
  For now no longer Truth supports thy cause;
  No longer Glory prompts thee to applause;
  No longer Virtue breathing in thy breast,
  With all her conscious majesty confess'd,                     250
  Still bright and brighter wakes the almighty flame,
  To rouse the feeble, and the wilful tame,
  And where she sees the catching glimpses roll,
  Spreads the strong blaze, and all involves the soul;
  But cold restraints thy conscious fancy chill,
  And formal passions mock thy struggling will;
  Or, if thy Genius e'er forget his chain,
  And reach impatient at a nobler strain,
  Soon the sad bodings of contemptuous mirth
  Shoot through thy breast, and stab the generous birth,        260
  Till, blind with smart, from truth to frenzy toss'd,
  And all the tenor of thy reason lost,
  Perhaps thy anguish drains a real tear;
  While some with pity, some with laughter hear.--
  Can art, alas! or genius, guide the head,
  Where truth and freedom from the heart are fled?
  Can lesser wheels repeat their native stroke,
  When the prime function of the soul is broke?

  But come, unhappy man! thy fates impend;
  Come, quit thy friends, if yet thou hast a friend;            270
  Turn from the poor rewards of guilt like thine,
  Renounce thy titles, and thy robes resign;
  For see the hand of Destiny display'd
  To shut thee from the joys thou hast betray'd!
  See the dire fane of Infamy arise!
  Dark as the grave, and spacious as the skies;
  Where, from the first of time, thy kindred train,
  The chiefs and princes of the unjust remain.
  Eternal barriers guard the pathless road
  To warn the wanderer of the cursed abode;                     280
  But prone as whirlwinds scour the passive sky,
  The heights surmounted, down the steep they fly.
  There, black with frowns, relentless Time awaits,
  And goads their footsteps to the guilty gates;
  And still he asks them of their unknown aims,
  Evolves their secrets, and their guilt proclaims;
  And still his hands despoil them on the road
  Of each vain wreath, by lying bards bestow'd,
  Break their proud marbles, crush their festal cars,
  And rend the lawless trophies of their wars.                  290

  At last the gates his potent voice obey;
  Fierce to their dark abode he drives his prey;
  Where, ever arm'd with adamantine chains,
  The watchful demon o'er her vassals reigns,
  O'er mighty names and giant-powers of lust,
  The great, the sage, the happy, and august [3].
  No gleam of hope their baleful mansion cheers,
  No sound of honour hails their unbless'd ears;
  But dire reproaches from the friend betray'd,
  The childless sire and violated maid;                         300
  But vengeful vows for guardian laws effaced,
  From towns enslaved, and continents laid waste;
  But long posterity's united groan,
  And the sad charge of horrors not their own,
  For ever through the trembling space resound,
  And sink each impious forehead to the ground.

  Ye mighty foes of liberty and rest,
  Give way, do homage to a mightier guest!
  Ye daring spirits of the Roman race,
  See Curio's toil your proudest claims efface!--               310
  Awed at the name, fierce Appius [4] rising bends,
  And hardy Cinna from his throne attends:
  'He comes,' they cry, 'to whom the fates assign'd
  With surer arts to work what we design'd,
  From year to year the stubborn herd to sway,
  Mouth all their wrongs, and all their rage obey;
  Till own'd their guide, and trusted with their power,
  He mock'd their hopes in one decisive hour;
  Then, tired and yielding, led them to the chain,
  And quench'd the spirit we provoked in vain.'                 320

  But thou, Supreme, by whose eternal hands
  Fair Liberty's heroic empire stands;
  Whose thunders the rebellious deep control,
  And quell the triumphs of the traitor's soul,
  Oh! turn this dreadful omen far away:
  On Freedom's foes their own attempts repay:
  Relume her sacred fire so near suppress'd,
  And fix her shrine in every Roman breast:
  Though bold Corruption boast around the land,
  'Let virtue, if she can, my baits withstand!'                 330
  Though bolder now she urge the accursed claim,
  Gay with her trophies raised on Curio's shame;
  Yet some there are who scorn her impious mirth,
  Who know what conscience and a heart are worth.--
  O friend and father of the human mind,
  Whose art for noblest ends our frame design'd!
  If I, though fated to the studious shade
  Which party-strife, nor anxious power invade,
  If I aspire in public virtue's cause,
  To guide the Muses by sublimer laws,                          340
  Do thou her own authority impart,
  And give my numbers entrance to the heart.
  Perhaps the verse might rouse her smother'd flame,
  And snatch the fainting patriot back to fame;
  Perhaps by worthy thoughts of human kind,
  To worthy deeds exalt the conscious mind;
  Or dash Corruption in her proud career,
  And teach her slaves that Vice was born to fear.


[Footnote 1: Curio was a young Roman senator, of distinguished
birth and parts, who, upon his first entrance into the forum, had
been committed to the care of Cicero. Being profuse and extravagant,
he soon dissipated a large and splendid fortune; to supply the want
of which, he was driven to the necessity of abetting the designs of
Csesar against the liberties of his country, although he had before
been a professed enemy to him. Cicero exerted himself with great
energy to prevent his ruin, but without effect, and he became one of
the first victims in the civil war. This epistle was first published
in the year 1744, when a celebrated patriot, after a long and at
last successful opposition to an unpopular minister, had deserted
the cause of his country, and became the foremost in support and
defence of the same measures he had so steadily and for such a
length of time contended against.]

[Fotnote 2: The two brothers, Tiberius and Caius Gracchus, lost
their lives in attempting to introduce the only regulation that
could give stability and good order to the Roman republic. L. Junius
Brutus founded the commonwealth, and died in its defence.]

[Footnote 3: Titles which have been generally ascribed to the most
pernicious of men.]

[Footnote 4: Appius Claudius the Decemvir, and L. Cornelius Cinna
both attempted to establish a tyrannical dominion in Rome, and both
perished by the treason.]




THE VIRTUOSO.

   IN IMITATION OP SPENSER'S STYLE AND STANZA.


      'Videmus
  Nugari solitos.'--PERSIUS.



  1 Whilom by silver Thames's gentle stream,
      In London town there dwelt a subtile wight;
    A wight of mickle wealth, and mickle fame,
      Book-learn'd and quaint; a Virtuoso hight.
    Uncommon things, and rare, were his delight;
      From musings deep his brain ne'er gotten ease,
    Nor ceasen he from study, day or night;
      Until (advancing onward by degrees)
  He knew whatever breeds on earth, or air, or seas.

  2 He many a creature did anatomise,
      Almost unpeopling water, air, and land;
    Beasts, fishes, birds, snails, caterpillars, flies,
      Were laid full low by his relentless hand,
    That oft with gory crimson was distain'd:
      He many a dog destroy'd, and many a cat;
    Of fleas his bed, of frogs the marshes drain'd,
      Could tellen if a mite were lean or fat,
  And read a lecture o'er the entrails of a gnat.

  3 He knew the various modes of ancient times,
      Their arts and fashions of each different guise,
    Their weddings, funerals, punishments for crimes,
      Their strength, their learning eke, and rarities;
    Of old habiliments, each sort and size,
      Male, female, high and low, to him were known;
    Each gladiator-dress, and stage disguise;
      With learned, clerkly phrase he could have shown
  How the Greek tunic differ'd from the Roman gown.

  4  A curious medalist, I wot, he was,
       And boasted many a course of ancient coin;
     Well as his wife's he knewen every face,
       From Julius Caesar down to Constantine:
     For some rare sculptor he would oft ypine
       (As green-sick damosels for husbands do);
     And when obtained, with enraptured eyne,
       He'd run it o'er and o'er with greedy view,
  And look, and look again, as he would look it through.

  5  His rich museum, of dimensions fair,
       With goods that spoke the owner's mind was fraught:
     Things ancient, curious, value-worth, and rare,
       From sea and land, from Greece and Rome were brought,
     Which he with mighty sums of gold had bought:
       On these all tides with joyous eyes he pored;
     And, sooth to say, himself he greater thought,
       When he beheld his cabinets thus stored,
  Than if he'd been of Albion's wealthy cities lord.

  6  Here in a corner stood a rich scrutoire,
       With many a curiosity replete;
     In seemly order furnish'd every drawer,
       Products of art or nature as was meet;
     Air-pumps and prisms were placed beneath his feet,
       A Memphian mummy-king hung o'er his head;
     Here phials with live insects small and great,
       There stood a tripod of the Pythian maid;
  Above, a crocodile diffused a grateful shade.

  7 Fast by the window did a table stand,
      Where modern and antique rarities,
    From Egypt, Greece, and Rome, from sea and land,
      Were thick-besprent, of every sort and size:
    Here a Bahaman-spider's carcass lies,
      There a dire serpent's golden skin doth shine;
    Here Indian feathers, fruits, and glittering flies;
      There gums and amber found beneath the line,
  The beak of Ibis here, and there an Antonine.

  8 Close at his back, or whispering in his ear,
      There stood a sprite ycleped Phantasy;
    Which, wheresoe'er he went, was always near:
      Her look was wild, and roving was her eye;
    Her hair was clad with flowers of every dye;
      Her glistering robes were of more various hue
    Than the fair bow that paints the cloudy sky,
      Or all the spangled drops of morning dew;
  Their colour changing still at every different view.

  9 Yet in this shape all tides she did not stay,
      Various as the chameleon that she bore;
    Now a grand monarch with a crown of hay,
      Now mendicant in silks and golden ore:
    A statesman, now equipp'd to chase the boar,
      Or cowled monk, lean, feeble, and unfed;
    A clown-like lord, or swain of courtly lore;
      Now scribbling dunce, in sacred laurel clad,
  Or papal father now, in homely weeds array'd.

  10 The wight whose brain this phantom's power doth fill,
       On whom she doth with constant care attend,
     Will for a dreadful giant take a mill,
       Or a grand palace in a hog-sty find:
     (From her dire influence me may heaven defend!)
       All things with vitiated sight he spies;
     Neglects his family, forgets his friend,
       Seeks painted trifles and fantastic toys,
   And eagerly pursues imaginary joys.





AMBITION AND CONTENT.

  A FABLE.

  'Optat quietem.'-HOR.

  While yet the world was young, and men were few,
  Nor lurking fraud, nor tyrant rapine knew,
  In virtue rude, the gaudy arts they scorn'd,
  Which, virtue lost, degenerate times adorn'd:
  No sumptuous fabrics yet were seen to rise,
  Nor gushing fountains taught to invade the skies;
  With nature, art had not begun the strife,
  Nor swelling marble rose to mimic life;
  No pencil yet had learn'd to express the fair;
  The bounteous earth was all their homely care.                10

  Then did Content exert her genial sway,
  And taught the peaceful world her power to obey--
  Content, a female of celestial race,
  Bright and complete in each celestial grace.
  Serenely fair she was, as rising day,
  And brighter than the sun's meridian ray;
  Joy of all hearts, delight of every eye,
  Nor grief nor pain appear'd when she was by;
  Her presence from the wretched banish'd care,
  Dispersed the swelling sigh, and stopp'd the falling tear.    20

  Long did the nymph her regal state maintain,
  As long mankind were bless'd beneath her reign;
  Till dire Ambition, hellish fiend, arose
  To plague the world, and banish man's repose,
  A monster sprung from that rebellious crew
  Which mighty Jove's Phlegraean thunder slew.
  Resolved to dispossess the royal fair,
  On all her friends he threaten'd open war;
  Fond of the novelty, vain, fickle man
  In crowds to his infernal standard ran;                       30
  And the weak maid, defenceless left alone,
  To avoid his rage, was forced to quit the throne.

  It chanced, as wandering through the fields she stray'd,
  Forsook of all, and destitute of aid,
  Upon a rising mountain's flowery side,
  A pleasant cottage, roof'd with turf, she spied:
  Fast by a gloomy, venerable wood
  Of shady planes and ancient oaks it stood.
  Around, a various prospect charm'd the sight;
  Here waving harvests clad the field with white,               40
  Here a rough shaggy rock the clouds did pierce,
  From which a torrent rush'd with rapid force;
  Here mountain-woods diffused a dusky shade;
  Here flocks and herds in flowery valleys play'd,
  While o'er the matted grass the liquid crystal stray'd.
  In this sweet place there dwelt a cheerful pair,
  Though bent beneath the weight of many a year;
  Who, wisely flying public noise and strife,
  In this obscure retreat had pass'd their life;
  The husband Industry was call'd, Frugality the wife.          50
  With tenderest friendship mutually bless'd,
  No household jars had e'er disturbed their rest.
  A numerous offspring graced their homely board,
  That still with nature's simple gifts was stored.

  The father rural business only knew;
  The sons the same delightful art pursue.
  An only daughter, as a goddess fair,
  Above the rest was the fond mother's care,
  Plenty; the brightest nymph of all the plain,
  Each heart's delight, adored by every swain.                  60
  Soon as Content this charming scene espied,
  Joyful within herself the goddess cried:--
  'This happy sight my drooping heart doth raise;
  The gods, I hope, will grant me gentler days.
  When with prosperity my life was bless'd,
  In yonder house I've been a welcome guest:
  There now, perhaps, I may protection find;
  For royalty is banish'd from my mind;
  I'll thither haste: how happy should I be,
  If such a refuge were reserved for me!'                       70

  Thus spoke the fair; and straight she bent her way
  To the tall mountain, where the cottage lay:
  Arrived, she makes her changed condition known;
  Tells how the rebels drove her from the throne;
  What painful, dreary wilds she'd wander'd o'er;
  And shelter from the tyrant doth implore.

  The faithful, aged pair at once were seized
  With joy and grief, at once were pain'd and pleased;
  Grief for their banish'd queen their hearts' possess'd,
  And joy succeeded for their future guest:                     80
  'And if you'll deign, bright goddess, here to dwell,
  And with your presence grace our humble cell,
  Whate'er the gods have given with bounteous hand,
  Our harvest, fields, and flocks, our all command.'

  Meantime, Ambition, on his rival's flight,
  Sole lord of man, attain'd his wish's height;
  Of all dependence on his subjects eased,
  He raged without a curb, and did whate'er he pleased;
  As some wild flame, driven on by furious winds,
  Wide spreads destruction, nor resistance finds;               90
  So rush'd the fiend destructive o'er the plain,
  Defaced the labours of th' industrious swain;
  Polluted every stream with human gore,
  And scatter'd plagues and death from shore to shore.

  Great Jove beheld it from the Olympian towers,
  Where sate assembled all the heavenly powers;
  Then with a nod that shook the empyrean throne,
  Thus the Saturnian thunderer begun:--
  'You see, immortal inmates of the skies,
  How this vile wretch almighty power defies;                   100
  His daring crimes, the blood which he has spilt,
  Demand a torment equal to his guilt.
  Then, Cyprian goddess, let thy mighty boy
  Swift to the tyrant's guilty palace fly;
  There let him choose his sharpest, hottest dart,
  And with his former rival wound his heart.
  And thou, my son (the god to Hermes said),
  Snatch up thy wand, and plume thy heels and head;
  Dart through the yielding air with all thy force,
  And down to Pluto's realms direct thy course;                 110
  There rouse Oblivion from her sable cave,
  Where dull she sits by Lethe's sluggish wave;
  Command her to secure the sacred bound.
  Where lives Content retired, and all around
  Diffuse the deepest glooms of Stygian night,
  And screen the virgin from the tyrant's sight;
  That the vain purpose of his life may try
  Still to explore, what still eludes his eye.'
  He spoke; loud praises shake the bright abode,
  And all applaud the justice of the god.                       120




THE POET. A RHAPSODY.

  Of all the various lots around the ball,
  Which fate to man distributes, absolute,
  Avert, ye gods! that of the Muse's son,
  Cursed with dire poverty! poor hungry wretch!
  What shall he do for life? He cannot work
  With manual labour; shall those sacred hands,
  That brought the counsels of the gods to light;
  Shall that inspired tongue, which every Muse
  Has touch'd divine, to charm the sons of men;
  These hallow'd organs! these! be prostitute                   10
  To the vile service of some fool in power,
  All his behests submissive to perform,
  Howe'er to him ungrateful? Oh! he scorns
  The ignoble thought; with generous disdain,
  More eligible deeming it to starve,
  Like his famed ancestors renown'd in verse,
  Than poorly bend to be another's slave,--
  Than feed and fatten in obscurity.--
  These are his firm resolves, which fate, nor time,
  Nor poverty can shake. Exalted high                           20
  In garret vile he lives; with remnants hung
  Of tapestry. But oh! precarious state
  Of this vain transient world! all-powerful Time,
  What dost thou not subdue? See what a chasm
  Gapes wide, tremendous! see where Saul, enraged,
  High on his throne, encompass'd by his guards,
  With levell'd spear, and arm extended, sits,
  Ready to pierce old Jesse's valiant son,
  Spoil'd of his nose!--around in tottering ranks,
  On shelves pulverulent, majestic stands                       30
  His library; in ragged plight, and old;
  Replete with many a load of criticism,
  Elaborate products of the midnight toil
  Of Belgian brains; snatch'd from the deadly hands
  Of murderous grocer, or the careful wight,
  Who vends the plant, that clads the happy shore
  Of Indian Patomac; which citizens
  In balmy fumes exhale, when, o'er a pot
  Of sage-inspiring coffee, they dispose
  Of kings and crowns, and settle Europe's fate.                40

  Elsewhere the dome is fill'd with various heaps
  Of old domestic lumber; that huge chair
  Has seen six monarchs fill the British throne:
  Here a broad massy table stands, o'erspread
  With ink and pens, and scrolls replete with rhyme:
  Chests, stools, old razors, fractured jars, half-full
  Of muddy Zythum, sour and spiritless:
  Fragments of verse, hose, sandals, utensils
  Of various fashion, and of various use,
  With friendly influence hide the sable floor.                 50

  This is the bard's museum, this the fane
  To Phoebus sacred, and the Aonian maids:
  But, oh! it stabs his heart, that niggard fate
  To him in such small measure should dispense
  Her better gifts: to him! whose generous soul
  Could relish, with as fine an elegance,
  The golden joys of grandeur, and of wealth;
  He who could tyrannise o'er menial slaves,
  Or swell beneath a coronet of state,
  Or grace a gilded chariot with a mien,                        60
  Grand as the haughtiest Timon of them all.

  But 'tis in vain to rave at destiny:
  Here he must rest and brook the best he can,
  To live remote from grandeur, learning, wit;
  Immured amongst th' ignoble, vulgar herd,
  Of lowest intellect; whose stupid souls
  But half inform their bodies; brains of lead
  And tongues of thunder; whose insensate breasts
  Ne'er felt the rapturous, soul-entrancing fire
  Of the celestial Muse; whose savage ears                      70
  Ne'er heard the sacred rules, nor even the names
  Of the Venusian bard, or critic sage
  Full-famed of Stagyra: whose clamorous tongues
  Stun the tormented ear with colloquy,
  Vociferate, trivial, or impertinent;
  Replete with boorish scandal; yet, alas!
  This, this! he must endure, or muse alone,
  Pensive and moping o'er the stubborn rhyme,
  Or line imperfect--No! the door is free,
  And calls him to evade their deafening clang,                 80
  By private ambulation;--'tis resolved:
  Off from his waist he throws the tatter'd gown,
  Beheld with indignation; and unloads
  His pericranium of the weighty cap,
  With sweat and grease discolour'd: then explores
  The spacious chest, and from its hollow womb
  Draws his best robe, yet not from tincture free
  Of age's reverend russet, scant and bare;
  Then down his meagre visage waving flows
  The shadowy peruke; crown'd with gummy hat                    90
  Clean brush'd; a cane supports him. Thus equipp'd
  He sallies forth; swift traverses the streets,
  And seeks the lonely walk.--'Hail, sylvan scenes,
  Ye groves, ye valleys, ye meandering brooks,
  Admit me to your joys!' in rapturous phrase,
  Loud he exclaims; while with the inspiring Muse
  His bosom labours; and all other thoughts,
  Pleasure and wealth, and poverty itself,
  Before her influence vanish. Rapt in thought,
  Fancy presents before his ravish'd eyes                       100
  Distant posterity, upon his page
  With transport dwelling; while bright learning's sons
  That ages hence must tread this earthly ball,
  Indignant, seem to curse the thankless age,
  That starved such merit. Meantime swallow'd up,
  In meditation deep, he wanders on,
  Unweeting of his way.--But, ah! he starts
  With sudden fright! his glaring eyeballs roll,
  Pale turn his cheeks, and shake his loosen'd joints;
  His cogitations vanish into air,                              110
  Like painted bubbles, or a morning dream.
  Behold the cause! see! through the opening glade,
  With rosy visage, and abdomen grand,
  A cit, a dun!--As in Apulia's wilds,
  Or where the Thracian Hebrus rolls his wave,
  A heedless kid, disportive, roves around,
  Unheeding, till upon the hideous cave
  On the dire wolf she treads; half-dead she views
  His bloodshot eyeballs, and his dreadful fangs,
  And swift as Eurus from the monster flies.                    120
  So fares the trembling bard; amazed he turns,
  Scarce by his legs upborne; yet fear supplies
  The place of strength; straight home he bends his course,
  Nor looks behind him till he safe regain
  His faithful citadel; there, spent, fatigued,
  He lays him down to ease his heaving lungs,
  Quaking, and of his safety scarce convinced.
  Soon as the panic leaves his panting breast,
  Down to the Muse's sacred rites he sits,
  Volumes piled round him; see! upon his brow                   130
  Perplex'd anxiety, and struggling thought,
  Painful as female throes: whether the bard
  Display the deeds of heroes; or the fall
  Of vice, in lay dramatic; or expand
  The lyric wing; or in elegiac strains
  Lament the fair; or lash the stubborn age,
  With laughing satire; or in rural scenes
  With shepherds sport; or rack his hard-bound brains
  For the unexpected turn. Arachne so,
  In dusty kitchen corner, from her bowels                      140
  Spins the fine web, but spins with better fate,
  Than the poor bard: she! caitiff! spreads her snares,
  And with their aid enjoys luxurious life,
  Bloated with fat of insects, flesh'd in blood:
  He! hard, hard lot! for all his toil and care,
  And painful watchings, scarce protracts a while
  His meagre, hungry days! ungrateful world!
  If with his drama he adorn the stage,
  No worth-discerning concourse pays the charge.
  Or of the orchestra, or the enlightening torch.               150
  He who supports the luxury and pride
  Of craving Lais; he! whose carnage fills
  Dogs, eagles, lions; has not yet enough,
  Wherewith to satisfy the greedier maw
  Of that most ravenous, that devouring beast,
  Ycleped a poet. What new Halifax,
  What Somers, or what Dorset canst thou find,
  Thou hungry mortal? Break, wretch, break thy quill,
  Blot out the studied image; to the flames

  Commit the Stagyrite; leave this thankless trade;             160
  Erect some pedling stall, with trinkets stock'd,
  There earn thy daily halfpence, nor again
  Trust the false Muse; so shall the cleanly meal
  Repel intruding hunger.--Oh! 'tis vain,
  The friendly admonition's all in vain;
  The scribbling itch has seized him, he is lost
  To all advice, and starves for starving's sake.

  Thus sung the sportful Muse, in mirthful mood,
  Indulging gay the frolic vein of youth;
  But, oh! ye gods, avert th' impending stroke                  170
  This luckless omen threatens! Hark! methinks
  I hear my better angel cry, 'Retreat,
  Rash youth! in time retreat; let those poor bards,
  Who slighted all, all! for the flattering Muse,
  Yet cursed with pining want, as landmarks stand,
  To warn thee from the service of the ingrate.'





A BRITISH PHILIPPIC.

  OCCASIONED BY THE INSULTS OF THE SPANIARDS,
  AND THE PRESENT PREPARATIONS
  FOR WAR. 1738.

  Whence this unwonted transport in my breast?
  Why glow my thoughts, and whither would the Muse
  Aspire with rapid wing? Her country's cause
  Demands her efforts: at that sacred call
  She summons all her ardour, throws aside
  The trembling lyre, and with the warrior's trump
  She means to thunder in each British ear;
  And if one spark of honour or of fame,
  Disdain of insult, dread of infamy,
  One thought of public virtue yet survive,                     10
  She means to wake it, rouse the generous flame,
  With patriot zeal inspirit every breast,
  And fire each British heart with British wrongs.

  Alas, the vain attempt! what influence now
  Can the Muse boast! or what attention now
  Is paid to fame or virtue? Where is now
  The British spirit, generous, warm, and brave,
  So frequent wont from tyranny and woe
  To free the suppliant nations? Where, indeed!
  If that protection, once to strangers given,                  20
  Be now withheld from sons? Each nobler thought,
  That warrn'd our sires, is lost and buried now
  In luxury and avarice. Baneful vice!
  How it unmans a nation! yet I'll try,
  I'll aim to shake this vile degenerate sloth;
  I'll dare to rouse Britannia's dreaming sons
  To fame, to virtue, and impart around
  A generous feeling of compatriot woes.

  Come, then, the various powers of forceful speech,
  All that can move, awaken, fire, transport!                   30
  Come the bold ardour of the Theban bard!
  The arousing thunder of the patriot Greek!
  The soft persuasion of the Roman sage!
  Come all! and raise me to an equal height,
  A rapture worthy of my glorious cause!
  Lest my best efforts, failing, should debase
  The sacred theme; for with no common wing
  The Muse attempts to soar. Yet what need these?
  My country's fame, my free-born British heart,
  Shall be my best inspirers, raise my flight                   40
  High as the Theban's pinion, and with more
  Than Greek or Roman flame exalt my soul.
  Oh! could I give the vast ideas birth
  Expressive of the thoughts that flame within,
  No more should lazy Luxury detain
  Our ardent youth; no more should Britain's sons
  Sit tamely passive by, and careless hear
  The prayers, sighs, groans, (immortal infamy!)
  Of fellow Britons, with oppression sunk,
  In bitterness of soul demanding aid,                          50
  Calling on Britain, their dear native land,
  The land of Liberty; so greatly famed
  For just redress; the land so often dyed
  With her best blood, for that arousing cause,
  The freedom of her sons; those sons that now
  Far from the manly blessings of her sway,
  Drag the vile fetters of a Spanish lord.
  And dare they, dare the vanquish'd sons of Spain
  Enslave a Briton? Have they then forgot,
  So soon forgot, the great, the immortal day,                  60
  When rescued Sicily with joy beheld
  The swift-wing'd thunder of the British arm
  Disperse their navies? when their coward bands
  Fled, like the raven from the bird of Jove,
  From swift impending vengeance fled in vain?
  Are these our lords? And can Britannia see
  Her foes oft vanquish'd, thus defy her power,
  Insult her standard, and enslave her sons,
  And not arise to justice? Did our sires,
  Unawed by chains, by exile, or by death,                      70
  Preserve inviolate her guardian rights,
  To Britons ever sacred, that her sons
  Might give them up to Spaniards?--Turn your eyes,
  Turn, ye degenerate, who with haughty boast
  Call yourselves Britons, to that dismal gloom,
  That dungeon dark and deep, where never thought
  Of joy or peace can enter; see the gates
  Harsh-creaking open; what a hideous void,
  Dark as the yawning grave, while still as death
  A frightful silence reigns! There on the ground               80
  Behold your brethren chain'd like beasts of prey:
  There mark your numerous glories, there behold
  The look that speaks unutterable woe;
  The mangled limb, the faint, the deathful eye,
  With famine sunk, the deep heart-bursting groan,
  Suppress'd in silence; view the loathsome food,
  Refused by dogs, and oh! the stinging thought!
  View the dark Spaniard glorying in their wrongs,
  The deadly priest triumphant in their woes,
  And thundering worse damnation on their souls:                90
  While that pale form, in all the pangs of death,
  Too faint to speak, yet eloquent of all,
  His native British spirit yet untamed,
  Raises his head; and with indignant frown
  Of great defiance, and superior scorn,
  Looks up and dies.--Oh! I am all on fire!
  But let me spare the theme, lest future times
  Should blush to hear that either conquer'd Spain
  Durst offer Britain such outrageous wrong,
  Or Britain tamely bore it--                                   100
  Descend, ye guardian heroes of the land!
  Scourges of Spain, descend! Behold your sons;
  See! how they run the same heroic race,
  How prompt, how ardent in their country's cause,
  How greatly proud to assert their British blood,
  And in their deeds reflect their fathers' fame!
  Ah! would to heaven ye did not rather see
  How dead to virtue in the public cause,
  How cold, how careless, how to glory deaf,
  They shame your laurels, and belie their birth!               110

  Come, ye great spirits, Candish, Raleigh, Blake!
  And ye of latter name, your country's pride,
  Oh! come, disperse these lazy fumes of sloth,
  Teach British hearts with British fires to glow!
  In wakening whispers rouse our ardent youth,
  Blazon the triumphs of your better days,
  Paint all the glorious scenes of rightful war
  In all its splendours; to their swelling souls
  Say how ye bow'd th' insulting Spaniards' pride,
  Say how ye thunder'd o'er their prostrate heads,              120
  Say how ye broke their lines and fired their ports,
  Say how not death, in all its frightful shapes,
  Could damp your souls, or shake the great resolve
  For right and Britain: then display the joys
  The patriot's soul exalting, while he views
  Transported millions hail with loud acclaim
  The guardian of their civil, sacred rights.
  How greatly welcome to the virtuous man
  Is death for others' good! the radiant thoughts
  That beam celestial on his passing soul,                      130
  The unfading crowns awaiting him above,
  The exalting plaudit of the Great Supreme,
  Who in his actions with complacence views
  His own reflected splendour; then descend,
  Though to a lower, yet a nobler scene;
  Paint the just honours to his relics paid,
  Show grateful millions weeping o'er his grave;
  While his fair fame in each progressive age
  For ever brightens; and the wise and good
  Of every land in universal choir                              140
  With richest incense of undying praise
  His urn encircle, to the wondering world
  His numerous triumphs blazon; while with awe,
  With filial reverence, in his steps they tread,
  And, copying every virtue, every fame,
  Transplant his glories into second life,
  And, with unsparing hand, make nations bless'd
  By his example. Vast, immense rewards!
  For all the turmoils which the virtuous mind
  Encounters here. Yet, Britons, are ye cold?                   150
  Yet deaf to glory, virtue, and the call
  Of your poor injured countrymen? Ah! no:
  I see ye are not; every bosom glows
  With native greatness, and in all its state
  The British spirit rises: glorious change!
  Fame, virtue, freedom, welcome! Oh, forgive
  The Muse, that, ardent in her sacred cause,
  Your glory question'd; she beholds with joy,
  She owns, she triumphs in her wish'd mistake.
  See! from her sea-beat throne in awful march                  160
  Britannia towers: upon her laurel crest
  The plumes majestic nod; behold, she heaves
  Her guardian shield, and terrible in arms
  For battle shakes her adamantine spear:
  Loud at her foot the British lion roars,
  Frighting the nations; haughty Spain full soon
  Shall hear and tremble. Go then, Britons, forth,
  Your country's daring champions: tell your foes
  Tell them in thunders o'er their prostrate land,
  You were not born for slaves: let all your deeds              170
  Show that the sons of those immortal men,
  The stars of shining story, are not slow
  In virtue's path to emulate their sires,
  To assert their country's rights, avenge her sons,
  And hurl the bolts of justice on her foes.





HYMN TO SCIENCE.

  'O vitas Philosophia dux! O virtutis indagatrix, expultrixque
  vitiorum. Tu urbes peperisti; tu inventrix legum, tu magistra morum
  et disciplinae fuisti: ad te confugimus, a te opem petimus.'--
     _Cic. Tusc. Quaest_.

  1 Science! thou fair effusive ray
    From the great source of mental day,
      Free, generous, and refined!
    Descend with all thy treasures fraught,
    Illumine each bewilder'd thought,
      And bless my labouring mind.

  2 But first with thy resistless light,
    Disperse those phantoms from my sight,
      Those mimic shades of thee:
    The scholiast's learning, sophist's cant,
    The visionary bigot's rant,
      The monk's philosophy.

  3 Oh! let thy powerful charms impart
    The patient head, the candid heart,
      Devoted to thy sway;
    Which no weak passions e'er mislead,
    Which still with dauntless steps proceed
      Where reason points the way.

  4 Give me to learn each secret cause;
    Let Number's, Figure's, Motion's laws
      Reveal'd before me stand;
    These to great Nature's scenes apply,
    And round the globe, and through the sky,
      Disclose her working hand.

  5 Next, to thy nobler search resign'd,
    The busy, restless, Human Mind
      Through every maze pursue;
    Detect Perception where it lies,
    Catch the Ideas as they rise,
      And all their changes view.

  6 Say from what simple springs began
    The vast ambitious thoughts of man,
      Which range beyond control,
    Which seek eternity to trace,
    Dive through the infinity of space,
      And strain to grasp the whole.

  7 Her secret stores let Memory tell,
    Bid Fancy quit her fairy cell,
      In all her colours dress'd;
    While prompt her sallies to control,
    Reason, the judge, recalls the soul
      To Truth's severest test.

  8 Then launch through Being's wide extent;
    Let the fair scale with just ascent
      And cautious steps be trod;
    And from the dead, corporeal mass,
    Through each progressive order pass
      To Instinct, Reason, God.

  9 There, Science! veil thy daring eye;
    Nor dive too deep, nor soar too high,
      In that divine abyss;
    To Faith content thy beams to lend,
    Her hopes to assure, her steps befriend
      And light her way to bliss.

  10 Then downwards take thy flight again,
     Mix with the policies of men,
       And social Nature's ties;
     The plan, the genius of each state,
     Its interest and its powers relate,
       Its fortunes and its rise.

  11 Through private life pursue thy course,
     Trace every action to its source,
       And means and motives weigh:
     Put tempers, passions, in the scale;
     Mark what degrees in each prevail,
       And fix the doubtful sway.

  12 That last best effort of thy skill,
     To form the life, and rule the will,
       Propitious power! impart:
     Teach me to cool my passion's fires,
     Make me the judge of my desires,
       The master of my heart.

  13 Raise me above the Vulgar's breath,
     Pursuit of fortune, fear of death,
       And all in life that's mean:
     Still true to reason be my plan,
     Still let my actions speak the man,
       Through every various scene.

  14 Hail! queen of manners, light of truth;
     Hail! charm of age, and guide of youth;
       Sweet refuge of distress:
     In business, thou! exact, polite;
     Thou giv'st retirement its delight,
       Prosperity its grace.

  15 Of wealth, power, freedom, thou the cause;
     Foundress of order, cities, laws,
       Of arts inventress thou!
     Without thee, what were human-kind?
     How vast their wants, their thoughts how blind!
       Their joys how mean, how few!

  16 Sun of the soul! thy beams unveil:
     Let others spread the daring sail
       On Fortune's faithless sea:
     While, undeluded, happier I
     From the rain tumult timely fly,
       And sit in peace with thee.





LOVE. AN ELEGY.

  Too much my heart of Beauty's power hath known,
  Too long to Love hath reason left her throne;
  Too long my genius mourn'd his myrtle chain,
  And three rich years of youth consumed in vain.
  My wishes, lull'd with soft inglorious dreams,
  Forgot the patriot's and the sage's themes:
  Through each Elysian vale and fairy grove,
  Through all the enchanted paradise of love,
  Misled by sickly Hope's deceitful flame,
  Averse to action, and renouncing fame.                        10

  At last the visionary scenes decay,
  My eyes, exulting, bless the new-born day,
  Whose faithful beams detect the dangerous road
  In which my heedless feet securely trod,
  And strip the phantoms of their lying charms
  That lured my soul from Wisdom's peaceful arms.

  For silver streams and banks bespread with flowers,
  For mossy couches and harmonious bowers,
  Lo! barren heaths appear, and pathless woods,
  And rocks hung dreadful o'er unfathom'd floods:               20
  For openness of heart, for tender smiles,
  Looks fraught with love, and wrath-disarming wiles;
  Lo! sullen Spite, and perjured Lust of Gain,
  And cruel Pride, and crueller Disdain;
  Lo! cordial Faith to idiot airs refined,
  Now coolly civil, now transporting kind.
  For graceful Ease, lo! Affectation walks;
  And dull Half-sense, for Wit and Wisdom talks.
  New to each hour what low delight succeeds,
  What precious furniture of hearts and heads!                  30
  By nought their prudence, but by getting, known,
  And all their courage in deceiving shown.

  See next what plagues attend the lover's state,
  What frightful forms of Terror, Scorn, and Hate!
  See burning Fury heaven and earth defy!
  See dumb Despair in icy fetters lie!
  See black Suspicion bend his gloomy brow,
  The hideous image of himself to view!
  And fond Belief, with all a lover's flame,
  Sink in those arms that point his head with shame!            40
  There wan Dejection, faltering as he goes,
  In shades and silence vainly seeks repose;
  Musing through pathless wilds, consumes the day,
  Then lost in darkness weeps the hours away.
  Here the gay crowd of Luxury advance,
  Some touch the lyre, and others urge the dance:
  On every head the rosy garland glows,
  In every hand the golden goblet flows.
  The Syren views them with exulting eyes,
  And laughs at bashful Virtue as she flies.                    50
  But see behind, where Scorn and Want appear,
  The grave remonstrance and the witty sneer;
  See fell Remorse in action, prompt to dart
  Her snaky poison through the conscious heart;
  And Sloth to cancel, with oblivious shame,
  The fair memorial of recording Fame.

  Are these delights that one would wish to gain?
  Is this the Elysium of a sober brain?
  To wait for happiness in female smiles,
  Bear all her scorn, be caught with all her wiles,             60
  With prayers, with bribes, with lies, her pity crave,
  Bless her hard bonds, and boast to be her slave;
  To feel, for trifles, a distracting train
  Of hopes and terrors equally in vain;
  This hour to tremble, and the next to glow;
  Can Pride, can Sense, can Reason, stoop so low:
  When Virtue, at an easier price, displays
  The sacred wreaths of honourable praise;
  When Wisdom utters her divine decree,
  To laugh at pompous Folly, and be free?                       70

  I bid adieu, then, to these woeful scenes;
  I bid adieu to all the sex of queens;
  Adieu to every suffering, simple soul,
  That lets a woman's will his ease control.
  There laugh, ye witty; and rebuke, ye grave!
  For me, I scorn to boast that I'm a slave.
  I bid the whining brotherhood be gone;
  Joy to my heart! my wishes are my own!
  Farewell the female heaven, the female hell;
  To the great God of Love a glad farewell.                     80
  Is this the triumph of thy awful name?
  Are these the splendid hopes that urged thy aim,
  When first my bosom own'd thy haughty sway?
  When thus Minerva heard thee, boasting, say--
  'Go, martial maid, elsewhere thy arts employ,
  Nor hope to shelter that devoted boy.
  Go teach the solemn sons of Care and Age,
  The pensive statesman, and the midnight sage;
  The young with me must other lessons prove,
  Youth calls for Pleasure, Pleasure calls for Love.            90
  Behold, his heart thy grave advice disdains;
  Behold, I bind him in eternal chains.'--
  Alas! great Love, how idle was the boast!
  Thy chains are broken, and thy lessons lost;
  Thy wilful rage has tired my suffering heart,
  And passion, reason, forced thee to depart.
  But wherefore dost thou linger on thy way?
  Why vainly search for some pretence to stay,
  When crowds of vassals court thy pleasing yoke,
  And countless victims bow them to the stroke?                 100
  Lo! round thy shrine a thousand youths advance,
  Warm with the gentle ardours of romance;
  Each longs to assert thy cause with feats of arms,
  And make the world confess Dulcinea's charms.
  Ten thousand girls with flowery chaplets crown'd,
  To groves and streams thy tender triumph sound:
  Each bids the stream in murmurs speak her flame,
  Each calls the grove to sigh her shepherd's name.
  But, if thy pride such easy honour scorn,
  If nobler trophies must thy toil adorn,                       110
  Behold yon flowery antiquated maid
  Bright in the bloom of threescore years display'd;
  Her shalt thou bind in thy delightful chains,
  And thrill with gentle pangs her wither'd veins,
  Her frosty cheek with crimson blushes dye,
  With dreams of rapture melt her maudlin eye.

  Turn then thy labours to the servile crowd,
  Entice the wary, and control the proud;
  Make the sad miser his best gains forego,
  The solemn statesman sigh to be a beau,                       120
  The bold coquette with fondest passion burn,
  The Bacchanalian o'er his bottle mourn;
  And that chief glory of thy power maintain,
  'To poise ambition in a female brain.'
  Be these thy triumphs; but no more presume
  That my rebellious heart will yield thee room:
  I know thy puny force, thy simple wiles;
  I break triumphant through thy flimsy toils;
  I see thy dying lamp's last languid glow,
  Thy arrows blunted and unbraced thy bow.                      130
  I feel diviner fires my breast inflame,
  To active science, and ingenuous fame;
  Resume the paths my earliest choice began,
  And lose, with pride, the lover in the man.





TO CORDELIA.

  JULY 1740.

  1 From pompous life's dull masquerade,
      From Pride's pursuits, and Passion's war,
      Far, my Cordelia, very far,
    To thee and me may Heaven assign
    The silent pleasures of the shade,
  The joys of peace, unenvied, though divine!

  2 Safe in the calm embowering grove,
      As thy own lovely brow serene;
      Behold the world's fantastic scene!
    What low pursuits employ the great,
    What tinsel things their wishes move,
  The forms of Fashion, and the toys of State.

  3 In vain are all Contentment's charms,
      Her placid mien, her cheerful eye,
      For look, Cordelia, how they fly!
    Allured by Power, Applause, or Gain,
    They fly her kind protecting arms;
  Ah, blind to pleasure, and in love with pain!

  4 Turn, and indulge a fairer view,
      Smile on the joys which here conspire;
      O joys harmonious as my lyre!
    O prospect of enchanting things,
    As ever slumbering poet knew,
  When Love and Fancy wrapt him in their wings!

  5 Here, no rude storm of Passion blows,
      But Sports and Smiles, and Virtues play,
      Cheer'd by Affection's purest ray;
    The air still breathes Contentment's balm,
    And the clear stream of Pleasure flows
  For ever active, yet for ever calm.





SONG.

  1 The shape alone let others prize,
      The features of the fair;
    I look for spirit in her eyes,
      And meaning in her air;

  2 A damask cheek, an ivory arm,
      Shall ne'er my wishes win:
    Give me an animated form,
      That speaks a mind within;

  3 A face where awful honour shines,
      Where sense and sweetness move,
    And angel innocence refines
      The tenderness of love.

  4 These are the soul of Beauty's frame;
      Without whose vital aid,
    Unfinish'd all her features seem,
      And all her roses dead.

  5 But, ah! where both their charms unite,
      How perfect is the view,
    With every image of delight,
      With graces ever new:

  6 Of power to charm the greatest woe,
      The wildest rage control,
    Diffusing mildness o'er the brow,
      And rapture through the soul.

  7 Their power but faintly to express,
      All language must despair;
    But go, behold Arpasia's face,
      And read it perfect there.



END OF AKENSIDE'S POETICAL WORKS.









End of Project Gutenberg's Poetical Works of Akenside, by Mark Akenside

*** END OF THIS PROJECT GUTENBERG EBOOK POETICAL WORKS OF AKENSIDE ***

***** This file should be named 9814.txt or 9814.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/9/8/1/9814/

Produced by Jonathon Ingram, Robert Prince and the Online
Distribted Proofreading Team


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.